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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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824
PIANO & CLAVIERS
Piano seul
783
Piano Facile
243
Piano, Voix
209
Piano, Voix et Guitare
187
Orgue
65
Instruments en Do
39
1 Piano, 4 mains
23
Accompagnement Piano
17
Accordéon
9
Piano grosses notes
9
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
3
2 Pianos, 4 mains
2
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
1
Clavier
1
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GUITARES
Guitare notes et tablatures
236
Guitare
131
Dulcimer
113
Ligne De Mélodie, (Paroles) et Accords
74
Basse electrique
39
Ukulele
15
Paroles et Accords
13
2 Dulcimers (duo)
9
2 Guitares (duo)
5
Banjo
5
Basse électrique (partie séparée)
4
Mandoline
4
Piano, Guitare (duo)
4
3 Guitares (trio)
2
4 Guitares (Quatuor)
1
Luth
1
Guitare (partie séparée)
1
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
309
Chorale 3 parties
100
Chorale 2 parties
55
Chorale TTBB
51
Chorale SSAA
30
Chorale Unison
27
Voix duo, Piano
15
Voix seule
15
Voix duo
7
Voix Soprano, Piano
6
Chorale
6
Voix Alto, Piano
5
Voix moyenne, Piano
3
Voix Tenor, Piano
2
Voix haute
2
Voix Mezzo-Soprano, Piano
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Chorale SSATTB
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
93
Clarinette
93
Flûte traversière et Piano
85
Flûte traversière
85
Clarinette et Piano
78
Hautbois, Piano (duo)
62
2 Saxophones (duo)
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
53
Saxophone
50
Quatuor de Saxophones: 4 saxophones
49
Saxophone Alto et Piano
46
Quatuor de Clarinettes: 4 clarinettes
44
Flûte, Hautbois, Clarinette, Basson
38
Saxophone Alto
34
Saxophone Tenor et Piano
32
Hautbois (partie séparée)
30
Quintette de Saxophone: 5 saxophones
26
2 Flûtes traversières (duo)
25
2 Clarinettes (duo)
24
Quatuor de Flûtes : 4 flûtes
24
3 Saxophones (trio)
22
Saxophone Soprano et Piano
21
Flûte et Guitare
20
Hautbois
19
Saxophone Baryton, Piano
17
Clarinette (partie séparée)
16
Ensemble de Flûtes
15
Flûte, Clarinette (duo)
14
Cor anglais, Piano
13
Trio de Flûtes: 3 flûtes
12
2 Flûte à bec (duo)
11
3 Clarinettes (trio)
11
Flûte, Hautbois, Clarinette (trio)
9
Quintette de Clarinettes: 5 clarinettes
9
2 Hautbois (duo)
9
Flute (partie séparée)
7
Clarinette, Guitare (duo)
7
Quintette de Flûte : 5 flûtes
7
Saxophone et Guitare
6
Saxophone, Clarinette (duo)
6
Flûte à bec Alto
6
Cor anglais, Guitare (duo)
6
Clarinette, Basson (duo)
5
Ensemble de Clarinettes
5
Flûte à bec Tenor
5
Ensemble de Hautbois
5
Quatuor de Flûtes à bec
5
3 Flûtes à bec (trio)
5
Cor Anglais
4
Clarinette, Violon (duo)
4
Flûte à bec Soprano
4
Flûte à Bec
4
4 Hautbois
4
Saxophone Tenor
4
Flûte, Violon
4
Clarinette Basse, Piano
4
Clarinette, Trompette (duo)
3
Ensemble de saxophones
3
Harmonica
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Clarinette et Basson
3
Hautbois, Flûte
3
Flûte, Violon et Violoncelle
2
Flûte à bec Alto, Piano
2
Hautbois, Basson (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone Baryton
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Flûte, Hautbois, Basson
2
Clarinette, Violoncelle (duo)
2
Saxophone Soprano
2
Cornemuse
1
3 Hautbois
1
Ensemble De Flûte à bec
1
Flûte, Violoncelle
1
Ensemble à vent
1
Hautbois, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec, Guitare (duo)
1
Flûte, Trompette (duo)
1
Flûte, Alto (duo)
1
2 Saxophones, Piano
1
Flûte traversière, Basse continue
1
Flûte, Basson et Piano
1
Flûte irlandaise
1
5 Flûtes à bec
1
Hautbois, Clarinette (duo)
1
Flûte à bec Soprano, Piano
1
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CUIVRES
Trombone
72
Trompette
71
Cor et Piano
56
Trombone et Piano
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Tuba
49
Trompette, Piano
42
Cor
40
Trompette (partie séparée)
21
Tuba et Piano
21
2 Trombones (duo)
20
2 Trompettes (duo)
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Cor anglais, Piano
13
Cor (partie séparée)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trombone (partie séparée)
13
Quatuor de cuivres: 4 trombones
11
Trompette, Cor (duo)
10
2 Cors (duo)
9
Trompette, Trombone (duo)
8
2 Tubas (duo)
8
Euphonium
8
Tuba (partie séparée)
7
Quatuor de cuivres: 4 cors
7
Quatuor de Cuivres
7
Ensemble de Cors
6
Quatuor de cuivres: 4 trompettes
6
Cor anglais, Guitare (duo)
6
4 Tubas
5
Cor Anglais
4
Trompette, Saxophone (duo)
4
3 Tubas (trio)
4
3 Cors (trio)
4
Trombone, Cor (duo)
3
Euphonium, Piano (duo)
3
3 Trombones (trio)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Trombone, Violon (duo)
1
Trombone basse
1
Trompette, Trombone, Piano
1
Ensemble de Trombones
1
3 Trompettes (trio)
1
Cor et Harpe
1
Cor, Violoncelle (duo)
1
Ensemble de Tubas
1
Trombone, Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
149
Violon
91
Violoncelle, Piano
74
Violon et Piano
71
Harpe
64
Violoncelle (partie séparée)
49
Alto, Piano
47
Violon, Violoncelle (duo)
37
Alto seul
36
Violoncelle
33
Contre Basse
31
Contrebasse, Piano (duo)
28
Trio à Cordes: violon, alto, violoncelle
25
2 Violoncelles (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
2 Violons (duo)
18
Alto (partie séparée)
14
2 Altos (duo)
13
Violon (partie séparée)
12
Violon, Alto (duo)
12
Contrebasse (partie séparée)
11
Violoncelle , Guitare (duo)
8
Violon, Guitare (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: 3 violoncelles
6
Alto, Guitare (duo)
6
Alto, Violoncelle (duo)
6
Trio à cordes: 3 altos
5
Quatuor à cordes: 4 violons
5
2 Harpes (duo)
5
4 Violoncelles
5
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 violins
4
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 2 violons, alto
3
Harpe, Flûte (duo)
3
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
2 Violoncelles, Piano
1
Harpe, Voix
1
4 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
301
Orchestre
85
Orchestre à Cordes
67
Ensemble de cuivres
62
Cloches
54
Ensemble Jazz
52
Batterie
36
Fanfare
30
Batterie (partie séparée)
18
Orchestre de chambre
16
Ensemble de Percussions
12
Percussion (partie séparée)
10
Jazz combo
5
Marimba
2
Vibraphone
2
Xylophone, Piano
2
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
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AUTRES
Théorie de la musique
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The Owl
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Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
7.35 €
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Ensemble de cuivres
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Complete Book of Harmony, Theory & Voicing
Théorie de la musique
Composed by Bret Willmott. Theory and Reference. Complete. All styles. E-book. 248 p…
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Composed by Bret Willmott. Theory and Reference. Complete. All styles. E-book. 248 pages. Mel Bay Publications - Digital Sheet Music #95112EB. Published by Mel Bay Publications - Digital Sheet Music
This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music.
$29.99
27.72 €
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Théorie de la musique
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Bret Willmott
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Complete Book of Harmony, Theory & Voicing
#
Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Instruments en Do
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.59 €
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Instruments en Do
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Various
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Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Wold Meridian
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SheetMusicPlus
The Owl Says Hoo
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1344142 Composed by William …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1344142 Composed by William Suit. 21st Century,Children,Instructional. Score. 3 pages. William Suit #929610. Published by William Suit (A0.1344142). From the piano book, The Own Says Hoo by William Suit for mid to upper elementary students. Learning good technique at the piano should be a fun experience. These ten songs are from the original vocal book, “The Owl Says Hoo†They have been rewritten as piano solos that are accessible to mid and late elementary students. Also included are the lyrics so that adventurous students can sing along while they are playing. These songs can be used to establish confidence in finger placement and movement of the hand positions. Some of them such as, “Frozen Pine Cone†and “Shooting Star†reinforce the use of the C scale. The chromatic scale is explored in “Hummingbird†while ocatve jumps are covered in the haunting melody of “Snowy Owl.†©2023 William Suit.
$2.99
2.76 €
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Piano, Voix
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William Suit
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The Owl Says Hoo
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William Suit
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SheetMusicPlus
Snowy Owl
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1344120 Composed by William …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1344120 Composed by William Suit. 21st Century,Children,Instructional. Score. 3 pages. William Suit #929601. Published by William Suit (A0.1344120). From the piano book, The Own Says Hoo by William Suit for mid to upper elementary students. Learning good technique at the piano should be a fun experience. These ten songs are from the original vocal book, “The Owl Says Hoo.†They have been rewritten as piano solos that are accessible to mid and late elementary students. Also included are the lyrics so that adventurous students can sing along while they are playing. These songs can be used to establish confidence in finger placement and movement of the hand positions. Some of them such as, “Frozen Pine Cone†and “Shooting Star†reinforce the use of the C scale. The chromatic scale is explored in “Hummingbird†while ocatve jumps are covered in the haunting melody of “Snowy Owl.†©2023 William Suit.
$2.99
2.76 €
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Piano, Voix
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William Suit
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Snowy Owl
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William Suit
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SheetMusicPlus
The Owl Says Hoo Piano Book for Kids
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1177195 Composed by William Suit. 2…
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Easy Piano - Level 1 - Digital Download SKU: A0.1177195 Composed by William Suit. 20th Century,Children,Instructional. Score. 25 pages. William Suit #777204. Published by William Suit (A0.1177195). The Owl Says Hoo Piano Book for Kids brings delightful tunes to the keyboard for beginner and elementary players. Young musicians will enjoy singing along to the tunes as they play. The arrangements are set so that students can easily play them with hands in a single position.Will Suit has compiled an original resource that will be a compliment to any curriculum being used in the private music studio. Titles include “The Owl Says Hoo†“Flying Squirrel†“Snowy Owl†“Frozen Pine Cone†and six other original tunes.Bring some variety to your next performance opportunity!
$5.99
5.54 €
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Piano Facile
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William Suit
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The Owl Says Hoo Piano Book for Kids
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William Suit
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SheetMusicPlus
Rosary Sonatas: The Crucifixion
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
32.35 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixion
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JMJ Arrangements
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SheetMusicPlus
Bottom Of The Punchbowl
Violon et Piano
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340620 By …
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340620 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #41ItqlOMMAH72Rrn5cXCT3. Published by Heather Mueller Music (A0.1340620). Key: D major.Bottom of the Punchbowl - Traditional Irish Reel Sheet Music Immerse yourself in the spirited world of Irish music with our sheet music for Bottom of the Punchbowl. This traditional Irish reel, known for its lively and infectious rhythms, is skillfully transcribed to capture the essence of its joyful character. Designed for musicians eager to embrace the tradition, this sheet music is tailored for fiddle players seeking an engaging addition to their repertoire. Key Features: Authentic transcription of Bottom of the Punchbowl in its traditional Irish charm. Playful and rhythmic melodies that embody the lively spirit of the reel. Crafted for fiddle players, with adaptability for various melodic instruments. Chord symbols included for optional accompaniment. Whether you're a dedicated fan of Irish music or a musician on a melodic instrument looking to explore the magic of this traditional reel, our sheet music invites you to revel in the joyous energy of Bottom of the Punchbowl. Elevate your performance and share the lively spirit of this classic Irish tune with our meticulously crafted arrangement.
$3.99
3.69 €
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Violon et Piano
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Traditional Fiddle Tunes
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Heather M Music
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Bottom Of The Punchbowl
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Heather Mueller Music
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SheetMusicPlus
The Song the Owl God Sang -- A Folktale in Three Parts
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 5 - Digital Dow…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.1031909 Composed by J. H. Sauer. Contemporary. Score and parts. 47 pages. J. H. Sauer #5981703. Published by J. H. Sauer (A0.1031909). Here is the story of the Owl God of Ainu mythology as told by music. The Owl God is a deity who gives of himself to those who do the same and is said to be able to grant great fortune (gold falls all around, silver falls all around) to those who are kind, humble, and show the proper respect to the heavens, the earth, and all those who inhabit either. Whether or not this fortune is physical is left up to the listener.
$7.99
7.39 €
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J
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The Song the Owl God Sang -- A Folktale in Three Parts
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J. H. Sauer
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SheetMusicPlus
Another Day
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
4.58 €
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Voix Alto, Piano
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Sweet Suffolk Owl (mp3)
Choir - Digital Download SKU: A0.1059416 Composed by Thomas Vautour. Arranged by Da…
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Choir - Digital Download SKU: A0.1059416 Composed by Thomas Vautour. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 132. David Warin Solomons #3384275. Published by David Warin Solomons (A0.1059416). Arrangement for men's voices of a madrigal by Thomas Vautor for five part choir. (a vulture composes a song about an owl!? - political correctness gone mad!) The owl is depicted as a thing of beauty a fierce force of nature and a mysterious companion to dying souls The performance is by the dwschorale (multitrack one-man choir) Sweet Suffolk Owl, so trimly dight With feathers like a lady bright, Thou sing`st alone, sitting by night, Te whit, te whoo! Te whit, te whoo! Thy note, that forth so freely rolls, With shrill command the mouse controls; And sings a dirge for dying souls, Te whit, te whoo! Te whit, te whoo!
$2.50
2.31 €
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Thomas Vautour
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David Warin Solomons
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Sweet Suffolk Owl
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David Warin Solomons
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SheetMusicPlus
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, …
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Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00
16.64 €
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Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato
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Alastair Lodge
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Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Wold Meridian
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SheetMusicPlus
Shadowland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1030571 Composed by Hans Zimmer…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film/TV,Multicultural,Musical/Show,World. Score and parts. 71 pages. Brian Strohmetz #633740. Published by Brian Strohmetz (A0.1030571). For Orchestra, Solo Vocalist and Choir Shadowland is a song written by Lebo M., Hans Zimmer and Mark Mancina for the musical The Lion King (1997), a stage adaptation of Disney's 1994 animated film of the same name. Based on the song Lea Halalela (Holy Land), a track featured on Lebo's Lion King-inspired concept album Rhythm of the Pride Lands (1995), Lebo composed the track with Zimmer, while both Lebo and Mancina contributed new lyrics to its melody. Lebo based the song's lyrics on his own experiences having been exiled from South Africa during apartheid, therefore imbuing Shadowland with themes about refugeeism and survival. Originally performed by Trinidadian-American singer and actress Heather Headley as Nala, and South African actress Tsidii Le Loka as Rafiki, roles both performers originated on stage, Shadowland narrates Nala's decision to leave the Pride Lands in search of a more habitable environment upon realizing that her homeland has grown dry and barren in the midst of Scar's reign. Taking place shortly after Nala rejects Scar's romantic advances, director Julie Taymor used the song to develop Nala into a stronger character for the stage adaptation, and identified Shadowland as her favorite among the production's original songs, believing its message and themes to be universal. Musically, Shadowland is a soul power ballad. Sung in both English and African languages, its instrumentation combines African percussion with European orchestration to create a more exotic sound while accompanying pop vocals and African chants; some critics have observed political themes such as feminism, injustice and the ecosystem throughout the song's lyrics. Shadowland has been mostly positively received by music and theatre critics; both Headley and actresses who replaced her in subsequent productions of the musical have been praised for their vocals and performances.
$74.99
69.33 €
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Orchestre
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Hans Zimmer, Lebo M, and Mark Mancina
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Brian Strohmetz
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Shadowland
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Brian Strohmetz
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SheetMusicPlus
The River
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
4.58 €
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Back to the Heart
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
4.58 €
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Voix Alto, Piano
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Owl on the Prowl
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.518885 By Megan Denman. By Megan De…
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Piano Solo - Level 1 - Digital Download SKU: A0.518885 By Megan Denman. By Megan Denman. Classical,Pop. Score. 2 pages. Megan Denman Pianist #129569. Published by Megan Denman Pianist (A0.518885). Owl on the Prowl is an energetic late elementary-level solo piano piece. It features an ostinato LH pattern, differing articulations between the hands and off-beat rhythms.
$1.99
1.84 €
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Piano seul
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Megan Denman
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Owl on the Prowl
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Megan Denman Pianist
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SheetMusicPlus
Night Owls. Convivial March Song and Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.23640 Composed by Arthur West. Leisure, …
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Piano and voice - Digital Download SKU: LV.23640 Composed by Arthur West. Leisure, Entertainment, Eating & drinking, Alcoholic beverages, Bachelors, Symbols. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23640). Night Owls. Convivial March Song and Chorus. Written and Composed by Arthur West. Published 1894 by M. Witmark & Sons, 51 West 28th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Leisure, Entertainment, Eating & drinking, Alcoholic beverages, Bachelors, Symbols. First line reads The owl can only see by night, that's all it's got to do.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Piano, Voix
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Arthur West
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Night Owls. Convivial March Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Owl Says Hoo
Piano Facile
C Instrument - Level 1 - Digital Download SKU: A0.1177174 By William Suit. By Willi…
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C Instrument - Level 1 - Digital Download SKU: A0.1177174 By William Suit. By William Suit. 20th Century,Children,Instructional. Lead Sheet / Fake Book. 30 pages. William Suit #777183. Published by William Suit (A0.1177174). Here are ten songs that you will enjoy using over and over in your studio or classroom with young singers. Some are fun. Some are mysterious, but all were written with a vocal study in mind. Each song has complete piano accompaniment as well as solfege. This transforms these delightful tunes into vocal exercises that are fresh and interesting. They're great for individual or group warm ups. Your next recital will be enhanced by the use of haunting tunes like Shadows Fall or the entertaining story of Flying Squirrel. You will enjoy using the songs over and over in this addition to The Owl Says Hoo series.
$9.99
9.24 €
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Piano Facile
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William Suit
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The Owl Says Hoo
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William Suit
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SheetMusicPlus
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
8.31 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed Euridice for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Theme from "Ice Castles" (Through the Eyes of Love)
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through t…
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Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through the Eyes of Love). Composed by Marvin Hamlisch. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015689. Published by Alfred Music - Digital Sheet Music
ISBN 9780739096109. Carole Bayer Sager.<br> <br> Music makers looking for a wide variety of musical styles to play will find unlimited enjoyment in this big collection of sheet music for 45 of the world's most recognizable popular songs and movie themes! The titles in this book are proven favorites that can be enjoyed by players of all ages. From pop hits through the ages to epic movie music by renowned composers like Howard Shore, John Williams, Hans Zimmer, and more, the arrangements in this collection will delight players and audiences alike. Titles: Africa (Toto) * At Last (Etta James) * The Big Bang Theory (Main Title Theme) * Bridge Over Troubled Water (Simon and Garfunkel) * Can You Feel the Love Tonight (The Lion King) * Concerning Hobbits (The Lord of the Rings: The Fellowship of the Ring) * Count on Me (Bruno Mars) * Dancing Queen (Mamma Mia!) * The Dark Knight Overture (The Dark Knight) * Discombobulate (Sherlock Holmes) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Empire State of Mind (Jay-Z and Alicia Keys) * Falling Slowly (Once) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Gonna Fly Now (Rocky) * Greatest Love of All (Whitney Houston) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * I Don't Want to Miss a Thing (Armageddon) * I Saw Her Standing There (The Beatles) * Theme from Ice Castles * If I Die Young (The Band Perry) * Into the West (The Lord of the Rings: The Return of the King) * James Bond Theme (Dr. No) * Kiss from a Rose (Seal) * Lily's Theme (Harry Potter and the Deathly Hallows, Part. 2) * Theme from Love Affair * Make You Feel My Love (Adele) * The Notebook (Main Title) * Out Here on My Own (Fame) * Over the Rainbow (The Wizard of Oz) * The Pink Panther * The Prayer (Celine Dion and Andrea Bocelli) * Song of the Lonely Mountain (The Hobbit: An Unexpected Journey) * Stairway to Heaven.
$3.99
3.69 €
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Piano, Voix et Guitare
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Marvin Hamlisch
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Theme from "Ice Castles"
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Come Brothers Arouse. A Favourite Song & Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.2797 Composed by Henry Russell. Nature, …
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Piano and voice - Digital Download SKU: LV.2797 Composed by Henry Russell. Nature, Night, Seasons, Summer, Celebrations, Leisure, Happiness, Dancing. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2797). Come Brothers Arouse. A Favourite Song & Chorus. Tenth Edition. From the Opera of the Bride's Band. The Words by William B. Bernard, Esqr. The Music Composed by Henry Russell. Published 1837 by Firth Pond & Co., 547 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Nature, Night, Seasons, Summer, Celebrations, Leisure, Happiness, Dancing. First line reads Come brothers arouse let the owl go to rest.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Piano, Voix
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Henry Russell
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Come Brothers Arouse. A Favourite Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.9 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.9 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
The Owl and the Pussycat
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1164155 Composed by Kevin F…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1164155 Composed by Kevin Frecker. A Cappella,Chamber,Comedy. Octavo. 5 pages. Kevin Frecker #764211. Published by Kevin Frecker (A0.1164155). The Owl and the Pussycat is a nonsense poem written by Edward Lear in 1870. It takes me back to my late teens and early twenties when I would recite this poem with my 2 sisters. They would take the parts of the Narrator, the Owl, and the Pussycat. That would leave me with two words, the most important line in the poem, the Piggy-wig's line I will. Without this one line, the goal of the poem cannot be achieved - the marriage between the Owl and the Pussycat.Since this is a nonsense poem, the tempo and dynamic variations can be exaggerated to bring out the humor in the text. This setting is most ideal for an ensemble of soloists, but it could also be performed by an SAB choir with soloists for the parts of the Owl, the Pussycat, and the Piggy-wig. Happy singing!
$1.99
1.84 €
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Chorale 3 parties
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Kevin Frecker
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The Owl and the Pussycat
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Kevin Frecker
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SheetMusicPlus
The Midsummer Marriage
2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Di…
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2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Digital Download SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 150 minutes. Schott Music - Digital #Q40439. Published by Schott Music - Digital (S9.Q40439). English.Like few other theatre works—The Magic Flute, A Midsummer Night’s Dream—Tippett’s first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer’s businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
$75.99
70.25 €
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Sir Michael Tippett
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The Midsummer Marriage
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Schott Music - Digital
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SheetMusicPlus
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