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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Passage
Non classifié
564
Piano & claviers
Piano seul
546
Piano Facile
62
Orgue
45
Piano, Voix
42
Instruments en Do
23
1 Piano, 4 mains
22
Piano, Voix et Guitare
13
Piano Trio: piano, violon, violoncelle
10
Accompagnement Piano
8
2 Pianos, 4 mains
7
Orgue, Trompette (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Piano (partie séparée)
1
Clavecin
1
+ 12 instrumentations
Retracter
Guitares
Guitare
57
Guitare notes et tablatures
27
2 Guitares (duo)
7
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
5
Ukulele
2
Guitare (partie séparée)
2
Banjo
2
Piano, Guitare (duo)
1
Paroles et Accords
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
272
Chorale 3 parties
44
Chorale 2 parties
40
Voix Soprano, Piano
37
Voix Alto, Piano
28
Voix Baryton, Piano
27
Chorale SSAA
27
Voix Tenor, Piano
26
Chorale TTBB
26
Chorale Unison
24
Chorale SSAATTBB
11
Voix duo, Piano
10
Voix haute
4
Chorale SSAB, Piano
2
Voix moyenne, Piano
1
Chorale SAATB A Cappella
1
Voix basse, Piano
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière et Piano
49
2 Saxophones (duo)
45
Flûte traversière
40
Clarinette
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Quatuor de Saxophones: 4 saxophones
32
Quatuor de Clarinettes: 4 clarinettes
32
Saxophone Alto
32
Clarinette et Piano
28
2 Flûtes traversières (duo)
27
2 Clarinettes (duo)
25
Saxophone Tenor
24
Flûte, Hautbois, Clarinette, Basson
21
Hautbois, Piano (duo)
21
Saxophone Alto et Piano
20
Saxophone, Clarinette (duo)
19
Ensemble de Clarinettes
18
Clarinette, Violon (duo)
15
Saxophone Soprano et Piano
15
Hautbois (partie séparée)
15
3 Clarinettes (trio)
13
Clarinette, Trompette (duo)
11
Quatuor de Flûtes : 4 flûtes
11
Saxophone Tenor et Piano
11
2 Hautbois (duo)
10
Hautbois, Clarinette (duo)
10
Flûte, Violon
8
Flûte, Alto (duo)
8
Quintette de Saxophone: 5 saxophones
8
Hautbois, Basson (duo)
8
Ensemble de Flûtes
7
Quintette de Clarinettes: 5 clarinettes
7
Hautbois, Flûte
7
Flûte, Saxophone (duo)
6
Saxophone (partie séparée)
6
Clarinette et Alto
6
Flûte, Clarinette (duo)
5
Ensemble de saxophones
5
Saxophone Baryton, Piano
5
Trio de Flûtes: 3 flûtes
5
Quintette de Flûte : 5 flûtes
4
Flûte, Trompette (duo)
4
Clarinette, Basson (duo)
4
3 Saxophones (trio)
4
Clarinette (partie séparée)
3
Flûte et Guitare
3
Clarinette, Violoncelle (duo)
3
Flûte, Clarinette et Basson
3
Hautbois
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violoncelle
2
Hautbois, Violoncelle
2
2 Cors Anglais Et Pianoforte
2
Hautbois, violon (duo)
1
Flûte, alto et harpe
1
Hautbois et alto (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble à vent
1
Hautbois, Basson et Piano
1
Flûte et Trio à cordes
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Hautbois, Guitare (duo)
1
Saxophone
1
2 Clarinettes, Basson
1
Flûte, Hautbois (duo)
1
Clarinette Basse, Piano
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Piano (trio)
1
Flute, harpe et violon
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Flûte, Harpe et Violoncelle
1
2 Saxophones, Piano
1
Flute (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trombone
34
Trompette
31
Trombone et Piano
21
Trompette, Piano
17
Cor
17
Cor et Piano
17
Trompette, Saxophone (duo)
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Tuba
14
Trompette (partie séparée)
14
2 Trompettes (duo)
13
2 Trombones (duo)
11
Tuba et Piano
10
Trombone (partie séparée)
8
Trompette, Trombone (duo)
7
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 trombones
5
Quatuor de Cuivres
3
Ensemble de Trombones
3
2 Euphoniums et 2 Tubas
3
2 Cors (duo)
3
2 Euphoniums (duo)
2
2 Tubas (duo)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
2 Cors Anglais Et Pianoforte
2
Cor (partie séparée)
2
Trombone basse
2
3 Trombones (trio)
1
Euphonium
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Cor, Violoncelle (duo)
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
115
Violon et Piano
78
Violon
61
Violoncelle, Piano
41
Violoncelle
31
Alto, Piano
25
Violon, Violoncelle (duo)
24
Trio à Cordes: violon, alto, violoncelle
24
Harpe
23
2 Violons (duo)
17
Alto seul
15
Violon (partie séparée)
14
2 Violoncelles (duo)
12
Violon, Alto (duo)
11
Contrebasse, Piano (duo)
10
Alto (partie séparée)
8
Violon, Guitare (duo)
8
2 Altos (duo)
8
Contre Basse
6
4 Violoncelles
4
Contrebasse (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
2 Contrebasses (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Flûte (duo)
2
Violon, Basson (duo)
2
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes : 4 altos
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
395
Orchestre à Cordes
129
Orchestre
63
Cloches
42
Ensemble Jazz
32
Orchestre de chambre
26
Ensemble de cuivres
24
Ensemble de Percussions
22
Batterie
6
Marimba
4
Percussion (partie séparée)
3
Fanfare
3
Xylophone, Piano
2
Vibraphone
2
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
405
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
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INSTRUMENTATIONS
|
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|
Partitions Numériques
4 498
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
1 661
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
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PERCUSSION
|
CUIVRE / VENT
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CORDES/TRAD.
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
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DEEJAY
DIDGERIDOO
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FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
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HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
ORCHESTRE
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AMERICANA
ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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4 498 partitions trouvées
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4476
CONJUNCTION: The Christmas Star of 2020
#
Orchestre
#
INTERMÉDIAIRE
#
Noël
#
Robert Myers
#
He will show His favor again
#
CONJUNCTION: The Christmas Sta
#
WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
The Oboe
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James E
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The Oboe
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Sahale Studios
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SheetMusicPlus
Piano Quartet - Level 5 - SKU: A0.1329920 Composed by James E. Andersson. 19th Century,21st Century,Classical,Comedy,Contemporary. 35 pages. Sahale Stud...
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Piano Quartet - Level 5 - SKU: A0.1329920 Composed by James E. Andersson. 19th Century,21st Century,Classical,Comedy,Contemporary. 35 pages. Sahale Studios #917904. Published by Sahale Studios (A0.1329920). Once there was an oboist who was a member of a chamber ensemble consisting of flute, oboe, cello, and, piano. The oboist was highly skilled; a virtouoso who could ornament without the slighest effort. They were notorious for doing so.One day during dress rehearsal, the oboist, familiar enough with the music began ornamenting and adding stylistic flourishes, becoming increasingly carried away with their part. It finally reaches a point where the others stop playing and let the oboe go completely overboard with a full cadenza. Not far into the solo, the oboe realizes everyone else has stopped playing and stops themself and the rehearsal continues. However, not much farther along, the oboist becomes carried away in their part again, resulting in the other musicians pausing again as the oboist proceeds into another cadenza passage before realizing the others have stopped again.The rehearsal continues, and they all get further along (due to the oboe simply not playing), but when the oboe plays the melody, the ornaments and finesse return in full display, and finally the piano cuts the oboe off. At the slightest hint of an ornament all the other musicians in the ensmeble join in and cut off the oboe. From this, the oboist sinks into low spirits.The rehearsal continues unabated through the next section, and when the oboist enters, they play their part as written, but the ornamentations begin creeping in again. But rather than admonish the oboist the others instead speed the music up into the recapitulation section and for the remainder of the piece and rehearsal they all go wild with flourishes and ornamentations of their own, bringing the piece to a rollicking and lively conclusion.
$22.99
Call of the North (Elementary String Orchestra)
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Orchestre à Cordes
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DÉBUTANT
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Colin Kirkpatrick
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Call of the North
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.522248 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 23 pages. Colin Kirkpatrick Publi...
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String Orchestra - Level 1 - SKU: A0.522248 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 23 pages. Colin Kirkpatrick Publications #5017655. Published by Colin Kirkpatrick Publications (A0.522248). Call of the North is a movement from Colin Kirkpatrick's suite for elementary string orchestra entitled “Atlantic Highwayâ€. Ideal for end-of-semester concerts or any other school or college concert occasion, these tuneful and attractive pieces are bound to please audience and instrumentalists alike. The work is scored for Violins 1 and 2, Viola (with an identical but optional part for Vln 3 in treble clef), cello, double bass and piano (or digitial keyboard). The piano part is not merely an accompaniment but an integral part of music and therefore essential. However, the piano part is not especially difficult and perfectly manageable by the intermediate pianist. All the string parts can be played in first position and there are soli sections for vln 1, cello and double bass. Pizzicato is used extensively in the double bass part and is some of the passages for the upper strings. The piece is in D major with a central passage in G major and the time signature is 4/4 throughout. The string parts have been produced in fairly large type making them ideal for elementary players. Cues have been added where necessary. 
$9.95
The Masters of the Violin
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
Violin - SKU: S9.Q47525 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
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Violin - SKU: S9.Q47525 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 8. Schott Music - Digital #Q47525. Published by Schott Music - Digital (S9.Q47525). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99
The Masters of the Violin
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
Violin - SKU: S9.Q47526 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
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Violin - SKU: S9.Q47526 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 10. Schott Music - Digital #Q47526. Published by Schott Music - Digital (S9.Q47526). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99
The Masters of the Violin
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
Violin - SKU: S9.Q47528 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
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Violin - SKU: S9.Q47528 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 11. Schott Music - Digital #Q47528. Published by Schott Music - Digital (S9.Q47528). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99
The Masters of the Violin
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
Violin - SKU: S9.Q47527 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
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Violin - SKU: S9.Q47527 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 12. Schott Music - Digital #Q47527. Published by Schott Music - Digital (S9.Q47527). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99
The Masters of the Violin
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
Violin - SKU: S9.Q47524 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
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Violin - SKU: S9.Q47524 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 7. Schott Music - Digital #Q47524. Published by Schott Music - Digital (S9.Q47524). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99
We Gather Together - trombone, flute, piano
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Traditional, Johann Cruger
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We Gather Together - trombone,
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Con Spirito Music
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - SKU: A0.726101 Arranged by Traditional, Johann Cruger. Christian,Holiday,Sacred. Score ...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - SKU: A0.726101 Arranged by Traditional, Johann Cruger. Christian,Holiday,Sacred. Score and parts. 12 pages. Con Spirito Music #6077249. Published by Con Spirito Music (A0.726101). This arrangement for trombone, flute, and piano brings together two hymn tunes that are especially popular at the American holiday of Thanksgiving, but appropriate at any time of year. We gather together are the opening words to a poem written by the Dutch poet and composer Adrianus Valerius in 1597 to celebrate the Dutch victory in a long-standing dispute with Spain. 1878, the Austrian composer/conductor Edward Kremser arranged six Dutch folk songs for men's voices, including Prayer of Thanksgiving: Old Dutch Melody, with texts in German. In 1894, Theodore Baker (editor of Baker's Biographical Dictionary of Musicians) translated the German text of Prayer of Thanksgiving into the familiar English version, We gather together to ask the Lord's blessing, that is sung today. Now Thank We All Our God is Catherine Winkworth's (1827-1878) translation of the German Nun Danket Alle Gott, written by Lutheran clergyman and hymn-writer Martin Rinckart (1586-1649). Rinckart's text, based on a passage from Ecclesiasticus, was set to a chorale tune by Johann Cruger (1598-1662) in his 1647 collection, Praxis pietatis melica (The Practice of Piety in Song), a hymnal for use in public worship and private devotions. Like We Gather Together, it is strongly associated the Thanksgiving holiday and other services of thanksgiving. Copyright 2015 Todd Marchand / www.ConSpiritoMusic.com
$6.00
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
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Gwyneth W
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The Dying of the Light : Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo with string quartet or piano - Moderately Easy - SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 m...
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Tenor voice solo with string quartet or piano - Moderately Easy - SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
Beati II: Pro alios curantibus (For those that care for others) (Downloadable)
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Howard Goodall
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Beati II: Pro alios curantibus
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - SKU: MQ.56-0022-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 44 seconds....
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Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - SKU: MQ.56-0022-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 44 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0022-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0022-E). Latin. Luke 10:33; Isaiah 66:13.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSA voices, cello, organ, and synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This is piece is a Latin setting of Luke 10:33 (“A certain Samaritan being on his journey came near himâ€) and Isaiah 66:13 (“As one whom the mother caresses, I will comfort youâ€). Quick, florid, and leaping passages begin in the solo voice as the chorus comments and then repeats those passages. After that the piece is basically a duet structure with only two measures where the sopranos divide. Duration 4:44Instrumentalists play from the choral score.
$3.15
Penitent Thief, The (for viola and piano)
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Alto, Piano
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AVANCÉ
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #64...
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Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
Penitent Thief, The
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Alto et Harpe
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AVANCÉ
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts...
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
Chromatic Picking Exercise (Ascending the Circle of Fifths)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Danny Crocome
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Danny Crocome
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Chromatic Picking Exercise
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1295107 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Guitar Tab. ...
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Guitar - Level 3 - SKU: A0.1295107 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 5 pages. Danny Crocome Music #885427. Published by Danny Crocome Music (A0.1295107). This 5-page composition has been written specifically for guitarists to work on the following key components of music and guitar playing:1. Finger strengthening across all fretting hand fingers2. Finger-per-fret/position-based playing3. Alternate picking4. Palm-muting5. Synchronizing picking and fretting hands6. Smoothly navigating position shifts across the fretboard7. Building knowledge of the Circle of FifthsThe composition takes a chromatic-based guitar line and runs the passage up and down in one position on the neck (starting from the note C), before shifting the whole thing to begin on G (the next note in the circle of fifths). When played in its entirety, the player will have navigated the melody starting on all 12 notes used in Western music. An excellent warm-up exercise, or something to work on daily to develop key areas of ones musicianship and technical ability on the guitar.
$6.99
Japanese National Anthem for Violin & Cello ("Kimigayo" )
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Violon, Violoncelle (duo)
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FACILE
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Patriotique
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Keith Terrett
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Keith Terrett
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Japanese National Anthem for V
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Keith Terrett
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1203942 By Keith Terrett. By Yoshiisa Oku and Akimori Hayashi (arranged by Franz Eckert), 1880. Arran...
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Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1203942 By Keith Terrett. By Yoshiisa Oku and Akimori Hayashi (arranged by Franz Eckert), 1880. Arranged by Keith Terrett. Patriotic. 4 pages. Keith Terrett #802515. Published by Keith Terrett (A0.1203942). The Japanese National Anthem arranged for Violin & Cello.Kimigayo (å›ãŒä»£, Japanese pronunciation: [kimiÉ¡ajo]; His Imperial Majesty's Reign) is the national anthem of Japan. The lyrics are from a waka poem written by an unnamed author in the Heian period (794–1185), and the current melody was chosen in 1880, replacing an unpopular melody composed by John William Fenton eleven years earlier. While the title Kimigayo is usually translated as His Imperial Majesty's Reign, no official translation of the title or lyrics has been established in law.From 1888 to 1945, Kimigayo served as the national anthem of the Empire of Japan. When the Empire was dissolved following its surrender at the end of World War II, the State of Japan succeeded it in 1945. This successor state was a parliamentary democracy, and the polity therefore changed from a system based on imperial sovereignty to one based on popular sovereignty. However, the U.S. occupation forces allowed Emperor Hirohito to retain the throne and Kimigayo remained the de facto national anthem. The passage of the Act on National Flag and Anthem in 1999 recognized it as the official national and imperial anthem.Original version: John William Fenton, 1869Current version: Yoshiisa Oku and Akimori Hayashi (arranged by Franz Eckert), 1880.
$1.99
The Passage
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Panagiotis Theodossiou
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The Passage
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Panagiotis Theodossiou
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SheetMusicPlus
Small Ensemble Alto Flute,Piano,Viola - Level 5 - SKU: A0.886653 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 26...
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Small Ensemble Alto Flute,Piano,Viola - Level 5 - SKU: A0.886653 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 26 pages. Panagiotis Theodossiou #3048999. Published by Panagiotis Theodossiou (A0.886653). The Passage, for alto flute, viola and piano (2010) Introduction I.Ten Minutes II.I have something to tell you! III.Do you remember the river? The work is based on the three, one act, theatrical plays by Greek writer and doctor Harry Candiloros, published under the same name by Dodoni editions in 2010. The story is about the passage between this life and life after death. The 1st is about a cosmological end which never happens. The 2nd about the death of two friends under a collapsed building after an earthquake. The 3d about an afterlife dialogue between the persons of a family. Each of the three parts of the work is written respectively after the reading of the three parts of the book. First performance by Meteora Ensemble (Julia Barnett: alto flute, Kathryn Christensen:piano) with Andrea Hemmenway: viola as guest artist at Palisades Lutheran Church, Los Angeles, California in 2010. The work was transcribed for violin, baritone saxophone and piano in 2012.https://www.youtube.com/watch?v=vdgtmkkiOg0 https://www.youtube.com/watch?v=ObO_CZZmI_c https://www.youtube.com/watch?v=bBlN9FeyYHw
$19.99
Beatitude IV: Beati qui lugent (Blessed are they that grieve) (Downloadable)
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Howard Goodall
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Beatitude IV: Beati qui lugent
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - SKU: MQ.56-0026-E Composed by Howard Goodall. 12 pages. Duration 7 minutes...
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Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - SKU: MQ.56-0026-E Composed by Howard Goodall. 12 pages. Duration 7 minutes, 10 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0026-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0026-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SS chorus, organ, cello, and handbells, the music has a light, ethereal feeling. The text is entirely in Latin and begins with a chant-like melody in unison. The cello begins to dialogue with this melody offset by a measure. The soloist is heard next in music that also dialogues with the cello, both a bit more complex than the beginning. All voices take up the solo passage, the cello commenting. The voices go into canon at the half measure, the cello continues with its own melody. The piece returns to unison and ends quietly. Duration 7:10Instrumentalists play from the choral score.
$3.15
The Ruin
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Michael Shaw
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The Ruin
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Michael Shaw
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1472717 Composed by Michael Shaw. Celtic,Classical,Contest,Festival,Irish,Romantic Period. 85 pages. Michael Shaw #1050...
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Concert Band - Level 4 - SKU: A0.1472717 Composed by Michael Shaw. Celtic,Classical,Contest,Festival,Irish,Romantic Period. 85 pages. Michael Shaw #1050366. Published by Michael Shaw (A0.1472717). The Ruin is a captivating symphonic poem, inspired by the evocative text of English poet Walter de la Mare. This piece serves as a cross-curricular exploration, seamlessly integrating elements of literature, traditional music, and diverse musical techniques.At its core, The Ruin is a programmatic work, aiming to convey the vivid imagery and emotional depth of de la Mare's poetry. The poem itself reflects on the theme of nostalgia, contemplating the remnants of a once-great civilization now in ruins. Shaw masterfully translates these themes into music, using a rich palette of orchestral colors and textures to evoke the haunting beauty of the decaying structures and the passage of time.A unique feature of The Ruin is its incorporation of the traditional Irish reel King of the Fairies. This lively and energetic tune provides a stark and sudden contrast to the more somber and reflective opening of the piece, symbolizing an enduring spirit amidst the decay. In The Ruin, Michael Shaw has created a work that not only delights the senses but also provides rich educational insights into poetry, program music, Irish dances, non-standard percussion (cricket rasp), mixed-meter, motifs, and impressionistic music. Its blend of poetry, traditional music, and innovative compositional techniques makes it a valuable addition to the concert band repertoire and an excellent resource for educators.
$90.00
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Ted R
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts....
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Concert Band - Level 5 - SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00
The Raymond Variations for Piano (Set 1)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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S
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these include a
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The Raymond Variations for Pia
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S. G. Potts
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #351210...
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Piano Solo - Level 4 - SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #3512109. Published by S. G. Potts (A0.499760). The Raymond Variations for Piano (Set 1), received its world premiere on 2nd December 2015 at the 1901 Arts Club London, performed by Lorraine Womack-Banning as part of a memorial tribute concert to her late husband Raymond Banning (former professor of pianoforte at Trinity College London). The Variations are based on the three Andantino themes which form a central part of the ‘Raymond Overture’ written in 1851 by French composer Ambroise Thomas: 1811-1896. There are nine piano variations in total; these include a mix of both full and short partial variations (including a very short declamatory two chord introductory variation). The variations are not numbered or set-apart in a conventional manner, rather they form part of a continuous whole, and are separated only by bridge passages and/or cadence points; they last a little under eight minutes in duration, and strongly exploit the passionate elements of Thomas’s themes. They have been written for the most part in an accessible tonal style (with a passing nod to Messrs. Beethoven and J.S. Bach) and are based predominately in the home key of D minor, but they do also take advantage of many 20th and 21st century harmonic techniques where deemed appropriate: e.g. added note chords; cluster chords; percussive chords, and melodic deflection. In particular, the interval of the major 7th and its enharmonic equivalent(s) (the most distinctive interval in the main andantino theme from the overture) is heard in various different guises throughout the variations: this includes its inversion the minor 2nd which has a very distinctive sharp dissonant quality. Much play is made of these intervals – to somewhat humorous effect in variation 8 (the joker in the pack) heard some three quarters into the set, here the dissonant interval is pounded out double forte before hastily leading into some boisterous cluster harmonic instability; then quietly begins variation 9 which duly brings the set to a close. Look out for the sting in the tail!
$9.99
The Four Horsemen (unaccompanied sax)
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Saxophone
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AVANCÉ
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Brandon Nelson
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The Four Horsemen
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Brandon Nelson
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 5 - SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual pa...
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Instrumental Solo,Saxophone - Level 5 - SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual part. 11 pages. Brandon Nelson #800991. Published by Brandon Nelson (A0.1202307). Dr. Brian Kauth assembled a consortium of saxophone players to commission me to write a piece in four movements, each to be for a different member of the saxophone family(soprano, alto, tenor, baritone). He chose the theme of the “four horsemen of the apocalypse†because, as he puts it, “the saxophone was long considered ‘the devil’s instrument’due to the seedy and sultry qualities associated with it.â€ProgramThe story of the Four Horsemen comes from the biblical Book of Revelation. Each of the Horsemen is said to represent events that are supposed to usher in the Apocalypse, the final battle between good and evil. As with many biblical passages, there are numerous interpretations of this account debated among theologians. Those that I’ve taken in thispiece are strictly based on my own aesthetic requirements and should not be construed as taking any particular sides in these spiritual debates.The Four Horsemen symbolize the evils to come before the end of the world. It is said that a quarter of the world’s population is to be wiped out by a combination of these ills. The Horsemen pave the way for the finalbattle, the final judgement, and the Second Coming.The account begins with the White Horsemen, symbolizing pestilence. Next comes the Red Horse, representing war. Then the Black Horse, bringing widespread famine, especially against the poor of the world.Finally, the Pallid Horse, the personification of Death, reaping his reward in the victims of the tribulations.Performance NoteEach movement is assigned a different member of the saxophone family. Ideally it should be performed as such. However, if you do not have access to all four saxes, you may perform the movements on the sax or saxesof your choosing. The movements are written such that they will sound satisfactory on any of the saxes.
$12.99
The Last Rose of Summer - Tuba with piano
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Tuba et Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Tuba
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Alex Rodrigues
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1494269 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #107087...
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Piano,Tuba - Level 1 - SKU: A0.1494269 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070873. Published by Alex Rodrigues (A0.1494269). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
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The Passage
