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The Plans I Have for You
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Vous avez sélectionné:
The Plans I Have for You
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
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Caeleb Tee - For I Know the Plans I Have for You
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Chorale SATB
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INTERMÉDIAIRE
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Caeleb Tee
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Caeleb Tee - For I Know the Pl
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Caeleb Tee
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.912737 Composed by Caeleb Tee. A Cappella,Christian,Graduation,Holiday,Sacred,Wedding. Octavo. 4 pages. Caeleb T...
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Choral Choir (SATB) - Level 3 - SKU: A0.912737 Composed by Caeleb Tee. A Cappella,Christian,Graduation,Holiday,Sacred,Wedding. Octavo. 4 pages. Caeleb Tee #4354851. Published by Caeleb Tee (A0.912737). For I Know the Plans I Have for You is the winner of the 2017 Westminster Choir College Commencement Anthem Competition. The choral work was premiered by the graduating class of '17, under the direction of Victor Abednego, during the commencement ceremony at Princeton University Chapel.The text is based on Jeremiah 29:11For I know the plans I have for you, plans for peace and not for evil, to give you a future and a hope.a Capella SATB divisi with piano for rehearsalduration: 4 minutesAppropriate for schools, students, church choir, etc. Suitable for wide variety of occasions.Like Caeleb Tee on Facebook: https://www.facebook.com/caelebtee.composer Official Website: www.caelebtee.com
$1.99
The Plans I Have for You
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Chorale SATB
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Musique Sacrée
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Allen Pote
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The Plans I Have for You
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGA1433 Composed by Allen Pote. General. Sacred Anthem. Octavo. 16 pages. Chorister's Guild - Digital #CGA1433. Published by Chori...
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SATB chorus - SKU: C7.CGA1433 Composed by Allen Pote. General. Sacred Anthem. Octavo. 16 pages. Chorister's Guild - Digital #CGA1433. Published by Chorister's Guild - Digital (C7.CGA1433). UPC: 749193022443.At long last, a choral anthem based on the widely-used devotional text, Jeremiah 29:11-14. This heartfelt ballad from Allen Pote and Tom Long is ideal for blessing your graduates or services of Godspeed. Accessible parts and a memorable refrain make this piece a breeze to learn, perfect for a busy spring season.
$2.10
The Plans I Have for You
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Chorale SATB
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FACILE
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Musique Sacrée
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Bradley Ellingboe
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The Plans I Have for You
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SheetMusicPlus
SATB chorus, organ, trumpet - Medium Easy - Composed by Bradley Ellingboe. General, church anniversary, commissioning, Jeremiah 29:11- 13. Augsburg Cho...
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SATB chorus, organ, trumpet - Medium Easy - Composed by Bradley Ellingboe. General, church anniversary, commissioning, Jeremiah 29:11- 13. Augsburg Choral Library. Octavo. 16 pages. Augsburg Fortress - Digital #9781506456508PDF. Published by Augsburg Fortress - Digital
$2.25
The Promise
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Cloches
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INTERMÉDIAIRE
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John A
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The Promise
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Hope Publishing - Digital
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SheetMusicPlus
Handbells handbell choir (3-5 octaves) - Level 3 - SKU: H1.2133DP Composed by John A. Behnke. General Worship. Handbell score. 11 pages. Hope Publishing...
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Handbells handbell choir (3-5 octaves) - Level 3 - SKU: H1.2133DP Composed by John A. Behnke. General Worship. Handbell score. 11 pages. Hope Publishing - Digital #2133DP. Published by Hope Publishing - Digital (H1.2133DP). An original composition This original composition is based on the scripture Jeremiah 29:11 - For I know the plans I have for you, declares the Lord, plans to prosper you and not to harm you, plans to give you hope and a future. Gentle syncopation, full chords, stately rhythms, soaring melody and flowing textures all characterize the 120 measures of this commissioned work for 100 years of a church's ministry.
$6.50
Hänsel und Gretel
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Voix duo, Piano
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INTERMÉDIAIRE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...
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2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
No Longer At Ease for Euphonium Quartet
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Matthew Nunes
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No Longer At Ease for Euphoniu
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852...
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Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852692. Published by Matthew Nunes Music (A0.1259405). Listen to this piece hereBuyer beware, these are the hardest euphonium parts I've written. Be sure to check out my first euphonium quartet Beacons (2014).No Longer at Ease is a stand-alone euphonium quartet inspired by Chinua Achebe’s 1960 novel of the same name. In Achebe’s novel a young man is sent to University by his village’s elders in the hopes he will return able to guide and protect his people through uncertain and unwanted colonialist developments. However, the man abandons their plans to pursue his own interests and faces the fallout of his actions upon his return home and in the volatile years to come. Reading such an affective work in the final semester of my Masters preparing to return home was timely and I have found the similarities between my life and Achebe’s art blurred. I began writing this work upon returning home to Niceville, Florida and realizing that both myself and the town I call home have changed drastically.     The piece begins with jarring sixteenth-notes derived from a rising arpeggiated-tetrachord. Ceaseless double tonguing, the lead in the fourth euphonium, and unsettling metric shifts combine for unique and frenetic effects. A yearning melody enters amidst this chaos and is a musical spelling of “homeâ€. The return and developments of the frenetic material culminates in a solo statement of this theme. The middle section represents the home of years past and features a uniquely Niceville quote with fragments of the Niceville High School fight song. These fragments make up each independent line and the music culminates in a triumphant victory. However, this victory is cut brief by the cutting sixteenth-note driven material from earlier. The finale is an exciting mockery of the “home†theme with interjections and exploitations of all previous themes. - Matthew NunesNiceville, June 2018.
$24.99
Plans for You
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Chorale Unison
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Musique Sacrée
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HyuNyong Kim
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Plans for You
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HyuNyong Kim
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SheetMusicPlus
Choral Choir (Unison) - SKU: A0.1024666 Composed by HyuNyong Kim. Children,Christian,Pop,Praise & Worship. Octavo. 1 pages. HyuNyong Kim #5724205. Publi...
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Choral Choir (Unison) - SKU: A0.1024666 Composed by HyuNyong Kim. Children,Christian,Pop,Praise & Worship. Octavo. 1 pages. HyuNyong Kim #5724205. Published by HyuNyong Kim (A0.1024666). This song has two Bible verses together.For I know the plans I have for you, plans to prosper you and not to harm you, plans to give you hope and a future. - Jeremiah 29:11 (NIV)Trust in the Lord with all your heart and lean not on your understanding; in all your ways submit to him, and he will make your paths straight.- Proverbs 3:5-6 (NIV).
$1.99
I Know the Plans I Have for You
Piano Accompaniment,Flute,Voice
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Musique Sacrée
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John Ridgway Walker
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I Know the Plans I Have for Yo
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John Ridgway Walker
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SheetMusicPlus
Composed by John Ridgway Walker. General Worship. Lead Sheet. 1 pages. Published by John Ridgway Walker (S0.186065). - Lead Sheet - General Worship - John Ridgw...
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Composed by John Ridgway Walker. General Worship. Lead Sheet. 1 pages. Published by John Ridgway Walker (S0.186065). - Lead Sheet - General Worship - John Ridgway Walker
$1.99
Hello, Dolly!
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Louis Armstrong
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Keith Terrett
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Hello, Dolly!
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Keith Terrett
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. ...
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Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.
$15.99
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