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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Power Station
Non classifié
4
Piano & claviers
Piano seul
6
Piano, Voix et Guitare
2
Piano, Voix
1
Orgue
1
Guitares
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
1
Guitare notes et tablatures
1
Voix
Chorale SATB
8
Chorale SSAA
1
Chorale TTBB
1
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Flûte, Hautbois, Clarinette, Basson
1
Quatuor de Saxophones: 4 saxophones
1
Cuivres
Quatuor de Cuivres
1
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1
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Quatuor à cordes: 2 violons, alto, violoncelle
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1
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1
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1
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HAUTBOIS
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MANDOLINE
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OCARINA
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4
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Piano seul
6
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2
Piano, Voix
1
Orgue
1
Piano seul
6
Piano, Voix et Guitare
2
Piano, Voix
1
Orgue
1
GUITARES
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
1
Guitare notes et tablatures
1
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
1
Guitare notes et tablatures
1
VOIX
Chorale SATB
8
Chorale SSAA
1
Chorale TTBB
1
Chorale SATB
8
Chorale SSAA
1
Chorale TTBB
1
VENTS
Flûte, Hautbois, Clarinette, Basson
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Hautbois, Clarinette, Basson
1
Quatuor de Saxophones: 4 saxophones
1
CUIVRES
Quatuor de Cuivres
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de Cuivres
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violoncelle, Piano
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violoncelle, Piano
1
Violon, Clarinette, Piano (trio)
1
PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
2
Orchestre d'harmonie
1
Orchestre
1
Ensemble Jazz
1
Ensemble de cuivres
2
Orchestre d'harmonie
1
Orchestre
1
Ensemble Jazz
1
AUTRES
Vous avez sélectionné:
The Power Station
Partitions à imprimer
41 partitions trouvées
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1
26
My Illness is the Medicine I Need
Violoncelle, Piano
Soprano, violin, cello and piano - difficult - Digital Download SKU: S9.Q45642 F…
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Soprano, violin, cello and piano - difficult - Digital Download SKU: S9.Q45642 For soprano and piano trio. Composed by Thomas Larcher. This edition: score and parts. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q45642. Published by Schott Music - Digital (S9.Q45642). English.In a magazine with reports on mental institutions, Thomas Larcher came across interviews with patients: 'These sentences are of a strong inner power, yet do not claim to convey an overall picture of these people. There rather appear snatches from their world like a stroboscope.' The soprano part in Larcher's composition attends to these texts in a very restraint, often introverted manner, but they continue to have an effect in the instrumental parts, like catalysts of seemingly disturbing processes. The world premiere with Juliane Banse, Christian Tetzlaff, Nikolaj Schneider and the composer on the piano took place at the renowned festival 'Spannungen' in the power station of Heimbach in 2002. Recently, a recording has been released by ECM New Series.Dans un reportage sur les établissements psychiatriques, Thomas Larcher a trouvé des interviews de patients : “Ces phrases sont d’une grande force en soi mais elles ne prétendent pas donner une image globale de ces personnes. Comme avec un stroboscope apparaissent plutôt des lambeaux de leur monde.â€.
$46.99
43.1 €
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Violoncelle, Piano
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Thomas Larcher
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My Illness is the Medicine I Need
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Schott Music - Digital
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SheetMusicPlus
Power Trippin
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.507525 By The Power Station. By Andrew…
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Piano,Vocal,Voice - Digital Download SKU: A0.507525 By The Power Station. By Andrew Taylor, Anthony Thompson, John Taylor, and Robert Palmer. Arranged by Biegler. Contemporary. Score. 3 pages. Biegler #4414973. Published by Biegler (A0.507525). Scored for piano with the vocal line played in the right hand/treble clef.The guitar solo is not notated.
$4.99
4.58 €
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Piano, Voix
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The Power Station
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Biegler
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Power Trippin
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Biegler
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SheetMusicPlus
Return to Me: A Choral Service based on the Stations of the Cross (Choral Score)
Chorale SATB
SATB choir, piano, cello - Medium - Digital Download SKU: MQ.70-300-E Composed by T…
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SATB choir, piano, cello - Medium - Digital Download SKU: MQ.70-300-E Composed by Taylor Scott Davis. Lent, Triduum/Three Days. 72 pages. MorningStar Music Publishers - Digital Sheet Music #70-300-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.70-300-E). English. Luke 23:32-38; John 19:1-3; John 19:15-17; Luke 23:26; Matthew 11:28-30; Luke 23:27-28; Isaiah 53:10-12; Luke 23:44-46; Luke 23:50-56.A major choral work with original texts by Terry York and original music by Taylor Davis, Return to Me, takes us on a journey through the traditional Stations of the Cross. The combination of familiar scripture texts set with powerful new images creates a deeply spiritual experience for Holy Week. Duration: Approximately 40 minutesAs a companion to this work, an optional daily devotion guide for the season of Lent will enhance the congregational experience by coordinating with the texts sung by the choir in the Holy Week worship service. Preview Pak includes a choral score and CD recording.The Choral score (70-300) does not include the Lenten Devotional Guide. The Lenten Devotional Guide must be purchased separately and is available in a hardcopy booklet (70-300B) or as a digital download/PDF file for your e-reader (file_70-300B-E). If the Lenten Devotional Guide is to be used as pew booklets, you only need to purchase the number of Lenten Devotional Guides you wish to have available to your congregation.If your church intends to reproduce the Lenten Devotional Guide in your church bulletin, church websites, social media (e.g., Facebook), or email, you may report usage as follows:• If your church is a member of CCLI or OneLicense.net, you can report there.• If you church is not a member of CCLI or OneLicense.net, you may purchase one of our Congregation Edition Digital Reproduction Licenses, which cover emailing and printing the edition. A PDF of the Congregation Edition is included with the license. The fee for organizations with 0-200 average church attendance is $50.00 and for more than 200 average attendance the fee is $75.00.
$8.50
7.8 €
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Chorale SATB
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Taylor Scott Davis
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John 19:1-3
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Return to Me: A Choral Service based on the Stations of the Cross
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.7 €
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Chorale SATB
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Adrian Gagiu
#
Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.72 €
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Orchestre
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Adrian Gagiu
#
Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
#
SheetMusicPlus
Stations of the Cross
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1150596 Composed by Ben Clapton. 20th Century,Chamber,Christian,Classical,Easter. 208 pages. Ben Clapton #750774. Published by Ben Clapton (A0.1150596). Introducing Stations of the Cross, a powerful and moving composition for string quartet and narration. This piece explores the biblical text of the 14 stations of the cross through four movements, creating a unique and meaningful musical experience. Perfect for Lenten and Holy Week services, this composition combines the emotional depth and expressiveness of a string quartet with the added dimension of narration. The result is a deeply moving and reflective work that will leave a lasting impact on your listeners. Don't miss out on the opportunity to bring the powerful story of the Stations of the Cross to life through music. Purchase Stations of the Cross (String Quartet and Narration) today!
$50.00
45.86 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ben Clapton
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Stations of the Cross
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Ben Clapton
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SheetMusicPlus
The Night Window
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1210354 Composed by Thomas Newman. Arranged by Robert Luke Thompson. Classical,Contemporary,Film/TV. Brass Band. 33 pages. Monkspath Music #808128. Published by Monkspath Music (A0.1210354). The Night Window is a hauntingly beautiful instrumental piece that features in Sam Mendes’ World War I film, 1917. Composed by Thomas Newman, the score is a masterpiece of orchestration that captures the emotional intensity of war.This arrangment for Brass Band will work perfectly in any film music concert, or even a Remembrance related event. The Night Window is featured in a pivotal scene where the film's protagonist, Lance Corporal Schofield, takes refuge in an abandoned house during a tense night-time sequence. As Schofield takes a moment to rest and recover from his harrowing journey, he notices a window covered in beautiful stained glass that casts an ethereal glow over the room. The haunting melody of The Night Window begins to play as Schofield reflects on his experiences and contemplates the task ahead of him – saving the lives of sixteen-hundred men. As the title suggests, the music conveys the image of a night scene. The piece begins softly, with a gentle motif that evokes the stillness of the night. As the piece progresses, the music gradually builds in intensity and texture, whilst the camera slowly zooms in on the window, highlighting its beauty and fragility. The piece reaches its climax as Schofield gazes out of the window, and the camera pulls back to reveal the ruins of a once-beautiful town, now ravaged by war. The Night Window perfectly captures the sense of loss and devastation that war brings, while also conveying a glimmer of hope and beauty amid the darkness. A powerful piece of music that perfectly captures the emotions and themes of 1917. Its haunting beauty and evocative melodies make it a standout track in the film's score, and a piece that will linger in the listener's mind long after the credits have rolled.For further pieces, view the Monkspath Music catalogue and click here!
$39.99
36.68 €
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Thomas Newman
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Robert Luke Thompson
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The Night Window
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Monkspath Music
#
SheetMusicPlus
On the Air (for Brass Quintet & Marimba)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 33 pages. Https://gildedmusicpress.com/ #758693. Published by https://gildedmusicpress.com/ (A0.1158411). The year 2022 marked a milestone for the United States Air Force, as the world’s greatest airpower celebrated 75 years of air and space dominance. Omaha’s classical radio station was also celebrating a milestone year with its 50th anniversary. The resulting composition, cleverly titled “On the Air,†was written to observe both momentous anniversaries. The introduction plays on a cleverly adapted four-bar rhythmic motif that repeats, each time growing in intensity, conjuring images of a radio newsroom about to air breaking news. This opening rhythm is derived from Morse code letters K, V, N, & O (__ . __ | . . . __ | __ . | __ __ __), which is Omaha’s classical radio station. The main melodic theme begins after the intense introduction, stemming from the KVNO motif, and exudes energy worthy of the greatest of celebrations, replete with trumpets punctuating the strains with fanfare-like figures. After the KVNO transition to an exciting new key, the theme occurs a second time in the trumpets before simmering down to the second theme in a slower tempo, intended to be retrospective of the last 75 and 50 years of the two celebrating entities. In homage to the conflicts, sacrifices, and losses during 75 years of Air Force history, this melancholy melody in the horn repeats in octaves with horn and tuba, contrasting with the opening jubilation. However, without starkly “snapping back†to a celebratory mood, the original theme gently makes its reentry in the form of a mellow waltz with duetting trumpets, as a hopeful look to the future. The second iteration of the waltz brings back hints of the Morse code letters in the introduction, as underlying accompaniment to build energy and drive. It pivots fully with the KVNO introductory motif that changes keys while exploding with the recapitulation of the original full theme, intensifying the celebratory mood for the present festivities. The waltz version of the theme comes back, fragmented, hinting toward a fugato treatment. The non-fugal fragmentation is laced with virtuosically ornamented accompanimental lines reminiscent of a British-style brass band, and quickly settles into a full climactic presentation of the waltz iteration. The work ends full circle, with repeated KVNO rhythmic statements, in grand fashion for a firework finale.
$24.95
22.88 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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On the Air
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https://gildedmusicpress.com/
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SheetMusicPlus
Station
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1414652 Composed by Nezumi-Nes. 21s…
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Piano Solo - Level 2 - Digital Download SKU: A0.1414652 Composed by Nezumi-Nes. 21st Century,Contemporary. Score. 2 pages. Nezumi-Nes #996431. Published by Nezumi-Nes (A0.1414652). A looming black hole, grand and ominous, peacefully destructive, slowly devouring a dead planet that drifts near the edge of it... And circling that planet, a single observational space station, manned by a small crew, for whom this grand destruction is merely the backdrop of everyday life...Or did you sense something else?This piece is simple in its structure and presentation, yet requires careful thought in how to balance the ominous left hand notes, with the oddly cheery melody from the right hand. As with all other pieces in the Kosmos collection, musicality is what empowers this short but vivid piece.
$2.00
1.83 €
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Piano seul
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Nezumi-Nes
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Station
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Nezumi-Nes
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SheetMusicPlus
On That Night (from "Rising from the Ashes: Stories of Lahaina")
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1510472…
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1510472 By Christopher Alexander. By Christopher Alexander and Safirah Ladore. A Cappella,Contest,Festival,Multicultural,World. 24 pages. Christopher Alexander #1085666. Published by Christopher Alexander (A0.1510472). This is the first movement from the extended choral work Rising from the Ashes: Stories of Lahaina.Depicting the devastation and horror incurred in the Maui wildfires of August 2023, the choir and drums establish a powerful and unrelenting rhythmic drive without slowing down. The text of the melody gets further illustrated with texture painting (wind blowing) and chord clusters (sirens), culminating in the cacophony of all these sounds along with a small ensemble from the choir making shouts and shrieks. As the music fades away, so does the hope of the Lahaina residents as their homeland is burned away forever.Full score and other movements (Forever Anew, Finding Strength in Shadows, Kama'aina) also available for purchase.
$2.99
2.74 €
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Chorale SATB
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Christopher Alexander
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On That Night
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Christopher Alexander
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SheetMusicPlus
Vichnaya Pamyat
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download …
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Religious,Sacred. 17 pages. RBMusic #6506025. Published by RBMusic (A0.752458). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is not in the original key and has been transposed to make it easier to play. A version in the original key is available, item number H0.1099667-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
12.83 €
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Various
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Rob Bushnell
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Vichnaya Pamyat
Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Di…
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Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Sacred,Traditional. Score and parts. 17 pages. RBMusic #6504099. Published by RBMusic (A0.752457). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is in the original key. A transposed version, making it easier to play, is available, item number H0.1100563-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
12.83 €
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Various
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Rob Bushnell
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Lest We Forget for Bb Clar., Violin and Piano
Violon, Clarinette, Piano (trio)
Small Ensemble Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755024 Co…
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Small Ensemble Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755024 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 66 pages. Sy Brandon #3244207. Published by Sy Brandon (A0.755024). Lest We Forget, written for the Zodiac Trio, was inspired by the approach of Memorial Day 2006 but has evolved into a composition with a more encompassing vision. The work was originally conceived to depict the horrors of war and to pay tribute to those who served and gave their lives so that freedom can endure. The conception expanded to include the horrors of natural disasters, the destruction of lives and property, and ability of humans to endure and rebound from the depths of despair. In essence, the piece is about the fragility of human life and the triumph of the spirit. The composition is in three movements. I. Fury - Strong rhythmic and contrapuntal lines depict outbursts of anger or the power of nature. The quieter sections represented a seething that builds to the violent outbursts. II. Devastation - This movement is filled with musical representations of screams, anger, laments, and hopelessness as one faces the aftermath of destruction. Long melodic lines in minor are interspersed with short motifs throughout the movement. III. Triumph of the Spirit - The movement begins quietly and slowly as if wandering among the desolation. Two thematic ideas appear during the slow section, one a prayer-like melody in the violin and the other an imitative development of the prayer idea that later representing taking initiative. These ideas transition into a faster tempo where a new theme is introduced that represents determination. The three thematic ideas alternate and development as the movement builds to a climax showing the power of the human spirit to survive catastrophe. This piece is recorded by The Zodiac Trio on their CD The Zodiac Trio.
$14.99
13.75 €
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Violon, Clarinette, Piano (trio)
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Sy Brandon
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Lest We Forget for Bb Clar., Violin and Piano
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Sy Brandon
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SheetMusicPlus
Embers (Through the Smoke of Burning Embers) SATBB and Piano
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.799627 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.799627 Composed by D. M. Gardner. A Cappella,Christian. Octavo. 7 pages. D. M. Gardner Music #6661. Published by D. M. Gardner Music (A0.799627). A tribute to the victims, families and heroes of September 11, 2001.Embers is a powerful portrayal of hope found in faith, even in the midst of disaster and devastation. Beginning quietly with a tearful melody, rays of sunlight begin to pierce choking, gray dust and smoke that veil the massive debris of newly fallen towers. As the air begins to clear, the light of God's eternal hope emerges.Premieres: September 2001 - Community Bible Church Choir, Omaha, Nebraska, November 2001 University of Nebraska at Omaha, University Chorus (revised a cappella) 2002 Selected to be read at the Nebraska Choral Directors Association, Summer Festival 2007 (SATBB and Piano)Latin Text; SATB, Oboe (opt. Violin), & CelloDifficulty: ModerateIncludes: Combined Choir/Piano ScoreApprox. 2 minutes and 56 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$1.99
1.83 €
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Chorale SATB
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D
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SATB, Oboe (opt
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Embers
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D. M. Gardner Music
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SheetMusicPlus
Bang A Gong (Get It On)
Piano, Voix et Guitare
By T. Rex and The Power Station. This edition: Interactive Download. Metal, Pop, Rock. Pia…
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By T. Rex and The Power Station. This edition: Interactive Download. Metal, Pop, Rock. Piano/Vocal/Guitar. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.36983). - Piano/Vocal/Guitar - Metal,Pop,Rock - Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Piano, Voix et Guitare
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T
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Bang A Gong
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Bang A Gong (Get It On)
Guitare notes et tablatures
Guitar - Digital Download SKU: HX.95478 By T. Rex and The Power Station. Metal,Pop,…
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Guitar - Digital Download SKU: HX.95478 By T. Rex and The Power Station. Metal,Pop,Rock. Guitar TAB. 11 pages. Published by Hal Leonard - Digital (HX.95478).
$4.99
4.58 €
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Guitare notes et tablatures
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T
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Bang A Gong
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Hal Leonard - Digital
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SheetMusicPlus
Skyliner
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.870848 Composed by Charlie Barn…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.870848 Composed by Charlie Barnet. Arranged by Lawrence Killian. Contemporary. Score and parts. 30 pages. Linden Brass Press Inc. #6662133. Published by Linden Brass Press Inc. (A0.870848). From Wikipedia: Charles Daly Barnet (October 26, 1913 – September 4, 1991) was an American jazz saxophonist, composer, and bandleader.Skyliner...was written as the theme music for the late 1940s US Armed Forces Network program Midnight In Munich, broadcast from the AFN station in Munich, Germany, and hosted by Ralph Moffat. Thanks to the station's immensely powerful twin 100 kW transmitters, AFN Munich could be heard as far away as the UK; this, and the popularity of Moffat's show, evidently helped Skyliner and many other contemporary American swing hits to gain wide popularity across Europe and become hits in the UK. The title (which was originally printed as Sky Liner) may be a reference to the practice of American pilots flying into Munich who used the radio station's powerful signal to home in on the city.
$19.95
18.3 €
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Ensemble de cuivres
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Charlie Barnet
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Lawrence Killian
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Skyliner
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Linden Brass Press Inc.
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SheetMusicPlus
Skyliner
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.870845 Composed by Charlie Barn…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.870845 Composed by Charlie Barnet. Arranged by Lawrence Killian. Contemporary. Score and parts. 18 pages. Linden Brass Press Inc. #6655763. Published by Linden Brass Press Inc. (A0.870845). From Wikipedia: Charles Daly Barnet (October 26, 1913 – September 4, 1991) was an American jazz saxophonist, composer, and bandleader.Skyliner...was written as the theme music for the late 1940s US Armed Forces Network program Midnight In Munich, broadcast from the AFN station in Munich, Germany, and hosted by Ralph Moffat. Thanks to the station's immensely powerful twin 100 kW transmitters, AFN Munich could be heard as far away as the UK; this, and the popularity of Moffat's show, evidently helped Skyliner and many other contemporary American swing hits to gain wide popularity across Europe and become hits in the UK. The title (which was originally printed as Sky Liner) may be a reference to the practice of American pilots flying into Munich who used the radio station's powerful signal to home in on the city.
$14.95
13.71 €
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Ensemble de cuivres
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Charlie Barnet
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Lawrence Killian
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Skyliner
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Linden Brass Press Inc.
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SheetMusicPlus
Graham Central Station,Larry Graham,The O'Jays,Tower of Power,Vulfpeck : Le meilleur du funk pour la basse, Difficile, Vol. 2
Basse electrique
Téléchargez la tablature et la partition Basse Le meilleur du funk pour la basse, Diffic…
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Téléchargez la tablature et la partition Basse Le meilleur du funk pour la basse, Difficile, Vol. 2. Partition pour Basse avec band -- Jazz et blues,Pop/rock
19.99 €
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Basse electrique
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Graham Central Station,Larry G
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Le meilleur du funk pour la ba
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Tomplay
Donny Hathaway,Graham Central Station,Patrice Rushen,Tower of Power,Vulfpeck : Le meilleur du funk pour la basse, Facile, Vol. 2
Basse electrique
Téléchargez la tablature et la partition Basse Le meilleur du funk pour la basse, Facile…
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Téléchargez la tablature et la partition Basse Le meilleur du funk pour la basse, Facile, Vol. 2. Partition pour Basse avec band -- Jazz et blues,Pop/rock
19.99 €
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Basse electrique
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Donny Hathaway,Graham Central
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Le meilleur du funk pour la ba
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Tomplay
Forgotten Ballrooms
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1295707 Composed by Donald Ashwande…
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Piano Solo - Level 3 - Digital Download SKU: A0.1295707 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886005. Published by The Donald Ashwander Estate (A0.1295707). Forgotten Ballrooms, pays tribute to the burgeoning preservation movement in America that has breathed new life into abandoned and historically significant structures. In the not-so-distant past, only a select few possessed the sophistication to recognize the beauty and historical significance of seemingly ordinary places such as derelict railway depots or 1920s filling stations. Today, however, there are people discovering, restoring, and utilizing these architectural gems. This newfound reverence for the past has given rise to a unique breed of enthusiasts who engage in what can only be described as ballroom archaeology.Forgotten Ballrooms takes inspiration from this rarefied and dedicated movement of ballroom archaeologists. Throughout the country, these individuals venture into the hidden corners of history, opening doors to ghostly rooms that resonate with the echoes of bygone dramas and memories long past. As the pianist embarks on this musical journey, they evoke the palpable atmospheres of these once-vibrant spaces, now shrouded in the mists of time.The composition’s syncopated rhythms, playful melodies, and intricate harmonies pay homage to the era when these ballrooms were the centers of social life and entertainment. Yet, there is an underlying sense of nostalgia and longing, as if the music itself yearns to recapture the forgotten stories and dances of the past.Through Ashwander’s musical tribute, we are reminded of the enduring power of history, culture, and the resolute spirit of those who seek to preserve the memories and grandeur of America's forgotten ballrooms.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95
5.46 €
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Piano seul
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Donald Ashwander
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Forgotten Ballrooms
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The Donald Ashwander Estate
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SheetMusicPlus
Symphony in A flat Major "Phoenix" - All Parts
Large Ensemble Choir - Digital Download SKU: A0.948805 Composed by An-lun Huang. Co…
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Large Ensemble Choir - Digital Download SKU: A0.948805 Composed by An-lun Huang. Contemporary,World. Score and parts. 515 pages. DoReMi Edition #6080281. Published by DoReMi Edition (A0.948805). SCORE @ Amazon ï¼?https://amzn.to/34qCMdz The Symphonic Concert No.2, is Huangâ??s second serial symphonic work in a large form. ----- The first part, Op.47a, is The Symphonic Overture No. 2, the second part, Op.47b, is the Violin Concerto in B in three movements. They are all published by Amazon. And the third part, Op.47c, is this Symphony in A flat major 'Phoenix' in 5 movements [62 minutes] The first two parts of the Symphonic Concert No.2 were premiered in Beijing by the China Youth Symphony Orchestra in 1997. However, the composing of the third part has been delayed. The reason is the author's Chinese heart: for thousands of years, the word deep disaster has been following this nation, but, however, the Chinese finally rise in the east of the world from the deadly dark. How can the composer present this symphony in the most appropriate form, and bring blessings to the world? Until the idea of Phoenix sigh inspired the author's rolling music. As a result, the structure of the entire symphony is: a total of five movements, the order is: 1.-ESSENCE ç²¾ Andante con molto 2.-SPIRIT æ°? Allegro assai 3.-DIVINITY ç¥? Larghetto 4.-PEACE å?? Vivo 5.-REVIVAL è?¾é£? Allegro assai con brio The fifth movement of this symphony, Revival, is the end of the entire Symphonic Concert No. 2. Its Phoenixâ??s Flame of Fire symbolizes the composer's powerful belief in the whole composition: Defeat death to obtain the eternal life. This point has a distinct manifestation in this final movement: from the beginning of the world turmoil to the evolution of the huge contrast of the brilliant chorus of the Phoenix; from the disaster making the Phoenix smashes into the fire of hell from the high heaven; its shocking description of self-immolation to the sound of the resurrection and the vitality of the folk instruments which simulate the voice of life from afar; and from the brilliant fire of the phoenix soars to the sky with roar of the organ at the end. The themes of all of the previous music are also interrelated. All of the players join the forces to create the powerful music that The Chinese symphony has never been sounded like this before, and it is all about achieving a brilliant future, the critic said in Peopleâ??s Music, the major music magazine in China, 2009.
$500.00
458.59 €
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An-lun Huang
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Symphony in A flat Major "Phoenix" - All Parts
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DoReMi Edition
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SheetMusicPlus
Organ Symphony No. 12
Orgue
Organ - advanced - Digital Download SKU: S9.Q22571 Veni creator. Composed by…
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Organ - advanced - Digital Download SKU: S9.Q22571 Veni creator. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 21 minutes. Schott Music - Digital #Q22571. Published by Schott Music - Digital (S9.Q22571). The association of the twelfth Organ Symphony with Pentecost began with the Regensburg Cathedral organist Franz Josef Stoiber giving its first performance on the 2009 Rieger organ immediately in front of the great Pentecost window by Josef Oberberger in Regensburg Cathedral. Pentecost represents a consummation in Christianity, a manifestation of the Trinity, intense spirituality, baptism and the development of community among all Christians. It is a passionate celebration of inner joy, yet always surrounded by an aura of reverence and spirituality. 1st movement: A powerful invocation using the Gregorian Pentecostal hymn Veni, Creator Spiritus. 2nd movement: The white dove is a symbol of the Holy Spirit, representing gentleness and love. In the 3rd movement, Water is the ‘fons vivus’ (living fountain) of all life. Flowing figures on the organ frame the quasi-Gregorian variations on the melody of ‘Komm, Heiliger Geist, Herre Gott’ (Ebersberg c. 1480), inspired by the 11th Century antiphon ‘Veni Sancte Spiritus’. 4th movement: Breath and wind have been used as images of the spirit of God ever since the story of the Creation. At Pentecost they come together in a conflagration. This ‘Tempesta di fuoco’ begins with hovering tonality (over a twelve-note motif) with bright and shrill harmonies, but then leads into the tonic key as the Pentecostal hymn ‘Veni, Creator Spiritus’ shines through - a programmatic credo for the twelve Organ Symphonies, asserting a universal awareness of tonality.
$21.99
20.17 €
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Orgue
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Enjott Schneider
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Organ Symphony No. 12
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Schott Music - Digital
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SheetMusicPlus
Cornus - A Fantasy Ballade for Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.942946 Composed by Aris Antoniades.…
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Piano Solo - Level 5 - Digital Download SKU: A0.942946 Composed by Aris Antoniades. Concert,Contemporary. Score. 14 pages. Aris Antoniades #3914555. Published by Aris Antoniades (A0.942946). Cornus - A Fantasy Ballade for Piano, composed by Aris Antoniades.Cornus is the name of the forest that surrounds the Army Unit I was stationed at, during the first year of my military service back in my homeland, Cyprus. The magical sounds of nature and the myths surrounding this forest were what kept me company during many cold, endless nights of sentry guard duty. On such nights, I would often let my imagination soar, making up stories and music. It was during one of those moments of spontaneous inspiration that I came up with the opening motif for this piece.The piece tries to musically depict the different feelings a questing knight experiences when he sets off into the depths of the forest and back. Just like all typical chivalric romances, the hero discovers something remarkable while he travels - something that has the power to change him forever. Although by the end of the story the hero returns back to where he started, he is now a different person since the adventure forced him to undergo a catharsis.
$12.95
11.88 €
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Piano seul
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Aris Antoniades
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Cornus - A Fantasy Ballade for Piano
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Aris Antoniades
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SheetMusicPlus
Push (Feat. Tone Trezure)
Chorale SATB
Rhythm Section SATB Chorus divisi,Voice - Level 3 - Digital Download SKU: A0.1488640
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Rhythm Section SATB Chorus divisi,Voice - Level 3 - Digital Download SKU: A0.1488640 By Terrace Martin. By Latonya Givens, Robert Joseph Searight, Rose Mckinney, and Terrace Martin. Arranged by Kerry Marsh. Blues,Funk,Pop,R & B,Soul. Vocal Jazz Ensemble. 44 pages. Kerry Marsh #1065488. Published by Kerry Marsh (A0.1488640). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement captures the driving and energetic spirit of the original track, bringing its infectious groove to life with a dynamic interplay between a soprano/alto soloist and the ensemble. Following the original recording closely, the choir alternates between singing background figures and taking the lead, using unisons and three-part gospel-style harmony to great effect.The rhythm section's role is crucial, with a keyboardist switching between a clavinet and jazz organ patch to recreate the distinctive accompaniment sound from the demo recording and Martin's original track. This blend of textures and harmonies brings out the powerful, soulful essence of the song, making it an exciting addition to any performance. The arrangement offers both ensemble and soloists moments to shine, ensuring a vibrant and engaging performance that resonates with audiences.Dig into the groove and let the energy of Push drive your ensemble to new heights!
$49.99
45.85 €
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Chorale SATB
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Terrace Martin
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Kerry Marsh
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Push
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Kerry Marsh
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SheetMusicPlus
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