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Vous avez sélectionné:
The Quiet One, for Piano and Flute
Partitions à imprimer
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The Quiet One, for Piano and Flute
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.543561 Composed by Cindy Blevins. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.543561 Composed by Cindy Blevins. Contemporary,New Age. Score and part. 7 pages. Cindy Blevins #3468506. Published by Cindy Blevins (A0.543561). This song is beautifully arranged for piano and flute. With this download, you receive the score, the piano part and the flute part. The flute adds a delightful voice, adding melody, harmony, and counter-melody to the piano part. he sound sample was digitally produced.
$3.99
3.66 €
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Flûte traversière et Piano
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Cindy Blevins
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The Quiet One, for Piano and Flute
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Cindy Blevins
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SheetMusicPlus
Bring a Torch Jeanette Isabella SSAA with violin or flute or cello and piano
Violon et Piano
Small Ensemble Alto Voice,Medium-Low Voice,Mezzo-Soprano Voice,Piano,Violin - Level 2 - Di…
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Small Ensemble Alto Voice,Medium-Low Voice,Mezzo-Soprano Voice,Piano,Violin - Level 2 - Digital Download SKU: A0.1096990 Composed by French Carol - unknown. Arranged by Connie Boss. Christmas,Holiday. Score and parts. 14 pages. Connie Boss #700957. Published by Connie Boss (A0.1096990). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SSAA parts with violin and piano accompaniment. It has a unique intro and the last verse has them taking turns. There are other versions on here as well. For requests or questions, email cdboss@cvalley.net. Lyrics Below: Bring a Torch Jeanette, Isabella French Carol Arranged by Connie Boss Bring a torch Bring a torch Bring a torch Bring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella! Bring a torch, to the stable call Christ is born, tell the folk of the village Jesus is born and Mary's calling. Ah![a] Ah! Beautiful is the Mother! Ah! Ah! Beautiful is her Child Who is knocking on the door? Who is it, knocking like that? Open up, we've arranged on a platter Lovely cakes that we have brought here Knock! Knock! Open the door for us! Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping, It is wrong to speak so loud. Silence, now as you gather around Him Lest your noise should waken Jesus. Hush! Hush! See how He slumbers; Hush! Hush! See how He's fast asleep! Softly now unto the stable, Softly for a moment come! Look and see how charming is Jesus, Look at Him there,] His cheeks are rosy! Hush! Hush! See how the Child is sleeping; Hush! Hush! See how He smiles in His dreams.
$5.99
5.49 €
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Violon et Piano
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French Carol - unknown
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Connie Boss
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Bring a Torch Jeanette Isabella SSAA with violin or flute or cello and piano
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Connie Boss
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SheetMusicPlus
Jingle Bells for Trumpet & Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.548656 Composed by James …
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.548656 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Contemporary. Score and part. 9 pages. Jmsgu3 #3408207. Published by jmsgu3 (A0.548656). Jingle Bells arranged for flute & piano. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the piece One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the music for the Thanksgiving holidays, but people began to think of it more as a Christmas song over time. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford, Massachusetts, in 1850. Sleigh races were indeed famous in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square, claiming it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia, where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic SignalsHorse-drawn sleighs are relatively quiet in the snow. Consequently, horses usually had bell-laden straps to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social ContextJingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. Jingle bells is a poetic descriptive adjective referring specifically to the more accurate time sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.
$24.95
22.88 €
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Trompette, Piano
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James Pierpont
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James M
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piano
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Jingle Bells for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
In the Land of Wonder-Wander for Flute, Clarinet, Cello, and Piano
Flûte traversière et Piano
Small Ensemble Cello,Clarinet,Flute,Piano - Level 4 - Digital Download SKU: A0.755010
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 4 - Digital Download SKU: A0.755010 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 42 pages. Sy Brandon #3239673. Published by Sy Brandon (A0.755010). In The Land of Wonder-Wander attempts to capture the essence of both Maxfield Parrish’s illustration and Eugene Fields’ poem The Dinkey-Bird. Both the painting and the poem create the feeling of a magical place where beauty, joy and pleasure abound. It is a mysterious place, perhaps as occurring in a dream, yet a place where one does not wish to leave. In The Land of Wonder-Wander begins quietly with vague tonality and sparse instrumentation as it transports the listener into this mystical land. As the tempo becomes stricter and the instrumentation fuller, the beauty of this place is apparent. A change to a triple meter and a faster tempo creates a joyous and wondrous section as there are many sweet treats growing to satisfy the soul. Children scampering and playing are represented by an allegro section with playful melodies and slight dissonance. The Dinkey Bird becomes the focus of the next section, which uses a staccato motif surrounded by rapid scales and arpeggios. These ideas build in intensity, expressing the wonder and beauty of this far away land, until they begin to fade away as the land recedes into the sea. A last flourish occurs as if one is trying to hold on to the experience before one wakes up from this marvelous dream. This work is recorded by Laura Koepele-Tenges, Christie Vohs, Megan Lauterbach, and John Elmquist on the Emeritus label.
$9.99
9.16 €
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Flûte traversière et Piano
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Sy Brandon
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In the Land of Wonder-Wander for Flute, Clarinet, Cello, and Piano
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Sy Brandon
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SheetMusicPlus
Quietudes, Nos. 1-12 - Flute and Piano
Flûte traversière et Piano
Piano Solo, Flute, flute solo - Intermediate - Digital Download Composed by James Michae…
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Piano Solo, Flute, flute solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Sacred, Wedding, Funeral, New Age. Sheet Music Single. 85 pages. Published by James M Stevens Music ASCAP
These are 12 original and ambient flute and piano duets with a different piece for every major key beginning with C major and each number moving a half step higher till number 12 in B major. These are all relaxing and romantic composition in quiet and calm styles and are somewhat a set of etudes encouraging the violinist and pianist to play similar styles in some keys that that may not be favorites. However, professional musicians have to play in every key and students would be well served play all and not avoid certain keys. All of these have piano tracks that may be used for performance or rehearsal and can be found under "Quietude No. 1 Piano Track" and just changing the number to find the right track. The MP3 is of No. 1 while the YouTube link is of number 9 in A flat major. There are separate flute parts for every piece. Most of the piano parts as seen can also serve as stand alone solos. This book is also available for violin and piano solo. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$18.99
17.41 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Quietudes, Nos. 1-12 - Flute and Piano
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SheetMusicPlus
Gentility, 24 original duets for Piano and Flute
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.543543 Composed by Cindy Blevins. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.543543 Composed by Cindy Blevins. Contemporary,New Age. Score and part. 160 pages. Cindy Blevins #3468300. Published by Cindy Blevins (A0.543543). This book is a collection of 24 original duets for piano and flute. With this eBook, you receive the scores, the piano parts and the flute parts. There are several score samples for you to view. The audio sample is an excerpt from Gentle Rain. The songs included in the book are: Alanna's Daughters, Falling to Heaven, Gentle Rain, Heaven Sent, In the Morning, Lullaby, Pieces of Heaven, Quiet in Six-Four Time, Rainbow, Reflections on the Water, Remember Me, Remembrance, Still Waters, Summer Aire, Summer Solstice, The Aspen Tree, The Blue Heron, The Quiet One, The Summer of Mars, Thinking of You, Water's Edge, Whispers, Winter Whispers and Winter White.My website: https://www.blevinsmusic.com
$24.95
22.88 €
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Flûte traversière et Piano
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Cindy Blevins
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Gentility, 24 original duets for Piano and Flute
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Cindy Blevins
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SheetMusicPlus
Jolanta's Theme No. 1 Grief
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1197392 Composed by Marcia L McKen…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1197392 Composed by Marcia L McKenna. Contemporary. Score and part. 3 pages. Marcia L. McKenna #796560. Published by Marcia L. McKenna (A0.1197392). This piece for piano and flute is meant to be played in a very expressive manner to portray the feelings that one goes through when grieving the loss of a loved one. Â The flute and piano interact with each other and play an equal role in the development of the music.The first page introduces feelings of loss, followed by a bittersweet melody on the second page. Â At the end of the second page the sadness returns and builds gradually to a climax on the third page when feelings of questioning, hopelessness, and despair take over. Â Shortly afterwards the music ends quietly and settles into a mood of acceptance.The reflective nature of this piece makes it suitable for the Season of Lent and Good Friday services.
$4.99
4.58 €
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Flûte traversière et Piano
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Marcia L McKenna
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Jolanta's Theme No. 1 Grief
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Marcia L. McKenna
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SheetMusicPlus
Elijah (Part 3) Tone Poem for Violin and Piano by Stephen R Dalrymple: God's Voice
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.818226 By Stephen R Dalrymple. By…
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Piano,Violin - Level 5 - Digital Download SKU: A0.818226 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Contemporary. 88 pages. Stephen R Dalrymple #3075427. Published by Stephen R Dalrymple (A0.818226). Elijah (Part 3) God’s Voice♫ Tone Poem for Violin and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello ♫ music © 2015 Stephen R Dalrymple♫ recording ℗  2023 Stephen R Dalrymple♫ sequenced by the composer ♫ presentation © 2023 Stephen R Dalrymple♫ After the victory of Yahweh over Ba’al at Mount Carmel, Elijah and the people executed the 450 prophets of Ba’al. For the first time in 3 years, Elijah prays for rain. In the following rainstorm, Elijah outruns Ahab’s chariot returning to Samaria. But the next morning it seems as if nothing has happened. Jezebel still has her 400 prophets. She sends a message to Elijah that he will be killed.♫ Elijah is discouraged and defeated. Did Mt Carmel really mean nothing? He runs for the wilderness, complaining to God. He is so disheartened that he asks God to take his life. He makes a pilgrimage to Mt Horeb where Moses received the Law, fasting for 40 days, still complaining. He yearns for God to answer him. As at Mt Carmel, God had demonstrated His power at Sinai with thunderstorm and lightning. Elijah is evidently expecting large dramatic gestures for God to reveal Himself. But now God will teach Elijah that He also acts in ordinary, quiet ways, as will his continued ministry♫ 8 Themes were used to create this movement: 1. Ahab (based on Movement 2, theme 3) 2. Jezebel (based on Movement 2 Theme 4 – Atonal) 3. Elijah's Excuses (based on Movement 2 Theme 2 in Dorian Mode) 4. Elijah's Depression (Based on Movement 2 Theme 2 in Dorian Mode) 5. God of Abraham, Isaac, and Jacob (based on Movement 1 Theme 1 in Aeolian Mode) 6. Windstorm (Modified Dorian Mode) 7. Earthquake (tritones and clusters) 8. God's Voice - Polytonal (A minor / G major)♫ The score shows the parts for violin and piano, but individual parts are provided for the other solo instruments. The flute is featured on the audio and YouTube presentations here.♫ Includes 14 score choices: Full Score for violin and piano letter size; Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts; Full Score for violin and piano - small page format for performing from a 10 inch tablet; the same solo parts for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ This sheet music is available for purchase at SheetMusicPlus.com & SheetMusicDirect.com♫ English and Krèyol have separate versions of this video on YouTube.♫ A free copy of the music is available to the Haitian community. Contact Stephen Dalrymple.
$4.50
4.13 €
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Violon et Piano
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Stephen R Dalrymple
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Elijah
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Stephen R Dalrymple
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SheetMusicPlus
Lithuania National Anthem: Tautiðka Giesmë
Orchestre d'harmonie
Large Ensemble - Level 2 - Digital Download SKU: A0.522138 Composed by Vincas Kudir…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522138 Composed by Vincas Kudirka (1858-1899). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3462085. Published by Colin Kirkpatrick Publications (A0.522138). Colin Kirkpatrick’sNational Anthems ExpressLITHUANIA: Tautiðka Giesmë This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!The arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Tacet sections (e.g. a brass or trombone tacet in quiet passages) can be easily created with the aid of a pencil. For example, in the audio sample you’ll hear that the trumpets have been omitted from the first part of the anthem with the exception of the triplet fanfare figures. The arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The score and all the parts are contained in the same 34-page pdf file. The following parts appear on separate pages:Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon).Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.The original music files have been converted to pdf files digitally scanned at 1,200 dpi, which can produce professional quality output on standard US-size paper.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
6.41 €
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Orchestre d'harmonie
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Vincas Kudirka
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Colin Kirkpatrick
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Lithuania National Anthem: Tautiðka Giesmë
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Colin Kirkpatrick Publications
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SheetMusicPlus
Quietude No. 8 - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.573142 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.573142 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #4855147. Published by James M Stevens Music ASCAP (A0.573142). This is an original composition for Flute & Piano in a reflective and ambient style in the key of G major. It is one in a series of Quietudes with compositions in each of the 12 major keys. There is a separate fluten part in the score. The piano part as seen can serve as a stand alone solo. The track as heard is available under Quietude No. 8 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
6.41 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Quietude No. 8 - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Quiet Evensong - Flute & Piano
Flûte traversière et Piano
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.572359 Composed by …
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.572359 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #3425865. Published by James M Stevens Music ASCAP (A0.572359). This is an arrangement of Stevens' Quiet Evensong for Flute and Piano in a quiet and reflective style at the intermediate level. There is a separate flute part in the score and the piano can serve as a stand alone solo. The track as heard is available under Quiet Evensong Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://youtu.be/bW6OVHL2Pcs
$6.99
6.41 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Quiet Evensong - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
The LORD is in His Holy Temple with I Surrender All
Violon et Piano
Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.818339 By Stephen …
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Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.818339 By Stephen R Dalrymple and Jim Jansen. By George F Root, Winifield S Weeden, Judson W VanDeVenter. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. 34 pages. Stephen R Dalrymple #6212881. Published by Stephen R Dalrymple (A0.818339). The LORD is in His Holy Temple with I Surrender All arranged for violin and piano by Stephen R Dalrymple performed by Jim Jansen and Stephen R Dalrympletranscribed for flute, clarinet, trumpet, emphonium/trombone and cello  The Lord is in His Holy Temple by George F. Root 1872 tune – QUAM DILECTA based on Habakkuk 2:19-20  I Surrender All lyrics - Judson W. VanDeVenter 1896 melody - Winfield S. Weeden 1896     The context of the song The LORD is in His Holy Temple is often overlooked in singing this song. Worship in the OT is a rather noisy affair with instruments, singing, shouting, dancing, and public praise. In the Old Testament, quiet in the Temple of God is an ominous, frightening thing, because God’s judgment is to be pronounced! I Surrender All is paired here with The LORD is in His Holy Temple thinking back to Isaiah 6 where Isaiah’s reaction to encountering the presence of God is surrender to Him. Yielding to God is, not only the prerequisite for avoiding God’s judgment, it is the path to peace and joy.     Without the doublestops of the violin part, the wind parts may not seem very challenging at first sight, but to play a beautiful legato with a full tone at piano and pianissimo (slowly, too) is much harder than it sounds. The phrasing and the intensity of the music is critical to the message of the piece. It will take considerable attention between the soloist and the pianist to communicate the moody rubato basic to the best performance of the arrangement.     This .pdf includes 14 score choices ♫ Full Score for violin and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for violin and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
4.13 €
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Violon et Piano
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Stephen R Dalrymple and Jim Jansen
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Stephen R
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The LORD is in His Holy Temple with I Surrender All
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Stephen R Dalrymple
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.774064 Arra…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.774064 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. 23 pages. Whole Tone Press #6638599. Published by Whole Tone Press (A0.774064). Expertly arranged for wind quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the oboe above the drone of the horn and bassoon. Then the bassoon takes the melody, transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, now taken up by the clarinet. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel
$5.50
5.04 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
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Whole Tone Press
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SheetMusicPlus
Quietude No. 7 - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.573138 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.573138 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #4853679. Published by James M Stevens Music ASCAP (A0.573138). This is an original composition for Flute & Piano in a reflective and ambient style in the key of G flat major. It is one in a series of Quietudes with compositions in each of the 12 major keys. There is a separate flute part in the score. The piano part as seen can serve as a stand alone solo. The track as heard is available under Quietude No. 7 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
6.41 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Quietude No. 7 - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Quiet Breathes the Night - Flute & Piano
Flûte traversière et Piano
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.572311 Composed by …
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.572311 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Jazz,New Age,Wedding. Score and part. 6 pages. James M Stevens Music ASCAP #3414631. Published by James M Stevens Music ASCAP (A0.572311). This is an arrangement of Dr. Stevens' Quiet Breathes the Night for solo intermediate flute and piano in a quiet and romantic style. There is a separate flute part in the score and the piano is a stand alone solo as well. James Michael Stevens is a prolific composer residing in Nashville, TN. https://youtu.be/-CzzSMCxXoY
$6.99
6.41 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Quiet Breathes the Night - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooma…
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
59.55 €
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.79 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
"Christmas Waltz" Original for Flute, Bassoon and Piano.
Flûte, Basson et Piano
Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 2 - Digital Download…
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Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1294870 Composed by Grant Horsley. Christmas,Classical,Holiday,Standards,Wedding. 15 pages. Grant Horsley #885187. Published by Grant Horsley (A0.1294870). I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy!Written in Concert C major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending. The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level. I wanted 2 equal instrumental parts. The whole piece is on the youtube link for you to assess suitability. Ideal to be added to a Christmas concert list!3min 15 in length. Price is for score and parts.
$6.50
5.96 €
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Flûte, Basson et Piano
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Grant Horsley
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"Christmas Waltz" Original for Flute, Bassoon and Piano.
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Grant Horsley
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SheetMusicPlus
Breeze for Flute and Piano - FLUTE (2023)
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Haya…
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Flute,Piano - Digital Download SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert. 21st Century,Chamber,Classical. Score and part. 3 pages. Mary Ellen Haupert #905095. Published by Mary Ellen Haupert (A0.1316354). “Breeze†for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze†was written for flutist Iva UgrÄić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze†is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons†pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze†in a balanced ABA’ form.
$5.00
4.58 €
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Flûte traversière et Piano
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Iva Ugrcic, flute and Satoko Hayami, piano
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Breeze for Flute and Piano - FLUTE
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Mary Ellen Haupert
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SheetMusicPlus
Breeze for Flute and Piano (2023)
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1316351 By Iva Ugrcic, flute and S…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. Score and part. 8 pages. Mary Ellen Haupert #905092. Published by Mary Ellen Haupert (A0.1316351). “Breeze†for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze†was written for flutist Iva UgrÄić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze†is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons†pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze†in a balanced ABA’ form.
$10.00
9.17 €
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Flûte traversière et Piano
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Iva Ugrcic, flute and Satoko Hayami, piano
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Breeze for Flute and Piano
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Mary Ellen Haupert
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SheetMusicPlus
Crossing Jordan: Three Spirituals for flute, piano and cello
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.51 €
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for flute, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
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