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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Red Dress
Non classifié
129
Piano & claviers
Piano seul
48
Piano, Voix
40
Piano, Voix et Guitare
11
Instruments en Do
4
Piano Facile
3
Orgue
3
Accordéon
2
1 Piano, 4 mains
1
Accompagnement Piano
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 7 instrumentations
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Guitares
Guitare
12
Guitare notes et tablatures
3
Guitare (partie séparée)
2
Basse electrique
2
Mandoline
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Banjo
1
Ukulele
1
+ 4 instrumentations
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Voix
Chorale SATB
59
Chorale Unison
10
Chorale 3 parties
8
Chorale 2 parties
7
Chorale SSAA
2
Voix Alto, Piano
1
Chorale SSATB
1
Voix haute
1
Voix Tenor, Piano
1
Chorale
1
Chorale TTBB
1
Voix Tenor
1
+ 7 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Saxophones: 4 saxophones
5
2 Saxophones (duo)
5
Saxophone (partie séparée)
5
Flûte et Guitare
5
Clarinette, Guitare (duo)
3
Flûte traversière
3
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Tenor
2
Saxophone Alto
2
2 Flûtes traversières (duo)
2
Clarinette et Piano
2
Flûte traversière et Piano
2
Clarinette
2
Saxophone, Clarinette (duo)
2
Saxophone Soprano
2
Hautbois, Piano (duo)
2
2 Clarinettes (duo)
2
Saxophone Alto et Piano
2
3 Saxophones (trio)
1
Flûte à bec Alto
1
Clarinette, Trompette (duo)
1
Harmonica
1
Flûte, alto et harpe
1
Flute (partie séparée)
1
Hautbois, Basson (duo)
1
Flûte, Saxophone (duo)
1
Saxophone Tenor et Piano
1
Flûte, Violon
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte irlandaise
1
Clarinette, Violon (duo)
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette (duo)
1
Flûte, Alto (duo)
1
Flûte traversière, Basse continue
1
Hautbois, Flûte
1
Ensemble de Clarinettes
1
Saxophone
1
+ 37 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
5
Trompette (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Saxophone (duo)
2
Trompette
2
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Tuba
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
Trompette, Piano
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon
8
Contrebasse (partie séparée)
7
Violon (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
2
Violon, Violoncelle (duo)
1
Harpe et mandoline
1
2 Altos (duo)
1
Violon et Piano
1
Alto (partie séparée)
1
2 Violons (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Alto (duo)
1
2 Violoncelles (duo)
1
Violoncelle, Piano
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
80
Orchestre à Cordes
25
Orchestre
6
Ensemble Jazz
4
Ensemble de cuivres
2
Batterie
2
Batterie (partie séparée)
1
Caisse Claire
1
Orchestre de chambre
1
Jazz combo
1
Cloches
1
Fanfare
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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The Red Dress
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Toasting Mother Earth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
32.27 €
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Piano, Voix
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.61 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
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Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99
15.66 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.74 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99
8.29 €
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Piano seul
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Brightly Beams Our Father's Mercy (Let the Lower Lights Be Burning) for SATB and Piano
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.910177 Composed by Phillip Paul Blis…
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Choral Choir (SATB) - Digital Download SKU: A0.910177 Composed by Phillip Paul Bliss. Arranged by Amanda J. Atkins. Praise & Worship,Sacred. Octavo. 6 pages. Amanda Atkins #4784163. Published by Amanda Atkins (A0.910177). Music and text from Brightly Beams Our Father's Mercy have been arranged with a gently rocking piano accompaniment in a reverent arrangement for SATB choir with Piano accompaniment. A new final chorus has been added:We, the lower lights, are burningGuiding others on their way In the search for Christ, our brother,Let the truth transform today.Excellent for use during services at all times of the year, addressing topics like conversion, missionary work, and living as examples of Christ. Appropriate for LDS Sacrament Meetings and other sacred settings. Simple, interesting, and accessible by choirs of all sizes and skill levels, this piece is a wonderful addition to any sacred choral library. Sure to become a fast favorite of singers, congregations, and audiences!
$1.99
1.83 €
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Chorale SATB
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Phillip Paul Bliss
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Amanda J
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Brightly Beams Our Father's Mercy
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Amanda Atkins
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SheetMusicPlus
The Masters of the Violin
Violon
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. …
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The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.74 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
The Everlasting Light
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1504685 By Lynn Tredeau. By Public …
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Piano Solo - Level 3 - Digital Download SKU: A0.1504685 By Lynn Tredeau. By Public Domain. Arranged by Lynn Tredeau. 19th Century,Christmas,Contemporary,Holiday,Praise & Worship. Score. 46 pages. Lynn Renee Tredeau #1080099. Published by Lynn Renee Tredeau (A0.1504685). Each year, I eagerly await the Holiday season. Christmas & New Year's celebrations bring back a flood of memories. Memories about family, childhood and gatherings with friends. I remember my father making a Sunday meal after church and singing along to his favorite Christmas songs. There is the memory of sitting in a dimly lit room watching the bright lights of the tree blinking on and off. Our church choir singing beautifully on Christmas Eve is another heartfelt memory. While writing and arranging music for this Christmas album, I was grateful to dwell on so many treasured moments and it encouraged me to remember the most important part of Christmas. The reason for the season.....The Everlasting Light. Included titles are:O Tannenbaum Away in a Manger We Wish You a Merry Christmas O Little Town of Bethlehem Pines Dressed in Winter The First Noel God Rest Ye Merry Gentlemen Toyland Christmas PaperO Come, O Come EmmanuelJoy to the World Please visit www.lynntredeau.com for sheet music, CDs & downloads. Be sure to join the mailing list while you are there to have all my latest music and videos sent right to your email. All music arranged/composed, produced and performed by Lynn Tredeau Photograph by Sebastian Frohlich at Unsplash
$30.00
27.66 €
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Piano seul
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Lynn Tredeau
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Lynn Tredeau
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The Everlasting Light
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Lynn Renee Tredeau
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SheetMusicPlus
This Is My Father's World
Choral (Score & Parts) SKU: HL.8754611 Arranged by Heather Sorenson. Fred Bock Publ…
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Choral (Score & Parts) SKU: HL.8754611 Arranged by Heather Sorenson. Fred Bock Publications. Anthem, Children's Choir, General Worship, Hymn, Sacred. Fred Bock Music Company #BG2569B. Published by Fred Bock Music Company (HL.8754611). UPC: 884088647056. 5.5x5 inches.The “Hymnz4Kidz” series burst forth last year with considerable fanfare, led by one of the brightest new names in sacred music, Heather Sorenson. Now comes the latest release: This Is My Father's World. Traditional hymns dressed in fresh and snazzy outfits that captivate young singers and teach them our legacy of hymnody is grabbing everyone's attention. The series offers a host of correlating products: Accompaniment Tracks, Orchestral Score and Parts, and a downloadable Digital Toolkit (including a short skit, director's resources, activity sheet, and much more). Teaching old hymns has never been so much fun!
$25.00
23.05 €
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Heather Sorenson
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This Is My Father's World
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Fred Bock Music Company
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SheetMusicPlus
Your Mother Should Know
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.912070 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Pop. 11 pages. RayThompsonMusic #518001. Published by RayThompsonMusic (A0.912070). Arranged standard wind quintet Your Mother Should Know is a song by the English rock band the Beatles from their 1967 EP and LP Magical Mystery Tour. It was written by Paul McCartney and credited to Lennon–McCartney.Titled after a line in the 1961 film A Taste of Honey, its lyrical premise centres on the history of hit songs across generations. McCartney said he wrote it as a plea for generational understanding and respect for a mother's life experience. In the Magical Mystery Tour television film, the song serves as a big production number in the style of a 1930s Hollywood musical. Some commentators view the sequence as cultural satire, as the Beatles are seen dancing and dressed in white evening tails. Your Mother Should Know is in the music hall style, further to McCartney's earlier composition When I'm Sixty-Four.He first offered it as the Beatles' contribution to the Our World satellite broadcast in June 1967, but the band favoured John Lennon's All You Need Is Love for its social significance. The initial sessions for the song took place at Chappell Recording Studios in London towards the end of August. The group were visited there by their manager, Brian Epstein, a visit that marked the last time he joined them in the studio before his death on 27 August.
$17.95
16.55 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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The Beatles
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Ray Thompson
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Your Mother Should Know
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RayThompsonMusic
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SheetMusicPlus
"Go to Dark Gesthemane", organ solo
Orgue
Organ - Level 2 - Digital Download SKU: A0.932690 Composed by Richard Redhead. Arra…
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Organ - Level 2 - Digital Download SKU: A0.932690 Composed by Richard Redhead. Arranged by Terry M. Forsyth. Christian,Easter,Instructional,Romantic Period. Score. 3 pages. Forsyth Publishing #6113045. Published by Forsyth Publishing (A0.932690). For Maundy Thursday, this composition uses meter 5:4 and the same notes of Eb key but the E and A are raised resulting in a modal key by keeping only Bb. Composition is based on idea when at Gesthemane He looks at his humanness while contemplating please let this cup pass. The restatement of the melody addresses if Jesus should say yes to His Father's direction, this is his death march by the presentation of the pedal line. Keeping the repeating, constant pedal line (flute 8') movement together in this unusual meter is the challenge of this piece. Used during holy week. Tune name: Redhead.
$4.99
4.6 €
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Orgue
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Richard Redhead
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Terry M
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"Go to Dark Gesthemane", organ solo
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Forsyth Publishing
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SheetMusicPlus
The Red Violin Method & Technique
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.930560 Composed by Seifeddin Abdou…
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Violin Solo - Level 1 - Digital Download SKU: A0.930560 Composed by Seifeddin Abdoun. Contemporary,Instructional. 107 pages. Seifeddin Abdoun #4268457. Published by Seifeddin Abdoun (A0.930560). The Red Violin Method & Technique Book presents first position violin technique with intensive studies of music fundamentals. Exercises are simply explained throughout selected works of well-known composers. The book includes precise fingering, reading, and bowing skills; double stops, dotted notes, intervals, scales, and syncopation. The book also addresses dynamics (pianissimo, piano, forte, fortissimo, etc.), tempo (largo, lento, adagio, andante, moderato, etc.), and articulations (legato-slurs, accents, fermata, staccato, spiccato bowing). The right hand is thoroughly and sequentially developed through a series of bow techniques. Each bow technique defines a specific action required to produce an acceptable bow hand. The book uses a note-to-note sequence with finger's indication above and below the note heads. Accurate illustrations of the bow and fingerboard help develop proper playing position and mixing finger patterns. This technique creates better left-hand shape and helps develop proper playing position from the beginning. New material is carefully paced, sequential and immediately reinforced. New notes are approached by step, then gradually played with wider skips and crossing strings. Each new rhythm is introduced as a Rhythm Rap, which can be shadow bowed, then played on an open string, and finally placed in an appropriate melodic setting. Beside the selected melodies from well known composers, I composed many original melodies and exercises for this particular book.
$8.00
7.38 €
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Violon
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Seifeddin Abdoun
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The Red Violin Method & Technique
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Seifeddin Abdoun
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SheetMusicPlus
Mary Wore Her Red Dress
Piano, Voix et Guitare
Piano, Vocal, Guitar - Beginning - Digital Download SKU: 2S.4251133755510 Composed …
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Piano, Vocal, Guitar - Beginning - Digital Download SKU: 2S.4251133755510 Composed by Traditional. Arranged by Lars Opfermann. Children's Music. Score. 4 pages. Soundnotation #4251133755510. Published by Soundnotation (2S.4251133755510). This music book contains the original sheet music of the Children's Song - Mary Wore Her Red Dress - for Piano, Vocals and Guitar. Arranged for beginners in E major with lyrics.
$3.95
3.64 €
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Piano, Voix et Guitare
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Traditional
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Lars Opfermann
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Mary Wore Her Red Dress
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Soundnotation
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SheetMusicPlus
Of the Father's Love Begotten
Chorale SATB
SATB choir - Intermediate - Digital Download SKU: LX.65-1927S Composed by Gilbert M…
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SATB choir - Intermediate - Digital Download SKU: LX.65-1927S Composed by Gilbert M. Martin. Choral Cantatas. Christmas. 44 pages. Sacred Music Press #e65/1927S. Published by Sacred Music Press (LX.65-1927S). UPC: 000308058581. Text: Stephen Andrews.The radiance, joy, and majesty of the Christmas season is all captured here in this remarkable work. Familiar and favorite texts are redressed in colorful and varied musical styles, typical of this composer, and the sensitive narration of Stephen Andrews creates a magical mood. Along with a haunting setting of the cantata's title, there are fresh and skillful arrangements of Messiah Comes, Emmanuel!, What Child Is This?, Angels We Have Heard On High, and two breathtaking original compositions entitled One Holy Night and Manger Lullaby. This vibrant work is sure to be the highlight of the season in your church. Performance time: 30 minutes.
$8.95
8.25 €
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Chorale SATB
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Gilbert M
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Of the Father's Love Begotten
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Sacred Music Press
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SheetMusicPlus
There Were Two Men (Nathan the Prophet and King David) from "The Kings" - ACT 2:Song 7
Chorale 2 parties
Choral Choir (TB) - Level 3 - Digital Download SKU: A0.784833 Composed by McCorkle,…
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Choral Choir (TB) - Level 3 - Digital Download SKU: A0.784833 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11757. Published by DF McCorkle Music and eBook Publications (A0.784833). ACT TWO: Song 7. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 12:1-7… - And Yahweh sent Nathan to David. And he came unto him, and said unto him: ‘There were two men in one city: the one rich, and the other poor. 2 The rich man had exceeding many flocks and herds; 3 but the poor man had nothing save one little ewe lamb, which he had bought and reared; and it grew up together with him, and with his children; it did eat of his own morsel, and drank of his own cup, and lay in his bosom, and was unto him as a daughter. 4 And there came a traveler unto the rich man, and he spared to take of his own flock and of his own herd, to dress for the wayfaring man that was come unto him, but took the poor man’s lamb, and dressed it for the man that was come to him.’ 5 And David’s anger was greatly kindled against the man; and he said to Nathan: ‘As Yahweh lives, the man that hath done this deserves to die; 6 and he shall restore the lamb fourfold, because he did this thing, and because he had no pity.’ 7 And Nathan said to David: ‘You art the man.’…] The news is brought back to DAVID and BATHSHEBA. After an appropriate period of mourning, DAVID calls for BATHSHEBA and takes her as his wife and eventually gives birth to a son. DAVID in the meantime still conceals to himself the actions that precipitated URIAH’S death. NATHAN confronts DAVID about a rich man in the town who has stolen a lamb from a poor man. DAVID outraged at the injustice tells NATHAN that the man will die for his unfeeling actions. NATHAN then reveals that he (DAVID) is that man [There Were Two Men – Nathan and the Prophetess’]. Now at last the matter is exposed and David must face his actions. As NATHAN and the prophets leave, one of DAVID’S men comes in and tells him that his son has died. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.76 €
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Chorale 2 parties
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McCorkle, Dennis F
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There Were Two Men
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The Gettysburg Address: E-flat Alto Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015820_AX1 E-flat Alto Saxophone
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Concert Band - Digital Download SKU: AX.00-PC-0015820_AX1 E-flat Alto Saxophone. Composed by Abraham Lincoln and Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015820_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015820_AX1). UPC: 038081458298.To be performed with or without a narrator, this work contains musical fragments from three civil war songs, including the Battle Cry of Freedom, Dixie, and Battle Hymn of the Republic. Scored for beginners, the use of the narration will certainly enhance this patriotic setting. (3:00).
$3.00
2.77 €
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Orchestre d'harmonie
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Abraham Lincoln and Michael Story
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The Gettysburg Address: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gettysburg Address: Narrator with Music
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015820_NARR-M Narrator with Music…
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Concert Band - Digital Download SKU: AX.00-PC-0015820_NARR-M Narrator with Music. Composed by Abraham Lincoln and Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015820_NARR-M. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015820_NARR-M). UPC: 038081458298.To be performed with or without a narrator, this work contains musical fragments from three civil war songs, including the Battle Cry of Freedom, Dixie, and Battle Hymn of the Republic. Scored for beginners, the use of the narration will certainly enhance this patriotic setting. (3:00).
$3.00
2.77 €
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Orchestre d'harmonie
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Abraham Lincoln and Michael Story
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The Gettysburg Address: Narrator with Music
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gettysburg Address: 1st B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015820_C1 1st B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0015820_C1 1st B-flat Clarinet. Composed by Abraham Lincoln and Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015820_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015820_C1). UPC: 038081458298.To be performed with or without a narrator, this work contains musical fragments from three civil war songs, including the Battle Cry of Freedom, Dixie, and Battle Hymn of the Republic. Scored for beginners, the use of the narration will certainly enhance this patriotic setting. (3:00).
$3.00
2.77 €
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Orchestre d'harmonie
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Abraham Lincoln and Michael Story
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The Gettysburg Address: 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gettysburg Address: 1st Trombone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015820_TN1 1st Trombone. Comp…
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Concert Band - Digital Download SKU: AX.00-PC-0015820_TN1 1st Trombone. Composed by Abraham Lincoln and Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015820_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015820_TN1). UPC: 038081458298.To be performed with or without a narrator, this work contains musical fragments from three civil war songs, including the Battle Cry of Freedom, Dixie, and Battle Hymn of the Republic. Scored for beginners, the use of the narration will certainly enhance this patriotic setting. (3:00).
$3.00
2.77 €
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Orchestre d'harmonie
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Abraham Lincoln and Michael Story
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The Gettysburg Address: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gettysburg Address: Mallets
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015820_M1 Mallets. Composed b…
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Concert Band - Digital Download SKU: AX.00-PC-0015820_M1 Mallets. Composed by Abraham Lincoln and Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015820_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015820_M1). UPC: 038081458298.To be performed with or without a narrator, this work contains musical fragments from three civil war songs, including the Battle Cry of Freedom, Dixie, and Battle Hymn of the Republic. Scored for beginners, the use of the narration will certainly enhance this patriotic setting. (3:00).
$3.00
2.77 €
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Orchestre d'harmonie
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Abraham Lincoln and Michael Story
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The Gettysburg Address: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gettysburg Address: Tuba
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015820_TB1 Tuba. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0015820_TB1 Tuba. Composed by Abraham Lincoln and Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015820_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015820_TB1). UPC: 038081458298.To be performed with or without a narrator, this work contains musical fragments from three civil war songs, including the Battle Cry of Freedom, Dixie, and Battle Hymn of the Republic. Scored for beginners, the use of the narration will certainly enhance this patriotic setting. (3:00).
$3.00
2.77 €
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Orchestre d'harmonie
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Abraham Lincoln and Michael Story
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The Gettysburg Address: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gettysburg Address: Timpani
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015820_TMP Timpani. Composed …
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Concert Band - Digital Download SKU: AX.00-PC-0015820_TMP Timpani. Composed by Abraham Lincoln and Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015820_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015820_TMP). UPC: 038081458298.To be performed with or without a narrator, this work contains musical fragments from three civil war songs, including the Battle Cry of Freedom, Dixie, and Battle Hymn of the Republic. Scored for beginners, the use of the narration will certainly enhance this patriotic setting. (3:00).
$3.00
2.77 €
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Orchestre d'harmonie
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Abraham Lincoln and Michael Story
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The Gettysburg Address: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gettysburg Address: Oboe
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015820_O1 Oboe. Composed by A…
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Concert Band - Digital Download SKU: AX.00-PC-0015820_O1 Oboe. Composed by Abraham Lincoln and Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015820_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015820_O1). UPC: 038081458298.To be performed with or without a narrator, this work contains musical fragments from three civil war songs, including the Battle Cry of Freedom, Dixie, and Battle Hymn of the Republic. Scored for beginners, the use of the narration will certainly enhance this patriotic setting. (3:00).
$3.00
2.77 €
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Orchestre d'harmonie
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Abraham Lincoln and Michael Story
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The Gettysburg Address: Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gettysburg Address: Narrator Text Only
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015820_NARR-T Narrator Text Only
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Concert Band - Digital Download SKU: AX.00-PC-0015820_NARR-T Narrator Text Only. Composed by Abraham Lincoln and Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015820_NARR-T. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015820_NARR-T). UPC: 038081458298.To be performed with or without a narrator, this work contains musical fragments from three civil war songs, including the Battle Cry of Freedom, Dixie, and Battle Hymn of the Republic. Scored for beginners, the use of the narration will certainly enhance this patriotic setting. (3:00).
$3.00
2.77 €
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Orchestre d'harmonie
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Abraham Lincoln and Michael Story
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The Gettysburg Address: Narrator Text Only
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gettysburg Address: E-flat Baritone Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0015820_BTX E-flat Baritone Saxoph…
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Concert Band - Digital Download SKU: AX.00-PC-0015820_BTX E-flat Baritone Saxophone. Composed by Abraham Lincoln and Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015820_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015820_BTX). UPC: 038081458298.To be performed with or without a narrator, this work contains musical fragments from three civil war songs, including the Battle Cry of Freedom, Dixie, and Battle Hymn of the Republic. Scored for beginners, the use of the narration will certainly enhance this patriotic setting. (3:00).
$3.00
2.77 €
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Orchestre d'harmonie
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Abraham Lincoln and Michael Story
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The Gettysburg Address: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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