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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Return
Non classifié
632
Piano & claviers
Piano seul
871
Piano, Voix
200
Piano, Voix et Guitare
130
Piano Facile
106
Orgue
50
Instruments en Do
35
Piano grosses notes
31
Accompagnement Piano
24
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
9
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
2 Accordéons
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 14 instrumentations
Retracter
Guitares
Guitare
52
Ukulele
34
Guitare notes et tablatures
28
Ligne De Mélodie, (Paroles) et Accords
28
Paroles et Accords
11
Dulcimer
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
1
Guitare (partie séparée)
1
Piano, Guitare (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
452
Chorale 3 parties
99
Chorale TTBB
67
Chorale 2 parties
48
Chorale Unison
42
Pack Instrumental pour Chorale
24
Chorale SSAA
20
Voix duo, Piano
8
Voix haute
7
Voix seule
6
Voix Tenor, Piano
4
Voix basse, Piano
3
Voix Soprano, Piano
2
Voix Baryton, Piano
2
Voix Alto, Piano
1
Chorale
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Voix duo
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
61
Quatuor de Saxophones: 4 saxophones
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
Saxophone Alto et Piano
36
Clarinette
31
Clarinette (partie séparée)
30
Hautbois, Piano (duo)
30
Flûte, Hautbois, Clarinette, Basson
29
2 Saxophones (duo)
28
Flûte traversière
28
Clarinette et Piano
28
2 Flûtes traversières (duo)
27
2 Clarinettes (duo)
26
Saxophone (partie séparée)
24
Ensemble de Flûtes
23
Saxophone Alto
18
Saxophone Soprano et Piano
17
Saxophone Tenor et Piano
15
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Baryton, Piano
14
Hautbois (partie séparée)
14
Saxophone Tenor
14
Flute (partie séparée)
13
Ensemble de Clarinettes
13
Flûte, Clarinette (duo)
11
Quatuor de Flûtes : 4 flûtes
10
3 Clarinettes (trio)
10
Saxophone, Clarinette (duo)
9
Clarinette Basse, Piano
9
Trio de Flûtes: 3 flûtes
9
Clarinette, Trompette (duo)
8
Clarinette, Violon (duo)
8
Cor anglais, Piano
8
Quintette de Clarinettes: 5 clarinettes
6
Flûte et Guitare
6
Hautbois, Basson (duo)
6
Hautbois
6
Hautbois, Clarinette (duo)
5
Quintette de Saxophone: 5 saxophones
5
Clarinette, Guitare (duo)
5
Hautbois, Flûte
5
Flûte, Trompette (duo)
4
Flûte, Alto (duo)
4
Ensemble de saxophones
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
2 Hautbois (duo)
4
Ocarina
4
Flûte, Violon, Piano
3
Flûte, Clarinette et Basson
3
2 Flûte à bec (duo)
3
Flûte, Hautbois (duo)
2
Flûte, Violon
2
Flûte à bec Soprano
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Guitare
2
Cor anglais, Guitare (duo)
2
Clarinette, Violoncelle (duo)
1
5 Flûtes à bec
1
2 Clarinettes, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Soprano, Piano
1
2 Saxophones, Piano
1
Hautbois, violon (duo)
1
Hautbois, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
Cornemuse
1
Ensemble De Flûte à bec
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
Saxophone et Harpe
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
3 Saxophones (trio)
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
2 Flûtes traversières, Piano
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Harpe
1
Flûte à bec Alto, Piano
1
Saxophone Soprano
1
Piccolo
1
Flûte, Basson et Piano
1
Flûte à bec Alto, Basse continue
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone (partie séparée)
30
Trompette
26
Trompette, Piano
23
Trombone et Piano
23
Cor et Piano
20
Trompette (partie séparée)
20
Cor
18
Cor (partie séparée)
17
Trombone
17
2 Trompettes (duo)
14
Tuba et Piano
12
Quatuor de Cuivres
11
Euphonium, Piano (duo)
10
2 Trombones (duo)
10
Tuba (partie séparée)
9
Cor anglais, Piano
8
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 trombones
6
Ensemble de Trombones
5
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 cors
4
Trombone, Orgue
2
Ensemble de Cors
2
Tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Guitare (duo)
2
Trompette, Orchestre
1
Trio de Cuivres
1
Tuba et Orgue
1
Euphonium
1
Trombone, Tuba (duo)
1
Trompette, Harpe
1
Trompette, Violoncelle et Piano
1
3 Trombones (trio)
1
2 Cors, Piano
1
Ensemble de Trompettes
1
2 Cors (duo)
1
2 Euphoniums et 2 Tubas
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
101
Violon et Piano
63
Violoncelle, Piano
30
Alto, Piano
29
2 Violons (duo)
24
Violon
22
Violoncelle
22
Violon (partie séparée)
20
Harpe
16
Trio à Cordes: violon, alto, violoncelle
15
Alto seul
13
Violon, Alto (duo)
12
Violon, Violoncelle (duo)
12
2 Violoncelles (duo)
12
Alto (partie séparée)
11
Contrebasse (partie séparée)
9
Violoncelle (partie séparée)
9
2 Altos (duo)
8
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
2
4 Violoncelles
1
Alto et Basson
1
Alto, Violoncelle (duo)
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
474
Orchestre
111
Cloches
110
Orchestre à Cordes
81
Fanfare
48
Ensemble de cuivres
46
Ensemble Jazz
46
Orchestre de chambre
26
Percussion (partie séparée)
20
Ensemble de Percussions
10
Percussion
6
Timbales (partie séparée)
6
Jazz combo
5
Batterie
3
Marimba
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Orchestre, Violon
1
Piano et Orchestre
1
Quintette à Vent
1
3 Percussions
1
+ 17 instrumentations
Retracter
Autres
Instruments
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AUTRES INST…
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BASSE
BASSON
BATTERIE
BOUZOUKI
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
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Partitions à imprimer
5 803 partitions trouvées
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5801
The Oboe
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James E
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The Oboe
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Sahale Studios
#
SheetMusicPlus
Piano Quartet - Level 5 - SKU: A0.1329920 Composed by James E. Andersson. 19th Century,21st Century,Classical,Comedy,Contemporary. 35 pages. Sahale Stud...
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Piano Quartet - Level 5 - SKU: A0.1329920 Composed by James E. Andersson. 19th Century,21st Century,Classical,Comedy,Contemporary. 35 pages. Sahale Studios #917904. Published by Sahale Studios (A0.1329920). Once there was an oboist who was a member of a chamber ensemble consisting of flute, oboe, cello, and, piano. The oboist was highly skilled; a virtouoso who could ornament without the slighest effort. They were notorious for doing so.One day during dress rehearsal, the oboist, familiar enough with the music began ornamenting and adding stylistic flourishes, becoming increasingly carried away with their part. It finally reaches a point where the others stop playing and let the oboe go completely overboard with a full cadenza. Not far into the solo, the oboe realizes everyone else has stopped playing and stops themself and the rehearsal continues. However, not much farther along, the oboist becomes carried away in their part again, resulting in the other musicians pausing again as the oboist proceeds into another cadenza passage before realizing the others have stopped again.The rehearsal continues, and they all get further along (due to the oboe simply not playing), but when the oboe plays the melody, the ornaments and finesse return in full display, and finally the piano cuts the oboe off. At the slightest hint of an ornament all the other musicians in the ensmeble join in and cut off the oboe. From this, the oboist sinks into low spirits.The rehearsal continues unabated through the next section, and when the oboist enters, they play their part as written, but the ornamentations begin creeping in again. But rather than admonish the oboist the others instead speed the music up into the recapitulation section and for the remainder of the piece and rehearsal they all go wild with flourishes and ornamentations of their own, bringing the piece to a rollicking and lively conclusion.
$22.99
Rosary Sonatas: The Finding of the Child Jesus in the Temple
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Finding of
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JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
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Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Tales of the Great Water (Set of Instrument Parts)
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Sandra Eithun
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Tales of the Great Water
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Chorister's Guild - Digital
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SheetMusicPlus
Level 3, Level 4 - SKU: C7.CGRP56 Composed by Sandra Eithun. General. Bay View Week of Handbells. With with optional flute or violin, drum, chime tree a...
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Level 3, Level 4 - SKU: C7.CGRP56 Composed by Sandra Eithun. General. Bay View Week of Handbells. With with optional flute or violin, drum, chime tree and suspended cymbal. Set of parts. 8 pages. Chorister's Guild - Digital #CGRP56. Published by Chorister's Guild - Digital (C7.CGRP56). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.
$11.95
Tales of the Great Water
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Sandra Eithun
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Tales of the Great Water
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Chorister's Guild - Digital
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SheetMusicPlus
4, 5, 6, 7 or 8 octaves handbells with optional flute or violin, drum, chime tree, suspended cymbal and 3, 4, 5, 6 or 7 octaves handchimes - Level 3, Level 4 - ...
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4, 5, 6, 7 or 8 octaves handbells with optional flute or violin, drum, chime tree, suspended cymbal and 3, 4, 5, 6 or 7 octaves handchimes - Level 3, Level 4 - SKU: C7.CGB1192 Composed by Sandra Eithun. General. Bay View Week of Handbells. With optional flute or violin, drum, chime tree and suspended cymbal. Score. 28 pages. Chorister's Guild - Digital #CGB1192. Published by Chorister's Guild - Digital (C7.CGB1192). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.
$7.50
The Complete Instrumentalist Book One
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DaCapo Primary Music
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The Complete Instrumentalist B
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DaCapo Primary Music
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SheetMusicPlus
Level 2 - SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler and Tracey Mathias. Classical,Contemporary,Instructional,Multicultural,Traditional,Wor...
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Level 2 - SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler and Tracey Mathias. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 94 pages. DaCapo Primary Music #904114. Published by DaCapo Primary Music (A0.1315388). This Book Contains 68 songs for the instrumentalist.This new edition of the DaCapo Complete Instrumentalist contains the same material as when first published in 2000, with one big change - many of the songs have been re-worded by our writer in residence, Tracey Mathias, to make them more engaging for very young children.Singing is the foundation of all musical skills.The book concentrates on the building of musicianship, is not clef specific and is therefore suitable for ANY instrument. It has been written on a reduced stave of 1, 2 or 3 lines in order to develop the skill of hearing the music from the page. The songs are classified by their note range, using solfa symbols and handsigns to identify relative pitches.The collection starts with the  so  mi interval and moves progressively to cover the complete major pentatonic scale. These intervals are easier to pitch accurately and you have the added advantage of working in canon. You may find another section more appropriate for the early stages of your instrument. A violinist or cellist may find the  so  do section better as a starting point for example, whilst  la  so might be more comfortable on a fife or recorder.Each section starts with a list of ideas for very simple activities used to teach a song and establish it in the pupil's mind. There follows a variety of more complex and creative ideas which will enhance their musicianship. The activities are at three levels and we suggest that first you learn lots of the songs and then return to them later, tackling some of the more challenging suggestions.Whilst every attempt has been made to research the source material, if you think we have not credited an original song please let us know.We hope that you enjoy becoming a Complete Instrumentalist. Jane CutlerYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Theme from "Ice Castles" (Through the Eyes of Love)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Film/TV
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Marvin Hamlisch
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Theme from "Ice Castles"
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through the Eyes of Love). Composed by Marvin Hamlisch. Pop/Rock. 3 pages. ...
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Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through the Eyes of Love). Composed by Marvin Hamlisch. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015689. Published by Alfred Music - Digital Sheet Music
ISBN 9780739096109. Carole Bayer Sager.
Music makers looking for a wide variety of musical styles to play will find unlimited enjoyment in this big collection of sheet music for 45 of the world's most recognizable popular songs and movie themes! The titles in this book are proven favorites that can be enjoyed by players of all ages. From pop hits through the ages to epic movie music by renowned composers like Howard Shore, John Williams, Hans Zimmer, and more, the arrangements in this collection will delight players and audiences alike. Titles: Africa (Toto) * At Last (Etta James) * The Big Bang Theory (Main Title Theme) * Bridge Over Troubled Water (Simon and Garfunkel) * Can You Feel the Love Tonight (The Lion King) * Concerning Hobbits (The Lord of the Rings: The Fellowship of the Ring) * Count on Me (Bruno Mars) * Dancing Queen (Mamma Mia!) * The Dark Knight Overture (The Dark Knight) * Discombobulate (Sherlock Holmes) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Empire State of Mind (Jay-Z and Alicia Keys) * Falling Slowly (Once) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Gonna Fly Now (Rocky) * Greatest Love of All (Whitney Houston) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * I Don't Want to Miss a Thing (Armageddon) * I Saw Her Standing There (The Beatles) * Theme from Ice Castles * If I Die Young (The Band Perry) * Into the West (The Lord of the Rings: The Return of the King) * James Bond Theme (Dr. No) * Kiss from a Rose (Seal) * Lily's Theme (Harry Potter and the Deathly Hallows, Part. 2) * Theme from Love Affair * Make You Feel My Love (Adele) * The Notebook (Main Title) * Out Here on My Own (Fame) * Over the Rainbow (The Wizard of Oz) * The Pink Panther * The Prayer (Celine Dion and Andrea Bocelli) * Song of the Lonely Mountain (The Hobbit: An Unexpected Journey) * Stairway to Heaven.
$3.99
Around the Bend (for Cello & Piano)
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Violoncelle, Piano
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AVANCÉ
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Brian Strohmetz
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Piano.
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Around the Bend
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Brian Strohmetz
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1280306 Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Strohmetz #871769. ...
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Cello,Piano - Level 5 - SKU: A0.1280306 Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Strohmetz #871769. Published by Brian Strohmetz (A0.1280306). Around the Bend is a journey of tranquility, adventure, and discovery down a section of the Monocacy Creek in Bethlehem, PA. The first section of the music that appears throughout the piece is a simple melody that is reminiscent of a simple art song. It represents the river flowing along peacefully on a beautiful day. Occasionally, we come across an area where the water hits a small obstacle that causes the water to change its path and speed. We hear this as violent 16th note interruptions in the music. The river then returns to its natural flow and pace. Further along we encounter a small waterfall area with rapids and obstacles. The music cascades and has a rhythmic drive representing the rapids and the swift moving waters. After we have traversed the rapids, we return to the calm waters of the river as it continuously flows peacefully. The next portion of our journey is inspired by a specific and unique section of the Monocacy, where we find the hidden ivy. Trees surround the creek. When looking into them, at a certain angle, you will find a tree covered in ivy hidden amongst the other trees. When we reach this point in our journey, the music starts off mysteriously as though looking through the trees. When we find the hidden ivy, we are greeted by a majestic melody that reflects this hidden beauty. The piano plays a rising arpeggio repeatedly, reflecting the ivy’s goal to grow higher and closer to the sky. Once we pass the ivy, we return to the peacefully flowing river. We approach a bend in the river that we cannot see beyond. There is a bit of trepidation, but as we start to go around the bend, everything ends peacefully, and we know everything will be fine. The river will keep moving and we will survive. For Cello & Piano.
$14.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Rosary Sonatas: The Presentation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Presentati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99
Beati IV: Pro eis sine domo (For the stateless) (Downloadable)
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Musique Sacrée
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Howard Goodall
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Beati IV: Pro eis sine domo
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano solo, SSAA choir, cello, organ, and synthesizer - Medium - SKU: MQ.56-0032-E Composed by Howard Goodall. Instrument part. 17 pages. Duration 7 m...
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Soprano solo, SSAA choir, cello, organ, and synthesizer - Medium - SKU: MQ.56-0032-E Composed by Howard Goodall. Instrument part. 17 pages. Duration 7 minutes, 25 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0032-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0032-E). Latin. Isaiah 4:6; Psalms 31:7.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSAA chorus, organ, cello, synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This movement begins with the soloist singing in English (“Blessed are the stateless; blessed are the homelessâ€). Next the chorus sings Latin settings of Isaiah 4:6 (“And there shall be a tabernacleâ€) and Psalms 31:7 (“Thou art my refugeâ€). The Latin is set in a sort of mantra-like declamatory style, moving through unison into two-part and finally three. All voice return to the opening theme in English originally sung by the soloist. Then the two concepts are overlaid, the solo motif with the declamatory Latin. The choral voices recap the unison-through-three part declamatory section, the soloist briefly returns to the opening theme. Duration 7:25Instrumentalists play from the choral score.
$3.35
The Cross Kirk and the lang walk
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
The Cross Kirk and the lang walk
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Ha...
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Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
Ice! from Songs from the High Sierra
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Voix haute
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Gwyneth W
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Ice! from Songs from the High
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8...
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High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
Song of the Childless
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Contemporain
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00
Simply Southern Gospel
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Chorale 3 parties
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Mary McDonald
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Simply Southern Gospel
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SAB choir, Piano - SKU: LX.45-1169L Six Easy SAB Anthems. Composed by Mary McDonald. Choral Collection. 60 pages. Lorenz Publishing - Digital She...
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SAB choir, Piano - SKU: LX.45-1169L Six Easy SAB Anthems. Composed by Mary McDonald. Choral Collection. 60 pages. Lorenz Publishing - Digital Sheet Music #e45/1169L. Published by Lorenz Publishing - Digital Sheet Music (LX.45-1169L). ISBN 9781429123228.Mary McDonald is widely celebrated for her masterful hymn arrangements. In this delightful collection, she returns to her southern-gospel roots and offers six hymns and hymn medleys that are sure to please singers and listeners alike. Accessible SAB vocals are complemented by Mary's signature piano accompaniments, or add to the fun with the split-track accompaniment audio. This collection is a great resource for youth or senior choirs, summer worship, hymn festivals, and emergency anthems. Perform these titles individually throughout the year or together as a special program with church and community choirs.
Song List
: Glory To His Name I Must Tell Jesus with Blessed Assurance Joy Down in My Heart Pass Me Not, O Gentle Savior Walking in Sunlight We Will Gather at the River
$9.95
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published b...
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Full Orchestra - Level 3 - SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by ...
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Concert Band - Level 3 - SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$5.99
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
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Contemporain
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Ma Shui Long 馬水é¾
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《無形的ç
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SpringAutumnmusic
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SheetMusicPlus
Small Ensemble Choir,Voice - SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #471...
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Small Ensemble Choir,Voice - SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男è²å¤§åˆå”± 　 　　2003å¹´11月間一個美好的機緣，åƒèˆ‡æ–‡åŒ–總會ä¸éƒ¨è¾¦å…¬å®¤è·¯å¯’袖先生所推展的「玉山å¸ã€ï¼Œé€ 訪了å°ç£ç²¾ç¥žè–åœ°ï¼Œé«”é©—ç¾¤å¶½ä¹‹å† ã€ŒçŽ‰å±±ã€çš„雄å‰èˆ‡å¯¬å®¹ã€‚èª å¦‚ä½œå®¶è·¯å¯’è¢–å…ˆç”Ÿæ‰€è¨€ï¼šã€Œç„¡è«–ç™»é ‚èˆ‡å¦ï¼Œæ—¢å…¥å±±ä¸ï¼Œå³ç‚ºå±±æ‰€åŒ…容ã€ã€‚的確，登山ä¸åƒ…是觀賞美景讚嘆山的壯麗與險峻，而更é‡è¦çš„在空éˆçš„å±±ä¸éš±è—禪機，讓我們å¸ç¿’到真æ£çš„謙å‘。當作曲者親臨時刻，心ä¸å»ä¸€ç‰‡èŒ«ç„¶è€Œç„¡èªžï¼Œçž¬é–“，想起詩人æŽé賢先生一首詩作「無形的神殿ã€è¨€ï¼š 　　我高高在上 　　ä¸åœ¨ä¹Žçœ‹å¾—é 　　é 方茫茫 　　什麼也看ä¸è¦‹ ã€€ã€€æˆ‘å …æŒå†· 　　éœæˆ‘內部岩層的 　　 世界，我ç¨ç«‹ 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人æŽé賢先生的åŒæ„，借用詩å「無形的神殿ã€ä½œç‚ºæœ¬æ›²ä¹‹æ¨™é¡Œï¼Œèœå¯«ä½œæ›²è€…親臨拜訪「玉山ã€ï¼Œå¿ƒä¸çš„悸動與感å—ã€‚æœ¬æ›²å‰µä½œç´ æä¸ï¼Œäº¦å¼•ç”¨å¹¾é¦–é„’æ—與布農æ—原ä½æ°‘之æŒï¼Œåœ¨ç”·ç”Ÿå¤§åˆå”±èˆ‡ç®¡å¼¦æ¨‚交織ä¸ï¼Œåˆ†ç‚º(一)夜話排雲(二)日出(三)ç¥ç¥žç‰ä¸‰å¤§éƒ¨ä»½ï¼Œä»¥é€£æ¨‚ç« å½¢å¼å‘ˆç¾ã€‚ ※(1)本曲為邱å†èˆˆæ–‡æ•™åŸºé‡‘會委託創作之作å“，完æˆæ–¼2005~2006年，2007å¹´12月ä¸æ—¬åˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳，指æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå°åŒ—愛樂åˆå”±åœ˜è¯åˆèˆ‰è¡Œä¸–界首演。 (2)é„’æ—與布農æ—之æŒæ—‹å¾‹ï¼Œè³‡æ–™ä¾†è‡ªæ–¼é›²é–€èˆžé›†åŠæµ©æ©å‡ºç‰ˆç¤¾ï¼ˆé«˜å±±çš„禮讚）所出版之CD，並由我的作曲å¸ç”Ÿè”¡æ¬£å¾®è½å¯«æ•´ç†æ供，在æ¤ä¸€ä½µè¡¨ç¤ºæ„Ÿè¬ä¹‹æ„。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
$44.99
The Day Is Done (Downloadable Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Gwyneth W
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The Day Is Done
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Medium - SKU: MQ.8776-E Composed by Gwyneth W. Walker. 23 pages. E....
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SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Medium - SKU: MQ.8776-E Composed by Gwyneth W. Walker. 23 pages. E. C. Schirmer Music Company - Digital #8776-E. Published by E. C. Schirmer Music Company - Digital (MQ.8776-E). English.Longfellow's poem, The Day is Done, speaks of evening as the time when poetry and music comealive and soothe the cares of day. The musical setting presents the opening lyrics in the children’s voices: The day is done, and the darkness falls from the wings of night. These phrases, or slight variations thereof, return as refrains throughout the song. The verses alternate between the men’s and women’s voices, with the children interjecting refrains or offering commentary in the background. Finally, the children interrupt the SATB dialogue with exclamations of a song! a song! a song! These lead to the climax of the song, given to the children’s chorus, singing And the night shall be filled with music. All voices then join together in celebration: Our song shall fill the night. The accompaniment (originally composed for piano, later adapted for flute, strings, and percussion) delights in text-setting with sparkling arpeggios depicting the celestial harmonies, and filigree patterns for the star-filled night sky. Duration: 5:00.
$3.20
The Royal Court of Aquitaine (Clarinet Quartet version)
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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James Pybus
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The Royal Court of Aquitaine
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James Pybus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - SKU: A0.764636 Composed by James Pybus. Contemporary,Contest,Festival. 15 pages. James Pybu...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - SKU: A0.764636 Composed by James Pybus. Contemporary,Contest,Festival. 15 pages. James Pybus #34151. Published by James Pybus (A0.764636). The Royal Court of Aquitaine is an original composition for SATB Saxophone Quartet or Clarinet Quartet and is dedicated to the Three Rivers Saxophone Quartet who are based in Pittsburgh, in appreciation for having me as one of their guests at their 20th Annual Saxophone and Woodwind Workshop held at California University of Pennsylvania, June 27- July 2, 2010. I began working on the piece just prior to attending the workshop and completed it a few days after returning home to Mississauga, Ontario. The title was suggested by my lovely bride after she first heard the piece. Raised in a family where medieval history was a frequent topic of discussion since her father was a Professor of Medieval Studies at the University of Toronto, my wife says she had a vision of Eleanor of Aquitaine arriving by ship in England with her entourage, while her husband King Henry II awaited her. Since I had no title in mind, and after having researched the medieval Queen, I decided my wife’s suggestion was particularly apt. The piece is in ternary form, with the first theme in C Dorian mode, perhaps depicting Eleanor’s strength and conviction as a monarch. This leads into the second section in Eb major, which is more lyrical and calming in nature, suggesting her influence over the Courtly Love Movement while residing in Poitiers. The first section then returns to bring the piece to a balanced conclusion. The performance time is 3:15. Contact me at james.pybus56@gmail.com.
$15.00
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The Return