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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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32
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25
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11
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6
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4
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4
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1
2 Euphoniums et 2 Tubas
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1
Euphonium, Piano (duo)
1
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14
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7
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6
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5
2 Violons (duo)
4
2 Violoncelles (duo)
4
2 Altos (duo)
3
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3
Harpe
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Contrebasse, Piano (duo)
2
Violon, Alto (duo)
2
Violon
1
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1
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1
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Orchestre d'harmonie
92
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13
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12
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10
Jazz combo
6
Cloches
5
Ensemble de cuivres
4
Batterie
3
Fanfare
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Conga
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Gathering - an original hymn for SATB voices
Voix seule
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701527 Composed by Kevin G. P…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701527 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3224905. Published by Kevin G. Pace (A0.701527). An original hymn with text by Krista Mason Pace below.YouTube video: https://youtu.be/c9lVXglYbCoTeaching His children, Jesus spoke softly, Gathering all of His followers there. He taught the kingdom of God on this earth Was as man sewing good seeds in fields with great care. Then, while sleeping at night, an enemy came And sowed the tares among the wheat in shame. Soon when the wheat grew, showing great promise, Tares also covered the space all around. Knowing the young roots were tender and new, Then the man, in great wisdom, approached his good ground. Let them both grow together. Harvest time waits. The tares and wheat then gathered to their fates. Now is the harvest. Gather together All the elect from the quarters of earth. Those who will call on the Savior in faith, And in places of holiness stand with true worth. For the angels are waiting for their command. Come gather close to reach His outstretched hand.
$1.99
1.83 €
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Voix seule
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Kevin G
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Gathering - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Simply Southern Gospel
Chorale 3 parties
SAB choir, Piano - Digital Download SKU: LX.45-1169L Six Easy SAB Anthems. C…
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SAB choir, Piano - Digital Download SKU: LX.45-1169L Six Easy SAB Anthems. Composed by Mary McDonald. Choral Collection. 60 pages. Lorenz Publishing - Digital Sheet Music #e45/1169L. Published by Lorenz Publishing - Digital Sheet Music (LX.45-1169L). ISBN 9781429123228.Mary McDonald is widely celebrated for her masterful hymn arrangements. In this delightful collection, she returns to her southern-gospel roots and offers six hymns and hymn medleys that are sure to please singers and listeners alike. Accessible SAB vocals are complemented by Mary's signature piano accompaniments, or add to the fun with the split-track accompaniment audio. This collection is a great resource for youth or senior choirs, summer worship, hymn festivals, and emergency anthems. Perform these titles individually throughout the year or together as a special program with church and community choirs.
Song List: Glory To His Name I Must Tell Jesus with Blessed Assurance Joy Down in My Heart Pass Me Not, O Gentle Savior Walking in Sunlight We Will Gather at the River
$9.95
9.17 €
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Chorale 3 parties
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Mary McDonald
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Simply Southern Gospel
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Billy In The Lowground
Violon et Piano
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340605 By …
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340605 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 48. Heather Mueller Music #1D5t0SbHybAqQYavKCzIL1. Published by Heather Mueller Music (A0.1340605). Key: C major.Billy in the Lowground - Classic Old-Time Fiddle Tune Sheet Music Step into the heart of traditional American roots with our sheet music for Billy in the Lowground. This timeless old-time fiddle tune, rich in history and character, beckons with its spirited melodies and rustic charm. Immerse yourself in the authentic arrangement, tailor-made for fiddle players seeking a captivating piece for their repertoire. Key Features: Authentic transcription of Billy in the Lowground in its classic old-time style. Spirited and evocative melodies that resonate with the heritage of the tune. Designed for fiddle players, yet adaptable to various melodic instruments. Chord symbols included for optional accompaniment. Whether you're a seasoned enthusiast of old-time music or a musician on a melodic instrument eager to explore the roots of this cherished tune, our sheet music captures the essence of Billy in the Lowground. Elevate your performance and share the timeless allure of this classic old-time fiddle tune with our meticulously crafted arrangement.
$3.99
3.68 €
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Violon et Piano
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Traditional Fiddle Tunes
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Heather M Music
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Billy In The Lowground
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Heather Mueller Music
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SheetMusicPlus
Another Day
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
4.56 €
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Voix Alto, Piano
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
The River
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
4.56 €
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Back to the Heart
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
4.56 €
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Voix Alto, Piano
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Some Fasnacht Fanfares (Historical Signals and Melodies from the Basler Fasnacht)
Ensemble de Trompettes
Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1196323 Composed by T…
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Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1196323 Composed by Trad. Arranged by Des McNutty. Baroque,Holiday,March,Renaissance,Traditional. 40 pages. Des Press #795476. Published by Des Press (A0.1196323). (Historical Signals and Melodies from the Basler Fasnacht) s'Läggerli (by Arthur Dury Schmid) Trio from Die alten Schweizermärsche Nr. 11 (Trad) Réveille Française pour Fifres (Trad) Pfeifer Retraite (Trad. From the Swiss Guards in 18th-Century Paris) Der Arabi Nr. 1 (Trad) Arranged by Des McNutty The Basler Fasnacht, known locally in Basel Stadt (CH) as Die drey scheenschte Dääg (the three loveliest days), is a world-famous carnival where the Zeitgeist animates centuries of tradition. Local folks celebrate with a good-humoured satire of current events through costumes, masks, poetry and visual art on carnival floats and lanterns. Amongst many other activities, participants decorate the city and open ad-hoc bars to sustain everyone with drinks and characteristic foods, all of which led to the Basler Fasnacht being included on the Unesco Representative List of the Intangible Cultural Heritage of Humanity in 2017. Central to the whole experience is the music played on the streets, without electronic amplification, by two types of group: Gugge, with brass and percussion and Clique, with piccolos and side-drums made and played according to local custom. Some Fastnacht Fanfares contains historical melodies from the Cliques' repertoire arranged for Natural Trumpet Ensemble. The Signalkorps can have many players. The parts are in the low, principale register; ideal for newcomers and dilettantes. The ensemble parts require more skill and need only one player on each. s'Läggerli is used with kind permission from the Märtplatz-Clique Basel 1923. The similarity of the other melodies to trumpet calls may not be a total coincidence. Cavalry regiments, with their roots in armoured, mounted knights of even earlier times, were considered nobler; therefore they used royal trumpets and timpani for signalling and entertainment duties. So playing trumpet-style tunes on flutes adds a bit of class. Der Arabi Nr. 1 is now better known as The British Grenadiers from the early 1700s but can be traced as far back as the 1560s, when the Basler Fasncacht was already centuries old and the Schweizerpfeife (Swiss Flute), with drums, supplied the de rigueur regimental music for foot-soldiers all over Europe. Fasnacht is a glorious celebration laced with a melancholy reflected by the marching tempi of the Cliques: often slower than 90 BPM. A “standard†march is around 120 BPM. Vyyl Vergniege! (Enjoy!).
$14.99
13.81 €
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Ensemble de Trompettes
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Trad
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Des McNutty
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Some Fasnacht Fanfares
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Des Press
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.86 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.86 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
I Sit Here on the Barren Hill
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
12.89 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
I Sit Here On The Barren Hill
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hic…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
4.6 €
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Piano, Voix
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
The Language of Canaan
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36942 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36942 Composed by David Huntsinger. Arranged by Richard Kingsmore. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Sacred. Part(s). 38 pages. Jubilate Music Group - Digital #00-36942. Published by Jubilate Music Group - Digital (JX.00-36942). English. Words by Bonnie Huntsinger; David Huntsinger.David Huntsinger presents a memorable and approachable musical framework for scriptures that are not commonplace but are rich nonetheless. The landscapes he paints of the afterlife with Christ have their roots in both Americana and Gospel; they are roots Huntsinger knows well and calls on with natural grace. Richard Kingsmore's light touch with the arrangement never interferes with pristine beauty of the music and text. In this moving anthem, we get a vision of a better world. Related scripture: Isaiah 19:18; Revelation 4:21; Revelation 4:23.
$60.00
55.29 €
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David Huntsinger
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Richard Kingsmore
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Choral Octavo
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The Language of Canaan
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Jubilate Music Group - Digital
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SheetMusicPlus
Samba (No.4 of the Brazilian Suite) Transcribed by Luiz Levy (Urtext Edition)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1404926 Composed by Alexandre Levy.…
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Piano Solo - Level 4 - Digital Download SKU: A0.1404926 Composed by Alexandre Levy. Arranged by Alexandre Dias (editor). 19th Century,Classical,Latin,Romantic Period. Score. 23 pages. Instituto Piano Brasileiro - IPB #987958. Published by Instituto Piano Brasileiro - IPB (A0.1404926). This Urtext edition of Alexandre Levy's Samba, the captivating fourth movement from his Brazilian Suite (1890), is the quintessential embodiment of early Brazilian musical nationalism. This edition brings to light Levy's masterful integration of traditional Brazilian melodies, including the iconic Balaio, meu bem, balaio, and lesser-known gems like the Afro-Brazilian song Xô Araúna, within a sophisticated structure. Our meticulously engraved score honors Levy's original composition and enhances accessibility with modern notational clarity. This is a rare and brilliant piano solo transcription by Alexandre Levy's brother, Luiz Levy.Key features include:- A comprehensive critical commentary by Alexandre Dias, shedding light on the Samba's historical significance and Levy's pioneering role in Brazilian music.- A detailed exploration of the Samba's thematic elements, revealing Levy's intricate use of Brazilian folk and Afro-Brazilian melodies.- High-quality musical engraving that provides a meticulously crafted and clear presentation of the score.- Enriched editorial notes, providing a reliable and authoritative foundation for performers. Perfect for pianists seeking to delve into the roots of Brazilian music, this edition showcases Alexandre Levy's genius while serving as a bridge between classical music traditions and the vibrant sounds of Brazil.
$8.99
8.28 €
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Piano seul
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Alexandre Levy
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Alexandre Dias (editor)
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Samba
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Instituto Piano Brasileiro - IPB
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SheetMusicPlus
Now & Then
Choir Sacred - Digital Download SKU: JX.00-36964 Songs for All Seasons / Songs f…
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Choir Sacred - Digital Download SKU: JX.00-36964 Songs for All Seasons / Songs from the Mountain (Orchestration). Arranged by Sheldon Curry. This edition: Orchestration. Choral (Sacred); Choral Worship Cantata; Larger Works; Performance Music Ensemble; Worship Resources. Sacred. Part(s); Score. 367 pages. Jubilate Music Group - Digital #00-36964. Published by Jubilate Music Group - Digital (JX.00-36964). English.Now & Then is an Appalachian collection of old and new hymns and spiritual songs, each created for a specific liturgical calendar purpose, scored for SATB, Appalachian instruments, and strings. The rhythm instrumentation is authentic and Nashville style number chord charts are provided. Optional strings are available to add depth to the worship experience. Curry creates a musically satisfying way to include non-traditionally trained musicians to the community's worship. From the longing of Great Jehovah to the unbridled joy of Resurrection Jubilee, this is a journey you don't want to miss. Titles: Come Thou, Long Expected Jesus * Appalachian Cradle Song * Great Jehovah * Resurrection Jubilee * We Gather to Recall the Night * Come Holy Spirit, Heavenly Dove. Curry, as eclectic a choral writer as they come, sets six anthems, suitable for various seasons in the church year (including Come, Thou Long-Expected Jesus for Advent and Resurrection Jubilee for Easter), in a style that would be right at home on a T-Bone Burnett roots-music album. And like Burnett, Curry expertly crafts the vocal score and accompaniments to be earthy yet polished, so that even those who aren't fans of this genre will find something to enjoy here. -Warren Anderson, Worship Leader magazine
$250.00
230.39 €
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Sheldon Curry
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Choral Worship Cantata
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Now & Then
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Jubilate Music Group - Digital
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SheetMusicPlus
Variations on a Theme in D Flat
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown.…
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Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
9.22 €
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Orchestre d'harmonie
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Kendra Brown
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Variations on a Theme in D Flat
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Kendra Brown
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SheetMusicPlus
Reverie of Claude Debussy Edited and Arranged for the Average Hand and Technique
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.862689 Composed by Claude Debussy. …
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Piano Solo - Level 4 - Digital Download SKU: A0.862689 Composed by Claude Debussy. Arranged by Michael Bomier. 20th Century,Concert,Standards. Score. 6 pages. Michael Butkus-Bomier #3860733. Published by Michael Butkus-Bomier (A0.862689). Gateway Editions has a great deal of French music in its catalog. This item has, as its main editorial feature, the truncating or the many LH arpeggios that permeate this music. They have all been limited to a 10th range, at most, instead of the three-octave span that the original music employs. Now, these chords are all the same chords that C.D. used, but their span has been delimited, and the motion folds back on itself once each measure. ALL the roots and all the top tones remain the same. The effect is to limit the amount of attention one has to pay to the LH, and thus, frees more aural and digital awareness to be placed on the exquisite tune and the piquant harmonies. Full-length, original key, of course! Some re-assignment of voices to the RH, so the chords are clear, and the top melody note can be relied upon to be the real tune. MBB.
$3.99
3.68 €
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Piano seul
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Claude Debussy
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Michael Bomier
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Reverie of Claude Debussy Edited and Arranged for the Average Hand and Technique
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Michael Butkus-Bomier
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SheetMusicPlus
Regnum Pacis... The Reign of Peace
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.784652 Composed by P.F. Ti…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.784652 Composed by P.F. Tillen. Christian,Christmas,Contemporary,Sacred. Octavo. 13 pages. PFTMusic #3227487. Published by PFTMusic (A0.784652). Regnum Pacis... The Reign of PeaceA choral setting of the Isaiah 11 text: There shall come forth a shoot from the stock of Jesse, and a branch shall grow out of his roots... Then shall the lion dwell with the lamb, then the leopard shall lie down with the kid, the wolf and the lion cub together, with a little child to lead them... Contemplative, with rich harmonies, quiet, but ultimately hopeful, as the season of Advent itself. You will find this this piece fits perfectly in worship services of lessons and carols, as well as Advent, and Christmas season services and concerts. Accessible to a good high school, college/university, or church mixed choir. The piano part is challenging, but not difficult. Soprano splits occasionally, otherwise, solid four part writing; lyrical melodies, lush harmonies, but no extremes in range. Please check for more piano music, sacred and secular choral and vocal selections at pftmusic.com.
$24.99
23.03 €
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Chorale SATB
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P
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Regnum Pacis... The Reign of Peace
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PFTMusic
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SheetMusicPlus
If God Is... SATB Non-Denominational Choral Anthem
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.862512 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.862512 Composed by Michael Bomier. 20th Century,Christian,Jewish,Sacred,Standards. Octavo. 5 pages. Michael Butkus-Bomier #2032239. Published by Michael Butkus-Bomier (A0.862512). If God Is... love, hope, peace or Justice to your faith community, this anthem will give you a chance to sing out that truth, in a clearly contrapuntal SATB setting that also has rich harmony. The secret is in having each melodic voice be as smooth as possible, so that any passing dissonances or non-chord-tones are moved to in the closest, most natural way for the intermediate singer. The piece has been performed at services in Wisconsin. It also makes a good concert selection for any liberal religious school choir, or any secular group that wishes to acknowledge the roots of choral music in liturgical traditions, while keeping a non-denominational stance. The audio clip is a wordless vocal MIDI file, which shows the melody and harmony. The lyric can be read from the first page of the example. Running time is approx. 3 mins. MBB.
$1.99
1.83 €
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Chorale SATB
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Michael Bomier
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If God Is... SATB Non-Denominational Choral Anthem
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Michael Butkus-Bomier
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SheetMusicPlus
The Roots Of My Raising
Piano Facile
Piano - Digital Download SKU: HX.1120904 By Merle Haggard. This edition: scorch. E-…
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Piano - Digital Download SKU: HX.1120904 By Merle Haggard. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal Leonard - Digital #702020. Published by Hal Leonard - Digital (HX.1120904). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.76 €
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Piano Facile
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Merle Haggard
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The Roots Of My Raising
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Hal Leonard - Digital
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SheetMusicPlus
The Essential Tin Whistle Toolbox
Flûte irlandaise
Tin whistle - Beginning- Intermediate - Digital Download Composed by Grey E. Larsen. …
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Tin whistle - Beginning- Intermediate - Digital Download Composed by Grey E. Larsen. Technique, Theory and Reference. Celtic / Irish. E- book and online audio. 192 pages. Mel Bay Publications - Digital Sheet Music #99129BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610657280.<br> <br> All the tools the beginner, novice, and intermediate tin whistle player needs in order to progress to a high level of competence in Irish music. Includes an Orientation to Traditional Irish Music, which puts the music in context, with information on scales and modes, dance tune types, the historical roots of whistle playing, and advice for learning by ear. The book is full of thorough instruction, exercises, and musical examples: from holding, fingering, breathing, and blowing, on up to advanced ornamentation, phrasing, and variations. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method. Also includes history and theory of traditional Irish tin whistle music. For those who don't read music, almost all the exercises and examples appear on the companion audio. Audio download available online.
$24.99
23.03 €
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Flûte irlandaise
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Grey E
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The Essential Tin Whistle Toolbox
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Hey Jimmy (Theme from Tonight Show Starring Jimmy Fallon)
Piano, Voix et Guitare
By The Roots. This edition: Interactive Download. Film/TV. Piano/Vocal/Guitar. 2 pag…
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By The Roots. This edition: Interactive Download. Film/TV. Piano/Vocal/Guitar. 2 pages. Published by Hal Leonard - Digital
$4.99
4.6 €
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Piano, Voix et Guitare
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The Roots
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Hey Jimmy
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Hal Leonard - Digital
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1038050 By Tony Bennett. By Bart Ho…
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Easy Piano - Level 1 - Digital Download SKU: A0.1038050 By Tony Bennett. By Bart Howard. Arranged by James M. Johnson. Jazz. Score. 2 pages. GrassRootsPiano #642972. Published by GrassRootsPiano (A0.1038050). This is an easy arrangement for beginners. You will also get a lesson and backing track to play along with me as well as your own spot to play with the bass and drums! First time with me and the second time only bass and drums! please check out: Grass Roots Piano James M. Johnson You tube channel for this tune as well as other tunes!
$4.99
4.6 €
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Piano Facile
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Tony Bennett
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James M
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Fly Me To The Moon
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GrassRootsPiano
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SheetMusicPlus
The Roots-Style Rhythm Tracks
Guitare
Guitar (electric) - Beginning - Digital Download SKU: M0.20075BCDEB Composed by Ric…
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Guitar (electric) - Beginning - Digital Download SKU: M0.20075BCDEB Composed by Rick Rossano. Rock. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20075BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20075BCDEB). ISBN 9781610651134. 8.75x11.75 inches.A fifteen track online audio of play-alongs recorded in stereo. Each track has a one-bar click track intro. The tracks are approximately five minutes each, in varying keys and tempos which are specified in the liner notes. The tracks are built out of guitar, bass and drums. The styles covered include blues, rockabilly in both straight-eighth note and shuffle grooves, surf and train-beat country. Includes access to online audio.
$9.99
9.21 €
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Guitare
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Rick Rossano
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The Roots-Style Rhythm Tracks
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Love of God
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. L…
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Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and parts. 44 pages. Leandro Bizama Music #2907105. Published by Leandro Bizama Music (A0.933695). The Love of God, for Concert Band, Grade Level 2.5, dur. 4 mins.The lyrical nature of the tune combined with the powerful poem about God's love make this one of the greatest hymns ever. This arrangement maintains the power of the tune and represents the beauty of the poetry musically. Each verse has its own special setting corresponding to the words of the hymn. Starting in a mysterious, martial and subdued style, The Love of God develops into a strong but respectful to the hymn type of finale, complete with musical representations of the waves of the sea. It is accessible to High School groups but also appropriate for Community or College ensembles. Because of its history (see below) it can appeal to a wide range of faiths and inspire unity and peace. Audiences and performers alike are sure to find it inspiring and uplifting.---A little about the history of the hymn:Could we with ink the ocean fill, and were the skies of parchment made;Were every stalk on earth a quill, and every man a scribe by trade;To write the love of God above would drain the ocean dry;Nor could the scroll contain the whole, though stretched from sky to sky.These timeless words inspired Lehman to write The Love of God after they were found edged on the wall of an asylum patient's room. They are an adaptation and translation of a poem originally written in Aramaic by the Jewish Rabbi of Worms, Germany around the year 1050. This poem in turn is similar to a passage in the Qur'an. What an incredible journey for these great words: an ancient poem that has its roots in the Qur'an, later adapted by a Rabbi, written on the wall of an insane asylum by a patient, and finally taken up by a Christian to be the basis of a beautiful song. Surely God's love and music are the only two things powerful enough in our World to bring unity and respect in the face of pride and violence.For more about the arranger, visitwww.leandrobizama.comSources:http://www.hymnary.org/text/the_love_of_god_is_greater_farhttp://library.timelesstruths.org/music/The_Love_of_God/http://www.tanbible.com/tol_sng/sng_theloveofgod.htm
$30.00
27.65 €
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Orchestre d'harmonie
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Frederick M
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Leandro Bizama
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The Love of God
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Leandro Bizama Music
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SheetMusicPlus
Show Me the Path [piano solo]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.596634 Composed by Juan MarÃa So…
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Piano Solo - Level 3 - Digital Download SKU: A0.596634 Composed by Juan MarÃa Solare. 20th Century,Instructional,Wedding. Score. 6 pages. Juan Maria Solare #6681313. Published by Juan Maria Solare (A0.596634). Juan MarÃa Solare: Show Me the Path. piano solo Neoclassical music. Optimistic, warm, melodic, tranquil. Show me the path to where? - Towards self-realisation? - Towards the roots? - Towards a happy future? The reality was much more prosaic: what inspired this title was a mere commercial advertisement that pretended to sell me the path to gaining thousands of followers in a few days. This prompted my sceptical response. It is thus demonstrated that everything, even the banal, can be profitable and an inspiration source. This 3:10 piano prelude was composed on 7 May 2021 in Bremen, Germany. A recording of Show Me the Path, by the composer at the piano, was released through the label frtyfve (which licenced it from Janus Music & Sound, the artist's own label). 'Show me the Path' reached 'number one', i.e. It was placed at the top of Apple Music's playlist Piano Chill in the last days of December 2021. To this day, it remains on this playlist, where it receives more than 10,000 daily streams. https://open.spotify.com/track/5IdWQ6cbhF4ZZNjkU8hV3MShow Me the Path [Muéstrenme el sendero] piano solo Música neoclásica. Optimista, cálida, melódica, tranquila. Muéstrenme el sendero ¿hacia dónde? - ¿hacia la realización personal? - ¿hacia las raÃces? - ¿hacia un futuro venturoso? La realidad fue mucho más prosaica: lo que inspiró este tÃtulo fue un mero anuncio comercial que pretendÃa venderme el camino hacia obtener miles de seguidores en pocos dÃas. Lo cual motivó mi respuesta escéptica. Quede demostrado asà que de todo, hasta de lo banal, puede obtenerse inspiración. Este preludio para piano, cuya duración es de 3:10, fue compuesto el 7 de mayo de 2021 en Bremen, Alemania. Una grabación de Show Me the Path, con el compositor al piano, fue lanzada a través del sello frtyfve (que la licenció de Janus Music & Sound, el propio sello del artista). 'Show me the Path' alcanzó el 'número uno', es decir, fue ubicado al comienzo de la playlist Piano Chill de Apple Music en los últimos dÃas de diciembre de 2021. Al dÃa de hoy, continúa en esta playlist, donde recibe más de 10.000 streams diarios. https://open.spotify.com/track/5IdWQ6cbhF4ZZNjkU8hV3M #spotify #músicaparapiano #pianomusic #relaxingmusic #piano #pianist #pianista #pianolove #relajante #musicarelax #frtyfve #AppleMusic
$2.30
2.12 €
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Piano seul
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Juan MarÃa Solare
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Show Me the Path [piano solo]
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Juan Maria Solare
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SheetMusicPlus
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