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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Clarinette
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9
Quatuor de Cuivres
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7
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6
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Tuba
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Cor (partie séparée)
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Cor
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Euphonium, Piano (duo)
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Tuba et Piano
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Trombone
1
Euphonium
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Trio de Cuivres
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Ensemble de Trombones
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
35
Harpe
15
Violon et Piano
12
Violon
6
2 Harpes (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Violoncelle, Piano
3
Violoncelle (partie séparée)
2
Alto, Piano
2
Contrebasse (partie séparée)
2
Violoncelle , Guitare (duo)
2
Violon (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto seul
1
Alto (partie séparée)
1
Violon, Alto (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Contre Basse
1
2 Violons (duo)
1
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PERCUSSIONS & ORCHESTRES
Batterie
72
Orchestre d'harmonie
61
Orchestre
28
Orchestre à Cordes
18
Cloches
13
Ensemble Jazz
10
Orchestre de chambre
10
Ensemble de cuivres
8
Fanfare
7
Jazz combo
4
Batterie (partie séparée)
2
Ensemble de Percussions
2
Xylophone, Piano
1
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The Old Palmer Song
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditi…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20
2.03 €
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Chorale SATB
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the time the rush was over, the Palmer had yielded over 100 tons of gold!
The Old Palmer Song
is set to the tune of
Ten Thousand Miles Away
, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century
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Traditional
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Sandra Milliken
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The Old Palmer Song
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Sandra Milliken
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SheetMusicPlus
Rosary Sonatas: The Descent of the Holy Spirit
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 78 pages. JMJ Arrangements #685832. Published by JMJ Arrangements (A0.1081709). When the day of Pentecost had come, they were all together in one place. And suddenly a sound came from heaven like the rush of a mighty wind, and it filled all the house where they were sitting. And there appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit and began to speak in other tongues, as the Spirit gave them utterance. Now there were dwelling in Jerusalem Jews, devout men from every nation under heaven. And at this sound the multitude came together, and they were bewildered, because each one heard them speaking in his own language. And they were amazed and wondered, saying, 'Are not all these who are speaking Galileans? And how is it that we hear, each of us in his own native language? Par′thians and Medes and E′lamites and residents of Mesopota′mia, Judea and Cappado′cia, Pontus and Asia, Phryg′ia and Pamphyl′ia, Egypt and the parts of Libya belonging to Cyre′ne, and visitors from Rome, both Jews and proselytes, Cretans and Arabians, we hear them telling in our own tongues the mighty works of God.'†--Acts 2:1-11 (RSV-CE).
$19.99
18.41 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Descent of the Holy Spirit
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JMJ Arrangements
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SheetMusicPlus
The Westwood Harmonic Summer Dance
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.1022489 Composed by Jacob Litoff. …
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Violin Solo - Level 3 - Digital Download SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.
$5.00
4.6 €
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Violon
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Jacob Litoff
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The Westwood Harmonic Summer Dance
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Jacob Litoff
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SheetMusicPlus
The Rush of Waters. Song and Chorus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11382 Love, Symbo…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11382 Love, Symbols, Celebrations, Happiness, Alcoholic beverages. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11382). The Rush of Waters. Song and Chorus. The words from The Wall Street Journal. [Music na. Published [n.d.] by in n.p. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Love, Symbols, Celebrations, Happiness, Alcoholic beverages. First line reads As joyously the waters gush, where from dark ravine's they rush.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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The Rush of Waters. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Then Nature Breathed
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.851198 Composed by Dan Jones. 20th …
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Piano Solo - Level 4 - Digital Download SKU: A0.851198 Composed by Dan Jones. 20th Century,Contemporary,New Age. Score. 4 pages. DanJonesGuitarist #6478273. Published by DanJonesGuitarist (A0.851198). Then Nature Breathed (For Flo) During the international pandemic lockdown of 2020, I was living in Perthshire, Scotland. I am a keen road and hill runner, and I often find solitude, fitness, and mental rejuvenation in the foothills of the Ochils. Perthshire is a beautiful place to run. Due to the lack of planes and cars, I was amazed at the sudden abundance of animals and plant growth which appeared quite suddenly during that spring and summer. I felt that nature was thanking us for a brief pause in our frantic lifestyles, where we belch emissions and pollute our souls, minds and the planet in a frantic rush to feed our lust for materialism. I feel that many people (myself included) were able to stop, reflect and re-evaluate our roles in our lives. Pause Mere waves on this ocean navigating currents of precious space Do less or more Home a sacred place for some Breathe Breathe the light of this divine time Nature revisits Clear air Silent paths Moments Time for less, for more Movement Space Open creative pause. (Kirsty Jones) I hope you enjoy playing ‘Then Nature Breathed’. (For Kirsty) Dan Jones ©www.danjonesguitarist.com2021
$7.95
7.32 €
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Piano seul
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Dan Jones
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Then Nature Breathed
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DanJonesGuitarist
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SheetMusicPlus
Barnacle Bill the Sailor (for German Band)
Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Dow…
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Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,Jazz,Traditional. Score and parts. 14 pages. Joseph Hasper #3213083. Published by Joseph Hasper (A0.734796). Traditional sailor's song arranged for German Band with two clarinets, trumpet, trombone, tuba, and optional drums. Includes a full score and all parts. Includes optional lyrics that let you sing a verse! Key of F. 81 measures, 20pages.Barnacle Bill the Sailor is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.Barnacle Bill the Sailor (Roud 4704) is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown.[1]There are several versions of the bawdy song in the Gordon Inferno Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard.[2] Versions are also known in England and Scotland from the early twentieth century.The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album Bix Beiderbecke 1927–1930.[3] According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing Barnacle Bill the Shit-head, either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka Dr. Dirty) also recorded the song.The tune has inspired a Fleischer Studios Betty Boop cartoon and two films, as well as the name of a rock on Mars. Louis Jordan and the Tympany Five (then known as The Elks Rendezvous Band) recorded a clean version in 1938.[4] In the first Fleischer Popeye cartoon, Popeye the Sailor (1933), Barnacle Bill was used as the recurring theme for the Bluto character. A later Fleischer Popeye cartoon, Beware of Barnacle Bill (1935), is a mock operetta based around a toned-down version of the song.Example of lyrics[edit]One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.
$11.99
11.04 €
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Traditional
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Joseph Hasper
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Barnacle Bill the Sailor
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Joseph Hasper
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SheetMusicPlus
Favorite Theme From Rachmaninoff S Second Piano Concerto
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844248 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844248 Composed by Ray Conniff. Arranged by Gerhard Guter. A Cappella. 14 pages. Gerhard Guter #4302845. Published by Gerhard Guter (A0.844248). Voicing: SATB a cappella, with rhythm section (piano, electric bass, drums) Style: Bossa Nova This arrangement of Ray Conniff's Favorite Theme from Rachmaninoff's Second Piano Concerto will bring to mind the writing style of Clare Fischer for his 2+2 vocal groups. Though still a challenge, especially with the optional vocal soli, this Conniff-themed edition has been adapted from a more difficult version previously performed by Vocalogy on their 2005 Distilled release. The piece opens with a pulsating rhythm section figure as pianist, bassist, and drummer enter one by one. The wonderful moments of tension have been maintained beneath Rachmaninoff's soaringly romantic melody, and the wordless vocal provides an ethereal quality. With the optional soli, this is an Advanced level arrangement. There is room for improvising regardless of whether or not the soli is performed and, with no soli, this is an Advanced Intermediate arrangement.  Included individual piano, bass, and drum parts play from individual parts with chord symbols, slashes, and rhythmic notation. Drums alternate between brushes and sticks. Electric bass is preferred, but acoustic bass works. Backing tracks available from: http://tiny.cc/mpnsuz   Â
$3.99
3.67 €
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Chorale SATB
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Ray Conniff
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Gerhard Guter
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Favorite Theme From Rachmaninoff S Second Piano Concerto
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Gerhard Guter
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SheetMusicPlus
Закувала та і зозуленька (The Arrangement of Ukrainian ritual song)
2 Guitares (duo)
Composed by Andriy M. Andrushko. 20th Century, Contemporary, Folk. Score and parts. …
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Composed by Andriy M. Andrushko. 20th Century, Contemporary, Folk. Score and parts. 11 pages. Andriy M. Andrushko #698038. Published by Andriy M. Andrushko
The Ukrainian folk music is an immense source of inspiration, particularly the ritual songs, which represent the deepest, and therefore the most valuable layer of a nation’s creativity. The arrangement belongs to the early works of the composer. Therefore, someone may be surprised with the quite freely form interpretation of the work. This, however, by no way makes the composition less interesting. Rather on the contrary, weird music images and sudden changes of the tempo may draw attention of both, those who prefer “light” pop or jazz music, and those who is fond of contemporary academic style. The Ukrainian title of the song is just an allegorical expression that has no particular meaning. This expression can be only quite approximately translated into English as “Cuckoo”, that’s why I didn’t display this translation in the English version of the work’s title. The PDF-file contains 11 pages (main score 4, parts – 4 pages, cover and the title page). Fingering is indicated where appropriate. Duration: approx. 3.44 min.
$5.48
5.05 €
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2 Guitares (duo)
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Andriy M
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Закувала та і зозуленька
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SheetMusicPlus
The End Of The World
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur…
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Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99
6.44 €
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Piano seul
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
May The Lord Be With You / Que el Señor esté contigo
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.935515 Composed by Shaun Parry.…
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0.935515). THIS IS AN ORIGINAL (simple) SONG I WROTE FOR MY MOM AND SISTER To be clear, it is a prayer written in musical form. I guess that makes it a psalm. A few nights ago I was feeling the pain of so many people around the globe who are suffering due to the pandemic. I was inspired to sit down and write an simple song of comfort for them-for us. The very same evening I started writing the song, unbeknownst to me, my sister was being taken to the hospital where she collapsed of heart failure and was life-flighted to the nearest cardiovascular facility.They put her on life support (ECMO and ventilator) to let her heart and lungs rest. Two days later, due to complications with circulation in her leg she had to be rushed into emergency surgery to pull the catheter from the artery leading to her heart. This required taking her off of life support four days earlier than they had planned. We were informed she may not make it. Thanks to thousands of people praying for her, and her own indomitable spirit, she pulled through-but not without more complications.A fever kicked in and lack of circulation in her other leg caused even more concern. Her heart and body were suffering greatly. As we prayed (and thousands of you from around the world prayed with us) I kept massaging and nuancing the exact melody line I wanted, at the same time interweaving various lyrics to intuit what felt right. I wanted this to be a song anyone could sing for their beloved family member or friend who was struggling. Every note, every syllable had to land just right-as if it was meant to be.Through all this my mother was going through her own bit of personal anguish. We were basically waiting for my sister to die. Due to COVID regulations nobody, not even family, could visit her in ICU. My mother bought a plane ticket... just in case. We hoped beyond hope that, If she died, she would not die alone. I wanted to finish this song by Mother's Day to share with my mother and my dear struggling sister who is also a mother of 5. I finished it and sang it through tears on Mother's Day. I have many friends show speak Spanish who are going through very difficult times due to COVID-19 and the subsequent quarantine. The second time through is a carefully crafted Spanish translation. I hope to hear people singing this far and wide with, to and for each other.
$1.99
1.83 €
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Piano, Voix et Guitare
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Shaun Parry
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May The Lord Be With You / Que el Señor esté contigo
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MusicforMillions
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SheetMusicPlus
Billy Rush's Own
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.134…
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340606 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 96. Heather Mueller Music #ONZrGKh0j4nPr7JsPsHYh. Published by Heather Mueller Music (A0.1340606). Key: A major.Billy Rush's Own - Fiddle Composition Sheet Music Embark on a musical journey with Billy Rush's Own, a captivating original fiddle composition that brings a unique and personal touch to the world of traditional music. This sheet music presents an authentic representation of the composition, capturing the essence of its melodies, harmonies, and the artistic spirit of its creator. Key Features: Original composition by Billy Rush, crafted with passion and creativity. Melodic intricacies and harmonies that showcase the distinctive style of Billy Rush's Own. Tailored for fiddle players, with adaptability for various melodic instruments. Chord symbols provided for optional accompaniment. Whether you're a fan of Billy Rush's work or a musician eager to explore a fresh and original piece, this sheet music offers an opportunity to delve into the unique world of Billy Rush's Own. Elevate your performance and share the artistic beauty of this original fiddle composition with our meticulously crafted arrangement.
$3.99
3.67 €
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Traditional Fiddle Tunes
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Heather M Music
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Billy Rush's Own
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Heather Mueller Music
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
69.06 €
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
The Gold Rush, vocal solo
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Folk,Pop,Religious,Spiritual. Score. 6 pages. Kevin G. Pace #774051. Published by Kevin G. Pace (A0.1173897). A beautiful song about coming to the Savior with music by Kevin G. Pace and text by Kathryn W. Hales.Text:I went in the Gold Rush like many a man,To search for some nuggets or a flash in the pan.But few were the findings from a grand mother lode,I went for the Gold Rush, but I didn’t find gold.I found what was there, growing right from the ground,The flora and fauna, with trees that abound.I found the beauty of nature’s own place,I found the beauty shown by God’s grace.Like those in the Gold Rush, I’ve oft followed man,To search for the shiny, a flash in the pan,But the glamour soon ended when the glitzy wore thin,I went for the sparkly but found grace for my sins.The world cannot offer the true value of souls,For they are more precious than nuggets of gold.I found true wealth, not deep in a mine,But in the pierced hands of a Savior divine.I might lose my way, when guided by man,So, look to the heavens and follow God’s plan.The glitter of Fool’s Gold has many deceived__A glimmer of hope, then deep tears of grief.I’ll look for the riches only He can bestow,I’ll avoid that ol’ Gold Rush but seek for true gold.By seeking a life, eternal and pure,Seeking for Jesus, who gives gold that endures.
$3.99
3.67 €
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Piano, Voix
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seeking a life, eternal and pure,
Seeking for Jesus, who gives gold that endures
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Kevin G
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The Gold Rush, vocal solo
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Kevin G. Pace
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SheetMusicPlus
After The Gold Rush
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1021890 By Neil Young. By Neil You…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021890 By Neil Young. By Neil Young. Arranged by David W. Rogers. Rock. Individual part. 3 pages. David Rogers #6341283. Published by David Rogers (A0.1021890). Neil Young's haunting and beautiful song, After the Goldrush in a virtuosic classical/fingerstyle guitar arrangement by David W. Rogers.
$5.00
4.6 €
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Guitare
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Neil Young
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David W
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After The Gold Rush
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David Rogers
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SheetMusicPlus
Rush Time
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.942072
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.942072 Composed by Apostolos Paraskevas. Contemporary,Standards,World. Score and parts. 16 pages. Silver Sickle Publications #4767925. Published by Silver Sickle Publications (A0.942072). Rush Time was composed for two pianos in 2001 after a commission by the Rivers School in Music in Massachusetts, U.S.A. An exciting and friendly for performers and audiences work by Apostolos Paraskevas. Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$8.99
8.28 €
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Apostolos Paraskevas
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Rush Time
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Silver Sickle Publications
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SheetMusicPlus
The Shadow of the Falling Lead - Score Only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskev…
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String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,World. 30 pages. Silver Sickle Publications #935314. Published by Silver Sickle Publications (A0.1350504). In the echoes of history, where the ravages of war leave indelible scars on the fabric of humanity, there emerges a haunting melody that seeks to articulate the unspeakable pain and devastation wrought by the shadow of falling lead. The Shadow of the Falling Lead is a musical composition born out of a deep and poignant reflection on the profound impact of bombing during wartime.As the symphony unfolds, it endeavors to traverse the emotional landscape of those whose lives have been forever altered by the relentless rain of destruction. Each note serves as an empathetic brushstroke, painting the canvas of despair with the hues of sorrow, resilience, and the human spirit's enduring will to survive.The title itself evokes the grim reality of warfare, where the shadow of falling lead becomes an ominous specter, casting darkness over the lives it touches. This composition seeks to transcend the boundaries of language, inviting listeners to immerse themselves in the somber beauty of the music and connect with the shared humanity that unites us all.As we embark on this musical journey, may The Shadow of the Falling Lead serve as a solemn reminder of the cost of conflict and the imperative to strive for a world where the echoes of such devastation become but distant memories, replaced by the harmonious chords of peace and understanding.A solo violin ends this journey as a mother lamenting for her lost children. Â
$25.00
23.02 €
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Orchestre à Cordes
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Apostolos Paraskevas
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The Shadow of the Falling Lead - Score Only
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Silver Sickle Publications
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SheetMusicPlus
Christmas Rush
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.929127 Composed by Traditiona…
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String Orchestra - Level 4 - Digital Download SKU: A0.929127 Composed by Traditional. Arranged by Bob Mathews. Christian,Christmas,Contemporary. Score and parts. 28 pages. Bob Mathews #3142901. Published by Bob Mathews (A0.929127). Can your audience find the hidden carols? Can they tell you how many carols they hear? Which carols are in here more than once? This is a fun closer for your high school orchestra holiday concert. Even the players cant find all of the carol references. This will be a hit with your high school students as they play the main theme from around 30 different holiday songs. This is a real crowd pleaser.
$16.00
14.73 €
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Orchestre à Cordes
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Traditional
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Bob Mathews
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Christmas Rush
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Bob Mathews
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.61 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.61 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
After The Gold Rush
Chorale 3 parties
Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.970684 By Neil Young. By Ne…
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Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.970684 By Neil Young. By Neil Young. Arranged by Jane York. A Cappella,Rock. Octavo. 2 pages. Jane York #6068131. Published by Jane York (A0.970684). Intermediate SAT arrangement, which can be sung a capella or with accompaniment on piano/organ/guitar or ideally omnichord. Dreamy and luscious to sing either way.The arrangement is based on the Dolly/Linda/Emmy-Lou arrangement when they performed as Trio. A few lyrics are changed to match their version (explicit drug references removed).To save the arrangement spanning too many pages, the rhythm is tabbed out as sounds for the first verse, with slight rhythmic differences existing in the 2nd and 3rd verses. Please listen to the attached MP3 for the feel of them. The oohs as in verse 3 are written in as the semibreves. Any questions please contact me mizzzjane@gmail.com
$2.99
2.75 €
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Chorale 3 parties
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Neil Young
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Jane York
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After The Gold Rush
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Jane York
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SheetMusicPlus
Green grow the rushes o (men's voices)
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575581 Composed by Tradit…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575581 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 11 pages. David Warin Solomons #2026207. Published by David Warin Solomons (A0.575581). This version of the traditional folk song Green grow the rushes oh has been arranged for various combinations of voices - this one: mens' voices - in G (Alto Tenor Baritone), and mixed voices - in B (Mezzo-soprano, Alto, Tenor) women's voices - in D (Soprano Mezzo-Soprano Alto) The traditional count-down from one to twelve is interrupted midway when the top voice declares let's not make them listen to the lot but the chorus includes all twelve symbols anyway. The sound sample is a performance of the men's voices version (in G) by Matthew Curtis of www.choraltracks.com.
$2.99
2.75 €
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Chorale SATB
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Traditional
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David Warin Solomons
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Green grow the rushes o
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David Warin Solomons
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SheetMusicPlus
The Great Crush Collission March
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.546762 By EnsembleSheetMusic. By Scott Joplin. Arranged by Sjoerd van der Veen. Classical,Jazz. 16 pages. Sjoerd van der Veen #156695. Published by Sjoerd van der Veen (A0.546762). Scott Joplin (1868-1917) wrote this famous piece as an ode to an actual train crash accident. You can hear the train You can hear the train speeding up and then… the crush! These moments are mentioned in the score and parts! Arranged for woodwind quintet. Flute - Oboe - Clarinet - French Horn - Bassoon.
$11.90
10.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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EnsembleSheetMusic
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Sjoerd van der Veen
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The Great Crush Collission March
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Sjoerd van der Veen
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SheetMusicPlus
The Darkling Thrush
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1229140 Composed by Michae…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1229140 Composed by Michael Scheurich. A Cappella,Christmas,Contemporary. Octavo. 6 pages. Michael Scheurich #825042. Published by Michael Scheurich (A0.1229140). A moody SATB choral wintertime piece written in Ab based upon the Thomas Hardy poem, The Darkling Thrush, that explores themes of hope, despair and the passage of time. The speaker intitially describes a bleak and desolate winter landscape, but this is contrasted by the appearance of the thrush, which is described as full-throated and singing a joyful song. The thrush's song seems to represent a glimmer of hope in an other wise bleak season.
$1.99
1.83 €
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Chorale SATB
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Michael Scheurich
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The Darkling Thrush
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Michael Scheurich
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SheetMusicPlus
The Crush Collision March
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.975910 Composed by Scott Joplin. …
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Concert Band - Level 3 - Digital Download SKU: A0.975910 Composed by Scott Joplin. Arranged by Derrick T. Lewis. Folk,Ragtime. Score and parts. 54 pages. Derrick Thom. Lewis #6571853. Published by Derrick Thom. Lewis (A0.975910). In 1896, in Texas, a railway executive name Mr.Crush decided that a good way to get rid of some old, obsolescent locomotives would be to crash them, head-on, into each other, and charge admission to the spectacle. Mr. Joplin was commissioned to write an appropriate piece. Here it is!
$56.00
51.57 €
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Orchestre d'harmonie
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Scott Joplin
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Derrick T
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The Crush Collision March
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Derrick Thom. Lewis
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SheetMusicPlus
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