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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Script Feat
Non classifié
184
Piano & claviers
Piano seul
89
Piano, Voix
31
Piano Facile
30
Piano, Voix et Guitare
14
Orgue
9
Instruments en Do
5
Piano grosses notes
2
Piano (partie séparée)
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Basse electrique
38
Guitare notes et tablatures
37
Guitare
27
Paroles et Accords
3
Ligne De Mélodie, (Paroles) et Accords
3
Guitare (partie séparée)
2
4 Guitares (Quatuor)
2
Dulcimer
2
Piano, Guitare (duo)
1
Mandoline
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
36
Chorale 2 parties
10
Chorale Unison
9
Chorale 3 parties
8
Voix Soprano, Piano
7
Pack Instrumental pour Chorale
5
Chorale TTBB
3
Voix Alto, Piano
3
Chorale SSAA
2
Voix duo, Piano
1
Voix, Guitare
1
Chorale SSATTB
1
Voix Baryton, Piano
1
Chorale
1
+ 9 instrumentations
Retracter
Vents
Saxophone (partie séparée)
52
Saxophone Alto
34
Saxophone Tenor
29
Hautbois (partie séparée)
21
Quatuor de Saxophones: 4 saxophones
20
Flûte traversière
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Quatuor de Clarinettes: 4 clarinettes
16
Flûte, Hautbois, Clarinette, Basson
15
Clarinette
12
Quatuor de Flûtes : 4 flûtes
12
Quintette de Saxophone: 5 saxophones
12
Clarinette et Piano
6
Hautbois, Piano (duo)
5
2 Flûtes traversières (duo)
5
Saxophone Baryton, Piano
4
Saxophone Alto et Piano
4
Saxophone Soprano
3
Saxophone Tenor et Piano
3
Saxophone Soprano et Piano
3
Ensemble de Clarinettes
3
Quintette de Flûte : 5 flûtes
2
Hautbois
2
Flûte traversière et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Flûtes
2
Clarinette, Violoncelle, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Baryton
1
Clarinette Basse, Piano
1
Flûte et Guitare
1
+ 26 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trompette
19
Trombone
19
Cor
17
Euphonium
15
Tuba
9
Trompette (partie séparée)
7
Trombone (partie séparée)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Piano
4
Cor et Piano
3
Trombone et Piano
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
+ 13 instrumentations
Retracter
Cordes
Violon
50
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violoncelle
22
Violon et Piano
21
Alto seul
15
Trio à Cordes: violon, alto, violoncelle
10
Alto, Piano
9
Alto (partie séparée)
8
Violon, Alto (duo)
6
Violon, Violoncelle (duo)
5
Trio à cordes: 3 violins
5
Violoncelle, Piano
4
2 Violons (duo)
4
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 3 violoncelles
2
Contrebasse (partie séparée)
2
Contre Basse
1
4 Contrebasses
1
Trio à cordes: 3 altos
1
Harpe
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
48
Batterie
42
Orchestre
20
Ensemble Jazz
18
Orchestre à Cordes
8
Jazz combo
8
Ensemble de cuivres
4
Cloches
3
Orchestre de chambre
2
Fanfare
1
Batterie (partie séparée)
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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The Script Feat
Partitions à imprimer
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1376
That's How the Story Goes - A Christmas Musical for Children
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Chorale 2 parties
#
DÉBUTANT
#
Joanna Mills
#
Joanna Mills
#
That's How the Story Goes - A
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Joanna Mills Music
#
SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical...
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Choral Choir (2-Part) - Level 1 - SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
When I Survey the Wondrous Cross
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Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
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Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
That's How the Story Goes - A Christmas Musical for Children
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Chorale Unison
#
DÉBUTANT
#
Joanna Mills
#
That's How the Story Goes - A
#
Joanna Mills Music
#
SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.781355 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 74 pages. Jo...
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Choral Choir (Unison) - Level 1 - SKU: A0.781355 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 74 pages. Joanna Mills Music #4887199. Published by Joanna Mills Music (A0.781355). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes
$4.99
The Heavens Declare ~ Psalm 19 (for Violin and Cello Duet with Piano accompaniment)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson
#
CELLO – G2 to A3
#
The Heavens Declare ~ Psalm 19
#
Sharon Wilson
#
SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Con...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Holiday,Praise & Worship,Sacred. Score and parts. 24 pages. Sharon Wilson #3469886. Published by Sharon Wilson (A0.565137). This original Scripture song based on Psalm 19 verses 1-4 is arranged as an instrumental trio (for CELLO and VIOLIN Duet with PIANO Accompaniment). The CELLO and VIOLIN alternate leading with the melody throughout beginning with the CELLO on the first phrase. The PIANO accompaniment provides cascading eighth note runs creating a flowing harmony that alternates with bold, rhythmic chords on the more intense sections.String ranges are as follows: VIOLIN – G4 to A5; CELLO – G2 to A3.  All notes for both the VIOLIN and CELLO are playable in the first position making this an excellent selection for beginning string players. Duration 2:45.The purchase price includes these printing options: 1. a grand staff (11 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (4 pages)To enhance the presentation of this song, a slide show featuring stars and space overlaid with the scripture verse could be displayed during the performance. The lyrics were adapted from the World English Bible (WEB) and are printed below:Lyrics:The heavens declare the glory of God.The skies proclaim his handiwork.Day after day they pour out their speech,And night after night God’s knowledge is displayed.There is no speech, nor is there a language where their voice is not heard.Their voice has gone out through all of the earth,Their words to the end of the world.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Billy In The Lowground
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Violon et Piano
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INTERMÉDIAIRE
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Traditional Fiddle Tunes
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Heather M Music
#
Billy In The Lowground
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Heather Mueller Music
#
SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340605 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: I...
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340605 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 48. Heather Mueller Music #1D5t0SbHybAqQYavKCzIL1. Published by Heather Mueller Music (A0.1340605). Key: C major.Billy in the Lowground - Classic Old-Time Fiddle Tune Sheet Music Step into the heart of traditional American roots with our sheet music for Billy in the Lowground. This timeless old-time fiddle tune, rich in history and character, beckons with its spirited melodies and rustic charm. Immerse yourself in the authentic arrangement, tailor-made for fiddle players seeking a captivating piece for their repertoire. Key Features: Authentic transcription of Billy in the Lowground in its classic old-time style. Spirited and evocative melodies that resonate with the heritage of the tune. Designed for fiddle players, yet adaptable to various melodic instruments. Chord symbols included for optional accompaniment. Whether you're a seasoned enthusiast of old-time music or a musician on a melodic instrument eager to explore the roots of this cherished tune, our sheet music captures the essence of Billy in the Lowground. Elevate your performance and share the timeless allure of this classic old-time fiddle tune with our meticulously crafted arrangement.
$3.99
Bird in the Bush
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Violon et Piano
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INTERMÉDIAIRE
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Traditional Fiddle Tunes
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Heather M Music
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Bird in the Bush
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Heather Mueller Music
#
SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340607 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: I...
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340607 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 6 pages. Duration 48. Heather Mueller Music #M9rwTpm23OJTGrlrkasJD. Published by Heather Mueller Music (A0.1340607). Key: G major.Bird in the Bush - Traditional Fiddle Tune Sheet Music Delight in the lively sounds of traditional folk music with our sheet music for Bird in the Bush. This classic fiddle tune, known for its spirited melodies and infectious rhythm, takes center stage in this authentic arrangement. Immerse yourself in the timeless beauty of this tune, designed for fiddle players seeking a dynamic addition to their repertoire. Key Features: Authentic transcription of Bird in the Bush in its traditional folk glory. Playful and vibrant melodies that capture the essence of this beloved fiddle tune. Tailored for fiddle players, with adaptability for various melodic instruments. Chord symbols included for optional accompaniment. Whether you're a seasoned folk music enthusiast or a musician on a melodic instrument eager to explore the charm of this timeless tune, our sheet music brings Bird in the Bush to life. Elevate your performance and share the joyous spirit of this classic fiddle tune with our meticulously crafted arrangement.
$3.99
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson)
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Pack Instrumental pour Chorale
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Pop musique
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.433989 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Di...
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SKU: HX.433989 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433989).
$20.00
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Synthesizer
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Pack Instrumental pour Chorale
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Pop musique
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The Script and The Script feat
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Hall of Fame
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral - SKU: HX.433987 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leo...
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Choral - SKU: HX.433987 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433987).
$7.00
Hall Of Fame (feat. Will.I.Am) (arr. Roger Emerson)
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Chorale 3 parties
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Pop musique
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The Script and The Script feat
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Roger Emerson
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Hall Of Fame
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Hal Leonard - Digital
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SheetMusicPlus
(3-Part Mixed) - SKU: HX.433991 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. Pop. Choral. 12 pages. Duration 220. Published ...
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(3-Part Mixed) - SKU: HX.433991 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. Pop. Choral. 12 pages. Duration 220. Published by Hal Leonard - Digital (HX.433991).
$2.25
Hall Of Fame (feat. Will.I.Am) (arr. Roger Emerson)
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Chorale SATB
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Pop musique
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The Script and The Script feat
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Roger Emerson
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Hall Of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.433986 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. This edition: scorch. Pop. 12...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.433986 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. This edition: scorch. Pop. 12 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433986).
$2.75
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Guitar
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Pack Instrumental pour Chorale
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Pop musique
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.433988 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Di...
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SKU: HX.433988 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433988).
$7.00
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Bass
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Pack Instrumental pour Chorale
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Pop musique
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.433989 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Di...
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SKU: HX.433989 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433989).
$7.00
Hall Of Fame (feat. Will.I.Am) (arr. Roger Emerson)
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Pop musique
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The Script and The Script feat
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Roger Emerson
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Hall Of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Choir,Choral,Voice (2-Part) - SKU: HX.433985 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. This edition: scorch. Pop. Choral....
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Choir,Choral,Voice (2-Part) - SKU: HX.433985 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. This edition: scorch. Pop. Choral. 12 pages. Duration 220. Published by Hal Leonard - Digital (HX.433985).
$2.75
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Drums
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Pack Instrumental pour Chorale
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Pop musique
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.433990 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Di...
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SKU: HX.433990 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433990).
$7.00
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Orgue
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Classique
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Men...
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Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
Bottom Of The Punchbowl
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Violon et Piano
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INTERMÉDIAIRE
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Traditional Fiddle Tunes
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Heather M Music
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Bottom Of The Punchbowl
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Heather Mueller Music
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340620 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: I...
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340620 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #41ItqlOMMAH72Rrn5cXCT3. Published by Heather Mueller Music (A0.1340620). Key: D major.Bottom of the Punchbowl - Traditional Irish Reel Sheet Music Immerse yourself in the spirited world of Irish music with our sheet music for Bottom of the Punchbowl. This traditional Irish reel, known for its lively and infectious rhythms, is skillfully transcribed to capture the essence of its joyful character. Designed for musicians eager to embrace the tradition, this sheet music is tailored for fiddle players seeking an engaging addition to their repertoire. Key Features: Authentic transcription of Bottom of the Punchbowl in its traditional Irish charm. Playful and rhythmic melodies that embody the lively spirit of the reel. Crafted for fiddle players, with adaptability for various melodic instruments. Chord symbols included for optional accompaniment. Whether you're a dedicated fan of Irish music or a musician on a melodic instrument looking to explore the magic of this traditional reel, our sheet music invites you to revel in the joyous energy of Bottom of the Punchbowl. Elevate your performance and share the lively spirit of this classic Irish tune with our meticulously crafted arrangement.
$3.99
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
The Princess And The Pea: A Classic Tale For Narrator And Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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James Smith
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The Princess And The Pea: A Cl
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Ensemble Llama Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1474712 Composed by James Smith. 19th Century,Chamber,Children,C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1474712 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 26 pages. Ensemble Llama Music #1052280. Published by Ensemble Llama Music (A0.1474712). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well.This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog!
$16.99
The Princess And The Pea: A Classic Tale For Narrator And String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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James Smith
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The Princess And The Pea: A Cl
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Ensemble Llama Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1474715 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary....
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1474715 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 19 pages. Ensemble Llama Music #1052283. Published by Ensemble Llama Music (A0.1474715). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well.This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog!
$16.99
The Princess And The Pea: A Classic Tale For Narrator And Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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James Smith
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The Princess And The Pea: A Cl
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Ensemble Llama Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1467733 Composed by James Smith. 19th Century,Chamber,Children,C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1467733 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 26 pages. Ensemble Llama Music #1046028. Published by Ensemble Llama Music (A0.1467733). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well. This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog.
$16.99
The Princess And The Pea: A Classic Tale for Narrator and String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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James Smith
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The Princess And The Pea: A Cl
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Ensemble Llama Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1467740 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1467740 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 19 pages. Ensemble Llama Music #1046035. Published by Ensemble Llama Music (A0.1467740). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well.This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog.
$16.99
Hall Of Fame (feat. Will.i.am)
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Chorale SATB
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INTERMÉDIAIRE
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The Script
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Jack Phillipson
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Hall Of Fame
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Jack Phillipson
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1093540 By The Script. By Daniel John O'Donoghue, James Barry, Mark Anthony Sheehan, and William Adams. A...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1093540 By The Script. By Daniel John O'Donoghue, James Barry, Mark Anthony Sheehan, and William Adams. Arranged by Jack Phillipson. A Cappella,Pop. Octavo. 12 pages. Jack Phillipson #697604. Published by Jack Phillipson (A0.1093540).
$1.99
I Need Thee Every Hour - Piano and Organ Arrangement
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Orgue
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Musique Sacrée
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Annie S
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Jacob Hershberger
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I Need Thee Every Hour - Piano
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Jasberger Music
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SheetMusicPlus
Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasber...
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Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!
$1.99
The Prodigal Son: the musical (Piano/Vocal Score)
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Chorale SATB
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FACILE
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Stephen DeCesare
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Scored
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The Prodigal Son: the musical
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.611387 Composed by Stephen DeCesare. Christian,Easter,Musical/Show,Sacred. Octavo. 104 pages. Exultet Music #105...
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Choral Choir (SATB) - Level 2 - SKU: A0.611387 Composed by Stephen DeCesare. Christian,Easter,Musical/Show,Sacred. Octavo. 104 pages. Exultet Music #10505. Published by Exultet Music (A0.611387). Fun musical-theatre version of the Parable of the Prodigal Son which features many familiar classical tunes sung to popular upbeat tempos. Scored for various solos , SATB, with Piano accompaniment. The script is NOT included. To purchase the rights and to obtain accompaniment tracks, please visit: www.mtapublishing.comVideo Review: https://www.youtube.com/watch?v=QMg91ktRbuU
$35.00
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