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AUTRES INST…
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CHANT - CHO…
CHARANGO
CITHARE
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CONTREBASSE
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
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PIANO & CLAVIERS
Piano seul
82
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31
Piano Facile
26
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13
Orgue
9
Instruments en Do
4
Piano grosses notes
2
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2
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
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GUITARES
Basse electrique
35
Guitare notes et tablatures
32
Guitare
26
Guitare (partie séparée)
3
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
3
Dulcimer
2
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Mandoline
1
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VOIX
Chorale SATB
32
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9
Chorale Unison
8
Chorale 3 parties
8
Voix Soprano, Piano
7
Chorale TTBB
3
Chorale SSAA
2
Voix, Guitare
1
Chorale SSATTB
1
Voix duo, Piano
1
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VENTS
Saxophone (partie séparée)
80
Saxophone Alto
29
Hautbois (partie séparée)
21
Quatuor de Saxophones: 4 saxophones
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Quatuor de Clarinettes: 4 clarinettes
16
Flûte traversière
16
Flûte, Hautbois, Clarinette, Basson
15
Clarinette
13
Quintette de Saxophone: 5 saxophones
12
Clarinette et Piano
5
Hautbois, Piano (duo)
5
Saxophone Baryton, Piano
4
Saxophone Alto et Piano
4
Saxophone Tenor et Piano
3
Saxophone Soprano
3
Ensemble de Clarinettes
3
Saxophone Soprano et Piano
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Flûtes
2
Hautbois
2
Flûte traversière et Piano
2
Saxophone Tenor
2
Clarinette (partie séparée)
2
2 Flûtes traversières (duo)
1
Clarinette Basse, Piano
1
Saxophone Baryton
1
Flûte et Guitare
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violoncelle, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trompette
18
Trombone
17
Cor
16
Euphonium
14
Trombone (partie séparée)
8
Tuba
8
Trompette (partie séparée)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Piano
4
Cor (partie séparée)
3
Cor et Piano
3
Trombone et Piano
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
1
Euphonium, Piano (duo)
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
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CORDES
Violon
47
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
21
Violoncelle (partie séparée)
16
Alto seul
13
Trio à Cordes: violon, alto, violoncelle
10
Alto, Piano
9
Alto (partie séparée)
9
Violon, Alto (duo)
6
Violoncelle
6
Violon, Violoncelle (duo)
5
2 Violons (duo)
4
Violoncelle, Piano
4
Contrebasse (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 3 violoncelles
2
Harpe
1
Contre Basse
1
4 Contrebasses
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
35
Batterie
33
Orchestre
19
Ensemble Jazz
13
Orchestre à Cordes
9
Jazz combo
8
Ensemble de cuivres
4
Cloches
3
Percussion (partie séparée)
2
Orchestre de chambre
2
Batterie (partie séparée)
2
Fanfare
1
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AUTRES
Vous avez sélectionné:
The Script and The Script feat
Partitions à imprimer
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Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Synthesizer
Piano (partie séparée)
Choral - Digital Download SKU: HX.433987 By The Script and The Script feat. will.i.…
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Choral - Digital Download SKU: HX.433987 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433987).
$7.00
6.46 €
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Piano (partie séparée)
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Guitar
Guitare (partie séparée)
Digital Download SKU: HX.433988 By The Script and The Script feat. will.i.am. This …
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Digital Download SKU: HX.433988 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433988).
$7.00
6.46 €
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Guitare (partie séparée)
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Bass
Contrebasse (partie séparée)
Digital Download SKU: HX.433989 By The Script and The Script feat. will.i.am. This …
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Digital Download SKU: HX.433989 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433989).
$7.00
6.46 €
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Contrebasse (partie séparée)
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Drums
Batterie (partie séparée)
Digital Download SKU: HX.433990 By The Script and The Script feat. will.i.am. This …
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Digital Download SKU: HX.433990 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433990).
$7.00
6.46 €
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Batterie (partie séparée)
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall Of Fame (feat. Will.I.Am) (arr. Roger Emerson)
Chorale 3 parties
(3-Part Mixed) - Digital Download SKU: HX.433991 By The Script and The Script feat.…
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(3-Part Mixed) - Digital Download SKU: HX.433991 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. Pop. Choral. 12 pages. Duration 220. Published by Hal Leonard - Digital (HX.433991).
$2.25
2.08 €
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Chorale 3 parties
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The Script and The Script feat
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Roger Emerson
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Hall Of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall Of Fame (feat. Will.I.Am) (arr. Roger Emerson)
Chorale SATB
Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.433986 By The Script an…
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Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.433986 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. This edition: scorch. Pop. 12 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433986).
$2.75
2.54 €
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Chorale SATB
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The Script and The Script feat
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Roger Emerson
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Hall Of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall Of Fame (feat. Will.I.Am) (arr. Roger Emerson)
Choir,Choral,Voice (2-Part) - Digital Download SKU: HX.433985 By The Script and The…
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Choir,Choral,Voice (2-Part) - Digital Download SKU: HX.433985 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. This edition: scorch. Pop. Choral. 12 pages. Duration 220. Published by Hal Leonard - Digital (HX.433985).
$2.75
2.54 €
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The Script and The Script feat
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Roger Emerson
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Hall Of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Tunes from 17th Century Scotland Arranged for Mandolin
Mandoline
Arranged for Mandolin. Composed by Rob Mackillop. Scottish. E-book and online audio.…
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Arranged for Mandolin. Composed by Rob Mackillop. Scottish. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30679MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118164.<br> <br> Many great Scottish traditional tunes such as Flowres Of The Forrest can be traced back to the 17th centuryaa period when writing down tunes in manuscript collections for the lute was of high interest. Rob MacKillop has created very playable arrangements for the mandolin featuring 25 popular tunes from the Skene, Balcarres, Panmure and Straloch manuscripts. This is a wonderful collection of dance tunes and airs, most of which have not been available for the mandolin until now. The notation is in treble clef with tablature for GDAE tuning. Includes access to online audio featuring Rob Mackillopas performance of each piece. Get ready to explore a wonderful new take on old repertoire!
$14.99
13.84 €
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Mandoline
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Rob Mackillop
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Tunes from 17th Century Scotland Arranged for Mandolin
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
When I Survey the Wondrous Cross
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.31 €
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Chorale SATB
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross
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WheatMyer Music
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SheetMusicPlus
Built on the Rock the Church Doth Stand - brass quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726093
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com
$15.00
13.85 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Ludvig M
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Todd Marchand
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Built on the Rock the Church Doth Stand - brass quintet
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Con Spirito Music
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SheetMusicPlus
The Princess And The Pea: A Classic Tale For Narrator And Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1474712 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 26 pages. Ensemble Llama Music #1052280. Published by Ensemble Llama Music (A0.1474712). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well.This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog!
$16.99
15.69 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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James Smith
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The Princess And The Pea: A Classic Tale For Narrator And Wind Quintet
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Ensemble Llama Music
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SheetMusicPlus
The Princess And The Pea: A Classic Tale For Narrator And String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1474715 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 19 pages. Ensemble Llama Music #1052283. Published by Ensemble Llama Music (A0.1474715). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well.This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog!
$16.99
15.69 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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James Smith
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The Princess And The Pea: A Classic Tale For Narrator And String Quartet
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Ensemble Llama Music
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SheetMusicPlus
The Princess And The Pea: A Classic Tale For Narrator And Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1467733 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 26 pages. Ensemble Llama Music #1046028. Published by Ensemble Llama Music (A0.1467733). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well. This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog.
$16.99
15.69 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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James Smith
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The Princess And The Pea: A Classic Tale For Narrator And Wind Quintet
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Ensemble Llama Music
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SheetMusicPlus
The Princess And The Pea: A Classic Tale for Narrator and String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1467740 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 19 pages. Ensemble Llama Music #1046035. Published by Ensemble Llama Music (A0.1467740). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well.This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog.
$16.99
15.69 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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James Smith
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The Princess And The Pea: A Classic Tale for Narrator and String Quartet
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Ensemble Llama Music
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SheetMusicPlus
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
Orgue
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido…
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
3.68 €
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Orgue
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Guido Menestrina
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SheetMusicPlus
Toccata for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1474794 By Marcos Fernand…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1474794 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score and part. 31 pages. Marcos Fernandez-Barrero #1052411. Published by Marcos Fernandez-Barrero (A0.1474794). This is a transcription for alto saxophone of the ‘Toccata for Clarinet and Piano’ done by the composer himself. The original work was written in 2007 and is dedicated to Samuel Hernández, a clarinettist pursuing his Master's at the Royal Conservatoire of Scotland. The composer, who was also the pianist in their duo, wrote it during his musical training at the composition faculty of the same centre. The work reflects the composer's extensive work writing for Samuel and other performers from the woodwind faculty in between 2006 and 2009, embodying the spirit of collaboration and musical innovation.The piece was later revised and won First Prize at the II Agustín Ramos Chamber Music Composition Competition, leading to the programme of its premiere on January 27, 2018, at the Agustín Ramos Chamber Music Festival in La Candelaria (Tenerife, Spain).The Toccata showcases a lively interplay between clarinet and piano, featuring rhythmic vigor and expressive lyrical moments. This dynamic and engaging piece is a testament to the enduring partnership and artistic journey shared by colleagues and friends._________________________________________________Esta es una transcripción para saxofón alto de la ‘Toccata for Clarinet and Piano’ realizada por el compositor. La obra original fue escrita en 2007 y dedicada a Samuel Hernández, un clarinetista que cursaba su Master en el Royal Conservatoire of Scotland. El compositor, quien también era el pianista en su dúo, la escribió durante su formación musical en la facultad de composición del mismo centro. La obra refleja el extenso trabajo del compositor escribiendo, no solo para Samuel si no también para otros instrumentistas de la facultad de viento madera entre 2006 y 2009, encarnando el espíritu de colaboración e innovación musical.La pieza fue revisada y ganó el Primer Premio en el II Concurso de Composición de Música de Cámara Agustín Ramos, lo que programó su estreno el 27 de enero de 2018 en el Festival de Música de Cámara Agustín Ramos en La Candelaria (Tenerife, España).La Toccata busca una interacción animada entre clarinete y piano, con vigor rítmico y momentos líricos expresivos. Esta pieza dinámica y cautivadora es un testimonio de la duradera asociación y el viaje artístico compartido por colegas y amigos.
$14.95
13.81 €
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Saxophone Alto et Piano
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Marcos Fernandez-Barrero
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Toccata for Alto Saxophone and Piano
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Marcos Fernandez-Barrero
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SheetMusicPlus
That's How the Story Goes - A Christmas Musical for Children
Chorale 2 parties
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. …
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
4.61 €
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Chorale 2 parties
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Joanna Mills
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Joanna Mills
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That's How the Story Goes - A Christmas Musical for Children
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Joanna Mills Music
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.41 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Isekai Kongou Daibutoukai (feat. Obake) - Score Only
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1295558 By Gen Hoshino. By Gen Ho…
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Concert Band - Level 4 - Digital Download SKU: A0.1295558 By Gen Hoshino. By Gen Hoshino. Arranged by Popnroll 1976. 21st Century,Jazz,Pop. 22 pages. Popnroll 1976 #885854. Published by Popnroll 1976 (A0.1295558). Isekai Kongou Daibutoukai (feat. Obake) - Gen Hoshino (Vocal/Chord/Piano/Bass/Synthesizer solo/Score & Parts)This is the complete transcription of Japanese singer/songwriter Gen Hoshino's single Otherworldly Mixed Grand Ball (feat. Obake) with chord notation, piano accompaniment, bass, lead synth, and solo.Please note that drums are not included.The right hand (upper part) of the piano accompaniment is a soft synth brass from the record.PDF format, 22 pages in total. Contents: score & parts :Piano accompaniment with lead synth and vocal notation. 7 pages, 3 pages of vocal notation with chords, 3 pages of vocal notation (without chord notation), 3 pages of piano notation (with chord notation) Piano with chord notation: 4 pages, Lead Synthesizer 1 page, 3 pages of bass notation with chords. 1 page of lyric card, 1 page lyric card.Written and composed by Minamoto Hoshino Sung by Minamoto Hoshino Lead synthesizer: Tadataka Unno (Jazz pianist in USA).
$19.99
18.46 €
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Orchestre d'harmonie
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Gen Hoshino
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Popnroll 1976
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Isekai Kongou Daibutoukai
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Popnroll 1976
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
No Time To Die for Concert Band
Orchestre d'harmonie
By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 120 pages. Published …
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By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 120 pages. Published by Graham Boag
No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. <br> <br> <br> The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved "if any Bond things come up…whatever we have to do we will do". When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them "intensely uninspired" and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. <br> <br> Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was "so cool" and "really, really helpful." Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that "there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves". Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
$59.99
55.4 €
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Orchestre d'harmonie
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Billie Eilish
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Graham Boag
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No Time To Die for Concert Band
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SheetMusicPlus
Just in Time for Christmas: An Original Christmas Musical for Children and Teens
Chorale 2 parties
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805209 By Joanna C Mills…
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805209 By Joanna C Mills. By Joanna C Mills. Arranged by Joanna C Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 102 pages. Joanna Mills Music #412246. Published by Joanna Mills Music (A0.805209). This fun musical retells the Christmas Story through the adventures of some time-travelling teens! In Just in Time for Christmas, a group of senior Sunday School students decide that they’re too old to take part in the Christmas pageant. While hiding from their Musical Director, they discover a mysterious machine that takes them on an epic adventure through space and time! Along the way, they encounter a number of biblical characters (including Isaiah, Mary, Elizabeth, Joseph, the Innkeeper, and the Shepherds) and learn that the Christmas Story is important and real. The musical features a flexible script with parts for every age group, allowing for maximum flexibility with age-range, cast size, and rehearsal time. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Just in Time for Christmas features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (some with an optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Full script • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
4.61 €
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Chorale 2 parties
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Joanna C Mills
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Joanna C Mills
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Just in Time for Christmas: An Original Christmas Musical for Children and Teens
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Joanna Mills Music
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SheetMusicPlus
Rather Be
Violoncelle (partie séparée)
Cello Solo - Digital Download SKU: A0.840824 By Clean Bandit Feat. Jess Glynne. By …
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Cello Solo - Digital Download SKU: A0.840824 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Joeri de Graaf. Pop. Individual part. 2 pages. Joeri de Graaf Muziekproducties #447549. Published by Joeri de Graaf Muziekproducties (A0.840824). An accurate transcription of the cello part of the song ‘Rather Be’ by Clean Bandid. Separate parts for violin 1, violin 2 and viola are available. I changed the key of the song to G minor (the original is F# minor) to improve the playability.
$4.99
4.61 €
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Violoncelle (partie séparée)
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Clean Bandit Feat
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Joeri de Graaf
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Rather Be
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Joeri de Graaf Muziekproducties
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SheetMusicPlus
Rather Be
Alto (partie séparée)
Viola Solo - Digital Download SKU: A0.840823 By Clean Bandit Feat. Jess Glynne. By …
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Viola Solo - Digital Download SKU: A0.840823 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Joeri de Graaf. Pop. Individual part. 2 pages. Joeri de Graaf Muziekproducties #447547. Published by Joeri de Graaf Muziekproducties (A0.840823). An accurate transcription of the viola part of the song ‘Rather Be’ by Clean Bandid. Separate parts for violin 1, vioin 2 and cello are available. I changed the key of the song to G minor (the original is F# minor) to improve the playability.
$4.99
4.61 €
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Alto (partie séparée)
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Clean Bandit Feat
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Joeri de Graaf
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Rather Be
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Joeri de Graaf Muziekproducties
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SheetMusicPlus
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