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Vous avez sélectionné:
The Second Line: Solo Clarinet
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The Second Line: Solo Clarinet
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016246_SCL Solo Clarinet. Co…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016246_SCL Solo Clarinet. Composed by Duke Ellington. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016246_SCL. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016246_SCL). UPC: 038081454054.Take a stroll through the French Quarter with this hard swinging clarinet feature. Dueling trombones and a brief trumpet solo round out one of Duke's most engaging pieces!
$3.00
2.71 €
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Duke Ellington
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The Second Line: Solo Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Denmark: The Two National Anthems
Orchestre d'harmonie
Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvi…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
8.12 €
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Orchestre d'harmonie
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Ditlev Ludvig Rogert
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Colin Kirkpatrick
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Denmark: The Two National Anthems
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Colin Kirkpatrick Publications
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SheetMusicPlus
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.7 €
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Chorale SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
In the Bleak Midwinter
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gus…
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Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.†I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.†It is all that any of us can do, and all that we are asked to do.
$3.99
3.6 €
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Piano seul
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Michael Swedberg
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Terrence Niska
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In the Bleak Midwinter
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Niska Music Publishing
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.54 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach - Brandenburg Concerto No. 3 (for Clarinet Quartet & Optional Organ)
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514821 Composed by Johann Se…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514821 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical. 63 pages. LINCOLN MUSIC PUBLICATIONS #3629361. Published by LINCOLN MUSIC PUBLICATIONS (A0.514821). This is the complete Brandenburg Concerto No. 3 Johann Sebastian Bach transcribed for Clarinet Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for three violins three violas, three celli, double bass and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. A lead part solo has been created over the second movement Phrygian cadence that would have been originally improvised by the harpsichordist. Either the organist or another Instrument could improvise their own solo here if desired. Playing Time 13:00. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=yQh18Hcn45g
$17.99
16.25 €
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Quatuor de Clarinettes: 4 clarinettes
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Johann Sebastian Bach
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Kenneth Abeling
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Bach - Brandenburg Concerto No. 3
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
When the Saints Go Marching In: 1st B-flat Clarinet
Clarinette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_C1 1st B-flat Clarinet
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_C1 1st B-flat Clarinet. Composed by James M. Black. Arranged by Mike Lewis. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017544_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017544_C1). UPC: 654979058007.New in the Jazz Expressionsa,,C/ Series, When the Saints Go Marching In is well-known as a jazz classic. The focus in this chart is on melodic improvisation and the second-line New Orleans style at the medium-easy level. This arrangement begins with a slow funeral-like march then breaks into a spirited swing. Mike Lewis has crafted this chart to include the following: modest ranges, easy rhythms, plenty of section and ensemble work, a solo section for all wind players, optional parts for flute, clarinet, horn, baritone horn, and tuba. And check this out: STRING PARTS include violin (2), viola, and cello. The jazz band can include everyone!
$3.00
2.71 €
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Clarinette (partie séparée)
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James M
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Mike Lewis
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When the Saints Go Marching In: 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Klarifications for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital D…
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Linear #3012617. Published by JB Linear (A0.581881). Klarifications for Clarinet Choir is a three movement piece for a large clarinet choir. It is set for Eb Soprano (one player), Bb clarinet 1-2-3, 2 alto clarinets, 2 bass clarinets, and Bb Contra. This would be best in a clarinet choir with at least two on a part in the Bb clarinet section. Here is what Margaret Thornhill wrote about this piece in The Clarinet magazine, June 2017: The dramatic first movement is a dialogue between an eefer (Eb clarinet) and the rest of the ensemble, incorporating paraphrases of excepts from Bach to Bizet. It is followed by a surprising second movement chorale with slap tongue, flutter tongue and finger popping intended to be individually miked. The final movement is an exciting montuno, including a section where each person can choose which riffs to play.The 1st movement, Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. The 2nd movement (Close Encounters with Basses) makes use of a number of unusual sounds on clarinet (or parts thereof) along with a few extended techniques that are fairly easy to play with the clear instructions provided. The altos, basses, and contra should be closely miked to be heard.The 3rd movement (Sometimes Free - A Montuno) starts off with a rich beat in the basses and gradually joined with the rest of the clarinets. In the montuno section there are 4 bar phrases each player can choose from to play during the 32 bars. They may choose what they will, either playing a different variation each time, using the same one each time, or choosing to not play for a particular 4 bar section. This is not a free improvisation, however! This is definitely for an advanced group of players. The 1st movement is also available separately. The sample recording uses Finale software in the 1st and 3rd movement, and John Gibson's recording of the 2nd movement.
$22.95
20.73 €
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Ensemble de Clarinettes
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John Gibson
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Klarifications for Clarinet Choir
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JB Linear
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SheetMusicPlus
My Heart Will Go On (love Theme From 'titanic')
Piano seul
B-Flat instrument,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.917199
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B-Flat instrument,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.917199 By Celine Dion. By James Horner. Arranged by Kurt Meyer. 20th Century,Film/TV,Pop. Score and individual part. 16 pages. Kurt Meyer Self-Publishing #6210951. Published by Kurt Meyer Self-Publishing (A0.917199). This classic love theme from the hit movie TITANIC has now been scored for Bb Instrument Solo (Bb Clarinet, Bb Trumpet, or Tenor Sax) with Piano. A rich, flowing, and accessible piano accompaniment supports the instrumental solo part, with the piano inheriting the melody during the second verse and the soloist playing a melodic descant. The melody then returns to the soloist, ending with a suspenseful key change at the end of the arrangement, true to the original recording. A captivating arrangement that is sure to capture the hearts of all performing musicians and listeners alike!Purchase of this arrangement includes both a master score (for use for the accompanist) and an individual Bb Instrument solo part. May only print one copy each of the master score and individual Bb Instrument solo part per purchase.Other corresponding stand-alone arrangements to this setting:~Bb Instrument Duet with Piano~C Bass Instrument Duet with Piano~C Bass Instrument Solo with Piano~C Treble Instrument Duet with Piano~C Treble Instrument Solo with Piano~Eb Instrument Duet with Piano~Eb Instrument Solo with Piano~F Instrument Duet with Piano~F Instrument Solo with Piano~Handbell Solo with Piano~Piano Duet (1 Piano, 4 Hands)~Piano SoloKurt Meyer Self-Publishing (KMSP) Code: KMSP-0014-SBTP.
$7.50
6.77 €
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Piano seul
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Celine Dion
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Kurt Meyer
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My Heart Will Go On
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Kurt Meyer Self-Publishing
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SheetMusicPlus
Mission: Impossible Theme
3 Clarinettes (trio)
Clarinet Trio,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download…
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Clarinet Trio,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1225974 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. 33 pages. Roger Wallace #822004. Published by Roger Wallace (A0.1225974). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible ThemeChristmas Trio with Multiple Part Options. Features all parts. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.NOTE: Audio sample clip begins 3 measures before Letter B.A full length audio version can be heard in the YouTube video.The audio sample represents a Woodwind Trio (Flute, Clarinet, Bassoon).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$12.99
11.73 €
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3 Clarinettes (trio)
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Adam Clayton And Larry Mullen
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Roger Wallace
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Mission: Impossible Theme
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Roger Wallace
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Clarinet Duet)
2 Clarinettes (duo)
Clarinet Duet Bass Clarinet - Level 4 - Digital Download SKU: A0.1224789 Composed b…
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Clarinet Duet Bass Clarinet - Level 4 - Digital Download SKU: A0.1224789 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 2 scores. 24 pages. Roger Wallace #820898. Published by Roger Wallace (A0.1224789). Christmas Duet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody by the second part. The third verse features an antiphonal line by the first part accompanying the melody played by the second part.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Clarinet Duet.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$3.99
3.6 €
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2 Clarinettes (duo)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Clarinet Quintet)
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1227455 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 52 pages. Roger Wallace #823430. Published by Roger Wallace (A0.1227455). Christmas Quintet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the fourth voice. The third verse features antiphonal lines accompanying the melody played by the bottom voices.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Clarinet Quintet (2 Clarinets, Alto Clarinet, Bass Clarinet, Contrabass Clarinet).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
9.02 €
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Quintette de Clarinettes: 5 clarinettes
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Clarinet Quartet)
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1224148 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 40 pages. Roger Wallace #820244. Published by Roger Wallace (A0.1224148). Christmas Quartet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the third voice. The third verse features antiphonal lines accompanying the melody played by the bass voice.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample (“Listenâ€) represents a Clarinet Quartet (2 Clarinets, Alto Clarinet, Bass Clarinet).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
9.02 €
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Quatuor de Clarinettes: 4 clarinettes
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Clarinet Trio)
3 Clarinettes (trio)
Clarinet Trio,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download…
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Clarinet Trio,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1224524 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 35 pages. Roger Wallace #820628. Published by Roger Wallace (A0.1224524). Christmas Trio with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the bass voice. The third verse features antiphonal lines accompanying the melody played by the bass voice.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Clarinet Trio (2 Clarinets, Bass Clarinet).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
9.02 €
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3 Clarinettes (trio)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Bach: Wachet auf for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johan…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.54 €
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Clarinette et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johan…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
22.54 €
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Clarinette
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
SECOND LINE - Sax Quintet (SATTB or AATTB) with optional Acoustic Bass and Drum Set - New Orleans Pa
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.734402 By W…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.734402 By Wynton Marsalis. By Joe Avery. Arranged by Dennis Ruello. Blues,Contemporary,Jazz,Wedding. 35 pages. Chicory Music #4349091. Published by Chicory Music (A0.734402). Second Line, some time called Joe Avery’s Blues, is a song written by the eponymous trombonist that is popular at second line parades. It is usually played at wedding receptions, parties, parades and at the end of a jazz funeral. The song is based on a simple 12-bar blues form and has a very singable melody. Before the melody starts, Soprano Sax (Opt. Alto Sax) plays a loud, high call to which the crowd responds, Hey! The group then proceeds to play the melody while second line parade festivities ensue.This arrangement, written at the Advanced / Intermediate level for Sax Quintet, is a fun and easy to perform tune for students or professionals. Solos for Soprano Sax (Opt. Alto Sax), Tenor Sax 2, and Baritone Sax may be played as written or improvised with the included chord symbols. Optional Acoustic Bass and Drum Set parts are also included for a more realistic performance. Performance time approx. 2 min. 40 sec.
$17.99
16.25 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wynton Marsalis
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Dennis Ruello
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SECOND LINE - Sax Quintet
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Chicory Music
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Clarinet & Piano)
Clarinette et Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.1493966 Composed by Traditional…
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.1493966 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 10 pages. Roger Wallace #1070575. Published by Roger Wallace (A0.1493966). Clarinet Solo with Piano Accompaniment. Can also be played by Soprano Sax/Trumpet.Package includes parts for Alto Sax and Flute/Recorder/Oboe/Violin that can also be played by Pitched Percussion (ex: Marimba).The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).The audio sample (“Listen”) represents a Clarinet solo.Full and Piano Accompaniment demonstrations (in MP3) of the Clarinet solo are available for download. See CD, Audio & More under FORMATS in Sheet Music Plus or Digital Audio under Product Type in Sheet Music Direct.The YouTube sample (“Watch”) represents a Violin solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$5.99
5.41 €
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Clarinette et Piano
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Clarinet & Piano)
Clarinette et Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1502553 Composed by Trad…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1502553 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 8 pages. Roger Wallace #1078309. Published by Roger Wallace (A0.1502553). Clarinet Solo with Piano Accompaniment.Can also be played by Soprano Sax. Package includes a part for Flute/Recorder/Oboe/Violin.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).The audio sample (“Listen”) represents a Clarinet solo.Full and Piano Accompaniment demonstrations (in MP3) of the Flute solo are available for download. See CD, Audio & More under FORMATS in Sheet Music Plus or Digital Audio under Product Type in Sheet Music Direct.The YouTube sample (“Watch”) represents a Violin solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$5.99
5.41 €
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Clarinette et Piano
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
SlitherTango
2 Clarinettes (duo)
Clarinet Duet E-Flat Clarinet - Level 2 - Digital Download SKU: A0.764946 Composed …
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Clarinet Duet E-Flat Clarinet - Level 2 - Digital Download SKU: A0.764946 Composed by Lori Archer Sutherland. Contemporary,Standards. 2 scores. 6 pages. Lori Archer Sutherland #4362911. Published by Lori Archer Sutherland (A0.764946). Two copies of the performance score are included in the PDF. For Eb/Bb clarinet duet Introduce your young E-flat and B-flat clarinet players to the tango with SlitherTango, a duet perfect for your next solo and ensemble contest! Both parts get a chance to explore the melody and students learn to work in a small ensemble setting.Tangos often feature long, smooth, chromatic melody lines over a rhythmic accompaniment in a minor key. The melody and countermelody in SlitherTango wind around in a snakelike fashion. The rhythmic accompaniment is emphasized in the first half of the piece. It allows the melody and countermelody to take the focus in the second half, but it does not quite disappear, reminding us of the tango’s roots.
$6.00
5.42 €
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2 Clarinettes (duo)
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Lori Archer Sutherland
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SlitherTango
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Lori Archer Sutherland
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
70.41 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Thank the Lord God Almighty
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Double Bass,Drum Set…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Double Bass,Drum Set,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Voice - Level 1 - Digital Download SKU: A0.809904 Composed by Robert E. Proctor. Christian,Contemporary,Sacred. Score and parts. 28 pages. R. E. Proctor #6022031. Published by R. E. Proctor (A0.809904). An original song of praise and worship that has flexible instrumentation. Add instruments to the basic rhythm section to conform with the players in your organization. It can be sung with soloist or chorus in unison. The recording demonstrates some of the possibilities. The chorus and first verse instruments are guitar, piano, bass, and drums. The second verse adds clarinet, which doubles the vocal line, alto sax, and trumpet. The third verse and coda adds the tenor and baritone saxes. If saxophones are not available, there are parts for a 2nd trumpet and two trombones. The clarinet could also play the trumpet part if a trumpet is not available. Mix and match parts to your organization. Duration is approx. 2:57
$3.95
3.57 €
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Robert E
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I Thank the Lord God Almighty
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R. E. Proctor
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SheetMusicPlus
SlitherTango
Flûte, Clarinette (duo)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.764947 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and parts. 6 pages. Lori Archer Sutherland #4350707. Published by Lori Archer Sutherland (A0.764947). Two copies of the performance score are included in the PDF. For flute/clarinet duet Introduce your young flute and clarinet players to the tango with SlitherTango, a duet perfect for your next solo and ensemble contest! Both parts get a chance to explore the melody and students learn to work in a small ensemble setting.Tangos often feature long, smooth, chromatic melody lines over a rhythmic accompaniment in a minor key. The melody and countermelody in SlitherTango wind around in a snakelike fashion. The rhythmic accompaniment is emphasized in the first half of the piece. It allows the melody and countermelody to take the focus in the second half, but it does not quite disappear, reminding us of the tango’s roots.
$6.00
5.42 €
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Flûte, Clarinette (duo)
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Lori Archer Sutherland
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SlitherTango
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Lori Archer Sutherland
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
27.05 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
When the Saints Go Marching In: 4th Trombone
Trombone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_TN4 4th Trombone. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_TN4 4th Trombone. Composed by James M. Black. Arranged by Mike Lewis. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017544_TN4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017544_TN4). UPC: 654979058007.New in the Jazz Expressionsa,,C/ Series, When the Saints Go Marching In is well-known as a jazz classic. The focus in this chart is on melodic improvisation and the second-line New Orleans style at the medium-easy level. This arrangement begins with a slow funeral-like march then breaks into a spirited swing. Mike Lewis has crafted this chart to include the following: modest ranges, easy rhythms, plenty of section and ensemble work, a solo section for all wind players, optional parts for flute, clarinet, horn, baritone horn, and tuba. And check this out: STRING PARTS include violin (2), viola, and cello. The jazz band can include everyone!
$3.00
2.71 €
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Trombone (partie séparée)
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James M
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Mike Lewis
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When the Saints Go Marching In: 4th Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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