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The Second Time Around
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Come Ye Blessed of My Father
Choir, Piano Accompaniment (SATB Choir) SKU: HL.285271 Composed by Johann Sebastian…
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Choir, Piano Accompaniment (SATB Choir) SKU: HL.285271 Composed by Johann Sebastian Bach and Tim Sharp. Fred Bock Publications. Choral, Religious. Octavo. 10 pages. Fred Bock Music Company #BG2662. Published by Fred Bock Music Company (HL.285271). UPC: 888680888572. 6.75x10.5 inches. JS Bach, Tim Sharp.It is hard to go wrong with Bach's Prelude in C major. Tim Sharp uses the harmony from that famous Bach piece to create a new melody that is presented in a homophonic hymn-style. He pulls the text from Matthew 25:34-45 (“For I was hungry and you gave me...”). The second time around we get to enjoy the original Bach rendition under the choir. Together it brings us a very satisfying and encouraging anthem appropriate for Lent, Communion, or any service of worship about caring. Easy to Medium.
$2.45
2.19 €
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Johann Sebastian Bach and Tim Sharp
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Come Ye Blessed of My Father
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Fred Bock Music Company
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SheetMusicPlus
The Four Seasons in the Basque Country
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
89.33 €
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
67 €
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Orchestre de chambre
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
The Second Time Around
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1395596 By 101 Strings. By James Va…
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Piano Solo - Level 4 - Digital Download SKU: A0.1395596 By 101 Strings. By James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #979035. Published by John Fries (A0.1395596). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. The song The Second Time Around was written by Sammy Cahn and Jimmy Van Heusen and was first released by Bing Crosby with Pete King and His Orchestra in 1960. It was covered by Sheila Guthrie, Mieko Hirota, Union of Sound, Emmet Cohen and other artists.
$5.99
5.35 €
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Piano seul
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101 Strings
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John Fries
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The Second Time Around
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John Fries
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SheetMusicPlus
The Second Time Around
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.500177 Composed by James Van Heus…
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C Instrument - Level 4 - Digital Download SKU: A0.500177 Composed by James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113359. Published by John Fries (A0.500177). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song The Second Time Around was written by Sammy Cahn and Jimmy Van Heusen and was first released by Bing Crosby with Pete King and His Orchestra in 1960. It was covered by Sheila Guthrie, Mieko Hirota, Union of Sound, Emmet Cohen and other artists.
$3.99
3.56 €
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Instruments en Do
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James Van Heusen and Sammy Cahn
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John Fries
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The Second Time Around
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John Fries
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SheetMusicPlus
The Second Time Around
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196752 By 101 String…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196752 By 101 Strings. By James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #795914. Published by John Fries (A0.1196752). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song The Second Time Around was written by Sammy Cahn and Jimmy Van Heusen and was first released by Bing Crosby with Pete King and His Orchestra in 1960. It was covered by Sheila Guthrie, Mieko Hirota, Union of Sound, Emmet Cohen and other artists.
$4.99
4.46 €
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Piano, Voix et Guitare
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101 Strings
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John Fries
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The Second Time Around
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John Fries
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SheetMusicPlus
May The Lord Be With You / Que el Señor esté contigo
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.935515 Composed by Shaun Parry.…
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0.935515). THIS IS AN ORIGINAL (simple) SONG I WROTE FOR MY MOM AND SISTER To be clear, it is a prayer written in musical form. I guess that makes it a psalm. A few nights ago I was feeling the pain of so many people around the globe who are suffering due to the pandemic. I was inspired to sit down and write an simple song of comfort for them-for us. The very same evening I started writing the song, unbeknownst to me, my sister was being taken to the hospital where she collapsed of heart failure and was life-flighted to the nearest cardiovascular facility.They put her on life support (ECMO and ventilator) to let her heart and lungs rest. Two days later, due to complications with circulation in her leg she had to be rushed into emergency surgery to pull the catheter from the artery leading to her heart. This required taking her off of life support four days earlier than they had planned. We were informed she may not make it. Thanks to thousands of people praying for her, and her own indomitable spirit, she pulled through-but not without more complications.A fever kicked in and lack of circulation in her other leg caused even more concern. Her heart and body were suffering greatly. As we prayed (and thousands of you from around the world prayed with us) I kept massaging and nuancing the exact melody line I wanted, at the same time interweaving various lyrics to intuit what felt right. I wanted this to be a song anyone could sing for their beloved family member or friend who was struggling. Every note, every syllable had to land just right-as if it was meant to be.Through all this my mother was going through her own bit of personal anguish. We were basically waiting for my sister to die. Due to COVID regulations nobody, not even family, could visit her in ICU. My mother bought a plane ticket... just in case. We hoped beyond hope that, If she died, she would not die alone. I wanted to finish this song by Mother's Day to share with my mother and my dear struggling sister who is also a mother of 5. I finished it and sang it through tears on Mother's Day. I have many friends show speak Spanish who are going through very difficult times due to COVID-19 and the subsequent quarantine. The second time through is a carefully crafted Spanish translation. I hope to hear people singing this far and wide with, to and for each other.
$1.99
1.78 €
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Piano, Voix et Guitare
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Shaun Parry
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May The Lord Be With You / Que el Señor esté contigo
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MusicforMillions
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SheetMusicPlus
The Second Time Around from HIGH TIME
Instruments en Do
C Instrument - Digital Download SKU: A0.808218 Composed by James Van Heusen and Sam…
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C Instrument - Digital Download SKU: A0.808218 Composed by James Van Heusen and Sammy Cahn. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #3523855. Published by Mark Wayne Music, LLC (A0.808218). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99
4.46 €
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Instruments en Do
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James Van Heusen and Sammy Cahn
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Mark W
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The Second Time Around from HIGH TIME
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Mark Wayne Music, LLC
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SheetMusicPlus
The Second Time Around from HIGH TIME
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899344 Composed by James Van Heuse…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899344 Composed by James Van Heusen and Sammy Cahn. Arranged by Gerald Schleicher. Contemporary. Individual part. 2 pages. Gerald Schleicher #3567875. Published by Gerald Schleicher (A0.899344). Another great oldie for classical guitar.
$4.99
4.46 €
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Guitare
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James Van Heusen and Sammy Cahn
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Gerald Schleicher
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The Second Time Around from HIGH TIME
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Gerald Schleicher
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SheetMusicPlus
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arran…
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Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
4.46 €
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Alm@music
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SheetMusicPlus
The Second Time Around
Chorale TTBB
TTBB Chorus,Voice - Level 3 - Digital Download SKU: A0.1477910 By Barbra Streisand.…
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TTBB Chorus,Voice - Level 3 - Digital Download SKU: A0.1477910 By Barbra Streisand. By James Van Heusen and Sammy Cahn. Arranged by Benjamin Maloney. A Cappella,Barbershop. Barbershop Quartet. 5 pages. Ben Maloney #1055292. Published by Ben Maloney (A0.1477910). Barbershop arrangement (in TTBB or SATB voicing) of the song 'The Second Time Around' by Sammy Cahn and James Van Heusen (with intro by Jimmy Dorsey). Arrangement by Benjamin Maloney (originally for the quartet 'Base').Type: BalladContestable: YesLearning tracks available from Ciaran Wilson.
$12.99
11.6 €
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Chorale TTBB
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Barbra Streisand
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Benjamin Maloney
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The Second Time Around
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Ben Maloney
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SheetMusicPlus
In the Evening by the Moonlight
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.1 €
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Ensemble de cuivres
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James Bland
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F
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In the Evening by the Moonlight
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Sweetwater Brass Press
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SheetMusicPlus
The Second Time Around from HIGH TIME
Chorale SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.874722 Composed by James V…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.874722 Composed by James Van Heusen and Sammy Cahn. Arranged by June Berg, MMA. Contemporary. Octavo. 3 pages. June Berg #3860705. Published by June Berg (A0.874722). This arrangement is for female voices, barbershop style. It was originally published by Sweet Adeline, Int. and is now available here only. It is easy and totally suitable for Sweet Adeline competitions. Note: The bass clef is sung one octave higher than written. The price of $12.99 allows the purchaser to make four copies. The original verse is by June Berg, MMA.
$12.99
11.6 €
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Chorale SSAA
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James Van Heusen and Sammy Cahn
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June Berg, MMA
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The Second Time Around from HIGH TIME
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June Berg
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SheetMusicPlus
The Second Time Around
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.561542 Composed by James Van …
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String Orchestra - Level 3 - Digital Download SKU: A0.561542 Composed by James Van Heusen and Sammy Cahn. Arranged by Mark Rippe. 20th Century,Film/TV,Jazz,Standards. Score and parts. 10 pages. Mark Rippe #170968. Published by Mark Rippe (A0.561542). Arrangement for string orchestra of this still popular standard introduced in the 1960 film High Time and sung by Bing Crosby . Similar arrangement available for string quartet.
$49.99
44.66 €
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Orchestre à Cordes
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James Van Heusen and Sammy Cahn
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Mark Rippe
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The Second Time Around
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Mark Rippe
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
8.92 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.67 €
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Chorale SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
Hautbois, Piano (duo)
Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Comp…
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99
13.39 €
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Hautbois, Piano (duo)
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Sy Brandon
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Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Sy Brandon
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SheetMusicPlus
Blessed Are They That Mourn (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Bra…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Score and parts. 38 pages. Sweetwater Brass Press #3064649. Published by Sweetwater Brass Press (A0.808673).    Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted. The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement translates Brahms’ choral parts and orchestral accompaniment into a warm and appealing five-brass-instruments version.    This arrangement was completed in 2017, and performance time runs about 10 minutes, 32 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.1 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johannes Brahms
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F
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
My Song Shall Be of Thee (for FLUTE and/or VIOLIN Duet with PIANO Accompaniment)
Accompagnement Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1272501 By Sharon Wilson. By D. S. Hakes and DS Hakes. Arranged by Sharon Wilson and Sharon Wilson Music. 20th Century,Christian,Easter,Praise & Worship,Sacred. 22 pages. Sharon Wilson #864726. Published by Sharon Wilson (A0.1272501). Here is a flowing instrumental trio arrangement (for FLUTE and/or VIOLIN duet with PIANO accompaniment) of a beautiful hymn from the early 1900's titled My Song by D. S. Hakes. The original lyrics were inspired by the following Bible verse: The Lord is my strength and song. Psalm 118:14. This hymn may be better known by its Spanish title Mi Redentor es Cristo (O Jesus, my Redeemer) when used with lyrics translated by Edgar L. Maxwell. The original lyrics by F. E. Belden are shown below.Both the FLUTE and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The FLUTE plays the melody for the first verse and then the two instruments alternate for the second verse. The VIOLIN leads with the melody for the third verse. The song begins in the key of C major for the first two verses, then transitions to the key of G major during the piano interlude before the final verse.Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments such as 2 VIOLINS or 2 FLUTES. The range for each part is as follows: Part 1 (FLUTE) ~ G4 to B5; Part 2 (VIOLIN) ~ D4 to G5. For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. Duration 3:00.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined FLUTE and VIOLIN score (3 pages)Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicLyrics by F. E. Belden Verse 1:O Jesus, my Redeemer, Thou art my Joy and Song,My Saviour and my Solace when griefs around me throng.Chorus:O Jesus, my Redeemer, My song shall be of thee;No other Friend so constant, no friend so dear to me.Verse 2:Thou art my Hope and Comfort through all the weary years,When shadows dark surround me, when all the bitter tears.Verse 3:I trust in Thee, my Saviour, My faithful Friend and Guide;For thou to me art dearer than all on earth beside.
$5.99
5.35 €
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Accompagnement Piano
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Sharon Wilson
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Part 2 (VIOLIN) ~ D4 to G5
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My Song Shall Be of Thee
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Sharon Wilson
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1325497 By Nat Cole With N. Riddle …
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Piano Solo - Level 3 - Digital Download SKU: A0.1325497 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Thomas Gunther. Christmas,Holiday,Jazz. Score. 4 pages. Thomas Gunther Music Productions #913724. Published by Thomas Gunther Music Productions (A0.1325497). Solo Piano Arrangement By Thomas GuntherThe Christmas Song is maybe the most popular Christmas Song in the USA. Some know it as Chestnuts Roasted On An Open Fire or Merry Christmas to You. The melody is absolutely beautiful, and the chord changes super interesting. I especially like Nat King Cole's version, which is in Db major. To make it easier for intermediate piano players I wrote my piano solo arrangement in C major instead. It is still challenging  enough.The sheet music will be available for purchase at 2pm Chicago time on Nov 27.About The ArrangementThe arrangement is written in jazz ballade style. It doesn't swing. I includes a fun double time improvisation section though which I made up on the spot during the second B section when I recorded the song. It is in latin style. The arrangement can be performed with or without improvisation. Should you be a jazz pianist you could use the included chord symbols to make up your own improvisation.About The Sheet MusicThe sheet music is the exact transcription of my recording, including the improvisation part. (You can listen to it and see me perform in the video below.)The sheet music contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. How This Arrangement Came AboutMay arrangement is heavily based on the Nat King Cole version. I love the ballade feel and the beautiful chord substitutions he uses in the orchestration. First I simply played along with his version in Db major. This helped me to figure out the harmony. Next I start thinking about the accompaniment. Now it is time to practice it. Once I have the arrangement figured out I start recording it a few times, listen to each version, iron out the edges. Now it is time to record the entire thing. Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. I always think about fingering and sustain pedal use at the same time when learning a song. Smart use of the sustain pedal can really make it much easier to play.Is This Arrangement For You?This solo piano arrangement is for every pianist who loves The Christmas Song. It doesn't matter would kind of pianist you are. The arrangement is certainly for intermediate pianists and up. It is also beneficial when you don't have very small hands. Some chords in the left hand require a hand span of a 10th. However, there are ways to get around that by simply rolling the notes with the help of the sustain pedal.
$5.99
5.35 €
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Piano seul
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Nat Cole With N
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Thomas Gunther
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The Christmas Song
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Thomas Gunther Music Productions
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SheetMusicPlus
Chorale
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1000329 Composed by Johann Sebastia…
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Piano Solo - Level 4 - Digital Download SKU: A0.1000329 Composed by Johann Sebastian Bach, Paul Eber, and Steve Boudreau. Arranged by Steve Boudreau. 20th Century,Jazz,Sacred. Score. 2 pages. Steve Boudreau #6681051. Published by Steve Boudreau (A0.1000329). The Bach Chorales are ultimate examples of melodies creating harmonies, the parts coming together to form a whole. They are also great examples of a musician taking a melody and making a new arrangement of it, like jazz musicians do today. This piece is a combination of two chorale melodies that Bach arranged, originally based on hymns by 16th-century composer Paul Eber. For context, Bach set the melody around 200 years after it was written, and I re-worked the melodies with my own harmonies nearly 300 years after that.The first job I had when I moved back to Ottawa from Boston was as a church pianist. At one point there was a two-month stretch where I was in charge of programming the instrumental music we played, and I challenged myself to come up with new arrangements every week- the way Bach would have in his time, just on a much smaller scale. This was a terrific creative outpouring of music for me, and it renewed my enormous respect for the church music community and the work involved.For this piece I took two seemingly unrelated chorales (they are actually from the same Cantata, BWV 127) and attached them, using their distant keys of A Major and F Major to set up an interesting modulation halfway through. I had to actively try out some more modern harmonic progressions to take the overall sound of the piece further away from Bach's version. One of my favourite moments is when you finish the C major resolution and then repeat back into F# Minor at the top for improvising. In the solo piano version this surprising cut doesn't occur unless you take a second pass through the piece, so I encourage you to try repeating the piece even if you don't feel comfortable embellishing or changing anything the second time around.
$1.99
1.78 €
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Piano seul
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Johann Sebastian Bach, Paul Eber, and Steve Boudreau
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Steve Boudreau
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Chorale
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Steve Boudreau
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SheetMusicPlus
Playing Around with Modes
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1032644 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1032644 Composed by Lars Jefferson. Jazz,Standards. Score and parts. 53 pages. Lars Jefferson #5191547. Published by Lars Jefferson (A0.1032644). This is a straight-ahead swing tune I wrote for fun a few years ago (2017). It took me a while to arrange it and make it presentable. The theoretical background is this. I uses a standard I-vi-ii-V progression, but the second time is in a different mode. Enjoy with your advanced highschool jazz ensemble or university group. It's titles PLAYING AROUND because that's what I was doing when I wrote it.
$25.00
22.33 €
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Ensemble Jazz
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Lars Jefferson
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Playing Around with Modes
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Lars Jefferson
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SheetMusicPlus
Second Time Around (Lyrical Solo)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1414364 Composed by Jennifer Eklund…
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Piano Solo - Level 3 - Digital Download SKU: A0.1414364 Composed by Jennifer Eklund. Contemporary,New Age. Score. 7 pages. Jennifer Eklund #996166. Published by Jennifer Eklund (A0.1414364). Second Time Around is a lyrical, intermediate level piano solo for pianists of all ages. Music composed by Jennifer Eklund and part of the Dreamweaver songbook.
$3.99
3.56 €
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Piano seul
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Jennifer Eklund
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Second Time Around
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Jennifer Eklund
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SheetMusicPlus
(they Long To Be) Close To You
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1230943 By The Carpenters. By Burt …
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Piano Solo - Level 5 - Digital Download SKU: A0.1230943 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #826633. Published by Timothy Stapay (A0.1230943). This arrangement of Close To You is written as performed by famous piano artist, Liberace.(They Long to Be) Close to You is a song written by Burt Bacharach and Hal David. The best-known version is that recorded by American duo the Carpenters for their second studio album Close to You (1970) and produced by Jack Daugherty. Released on May 14, 1970, the single topped both the US Billboard Hot 100 and Adult Contemporary charts. It also reached the top of the Canadian and Australian charts and peaked at number six on the charts of both the UK and Ireland. The record was certified gold by the Recording Industry Association of America (RIAA) in August 1970. Lyrics:[Verse 1]Why do birds suddenly appearEvery time you are near?Just like me, they long to beClose to you[Verse 2]Why do stars fall down from the skyEvery time you walk by?Just like me, they long to beClose to you[Bridge]On the day that you were born the angels got togetherAnd decided to create a dream come trueSo they sprinkled moon dust in your hair of goldAnd starlight in your eyes of blue[Verse 3]That is why all the girls in town (Girls in town)Follow you (Follow you) all around (All around)Just like me, they long to beClose to you[Bridge]On the day that you were born the angels got togetherAnd decided to create a dream come trueSo they sprinkled moon dust in your hair of goldAnd starlight in your eyes of blue [Verse 3]That is why all the girls in town (Girls in town)Follow you (Follow you) all around (All around)Just like me, they long to beClose to youJust like me (Just like me), they long to beClose to you[Outro]Wha, close to youWha, close to youHa, close to youWha, close to youWha, close to youWha, close to youWha, close to youWhaWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99
8.03 €
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Piano seul
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The Carpenters
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Timothy Stapay
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(they Long To Be) Close To You
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Timothy Stapay
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SheetMusicPlus
Russian Air with Twenty Variations for Cello Solo with a Second Cello, Op. 32
2 Violoncelles (duo)
Cello Duet Cello - Level 5 - Digital Download SKU: A0.1156756 Composed by Johann Ju…
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Cello Duet Cello - Level 5 - Digital Download SKU: A0.1156756 Composed by Johann Justus Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructional,Romantic Period,Traditional. Score. 44 pages. Artistic Score Engraving di Galvagno Michele #757087. Published by Artistic Score Engraving di Galvagno Michele (A0.1156756). The Russian Air with Twenty Variations for Cello Solo, accompanied by a Second Cello, Op. 32, by J. J. F. Dotzauer (1783—1860), was composed and published around 1815. It is one of the many set of variations written upon the theme “Їхав козак за Дунай†(“The Cossack rode beyond the Danubeâ€) during the second decade of the XIX century, others including those by Beethoven and Hummel. Despite the title, the theme is of Ukrainian origin but, at the time of its diffusion in Europe, under a German disguise, the region that is now Ukraine was part of the Russian Empire. The language of the text makes its origin unmistakable today. After a fascinating slow Introduction, the theme comes and is followed by twenty variations, most of which requiring great virtuosity. This is a concert piece, lasting anywhere between 14 and 24 minutes according to whether repeats will be played or not. An outstanding variety of techniques is employed, making this a true challenge for even the most gifted players. This edition is based on the oldest surviving source, the first edition by Friedrich Hofmeister. It corrects the most glaring mistakes, and adds notes where ambiguity arises. This edition is dedicated to Yuriy Leonovich.
$22.50
20.1 €
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2 Violoncelles (duo)
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Johann Justus Friedrich Dotzauer
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Michele Galvagno
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Russian Air with Twenty Variations for Cello Solo with a Second Cello, Op. 32
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Artistic Score Engraving di Galvagno Michele
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