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Boudicca, Queen of the Iceni
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
54.85 €
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Ensemble de cuivres
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Toasting Mother Earth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
32 €
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Piano, Voix
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Trio à Cordes: violon, alto, violoncelle
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Matthew Scott Phillips
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The Sundials: II; Pereunt et Imputantur
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.4 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
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SheetMusicPlus
House Of The Rising Sun
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.883786 Composed by Eric Burdon and Eric V…
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Brass Ensemble - Digital Download SKU: A0.883786 Composed by Eric Burdon and Eric Victor Burdon. Arranged by Phil Lawrence. Contemporary. Score and parts. 64 pages. Phillip Lawrence #5287377. Published by Phillip Lawrence (A0.883786). The idea for this arrangement was given to me by an old friend who played in BR Edge Hill band with when we were kids, Christine Humphreys and to do it for bass trombone, the more I looked at it thinking of Eric Burdon’s voice from The Animals with his first verse nearly too low for him to scrape the lower notes and then the later verses near to top of his register suited. The Animals though in A minor, so for BT I dropped it to Ab minor a real shall we say juicy register for bass trombone plus the added attraction of setting it in the lower octave pedal area to show the instrument off. There aren’t may Bass Trom solos in the rep, so now we add one more!An interview with Eric Burdon revealed that he first heard the song at a club in Newcastle, England, where it was performed by Northumberland folk singer Johnny Handle.The Animals were on tour with Chuck Berry and chose him because they wanted to sing something different. The Animals version moves the narrative from the initial point of view of a woman drawn into a life of decline to that of a man whose father is a gambler and a drunk, rather than the adorable person of the previous versions.
$29.99
27.42 €
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Ensemble de cuivres
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Eric Burdon and Eric Victor Burdon
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Phil Lawrence
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House Of The Rising Sun
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Phillip Lawrence
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SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
36.56 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Missing Link Concept Theme
Piano seul
Piano Solo - Digital Download SKU: A0.1025043 Composed by Paul Walker. Film/TV. Sco…
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Piano Solo - Digital Download SKU: A0.1025043 Composed by Paul Walker. Film/TV. Score. 6 pages. Paul Walker #3908979. Published by Paul Walker (A0.1025043). 2 months ago I had a look at upcoming movies and when I saw the Missing Link movie I was immediately interested in it. Especially when I saw the cast I was down for it. In my free time I then decided to write the score to this movie. Here's my Main Theme as of now. Be interested to hear what you guys think about it. Always keep in mind ... THIS ISN'T THE OFFICIAL THEME. To celebrate the Trailer's release I still tho wanted to put this out.If you'd like to hear to full track you are welcome to do so under: https://www.youtube.com/watch?v=SJl9Y8BEVgkIf you'd like to contact me feel free to do so under: thecluelesscomposer@gmail.com
$2.99
2.73 €
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Piano seul
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Paul Walker
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Missing Link Concept Theme
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Paul Walker
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SheetMusicPlus
Shake It Off
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1216972 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Jose Welligton Sousa de Castro. Broadway,Film/TV,Instructional,Musical/Show,Pop. 13 pages. Jose Welligton Sousa de Castro #813500. Published by Jose Welligton Sousa de Castro (A0.1216972). Shake It Off is a pop hit song by the Grammy award-winning artist Taylor Swift. This score has been expertly arranged for String Quartet by Wellington Sousa in the key of G Major. The piece has a lively tempo and a catchy melody that is sure to get your audience tapping their feet. The sheet music has a duration of 2:20, making it perfect for a variety of events including weddings, corporate events, and recitals. Shake It Off was featured in the animated film Sing, a production of Universal Pictures. This arrangement for String Quartet captures the energy of the original recording and would be perfect for film-themed concerts, as well as contemporary pop music events. The key of G Major is an ideal choice for String Quartets, as it allows for the perfect balance of tones and harmonies that will resonate with your audience. Whether you are a professional musician, a music teacher, or a student, this arrangement of Shake It Off is a must-have addition to your repertoire. The exciting energy of this arrangement will impress your audience and keep them engaged throughout your performance. Purchase this sheet music today and add a touch of modern flair to your next concert or event.
$12.99
11.88 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Taylor Swift
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Shake It Off
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Jose Welligton Sousa de Castro
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SheetMusicPlus
Put a Little Love in Your Heart by The Sing-Off Cast - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: The Sing-Off Cast: Put a Little Love In Your Heart - from The Sing-Off Digit…
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Performed by: The Sing-Off Cast: Put a Little Love In Your Heart - from The Sing-Off Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice 1;Piano;Guitar;Voice 2; 7 pages -- Pop~~Adult Contemporary~~Singer-Songwriter~~Soft Rock
$5.50
5.03 €
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Piano, Voix et Guitare
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The Sing-Off Cast
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Piano/Vocal/Guitar
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Musicnotes
That's How the Story Goes - A Christmas Musical for Children
Chorale 2 parties
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. …
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
4.56 €
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Chorale 2 parties
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Joanna Mills
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Joanna Mills
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That's How the Story Goes - A Christmas Musical for Children
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Joanna Mills Music
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SheetMusicPlus
I Wished On The Moon
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1487192 By Bill Perkins. By Dorot…
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C Instrument - Level 4 - Digital Download SKU: A0.1487192 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #1064163. Published by John Fries (A0.1487192). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. I Wished on the Moon is a song composed by Ralph Rainger, with lyrics by Dorothy Parker. Bing Crosby sang the song in The Big Broadcast of 1936.Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed. Crosby recorded the song again in 1954 for his album Bing: A Musical Autobiography.
$3.99
3.65 €
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Instruments en Do
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Bill Perkins
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John Fries
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I Wished On The Moon
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John Fries
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SheetMusicPlus
I Wished On The Moon
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1487194 By Bill Perki…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1487194 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 1 pages. John Fries #1064165. Published by John Fries (A0.1487194). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. I Wished on the Moon is a song composed by Ralph Rainger, with lyrics by Dorothy Parker. Bing Crosby sang the song in The Big Broadcast of 1936. Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed. Crosby recorded the song again in 1954 for his album Bing: A Musical Autobiography.
$5.99
5.48 €
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Piano, Voix et Guitare
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Bill Perkins
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John Fries
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I Wished On The Moon
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John Fries
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SheetMusicPlus
I've Got the Music In Me by The Sing-Off Cast - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: The Sing-Off Cast: I've Got the Music In Me - from The Sing-Off Digital…
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Performed by: The Sing-Off Cast: I've Got the Music In Me - from The Sing-Off Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 11 pages -- R & B~~Pop Rock~~Pop-Soul
$6.25
5.71 €
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Piano, Voix et Guitare
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The Sing-Off Cast
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Piano/Vocal/Guitar
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Musicnotes
I Still Haven't Found What I'm Looking For - 10 Prints by The Sing-Off Cast - SATB Choir A Cappella
Chorale SATB
Performed by: The Sing-Off Cast: I Still Haven't Found What I'm Looking for - Fe…
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Performed by: The Sing-Off Cast: I Still Haven't Found What I'm Looking for - Featured in the NBC Television Series The Sing-Off Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: SATB Choir A Cappella, instruments: Voice;SATB Choir;Soprano Voice 1;Soprano Voice 2;Alto Voice 1;Alto Voice 2;Tenor Voice 1;Tenor Voice 2;Bass Voice; 17 pages -- Movie/TV~~Alternative Pop/Rock~~Pop Rock~~Post-Punk~~Choral~~Soundtrack~~A cappella~~College Rock
$2.65
2.42 €
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Chorale SATB
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The Sing-Off Cast
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10 Prints by The Sing-Off Cast
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Musicnotes
Beautiful Day by The Sing-Off Cast - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: The Sing-Off Cast: Beautiful Day - from The Sing-Off Digital Sheetmusic - in…
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Performed by: The Sing-Off Cast: Beautiful Day - from The Sing-Off Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice 1;Voice 2;Piano;Guitar; 8 pages -- Movie/TV~~Adult Alternative~~Pop Rock~~Soundtrack
$5.75
5.26 €
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Piano, Voix et Guitare
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The Sing-Off Cast
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Piano/Vocal/Guitar
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Musicnotes
21 Guns by The Sing-Off Cast - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: The Sing-Off Cast: 21 Guns - from The Sing-Off Digital Sheetmusic - instantl…
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Performed by: The Sing-Off Cast: 21 Guns - from The Sing-Off Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice 1;Voice 2;Piano;Guitar; 6 pages -- Adult Alternative~~Alternative Pop/Rock~~Punk Revival~~Punk-Pop
$5.50
5.03 €
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Piano, Voix et Guitare
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The Sing-Off Cast
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Piano/Vocal/Guitar
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Musicnotes
Luther's Drinking Song, Tales of Hoffmann: Drig! Drig! Drig! Drig!
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.955857 Composed by Jacques…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.955857 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Concert,Opera,Romantic Period. Octavo. 11 pages. Scott S. Stewart #6476035. Published by Scott S. Stewart (A0.955857). As in The Student Prince and Faust the main character arrives at a tavern packed with students who probably should be studying, but instead they are setting the scene for the real drama… In Les Contes d’Hoffmann (The Tales of Hoffmann) a lively drinking song opens the scene at Luther’s tavern with a rowdy crowd of students teasing bartender Luther and calling for beer and wine. Originally scored for principle cast members and 4-part men’s chorus, this arrangement of Scene IV of the Prologue: Luther’s Drinking Song ‘Drig! Drig! Drig! Drig!’ is adapted for 4-part SATB ensemble and piano accompaniment. This exhilarating drinking chorus is a great opener for an evening of drinking songs – or an evening of light outdoor entertainment – or a recital for community engagement. It is in original French language. Performance time:2:40+- Bring us your beer, your wine; Fill our glass until morning! Your wine is ours!
$2.99
2.73 €
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Chorale SATB
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Jacques Offenbach
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Scott S
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Luther's Drinking Song, Tales of Hoffmann: Drig! Drig! Drig! Drig!
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Scott S. Stewart
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SheetMusicPlus
Beyond The Sea
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1077231 By Bobby Darin. By Albe…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1077231 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Score and parts. 32 pages. Kevin Riley #681399. Published by Kevin Riley (A0.1077231). Versions of the song have appeared frequently in films and television shows. The song is featured during the ending credits of Disney/Pixar's 2003 animated film Finding Nemo. The song is played prominently in the 2007 video game BioShock. The X-Files episode Beyond the Sea is named for the song, which is playing on the boat owned by Dana Scully's father. The song plays in the background during a scene in the 1990 film Goodfellas while the characters are preparing food in prison. A version of the song by Kathryn Williams is the theme song for the British TV Show The Cafe broadcast on Sky1. The song plays in the official trailer for the 2018 film The Meg. In the 2020 horror film A Quiet Place Part II, the song is played on loop over the radio as a signal to guide survivors to an island. In an episode of the television show Lost (TV Series), the song is part of a code that needs to be decyphered in the episode Whatever the Case May Be. The plot delves into the original Frech recording of La Mer, heard as a French dub of the closing credits of the film Finding Nemo.
$60.00
54.85 €
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Orchestre
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Bobby Darin
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Kevin Riley
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Beyond The Sea
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Kevin Riley
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SheetMusicPlus
On the Seashore of Endless Worlds (SATB Choir)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin K…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99
3.65 €
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Chorale SATB
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Colin Kirkpatrick
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On the Seashore of Endless Worlds
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Worst One Ever
Large Ensemble Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.796638…
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Large Ensemble Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.796638 Composed by Gary D. Belshaw. Contemporary,Opera. Score. 216 pages. DR GARY D BELSHAW #3228823. Published by DR GARY D BELSHAW (A0.796638). This Auxiliary Performance Kit contains 4 complete piano/vocal scores: one for each character, and one for an accompanist. Purchase of this edition assumes you have already purchased a single copy of the Piano/Vocal score, which includes the percussion part. A percussion part is NOT included in this file.216 pages. Duration 10 minutes. Formatted for 2-sided printing.This hilarious 10-minute one-act comic opera has been enjoyed by collegiate opera scenes audiences from Washington State to Maine, and from Michigan to Texas. Written for three sopranos, it is perfect for opera companies needing more roles for women. Cell phones, laptop computers, online grades, and Facebook all figure into the libretto. Direct the cast to ACT totally absorbed with social media when not singing!Synopsis. The opera takes place in a room or lobby of a university Residence Hall. Three coeds are intently focused on their electronic devices, each one stressed about the worst teacher, boyfriend, or parent.Stephanie is seated on a bed, her laptop computer open. She is awaiting an online posting of grades from one particular professor.Jennifer is at the desk speaking sotto voce on her cell phone. She is not too thrilled with plans her boyfriend has made for them.Jessica is snugly tucked into the office chair, texting. She is trying to get her father to clear her for a weekend concert trip with friends.Thank you for your interest in my work. Your reviews are quite important to me, and a like from you will do more good than you might imagine. Follow me on Facebook and Twitter.
$39.95
36.52 €
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Gary D
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The Worst One Ever
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DR GARY D BELSHAW
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SheetMusicPlus
"The Girl That No One Knows" Track 7. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068588 Composed by Angel…
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Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068588 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 133. Angela Fox #3895871. Published by Angela Fox (A0.1068588). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards! Next- Zoey and Ensemble Me and My Shelf- Zoey and Ensemble I'm So Cold- Zoey and Abby Nervous- Zoey Spelling Bee- Abby and Ensemble Shadowbox- Zoey and Narrator The Girl That No One Knows- Abby, Zoey, and Ensemble Next Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinney Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.82 €
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Angela Fox
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"The Girl That No One Knows" Track 7. Next: The Musical
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Angela Fox
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SheetMusicPlus
"Next: Reprise" Track 8. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068592 Compo…
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Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068592 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 70. Angela Fox #3895873. Published by Angela Fox (A0.1068592). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards!Next- Zoey and EnsembleMe and My Shelf- Zoey and EnsembleI'm So Cold- Zoey and AbbyNervous- ZoeySpelling Bee- Abby and EnsembleShadowbox- Zoey and NarratorThe Girl That No One Knows- Abby, Zoey, and EnsembleNext Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinney Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.82 €
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Angela Fox
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"Next: Reprise" Track 8. Next: The Musical
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Angela Fox
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SheetMusicPlus
"Next" Track 1. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068584 Compo…
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Alto Voice,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1068584 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 209. Angela Fox #3895859. Published by Angela Fox (A0.1068584). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards! Next- Zoey and Ensemble Me and My Shelf- Zoey and Ensemble I'm So Cold- Zoey and Abby Nervous- Zoey Spelling Bee- Abby and Ensemble Shadowbox- Zoey and Narrator The Girl That No One Knows- Abby, Zoey, and Ensemble Next Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinney Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.82 €
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Angela Fox
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"Next" Track 1. Next: The Musical
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Angela Fox
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SheetMusicPlus
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