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12
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Tuba
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Quatuor de cuivres: 4 cors
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Quatuor à cordes: 2 violons, alto, violoncelle
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29
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17
Violon
15
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13
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12
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8
2 Violoncelles (duo)
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7
Contre Basse
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
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6
Violoncelle , Guitare (duo)
6
Alto (partie séparée)
5
2 Altos (duo)
5
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4
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3
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Alto seul
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Trio à cordes: 3 violins
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Harpe, Voix
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1
Harpe, Flûte (duo)
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Orchestre d'harmonie
84
Orchestre à Cordes
32
Ensemble de cuivres
32
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32
Orchestre
26
Cloches
18
Jazz combo
10
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7
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6
Batterie
4
Marimba
3
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2
Fanfare
2
Vibraphone
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Instrumentation Flexible
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Cycles of Life Songbook
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.859669 Composed by Sy…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.859669 Composed by Sydney Stevens. Country,Folk,New Age,Pop. Score. 68 pages. Sydney Stevens, Water Music #2959611. Published by Sydney Stevens, Water Music (A0.859669). Contact: sydneystevenspianostudio@gmail.comCycles of Life Songbook: A collection of 11 original piano/vocals by Sydney Stevens (ASCAP). Book is arranged for piano/vocal with chords and includes one piano solo: Lucy.From the Album: Cycles of LifeMood: Introspective, heartfelt, emotional, comforting, hopeful.Musical Traits: Most songs are arranged with left hand broken chords and right hand reflecting vocal part. Songs included in this book: Cycles of Life, Another Day, Time, Brian's Song, Tumbleweed, Alleys, Herbie, Back to the Heart, Lucy, Dead of Winter, The River [Note: all songs can be sampled &/or purchased on this website] More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition.
$14.95
13.77 €
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Piano, Voix et Guitare
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Sydney Stevens
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Cycles of Life Songbook
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Sydney Stevens, Water Music
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SheetMusicPlus
Pitcairn Local Anthem (The Royal Telephone/We From Pitcairn Island”) for Voice & Piano
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1207336 By Keith Terrett. By Frederick M…
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Piano - Level 3 - Digital Download SKU: A0.1207336 By Keith Terrett. By Frederick M. Lehman. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Praise & Worship,Traditional,World. Score (Chords/Lyrics). 3 pages. Keith Terrett #805498. Published by Keith Terrett (A0.1207336). The Pitcairn Islands are a remote British colony in the South Pacific, famous for being the site where the mutineers from the HMS Bounty landed. The islands’ population have always been very small (currently numbering around 50), yet, aside from the official anthem of God Save the King (which is not heard often on the islands), there have been, and continue to be, many unofficial anthems in use in the colony.In Diana Jolliffe Belcher’s 1871 book “The Mutineers of the Bounty and their Decendants in Pitcairn and Norfolk Island†it is reported that a local poem by Rev. G. H. Nobbs was set to the tune “Rousseau’s Dream†(sheet music) and was considered by Pitcairners to be their anthem at the time. It is not known for how long this was considered as their anthem, however. Also, in 1856, several Pitcairners resettled on Norfolk Island as Pitcairn had become too small. The local anthem now in use on Norfolk Island, Come Ye Blessed, is also referred to as the “Pitcairn Anthemâ€, and more than likely was brought to the island by the Pitcairn settlers, suggesting that this anthem was in use on Pitcairn at that time, and is also heard on Pitcairn currently.Currently, the song “We From Pitcairn Island†(to the tune of the hymn “The Royal Telephoneâ€) is used as an unofficial anthem at gatherings and the like. The lyrics were written by Pitcairner Melva Evans with assistance from the local Seventh Day Adventist Pastor L. A. J. Webster in 1962 to be performed by the school children on board a visiting cruise ship, but the song became identified by residents as their unofficial anthem. Other songs, such as “The Goodbye Song†(written by Pitcairner Amelia Young), and the hymn “In The Sweet By and By†are considered unofficial “Pitcairn songs†at gatherings as well. (“Goodbye songsâ€, sung to ships as they leave the country, are a tradition in many Polynesian islands, and are part of the patriotic music of those countries.).
$4.99
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Piano seul
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Keith Terrett
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Keith Terrett
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Pitcairn Local Anthem
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Keith Terrett
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SheetMusicPlus
Beyond The Sea
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
9.21 €
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Chorale SATB
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
27.62 €
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Ensemble Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Tobi Crawford
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SheetMusicPlus
Another Day
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
4.56 €
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Voix Alto, Piano
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Brian's Song
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859662 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #2949759. Published by Sydney Stevens, Water Music (A0.859662). Contact: sydneystevenspianostudio@gmail.comBrian's Song: Emotional piano/vocal composed by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords.Sounds like: Lucy Kaplansky, Loreena McKennittFrom Album: Cycles of Life Theme: The passing of, (letting go of) a father.Mood: Heartfelt, emotional, hopeful.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 2:56Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific compose.
$4.95
4.56 €
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Voix Alto, Piano
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Sydney Stevens
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Brian's Song
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Sydney Stevens, Water Music
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SheetMusicPlus
The River
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
4.56 €
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Back to the Heart
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
4.56 €
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Voix Alto, Piano
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Everything for the Church Soloist-Digital Download
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack …
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Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95
73.62 €
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Various Writers
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Everything for the Church Soloist-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
Round Me Falls the Night [Piano Accompaniment F Minor]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1374089 By Stacey Plays Hymns. By S…
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Piano Solo - Level 3 - Digital Download SKU: A0.1374089 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Early Music,Praise & Worship,Religious,Sacred. Score. 3 pages. Anastace #958661. Published by Anastace (A0.1374089). Here is the full piano accompaniment version in the original key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking the artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in E Minor [easier key]Lead sheet in F MinorLead sheet in E Minor Easy Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.68 €
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Piano seul
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night [Piano Accompaniment F Minor]
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Anastace
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SheetMusicPlus
Round Me Falls the Night [Lead Sheet F Minor]
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1374097 By Stacey Plays Hymns. By…
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C Instrument - Level 3 - Digital Download SKU: A0.1374097 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #958671. Published by Anastace (A0.1374097). Here is the full and accurate lead sheet version in the original key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking my artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in F Minor [original key]Full piano accompaniment in E Minor [easier key]Lead sheet in E Minor EASY Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.76 €
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Instruments en Do
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night [Lead Sheet F Minor]
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Anastace
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SheetMusicPlus
Round Me Falls the Night [Piano Accompaniment in E Minor]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1374095 By Stacey Plays Hymns. By S…
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Piano Solo - Level 3 - Digital Download SKU: A0.1374095 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 3 pages. Anastace #958669. Published by Anastace (A0.1374095). Here is the full piano accompaniment version in an easier key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking the artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in F Minor [original key]Lead sheet in F MinorLead sheet in E Minor Easy Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.68 €
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Piano seul
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night [Piano Accompaniment in E Minor]
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Anastace
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SheetMusicPlus
Round Me Falls the Night [EASY Lead Sheet Version]
Piano Facile
C Instrument - Level 1 - Digital Download SKU: A0.1374107 By Stacey Plays Hymns. By…
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C Instrument - Level 1 - Digital Download SKU: A0.1374107 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Children,Christian,Praise & Worship,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #958683. Published by Anastace (A0.1374107). Here is the easiest lead sheet version for guitar or beginner piano of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking my artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in F Minor [original key]Full piano accompaniment in E Minor [easier key]Full and accurate lead sheet in F MinorFull and accurate lead sheet in E Minor For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.76 €
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Piano Facile
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Stacey Plays Hymns
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Anastace
#
Round Me Falls the Night [EASY Lead Sheet Version]
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Anastace
#
SheetMusicPlus
Round Me Falls the Night [Lead Sheet E Minor]
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1374102 By Stacey Plays Hymns. By…
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C Instrument - Level 2 - Digital Download SKU: A0.1374102 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #958677. Published by Anastace (A0.1374102). Here is the full lead sheet version in an easier key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking my artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in F Minor [original key]Full piano accompaniment in F Minor [original key]Lead sheet in F MinorEasy Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.76 €
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Instruments en Do
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night [Lead Sheet E Minor]
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Anastace
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SheetMusicPlus
Christmas in Song
SATB/Unison Voice (SATB) - Difficulty: medium SKU: HL.4475350 Arranged by Theodore …
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SATB/Unison Voice (SATB) - Difficulty: medium SKU: HL.4475350 Arranged by Theodore Preuss. Instrumental. Sacred. Vocal songbook. With vocal score. 80 pages. Published by Rubank Publications (HL.4475350). ISBN 9781458421180. UPC: 073999753509. 6x9 inches.A treasury of 108 traditional songs, favorite hymns, and choice carols. 6″ x 9″ size is convenient for caroling! Arranged for mixed voices (S.A.T.B.) or unison singing.
Song List: Let Our Gladness Know No End Oh! Infant Jesus When Christ Was Born Of Mary Free O Come, All Ye Faithful Angels, From The Realms Of Glory Angels We Have Heard On High As Each Happy Christmas I Heard the Bells on Christmas Day As Joseph Was a-Walking As with Gladness Men of Old Away In A Manger Hey, Hey, Ho A Babe Is Born in Bethlehem In a Manger He Is Lying The Babe Of Bethlehem Jingle Bells Beautiful Savior Bring a Torch, Jeannette, Isabella Cantique de Noel The Cherry Tree Carol Child Jesus Came To Earth This Day Come, All Ye Children Everywhere, Everywhere, Christmas Tonight The First Noel From Every Spire On Christmas Eve From Heaven Above Gather Around the Christmas Tree Glad Christmas Bells The Golden Carol Good Christian Men, Rejoice Infant So Gentle Hark! The Herald Angels Sing O Little Town of Bethlehem O Come, Little Children Lullay, Though Little Tiny Child Silent Night Oh, How Joyfully O Christmas Tree Joy To The World Lo, How a Rose Little Children, Can You Tell? Hark the Glad Sound I Saw Three Ships It Came Upon the Midnight Clear We Wish You a Merry Christmas From Earthly Tasks Lift Up Thine Eyes As Lately We Watched God Rest You Merry, Gentlemen The Other Night A Child This Day Is born Sleep, Holy Babe Christ Was Born on Christmas Day Companions, All Sing Loudly The Seven Joys of Mary Deck the Hall Come, All Ye Shepherds In Bethlehem, The Lowly Immortal Babe Wassail, Wassail Jolly Old Saint Nicholas The Happy Christmas Comes Once More Oh! Night Among The Thousands While Shepherds Watched Their Flocks To Us Is Born A Little Child Hark Ye Shepherds Hark, from the Midnight Hills Around We Three Kindgs of Orient Are Good King Wenceslas Shepherds, Shake Off Your Drowsy Sleep Noel, Noel Here We Come A-Caroling Whence Comes This Rush of Wings? The Holly and the Ivy Oh! Dear Jesus How Brightly Beams The Morning Star What Child Is This? March Of The Three Kings On Christmas Night Joseph, O Dear Joseph Mine There Comes a Vessel Laden Mary, Dear Mother Of Jesus How Vain the Cruel Herod's Fear Rise Up, Shepherds, an' Foller Go, Tell It on the Mountains O Come, O Come Emmanuel Ring, Christmas Bells The Sleep of the Child Jesus My Sheep Were Grazing A Joyful Christmas Song O Holy Night We Do Worship Thee
$6.99
6.44 €
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Theodore Preuss
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Christmas in Song
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Rubank Publications
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SheetMusicPlus
Beyond The Sea
Piano seul
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry,…
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Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
23.02 €
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Piano seul
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Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
People Need The Lord
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!
$18.00
16.57 €
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Steve Green
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Peet du Toit
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People Need The Lord
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Peet du Toit
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dv…
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
13.81 €
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Ensemble de Clarinettes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
Ensemble de Bassons
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by A…
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Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.81 €
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Ensemble de Bassons
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Quintette de Flûte : 5 flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Ant…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.81 €
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Quintette de Flûte : 5 flûtes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.81 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
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