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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Sounds
Sheetmusicplus
Non classifié
995
Piano & claviers
Piano seul
1 026
Instruments en Do
782
Piano Facile
529
Piano, Voix
144
Piano, Voix et Guitare
76
Orgue
64
Accompagnement Piano
31
1 Piano, 4 mains
22
2 Pianos, 4 mains
12
Piano (partie séparée)
9
Piano Trio: piano, violon, violoncelle
7
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
6
1 Piano, 6 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
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Guitares
Guitare
112
Guitare notes et tablatures
87
Ukulele Baryton
72
Ligne De Mélodie, (Paroles) et Accords
22
Guitare (partie séparée)
18
Ukulele
13
Basse electrique
9
2 Guitares (duo)
7
4 Guitares (Quatuor)
6
Dulcimer
4
Banjo
3
Piano, Guitare (duo)
2
Mandoline
2
Paroles et Accords
2
+ 9 instrumentations
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Voix
Chorale SATB
288
Chorale 3 parties
101
Chorale 2 parties
50
Chorale Unison
49
Voix Alto, Piano
44
Chorale TTBB
38
Chorale SSAA
33
Voix Soprano, Piano
26
Voix Tenor, Piano
25
Voix moyenne, Piano
12
Voix duo
4
Chorale SSAATTBB
3
Voix seule
3
Voix Tenor
2
Voix basse, Piano
2
Voix duo, Piano
2
Voix haute
2
Chorale SSATTB
2
Voix Baryton, Piano
1
Chorale
1
Chorale SSAB, Piano
1
Pack Instrumental pour Chorale
1
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
129
Quatuor de Saxophones: 4 saxophones
113
Flûte, Hautbois, Clarinette, Basson
94
Flûte traversière et Piano
86
Quintette de Saxophone: 5 saxophones
82
2 Flûtes traversières (duo)
75
Saxophone (partie séparée)
67
2 Saxophones (duo)
56
Clarinette et Piano
48
Hautbois, Piano (duo)
48
Flûte traversière
44
2 Clarinettes (duo)
43
Saxophone Alto et Piano
42
Quatuor de Flûtes : 4 flûtes
40
Clarinette
39
Flûte, Violon, Piano
32
Quatuor de Clarinettes: 4 clarinettes
30
Saxophone Alto
25
Saxophone Tenor et Piano
23
Ensemble de saxophones
19
Saxophone Tenor
17
Hautbois (partie séparée)
15
Flûte, Clarinette (duo)
14
Trio de Flûtes: 3 flûtes
13
Ensemble de Clarinettes
13
Quintette de Clarinettes: 5 clarinettes
12
Quintette de Flûte : 5 flûtes
11
Flûte à Bec
10
Hautbois
10
Clarinette (partie séparée)
10
Saxophone Soprano et Piano
10
Flute (partie séparée)
10
Flûte, Violoncelle
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Ensemble de Flûtes
8
3 Saxophones (trio)
8
3 Clarinettes (trio)
7
Saxophone Baryton, Piano
7
Clarinette Basse, Piano
6
Harmonica
5
Clarinette, Violoncelle (duo)
4
Cor anglais, Piano
4
Flûte et Guitare
4
Flûte à bec Soprano
4
Hautbois, Violoncelle
4
Flûte, Hautbois, Basson
3
2 Hautbois (duo)
3
Hautbois, Clarinette (duo)
3
Clarinette, Basson (duo)
3
Hautbois, Basson (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte et Trio à cordes
2
2 Flûte à bec (duo)
2
Clarinette, Trompette (duo)
2
Saxophone, Clarinette (duo)
2
Clarinette et Alto
2
Flûte, Violon
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte à bec Tenor
2
Clarinette, Violon (duo)
2
Flûte, Violon, Violoncelle et Piano
2
3 Flûtes à bec (trio)
2
Hautbois et alto (duo)
1
Piccolo, Piano
1
Flûte, Trompette (duo)
1
Hautbois, violon (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Piano (trio)
1
Ensemble De Flûte à bec
1
Flûte irlandaise
1
Cor Anglais
1
Hautbois, Basson et Piano
1
2 Saxophones, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Flûte, Harpe et Violoncelle
1
Instruments en Mib
1
Saxophone Baryton
1
Hautbois, Flûte
1
Flûte, Hautbois, Piano (trio)
1
Clarinette Basse
1
Flûte, Saxophone (duo)
1
Flute, harpe et violon
1
Saxophone
1
Flûte, Alto (duo)
1
+ 80 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
148
Quatuor de Cuivres
82
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trombone (partie séparée)
50
Trompette
38
Trompette, Piano
38
Trompette (partie séparée)
32
Trombone et Piano
24
Trombone
16
Cor et Piano
15
Trompette, Saxophone (duo)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Cor (partie séparée)
12
Cor
11
Euphonium, Piano (duo)
11
Tuba et Piano
10
Quatuor de cuivres: 4 trombones
10
2 Euphoniums et 2 Tubas
8
Tuba (partie séparée)
7
2 Trombones (duo)
7
2 Trompettes (duo)
7
Ensemble de Trombones
6
2 Tubas (duo)
5
Trompette, Violoncelle (duo)
5
Quatuor de cuivres: 4 cors
5
Tuba
4
Trompette, Cor (duo)
4
Trompette, Trombone (duo)
4
Cor anglais, Piano
4
Trompette, Basson (duo)
2
Cor et Basson (duo)
2
4 Tubas
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trombones (trio)
2
2 Cors (duo)
2
Cor, Violoncelle (duo)
2
Instruments en Sib
2
3 Cors (trio)
1
2 Cors, Piano
1
3 Trompettes (trio)
1
Cor Anglais
1
Euphonium
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Ensemble de Cors
1
+ 40 instrumentations
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Cordes
Harpe
710
Quatuor à cordes: 2 violons, alto, violoncelle
271
Violon et Piano
79
Quintette à cordes: 2 violons, alto, violoncelle, basse
76
Violon
69
2 Violons (duo)
69
Violoncelle, Piano
52
Violoncelle
40
Alto, Piano
36
Violon (partie séparée)
27
Violon, Violoncelle (duo)
25
Alto seul
24
Trio à Cordes: violon, alto, violoncelle
23
Contre Basse
17
Contrebasse (partie séparée)
17
2 Harpes (duo)
15
Violon, Alto (duo)
11
2 Violoncelles (duo)
9
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse, Piano (duo)
7
Alto (partie séparée)
7
2 Altos (duo)
6
Trio à cordes: 3 violins
5
Violoncelle (partie séparée)
4
Alto et Basson
4
4 Violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto, Violoncelle (duo)
3
Violon, Guitare (duo)
3
Violon, Basson (duo)
3
Trio à Cordes: 2 violons, alto
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Harpe et Piano
2
Violoncelle, Contrebasse (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
1
Harpe et Orgue
1
4 Harpes
1
Trio à cordes: 3 altos
1
2 Contrebasses (duo)
1
Harpe, Flûte (duo)
1
2 Violoncelles, Piano
1
4 Contrebasses
1
+ 40 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
838
Orchestre
234
Ensemble Jazz
181
Orchestre à Cordes
120
Fanfare
80
Cloches
65
Ensemble de cuivres
42
Orchestre de chambre
34
Ensemble de Percussions
21
Batterie
15
Jazz combo
11
Percussion (partie séparée)
11
Marimba
10
Batterie (partie séparée)
8
Xylophone, Piano
5
Vibraphone
4
Xylophone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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9976
The Christmas Wish (Vocal Solo)
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Chorale Unison
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INTERMÉDIAIRE/AVANCÉ
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Carol Troutman Wiggins [ASCAP]
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The Christmas Wish
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (Unison) - Level 4 - SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Sing...
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Choral Choir (Unison) - Level 4 - SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. Octavo. 11 pages. Carol Troutman Wiggins #2907289. Published by Carol Troutman Wiggins (A0.727123). The Christmas WishVocal Solo for AltoWould you like a different kind of Christmas wish this year? Here it is!This song is based on the poem Christmas Wishes written by contemporary author and poet Mary White Pustrom. Mary wrote many poems with the theme of Christmas, including what she thought people should wish for at Christmas. While so many adults wish for a new car, a sparkling diamond ring, or celebrating with a nice vacation in the tropics, she believes that Christmas wishes should be taken a step further by considering the wishes and needs of others more so than our own. In her poem Christmas Wishes, her desire for reaching out to others and granting them their wishes for the simple things in life take on great meaning: Christmas Wishes by Mary White Pustrom Now that Christmas is drawing near I cannot help but seeAll the poor and needy people who are reaching out to me. It seems that everywhere I look there is a need to fill; I feel so inadequate when their wishes I can't fill. Among the lights and decorations, there is hunger and despair, Faces filled with sadness while bright carols fill the air; Little children who are cold and hungry wait for Santa Claus, Wishing that he would bring them food, for that's a worthy cause. Others laughing, smiling, singing - so completely unaware Of all the pain and suffering that's around them everywhere; They wish for generosity in our thoughts, time, and deeds, And wish that here at Christmas time, someone could fill their needs. My wish is that we reach out to our sisters and our brothers, Who depend on us for kindness from one to another; Fill our hearts with Christmas cheer, and teach us how to share, So that Christmas wishes will be fulfilled all throughout the year. It sounds like she might have the right idea. At this time of year, it is so easy to get caught up in buying and receiving presents, the lights, and the Christmas tree, without considering the simple needs of others. Maybe this year, these simple wishes will come true for some: · Sick little children to be healed · Homeless people and children to find a family · For the less fortunate to have enough food, clothing, shelter, and shoes on their feet · That no one spends Christmas lonely and alone, and spent the way it should be, with loving family and friends. Most of all, wish that by caring for one another, Christmas wishes would come true all year long. ~ Carol Troutman Wiggins
$5.95
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art
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Alm@music
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SheetMusicPlus
Level 3 - SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. ...
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Level 3 - SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
Under The Sea
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Piano Facile
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DÉBUTANT
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Alan Menken and Howard Ashman
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Catherine Wilson
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Under The Sea
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Catherine Wilson
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1349167 Composed by Alan Menken and Howard Ashman. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,I...
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Easy Piano - Level 1 - SKU: A0.1349167 Composed by Alan Menken and Howard Ashman. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933907. Published by Catherine Wilson (A0.1349167). Under the Sea from The Little Mermaid is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
Just Around The Riverbend
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Piano Facile
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DÉBUTANT
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Alan Menken and Stephen Schwar
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Catherine Wilson
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Just Around The Riverbend
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Catherine Wilson
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1349152 Composed by Alan Menken and Stephen Schwartz. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/T...
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Easy Piano - Level 1 - SKU: A0.1349152 Composed by Alan Menken and Stephen Schwartz. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933892. Published by Catherine Wilson (A0.1349152). Just Around the Riverbend from Pocahontas is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
Go The Distance
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Piano Facile
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DÉBUTANT
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Michael Bolton
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Catherine Wilson
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Go The Distance
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Catherine Wilson
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1349151 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Catherine Wilson. 20th Century,Broadway,Film/TV,I...
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Easy Piano - Level 1 - SKU: A0.1349151 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Catherine Wilson. 20th Century,Broadway,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933891. Published by Catherine Wilson (A0.1349151). Go the Distance from Hercules is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contempora...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
Kids in the Corner
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Matthew Nunes
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Kids in the Corner
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1263847 Composed by Matthew Nunes. Chamber,Classical,Hip-Hop,Pop,R & B,Rock. 107 pages. Mat...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1263847 Composed by Matthew Nunes. Chamber,Classical,Hip-Hop,Pop,R & B,Rock. 107 pages. Matthew Nunes Music #856760. Published by Matthew Nunes Music (A0.1263847). Listen to this piece hereKids in the Corner is a piece especially composed for Thomas Smith, a family friend and former trumpeter, as a personal thank you for his generous donation to my “ Get Matt to Maryland†Rally via rally.org.With this work I aimed to explore some dance styles that don’t tend to be invited to other suites. I wanted to challenge myself with these various styles while infusing the quirkiness of Thomas into the heart of the piece.I. HipThis summer I was able to pass through New York City on my way to a graduate school audition. On the train ride there I ended up next to a kid who was grooving to music I could hear snippets of through his headphones. This movement reflects characteristics of the sounds I heard on my way into the city.II. One for the lovebirds…It’s time to cuddle up next to your partner and take a trip down memory lane. This movement is an ode to the slow songs one may have experienced from a dance in the 1950’s.III. SwungFor quite some time I have been intrigued with early instrumental dances and this movement explores their defining characteristics while hinting at this work’s overall structure.IV. Posh, Prim, and ProperThis axiomatic propinquity of the Minuet and Trio is a coruscating combination of tonal and temporal creation. A suite as brilliant as this is but an inchoate one without homage to music’s finest moment. It is propitious that I elucidated an exposition featuring a Bach cello suite with motives from the Brahms Requiem in fugal counterpoint set against themes by Mahler.V. JigA trumpet player I was performing with was warming up before a concert and cascading a peculiar series of long tones in to the hall. After he finished I approached him and asked him what he was playing. What he revealed to me was hilarious and this movement is homage to that occurrence.- Matthew NunesWindsor, December 2014.
$24.99
The Godfather (Main Theme)
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Film/TV
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Nino Rota
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Jack Capstaff
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The Godfather
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Jack Capstaff
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1439448 Composed by Nino Rota. Arranged by Jack Capstaff. Film/TV. Brass Band. 67 pages. Jack Capstaff #1019457. Published by Jack Capstaff (A0.1439448). Featuring themes from the Godfather, this arrangement lends the authentic sounds of mandolin and accordion, alongside a new orchestrationof the orchestral setting.
$50.00
In the Shadow of the Phrygian Sea - Dark Piano
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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In the Shadow of the Phrygian
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.573349 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Sc...
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Piano Solo - Level 3 - SKU: A0.573349 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score. 4 pages. James M Stevens Music ASCAP #5317955. Published by James M Stevens Music ASCAP (A0.573349). Written March 20, 2020, this is an original piano composition in the ancient Greek mode of D Phrygian. It is in a darkly reflective style. Some of the sounds in the melody and harmony you hear might not sound quite right because it is in neither major or minor. This particular mode is not used as much as some of the others because of the minor 2nd in the scale and because there is not a true dominant feeling chord because the V chord does not have a perfect fifth and is naturally a diminished chord. Sometimes I like to write a piece that is just an exercise in 20th century music theory utilizing the ancient modes. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99
Echoes Of The American West
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Randy A
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Echoes Of The American West
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Randy A. Steinberg
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinberg #1932601. Publ...
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Concert Band - Level 4 - SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinberg #1932601. Published by Randy A. Steinberg (A0.870387). This work commemorates the founding and settlement of the western United States. The piece consists of a number of musical episodes that evoke key historic milestones that took place as the west developed and grew over time. The work opens with a fanfare tribute to the mountains and valleys that were first seen by those arriving there. The fanfare starts out majestically and leads into a chorale tune that evokes the calmness of the river and the greenery around it. The clock then moves to a later time when the area was settled by bands of Indian tribes, dwellings and villages. This then melds into tribal life along the river and growth of the Indian culture. Suddenly, the sound of Indian raiding tribes is heard. This then settles down and Pioneer Wagon Trains are heard heading west, their wheels stumbling through mud and rock. In comes the U.S. Calvary. Trumpet calls are heard as the Calvary advances and eventually overcome the Indians, pushing them out of the west. The choral tune heard earlier is brought back which then leads to the sounds of the first trains heading west. As more and more trains arrive, the sound of towns and cities sprouting up is heard. At this point, the music gains momentum as more and more settlers arrive. Dance hall music can suddenly be heard followed by a segment that evokes the building of farms and raising of livestock. The music picks up into the 20th century culminating in a grand return of the opening River Valley fanfare heard at the start of the piece. A popular piece that resonates well with audiences bringing them a spirit of renewal and hope that they will find most uplifting.
$45.00
The Week (viola duet)
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2 Altos (duo)
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INTERMÉDIAIRE
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Contemporain
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Dominic McGonigal
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The Week
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C8 Music
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SheetMusicPlus
Viola Duet Viola - Level 3 - SKU: A0.924106 Composed by Dominic McGonigal. Contemporary. Score. 14 pages. C8 Music #6878415. Published by C8 Music (A0.9...
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Viola Duet Viola - Level 3 - SKU: A0.924106 Composed by Dominic McGonigal. Contemporary. Score. 14 pages. C8 Music #6878415. Published by C8 Music (A0.924106). The Week, a set of viola duets for teachers to play with their students, so teacher and student can really enjoy making music together. We are so used to the viola playing a solo line, accompanied by a piano, that we forget the beauty of two violas playing as a duet. The two equal parts create so many possibilities in close harmonies and interweaving melodies. I have explored these sounds in The Week. There are five pieces, each with a different mood. The sounds of the instrument are explored further with different bowing techniques creating different feel. I hope students will enjoy this sound world, making the most of the interplay between the two violas.
$14.99
The Week (violin duet)
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2 Violons (duo)
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INTERMÉDIAIRE
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Contemporain
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Dominic McGonigal
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The Week
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C8 Music
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.924107 Composed by Dominic McGonigal. Contemporary. 16 pages. C8 Music #6878419. Published by C8 Music (A0.924107...
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Violin Duet Violin - Level 3 - SKU: A0.924107 Composed by Dominic McGonigal. Contemporary. 16 pages. C8 Music #6878419. Published by C8 Music (A0.924107). The Week, a set of violin duets for teachers to play with their students, so teacher and student can really enjoy making music together. We are so used to the violin playing a solo line, accompanied by a piano, that we forget the beauty of two violins playing as a duet. The two equal parts create so many possibilities in close harmonies and interweaving melodies. I have explored these sounds in The Week. There are five pieces, each with a different mood. The sounds of the instrument are explored further with different bowing techniques creating different feel. I hope students will enjoy this sound world, making the most of the interplay between the two violins.
$14.99
The Cross Kirk and the lang walk
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
The Cross Kirk and the lang walk
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Ha...
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Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
Another Day
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Sounds of Creation - Pastoral
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano
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Voix Tenor
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Rossini in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishi...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.
$25.95
Bluey Theme Song
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Chorale SATB
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FACILE
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Jonathan Bush
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Matthew Udland
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Bluey Theme Song
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Midwest A Cappella
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 2 - SKU: A0.1309630 Composed by Jonathan Bush. Arranged by Matthew Udland. A Cappella,Barbershop,Children,Come...
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Choral Choir,Choral (SATB divisi) - Level 2 - SKU: A0.1309630 Composed by Jonathan Bush. Arranged by Matthew Udland. A Cappella,Barbershop,Children,Comedy,Film/TV. 2 pages. Midwest A Cappella #898797. Published by Midwest A Cappella (A0.1309630). I know what you are thinking... I need a super fun 30-second song to toss at my high school a cappella group or small ensemble that they can learn in a class period. LOOK NO FURTHER :)There is a baritone line written in if you have an abundance of basses, but if you don't just cut out the bari. Similarly, you don't NEED a vocal percussionist but I've separated the sounds out into two lines if you've got a young couple of beatboxers who want to practice a simple rhythmic pattern.Your audience will thank you :)... bonus points if you have your students play Musical Statues while singing!
$1.99
The Sound Of Silence
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Piano seul
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DÉBUTANT
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Rock
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Simon And Garfunkel
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Academia Unimusica
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The Sound Of Silence
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Unimusic Academy
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.809406 By Simon And Garfunkel. By Paul Simon. Arranged by Academia Unimusica. Pop,Rock. Score. 1 pages. Unimusic Academy ...
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Piano Solo - Level 1 - SKU: A0.809406 By Simon And Garfunkel. By Paul Simon. Arranged by Academia Unimusica. Pop,Rock. Score. 1 pages. Unimusic Academy (Academia Unimusica) #6251769. Published by Unimusic Academy (Academia Unimusica) (A0.809406). The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over several months in 1963 and 1964. A studio audition led to the duo signing a record deal with Columbia Records, and the original 'acoustic' version of the song was recorded in March 1964 at Columbia Studios in New York City and included on their debut album, Wednesday Morning, 3 A.M.. Released on October 19, 1964,[2] the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University. In 1965, the song began to attract airplay at radio stations in Boston, Massachusetts, and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the song's remix until after its release. The song hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album. It was featured in the 1967 film The Graduate and was included on the film's soundtrack album. It was additionally released on the Mrs. Robinson 'EP' in 1968, along with three other songs from the film: Mrs. Robinson, April Come She Will and Scarborough Fair/Canticle. The song was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being culturally, historically, or aesthetically important in 2012, along with the rest of the Sounds of Silence album. Originally titled The Sounds of Silence on the album Wednesday Morning, 3 A.M., the song was shortened for later compilations, beginning with the 1972 compilation album Simon and Garfunkel's Greatest Hits.[3]
$8.00
"The Dog Had..." Variations
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Daniel Burwasser
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"The Dog Had..." Var
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Head and Stem
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1290458 Composed by Daniel Burwasser. 21st Century,Chamber,Contemporary,Romantic Pe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1290458 Composed by Daniel Burwasser. 21st Century,Chamber,Contemporary,Romantic Period. 35 pages. Head and Stem #881172. Published by Head and Stem (A0.1290458). BACKSTORY ON “The Dog Had…†Variations The origin of “The Dog Had…†Variations†stems from a frantic voicemail received from the composer’s mother-in-law many years ago while on a visit exclaiming that our dog at the time, Pepper, a chocolate-brown and white springer spaniel, “HAD†an accident of explosive proportions on their basement rug and that we needed to “GET HOME†and deal with it immediately. At first the family was taken aback by the phone message, but ultimately it became a source of hilarity and shortly afterward, the composer’s wife created a rhyme from the message and a tune immediately sprung from that. This tune simply became something our family sung together periodically over many year’s time for amusement until now when the composer came up with the idea to set it to variations for string quartet. In this work, the tune is first heard in simple fashion in its entirety in the viola. Fragments of the tune follow in various guises. For example, the rhythm of the words “GET HOME†as well as “I’VE HAD IT†are prominent thematic ideas used in the piece. There are also a couple of moments where the music sounds weak and demented, but also places where it sounds like a domestic quarrel and the theme is further broken down into fragments. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$20.00
The River
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
Come Foglie al Vento (Like Leaves in the Wind)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Claudio Rosati
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Come Foglie al Vento
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Claudio Rosati
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.835342 Composed by Claudio Rosati. 20th Century. Score and parts. 91 pages. Claudio Rosati #6050109. Published b...
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String Quartet String Quartet - SKU: A0.835342 Composed by Claudio Rosati. 20th Century. Score and parts. 91 pages. Claudio Rosati #6050109. Published by Claudio Rosati (A0.835342). ItalianQuando, a Gennaio 2020, le prime notizie dell'influenza COVID-19 cominciavano a giungere dalla Cina, ho immaginato le anime e gli spiriti dell'umanità , ciò che ci rende veramente umani e differenti dagli altri animali e dagli inumani, allontanarsi da questi corpi a cui viene vietato di respirare, parlare, pensare, abbracciarsi e baciarsi. Come foglie al vento, alla ricerca di un'Altra Umanità .Con queste immagini in mente ho buttato giù di getto le frasi e le armonie dei quattro movimenti, che successivamente ho deciso di orchestrare per quartetto d'archi, ritenendolo il veicolo migliore per tradurre le suddette immagini con la musica scritta nei suoni che avrebbero accompagnato tale esilio.EnglishWhen, in January 2020, the first news about the COVID-19 flu begun spreading from Cina I have imagined souls and spirits of humankind, what makes us true humans and different from other animals and from the inhumans, going away from their bodies, which are forbidden to breath, speak, think, hug and kiss. Like leaves in the wind, searching for a Different Humanity.With these images in my own mind I've sketched out the phrases and the harmonies of the four movements. Then I've decided to orchestrate them for string quartet, thinking of it as the best way of translating those images with the written score into the sounds of souls exile.Performing Rights Organisation: SIAE (Italy), IPI: 00459688194, CAE: I-002214414-3 Contact: claudio.rosati@mac.com
$20.00
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