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Vous avez sélectionné:
The Spirit Says Come
Partitions à imprimer
11 partitions trouvées
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1
The Spirit Says Come
Small Ensemble - Digital Download SKU: A0.1024974 Composed by Alozie Chinemerem. Ar…
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Small Ensemble - Digital Download SKU: A0.1024974 Composed by Alozie Chinemerem. Arranged by Aloz. Contemporary. Score and parts. 3 pages. Aloz #4767099. Published by Aloz (A0.1024974). The Spirit says come A contemporary anthem originally written for worship.
$4.00
3.62 €
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Alozie Chinemerem
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Aloz
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The Spirit Says Come
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Aloz
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SheetMusicPlus
Come To Me
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842176 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842176 Composed by Andrew Mc Donald. Christian,Gospel,Pop,Praise & Worship. Score. 7 pages. Andrew Mc Donald (Macka Records) #5215445. Published by Andrew Mc Donald (Macka Records) (A0.842176). Come To Me is a song about approaching Jesus because we need Him to touch us and breathe His Holy Spirit on us. The Lord says that if we seek Him He will come to us and we will know His presence. This is a worshipful song asking Jesus to come to us.
$4.99
4.52 €
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Piano, Voix
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Andrew Mc Donald
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Come To Me
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Andrew Mc Donald
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SheetMusicPlus
Ten Traditional Spirituals for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Recorde…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Recorder,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565165 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Instructional,Praise & Worship,Spiritual. Score and parts. 80 pages. Sharon Wilson #3500119. Published by Sharon Wilson (A0.565165). This collection contains 10 traditional spirituals arranged for 2-part ensembles using only 8-note instruments. Each song in this collection is notated for handbells on one part and Boomwhackers® on a second part (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part.Though this sheet music is notated for handbells and Boomwhackers®, these arrangements are playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided for each song.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of each song. The staves are shown without sharps or flats for simplicity since even though some of the songs are actually written in the key of F or G major, no sharps or flats are used.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesEach of the 10 arrangements in this collection is also available separately with accompanying preview pages and audio samples. Titles included in this collection:Come and Praise the LordEvery Time I Feel the SpiritI Shall Not Be MovedI'm Gonna Sing When the Spirit Says SingI'm So Glad Jesus Lifted MeI've God Peace Like a RiverKum Ba YahRise and ShineWe Are Climbing Jacob's LadderWhen the Saints Go Marching InBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99
18.11 €
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Sharon Wilson
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Sharon Wilson Music
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Ten Traditional Spirituals for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.71 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
raised again
Piano seul
Piano - Digital Download SKU: A0.1066690 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066690 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 186. THEMIS KOUTRAS #5012667. Published by THEMIS KOUTRAS (A0.1066690). This is a song story how i was risen to life many times due to been martyred for the word of GOD i insisted in attacking enemy line casting all kinds of evil spirits to hell prediction to defend GOD and creation on the count of it i was killed in this spiritual war Armageddon each time i fell asleep for many years to come JESUS CHRIST insisted to resurrect me each time until he won the war because of it do not be surprised about this the holy bible clearly says when JESUS CHRIST was resurrected found alive many prophets and people of GOD were resurrected with him and they went directly to the the temple to preach the gospel well it is happening to today many reports came my way that some still get raised to life all others will be resurrected in the last days to enter new world heaven well i am one of those resurrected these days thanking GOD for his perfect holy help
$4.99
4.52 €
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Piano seul
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THEMIS KOUTRAS
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raised again
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THEMIS KOUTRAS
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SheetMusicPlus
mama mama mama 1
Piano seul
Piano - Digital Download SKU: A0.1066775 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066775 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 171. THEMIS KOUTRAS #5196771. Published by THEMIS KOUTRAS (A0.1066775). The interpreter of this song is as it says but I state I found the man from galilee and not saying from Bethlehem in this version people would say why? well inspired by the holy spirit it was the time I was locked up in the lock upward for many years to come thinking on the gospel part that he went to galilee inspired by the holy spirit it write in the gospel that he will be called a Galilean so I wrote calling him the man from galilee prophesy of him been called a Galilean now forfeiald in the writing of this song
$3.99
3.61 €
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Piano seul
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THEMIS KOUTRAS
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mama mama mama 1
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THEMIS KOUTRAS
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SheetMusicPlus
Misericordia III: Trio for Violin, Cello, and Piano
Piano Quatuor: piano, 2 violons, violoncelle
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.894435 Composed by Danielle Rosaria. Contemporary,Spiritual. Score and parts. 16 pages. Danielle Rosaria #2863099. Published by Danielle Rosaria (A0.894435). This is the third piece in my Year of Mercy Series. Like Misericordia II, it is for violin, cello, and piano. The piano outlines the harmonies with an undulating, flowing eighth note pattern as the violin and cello have a lyrical conversation together. This simple composition is written to celebrate the beauty of forgiveness and the freedom it brings. In honor of the Jubilee Year of Mercy declared by Pope Francis, this series is meant to show the love and joy with which God offers His mercy and forgiveness.Come now, let us set things right, says the Lord: Though your sins be like scarlet, they may become white as snow; Though they be crimson red, they may become white as wool. ~Isaiah 1:18
$5.95
5.39 €
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Piano Quatuor: piano, 2 violons, violoncelle
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Danielle Rosaria
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Misericordia III: Trio for Violin, Cello, and Piano
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Danielle Rosaria
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SheetMusicPlus
Savin' Jeremiah - SATB Choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
$1.99
1.8 €
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Chorale SATB
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a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire
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Kevin G
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Savin' Jeremiah - SATB Choir
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Kevin G. Pace
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SheetMusicPlus
Jesus Said I AM (arranged for Elementary Piano)
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1079924 Composed by Robert E. Bento…
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Easy Piano - Level 1 - Digital Download SKU: A0.1079924 Composed by Robert E. Benton, Jr. Children,Praise & Worship,Sacred,Spiritual,Traditional. Score. 5 pages. Robert E. Benton, Jr. #684142. Published by Robert E. Benton, Jr. (A0.1079924). This hymn recounts many of the metaphorical invitations that Christ made to come to the Father through Him, as recorded in the gospel of John, where Jesus introduces each passage by saying “I AM…â€, echoing God’s self-revealed name, YHWH, from Exodus 3:13-15 (note that YHWH is often transcribed into English using all capital letters “LORD†or alternatively in some versions as “Jehovahâ€). The chorus places each of Jesus’ “I AM†statements in the context of the LORD’s voice from heaven at the mount of transfiguration, as recorded in Matthew 17, which declares the Father’s love for his Son and commands us to listen to Him. Many attempt to deal with Christ as merely a great teacher, but do we listen to what this great teacher has taught? In full obedience to the command to listen to Christ, we should consider what he has said about himself, including at His betrayal in the garden where he says “I AM He... I told you... I AM He!†The composer has arranged this version of hymn for elementary piano with an alternate teacher’s duet. Full lyrics are available as a benefit to the entire family. For more information… Website: https://TRUSTHYMN.wordpress.com Email: TRUSTHYMN@yahoo.com Facebook: https://www.facebook.com/TrustHymn Instagram: https://www.instagram.com/trust_hymn/.
$2.99
2.71 €
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Piano Facile
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Robert E
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Jesus Said I AM
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Robert E. Benton, Jr.
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SheetMusicPlus
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