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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
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GUITARE LAP ST…
HARMONICA
HARPE
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3811
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3322
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1420
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1048
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657
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616
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497
Orgue
290
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167
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108
2 Pianos, 4 mains
66
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126
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75
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48
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21
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18
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10
Basse électrique (partie séparée)
10
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VOIX
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592
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303
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Voix duo
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Voix haute
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Chorale SSAA
71
Voix seule
44
Voix moyenne, Piano
18
Voix Soprano, Piano
8
Chorale
7
Voix basse
5
Voix basse, Piano
2
Voix Tenor
1
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Voix, Guitare
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Voix Baryton
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VENTS
2 Saxophones (duo)
1017
2 Clarinettes (duo)
564
2 Flûtes traversières (duo)
510
Saxophone (partie séparée)
488
Clarinette et Piano
356
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340
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335
Saxophone Alto et Piano
292
Flûte, Hautbois, Clarinette, Basson
290
Saxophone Tenor et Piano
282
Saxophone Soprano et Piano
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
242
Quatuor de Clarinettes: 4 clarinettes
240
Hautbois, Piano (duo)
222
Flûte traversière
203
Clarinette
198
Saxophone Alto
173
Flûte, Clarinette (duo)
171
2 Hautbois (duo)
171
Quatuor de Flûtes : 4 flûtes
169
Saxophone Tenor
141
Quintette de Saxophone: 5 saxophones
124
2 Flûte à bec (duo)
113
Saxophone Baryton, Piano
101
Hautbois (partie séparée)
86
Ensemble de saxophones
77
Trio de Flûtes: 3 flûtes
73
Clarinette (partie séparée)
73
3 Clarinettes (trio)
69
Saxophone, Clarinette (duo)
68
Clarinette, Trompette (duo)
59
Ensemble de Clarinettes
57
Ensemble de Flûtes
55
Cor anglais, Piano
53
Flûte et Guitare
53
Hautbois, Basson (duo)
53
Flute (partie séparée)
52
Hautbois, Clarinette (duo)
42
3 Saxophones (trio)
41
Clarinette et Alto
36
Flûte, Alto (duo)
34
Flûte, Saxophone (duo)
31
Clarinette Basse, Piano
29
Hautbois
28
Flûte, Trompette (duo)
27
Quintette de Clarinettes: 5 clarinettes
22
Saxophone Soprano
22
Hautbois, Flûte
22
Flûte à bec Soprano
18
2 Clarinettes, Piano
18
Clarinette, Basson (duo)
18
Flûte, Violoncelle
17
Flûte, Hautbois (duo)
15
Saxophone Baryton
15
Harmonica
13
Clarinette, Violoncelle (duo)
12
Hautbois, Guitare (duo)
12
Clarinette, Guitare (duo)
12
Flûte, Hautbois, Clarinette (trio)
11
Clarinette, Trombone (duo)
11
Flûte, Trombone (duo)
11
Flûte à bec Alto, Piano
11
Flûte à bec Soprano, Piano
11
Flûte à Bec
10
Flûte à bec Alto
10
2 Saxophones, Piano
9
Quatuor de Flûtes à bec
9
Flûte à bec Tenor
8
Quintette de Flûte : 5 flûtes
8
Flûte, Clarinette et Basson
8
2 Flûtes traversières, Piano
7
Hautbois, Violoncelle
7
Instruments en Mib
7
2 Clarinettes, Basson
7
Piccolo, Piano
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
2 Cors Anglais Et Pianoforte
5
Saxophone
4
Ensemble De Flûte à bec
4
3 Flûtes à bec (trio)
3
Flûte, Hautbois, Basson
3
Clarinette Basse
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Harpe
2
Cornemuse
2
Ensemble à vent
2
Clarinette, Harpe (duo)
2
Flûte, Clarinette, Piano (trio)
2
Saxophone, Basson (duo)
1
Saxophone et Guitare
1
Saxophone et Orgue
1
Saxophone et violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
Flûte à bec, Guitare (duo)
1
Hautbois et alto (duo)
1
Flute, Cor (duo)
1
Flûte, Basson et Piano
1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
655
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
589
Trompette (partie séparée)
338
Trombone (partie séparée)
335
2 Trompettes (duo)
286
Trombone et Piano
282
2 Trombones (duo)
280
Quatuor de Cuivres: 2 trompettes, Cor, trombone
269
Trompette, Piano
258
Trompette
236
Cor et Piano
192
Trombone
114
2 Cors (duo)
98
Trompette, Cor (duo)
78
Cor
73
Tuba et Piano
64
Trompette, Trombone (duo)
62
Cor (partie séparée)
62
Tuba
60
Euphonium, Piano (duo)
60
Quatuor de Cuivres
58
Trompette, Saxophone (duo)
54
Cor anglais, Piano
53
Tuba (partie séparée)
39
Quatuor de cuivres: 2 trompettes, 2 trombones
29
2 Tubas (duo)
28
Quatuor de cuivres: 4 trombones
20
2 Euphoniums (duo)
19
Bass Clef Instruments
16
3 Trombones (trio)
13
2 Euphoniums et 2 Tubas
12
Quatuor de cuivres: 4 cors
9
Ensemble de Trompettes
8
Cor, Violoncelle (duo)
7
Trompette et Guitare
6
Instruments en Sib
6
Euphonium
5
Euphonium, Tuba (duo)
5
Trio de Cuivres
5
4 Tubas
5
2 Cors Anglais Et Pianoforte
5
2 Trompettes, Clavier (piano ou orgue)
5
3 Trompettes (trio)
4
Quatuor de cuivres: 4 trompettes
4
Tuba et Orgue
3
Ensemble de Trombones
3
Clarinette, Cor (duo)
3
Cor, Tuba (duo)
2
Tuba ou Euphonium ou Saxhorn
2
Trompette, Violoncelle (duo)
2
Trompette, Tuba (duo)
1
Ensemble de Cors
1
Trompette, Trombone, Piano
1
3 Cors (trio)
1
2 Cors, Piano
1
Trombone basse
1
2 Trombones, Piano
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
Trombone, Orgue
1
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CORDES
2 Violoncelles (duo)
354
Violoncelle, Piano
298
Alto, Piano
265
Violoncelle
234
2 Altos (duo)
204
Harpe
138
2 Harpes (duo)
124
Contrebasse (partie séparée)
91
Alto seul
88
Contre Basse
70
Contrebasse, Piano (duo)
62
Alto, Violoncelle (duo)
34
2 Contrebasses (duo)
30
Alto (partie séparée)
30
Violoncelle , Guitare (duo)
17
Violoncelle, Contrebasse (duo)
10
Harpe, Flûte (duo)
9
Violoncelle (partie séparée)
9
4 Violoncelles
9
4 Contrebasses
6
Trio à Cordes: 3 violoncelles
6
Alto et Basson
4
2 Violoncelles, Piano
4
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
2
Alto, Guitare (duo)
2
Harpe, Voix
2
2 Altos, Piano
2
Flûte, Contrebasse (duo)
2
Harpe, Violoncelle (duo)
2
Harpe (partie séparée)
1
Alto et Harpe
1
Ensemble d'Altos
1
Harpe et Piano
1
Ensemble de Violoncelles
1
Violon
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
844
Ensemble Jazz
244
Ensemble de cuivres
223
Orchestre à Cordes
148
Orchestre
146
Fanfare
144
Orchestre de chambre
129
Cloches
125
Batterie (partie séparée)
101
Jazz combo
68
Percussion (partie séparée)
45
Ensemble de Percussions
42
Batterie
37
Vibraphone
14
Marimba
13
Vibraphone (partie séparée)
7
Percussion
4
Xylophone
4
2 Xylophones
4
Xylophone, Piano
3
Vibraphone et Marimba
1
Timbales
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
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18 Easy Gospel Duets Vol.2 for Clarinet and Bass Clarinet
2 Clarinettes (duo)
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.…
(+)
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.590959 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and parts. 29 pages. David McKeown #6259189. Published by David McKeown (A0.590959). 18 Easy Gospel Duets Vol.2 for Clarinet and Bass Clarinet is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for one Clarinet and one Bass Clarinet.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Clarinet and Bass Clarinet in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Clarinet and Bass Clarinet.
$9.99
9.01 €
#
2 Clarinettes (duo)
#
Various
#
David McKeown
#
#
18 Easy Gospel Duets Vol.2 for Clarinet and Bass Clarinet
#
David McKeown
#
SheetMusicPlus
18 Easy Gospel Duets Vol.2 for Flute
2 Flûtes traversières (duo)
Flute Duet Flute - Level 2 - Digital Download SKU: A0.590974 Composed by Various. A…
(+)
Flute Duet Flute - Level 2 - Digital Download SKU: A0.590974 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 29 pages. David McKeown #6259229. Published by David McKeown (A0.590974). 18 Easy Gospel Duets Vol.2 for Flute is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for two Flutes.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Flute in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Flute.
$9.99
9.01 €
#
2 Flûtes traversières (duo)
#
Various
#
David McKeown
#
#
18 Easy Gospel Duets Vol.2 for Flute
#
David McKeown
#
SheetMusicPlus
18 Easy Gospel Duets Vol.2 for Clarinet and Alto Clarinet
2 Clarinettes (duo)
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A…
(+)
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.590960 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and parts. 29 pages. David McKeown #6259191. Published by David McKeown (A0.590960). 18 Easy Gospel Duets Vol.2 for Clarinet and Alto Clarinet is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for one Clarinet and one Alto Clarinet.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Clarinet and Alto Clarinet in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Clarinet and Alto Clarinet.
$9.99
9.01 €
#
2 Clarinettes (duo)
#
Various
#
David McKeown
#
#
18 Easy Gospel Duets Vol.2 for Clarinet and Alto Clarinet
#
David McKeown
#
SheetMusicPlus
18 Easy Gospel Duets Vol.2 for Soprano and Alto Saxophone
2 Saxophones (duo)
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - Digital D…
(+)
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.590982 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 29 pages. David McKeown #6259249. Published by David McKeown (A0.590982). 18 Easy Gospel Duets Vol.2 for Soprano and Alto Saxophone is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for one Soprano and one Alto Saxophone.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Soprano and Alto Saxophone in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Soprano and Alto Saxophone.
$9.99
9.01 €
#
2 Saxophones (duo)
#
Various
#
David McKeown
#
#
18 Easy Gospel Duets Vol.2 for Soprano and Alto Saxophone
#
David McKeown
#
SheetMusicPlus
18 Easy Gospel Duets Vol.2 for Tenor Saxophone
2 Saxophones (duo)
Tenor Saxophone Duet Tenor Saxophone - Level 2 - Digital Download SKU: A0.590985 Co…
(+)
Tenor Saxophone Duet Tenor Saxophone - Level 2 - Digital Download SKU: A0.590985 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 29 pages. David McKeown #6259255. Published by David McKeown (A0.590985). 18 Easy Gospel Duets Vol.2 for Tenor Saxophone is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for two Tenor Saxophones.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Tenor Saxophone in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Tenor Saxophone.
$9.99
9.01 €
#
2 Saxophones (duo)
#
Various
#
David McKeown
#
#
18 Easy Gospel Duets Vol.2 for Tenor Saxophone
#
David McKeown
#
SheetMusicPlus
18 Easy Gospel Duets Vol.2 for Alto and Tenor Saxophone
2 Saxophones (duo)
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Dow…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.590980 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 29 pages. David McKeown #6259241. Published by David McKeown (A0.590980). 18 Easy Gospel Duets Vol.2 for Alto and Tenor Saxophone is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for one Alto and one Tenor Saxophone.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Alto and Tenor Saxophone in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Alto and Tenor Saxophone.
$9.99
9.01 €
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2 Saxophones (duo)
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Various
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David McKeown
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18 Easy Gospel Duets Vol.2 for Alto and Tenor Saxophone
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David McKeown
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SheetMusicPlus
18 Easy Gospel Duets Vol.2 for Soprano Saxophone
2 Saxophones (duo)
Soprano Saxophone Duet Soprano Saxophone - Level 2 - Digital Download SKU: A0.590984
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Soprano Saxophone Duet Soprano Saxophone - Level 2 - Digital Download SKU: A0.590984 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 29 pages. David McKeown #6259253. Published by David McKeown (A0.590984). 18 Easy Gospel Duets Vol.2 for Soprano Saxophone is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for two Soprano Saxophones.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Soprano Saxophone in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Soprano Saxophone.
$9.99
9.01 €
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2 Saxophones (duo)
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Various
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David McKeown
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18 Easy Gospel Duets Vol.2 for Soprano Saxophone
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David McKeown
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SheetMusicPlus
18 Easy Gospel Duets Vol.2 for Oboe
2 Hautbois (duo)
Oboe Duet Oboe - Level 2 - Digital Download SKU: A0.590979 Composed by Various. Arr…
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Oboe Duet Oboe - Level 2 - Digital Download SKU: A0.590979 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 29 pages. David McKeown #6259239. Published by David McKeown (A0.590979). 18 Easy Gospel Duets Vol.2 for Oboe is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for two Oboes.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Oboe in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Oboe.
$9.99
9.01 €
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2 Hautbois (duo)
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Various
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David McKeown
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18 Easy Gospel Duets Vol.2 for Oboe
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David McKeown
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.6 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
13.53 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
13.53 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Luther: Out of the Depths for Bassoon & Piano
2 Bassons (duo)
Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710…
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Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and parts. 4 pages. Jmsgu3 #3411733. Published by jmsgu3 (A0.548710). Out of the Depths I Cry to You by Martin Luther arranged for bassoon & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.5 €
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2 Bassons (duo)
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
Chorale 2 parties
Choral Choir (2-Part) - Digital Download SKU: A0.844330 Composed by Dan Cutchen. Sa…
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Choral Choir (2-Part) - Digital Download SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment and optional children's melody.The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.-------------------------------------------------------------------------------------------------------------This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99
1.79 €
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Chorale 2 parties
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Dan Cutchen
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Choral - "O Give Thanks to the Lord" with children's vocal part
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Dan Cutchen Music
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
16.23 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
18 Easy Gospel Duets Vol.2 for Flute and Alto Flute
2 Flûtes traversières (duo)
Composed by Various. Arranged by David McKeown. Praise & Worship, Sacred, Spiritua…
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Composed by Various. Arranged by David McKeown. Praise & Worship, Sacred, Spiritual. Score and parts. 29 pages. David McKeown #6259215. Published by David McKeown
18 Easy Gospel Duets Vol.2 for Flute and Alto Flute is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for one Flute and one Alto Flute.<br> <br> The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.<br> <br> The hymns are in alphabetical order and are as follows<br> <br> · O Mary Don’t You Weep,<br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus,<br> <br> · Standing in the Need of Prayer,<br> <br> · Swing Low Sweet Chariot,<br> <br> · Steal Away,<br> <br> · There is a Fountain Filled with Blood,<br> <br> · There is Power in the Blood,<br> <br> · This Little Light of Mine,<br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven. <br> <br> If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Flute and Alto Flute in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Flute and Alto Flute.
$9.99
9.01 €
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2 Flûtes traversières (duo)
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Various
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Worship, Sacred, Spiritual
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18 Easy Gospel Duets Vol.2 for Flute and Alto Flute
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David McKeown
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SheetMusicPlus
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