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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Storm is Here
Sheetmusicplus
Non classifié
75
Piano & claviers
Piano seul
73
Piano, Voix
15
Piano, Voix et Guitare
13
Orgue
5
Instruments en Do
4
Piano Facile
3
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano grosses notes
1
+ 5 instrumentations
Retracter
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Guitare notes et tablatures
1
Guitare
1
Voix
Chorale SATB
36
Chorale 3 parties
4
Chorale TTBB
4
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3
Voix duo
2
Chorale SSAA
2
Chorale 2 parties
2
Voix Alto, Piano
1
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Flûte traversière et Piano
11
Clarinette et Piano
11
2 Saxophones (duo)
6
2 Clarinettes (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Hautbois, Piano (duo)
4
Saxophone, Clarinette (duo)
3
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Clarinette, Violon (duo)
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Saxophone Alto et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois, Basson (duo)
2
Flûte, Clarinette (duo)
2
Ensemble de Flûtes
2
Clarinette Basse, Piano
1
Flûte, Trompette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon
1
3 Clarinettes (trio)
1
2 Flûtes traversières, Piano
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Flûte, Alto (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Saxophone (duo)
1
2 Flûtes traversières (duo)
1
Clarinette, Trompette (duo)
1
Saxophone Alto
1
Clarinette et Alto
1
Flûte à bec Soprano, Piano
1
Quintette de Saxophone: 5 saxophones
1
+ 30 instrumentations
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Cuivres
Trombone et Piano
5
Trompette, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Violoncelle et Piano
2
Cor anglais, Piano
2
Tuba
2
Trompette, Trombone (duo)
2
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
1
Ensemble de Trombones
1
2 Cors (duo)
1
Ensemble de Cors
1
Clarinette, Cor (duo)
1
2 Trombones (duo)
1
Trio de Cuivres
1
+ 12 instrumentations
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Cordes
Violon et Piano
11
Quatuor à cordes: 2 violons, alto, violoncelle
9
Violoncelle, Piano
5
Alto, Piano
3
Violon, Violoncelle (duo)
3
Violon, Clarinette, Piano (trio)
1
Violon (partie séparée)
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
2 Violons (duo)
1
Harpe, Flûte (duo)
1
Alto seul
1
4 Violoncelles
1
Violon, Alto (duo)
1
Harpe
1
+ 10 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre
10
Orchestre à Cordes
7
Orchestre de chambre
5
Ensemble de cuivres
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Cloches
2
Ensemble Jazz
1
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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UKULELE
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The Storm is Here
SheetMusicPlus
Partitions à imprimer
486 partitions trouvées
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
The Storm is Here
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Rosie Williams
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The Storm is Here
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Rosie Williams
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1009127 Composed by Rosie Williams. Contemporary. Score and parts. 16 pages. Rosie Williams #6518385. Published by...
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Chamber Orchestra - Level 3 - SKU: A0.1009127 Composed by Rosie Williams. Contemporary. Score and parts. 16 pages. Rosie Williams #6518385. Published by Rosie Williams (A0.1009127). A dramatic orchestral piece intended to express the gravity of the pandemic.
$5.00
"Hope" is the thing with feathers (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Keaton Manwaring
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"Hope" is the thing
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Keaton Manwaring
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1177607 Composed by Keaton Manwaring. A Cappella. Octavo. 6 pages. Keaton Manwaring #777622. Published by Keaton...
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Choral Choir (SATB) - Level 3 - SKU: A0.1177607 Composed by Keaton Manwaring. A Cappella. Octavo. 6 pages. Keaton Manwaring #777622. Published by Keaton Manwaring (A0.1177607). Hope is such a powerful thing that can push us through the toughest of times. In this poem, Emily Dickinson calls hope a feathered thing. It perches in the soul and sings without stoping. The singing is at the loudest when things are at their worst. Although hope is the central theme to the poem, the harsh conditions that are described in the poem was the driving force while writing the music. Creating a sound for the chillest day and the storm that could not abash the little bird was what really inspired me to write this piece. Something that stood out for me, was the use of dashes that breaks up the poem. I used rests to create these breaks. These rests are very deliberate to show these pauses of contemplation, almost struggling for the right words to describe a complex subject such as hope. At first the rests felt like a hindrance, where it felt natural for the music to flow, but now I cannot imagine the piece without it.
$2.50
All Kinds of Whether (suite for carillon)
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Joey Brink
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All Kinds of Whether
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Joey Brink
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SheetMusicPlus
Bells,Instrumental Solo - Level 4 - SKU: A0.829120 Composed by Joey Brink. 20th Century,Contemporary. Individual part. 27 pages. Joey Brink #6657951. Pu...
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Bells,Instrumental Solo - Level 4 - SKU: A0.829120 Composed by Joey Brink. 20th Century,Contemporary. Individual part. 27 pages. Joey Brink #6657951. Published by Joey Brink (A0.829120). All Kinds of Whether by Joey Brink, for 4 or 4.5-octave carillon.- a suite for carillon by Joey Brink - DELUGEHAILLIGHTNINGRAINDROPSSHOWERSUNBURSTTHUNDERSTORMWINDCreate your own Storm!All Kinds of Whether is a suite of eight movements and fifty-six transitions. Each movement represents a Weather Pattern, and is an ingredient in your storm toolbox.Storms need not incorporate all eight weather patterns (though such a storm would indeed be epic). In fact, some storms may consist of just one movement, or two, or three, or four, or more. Storms may begin with any weather pattern and end with any weather pattern. Weather patterns can be combined in any order by taking the appropriate transition from one to another. No two storms are alike. With eight movements and fifty-six transitions, there are 109,600 possible storms to unleash on your listeners. And even more if you consider recurring weather patterns.ÂÂWhether you create one storm, or another, is entirely up to you. Intermediate to advanced level. Commissioned by the Yale University Guild of Carillonneurs for the 50th anniversary of the Yale Memorial Carillon. Originally published by Yale University in 2016.www.joeybrink.com
$20.00
Winter Storm
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Piano seul
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AVANCÉ
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J
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Winter Storm
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.744622 Composed by J.S. Bach / Elena Fortin. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Elena F...
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Piano Solo - Level 5 - SKU: A0.744622 Composed by J.S. Bach / Elena Fortin. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Elena Fortin #4717613. Published by Elena Fortin (A0.744622). Winter StormYears ago, I played the Bach Prelude in C Minor (BMV 999) in the RCM books. It can now be found in the Level 6 Repertoire Book of the Celebration Series by the Royal Conservatory of Music. As a creative challenge, I thought to myself: What would happen if I took the Prelude, and put it ALL in the left hand. And what would happen if some furious diva decided to play a melody over the top of this prelude? This piece is the result: a fantastic, Chopinesque remix of JS Bach. I stayed true to the Prelude wherever possible, sticking to the glorious harmonies that were explored by his genius. The melody came out stormy–and since I live in Canada, it became the perfect title. Winter Storm.The piece is challenging as a solo recital piece, but well-worth learning if you are a fan of Bach and Chopin. The left hand never stops–and has some challenging leaps and booming bass notes. The right hand is challenged with odd rhythmic subdivisions, 3’s against 2’s being one of my favourites, as well as a challenging 11 against 4 flurry of notes. Further challenges include a RH double note pattern at the end, trills, and ornaments. If you want an extra challenge, you could always play it faster–my speed in the video is conservative, only because I was trying to make sure I got the correct notes! Please visit my website: www.the-piano-studio.com to check out what I'm up to. If you would like to keep up to date with my work, please subscribe to my YouTube Channel here: https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg
$4.99
Storm Bay Shanty
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Fiona Hickie
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Storm Bay Shanty
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Fiona Alice Hickie
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.737977 Composed by Fiona Hickie. Celtic,Folk,Instructional,Irish,Patriotic. 12 page...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.737977 Composed by Fiona Hickie. Celtic,Folk,Instructional,Irish,Patriotic. 12 pages. Fiona Alice Hickie #3626595. Published by Fiona Alice Hickie (A0.737977). This piece is a tribute to the many naval explorers and their crews that sailed in the stormy, 'Storm Bay ' seas.History and Inspiration: Storm Bay Shanty Storm Bay is the opening of the river leading to Hobart, Tasmania’s capital city. It was named by Abel Tasman on the 30th November 1642, when a storm forced his ship out to sea before he could anchor there. He did return there in later days. Throughout its history it has seen indigenous people in their canoes and famous explorers such as Abel Tasman, Marc-Joseph Marion du Fresne , Bruni d'Entrecasteaux, William Bligh, Matthew Flinders, James Kelly and James Cook sail its waves. In colonial times whalers could also be seen trying to make their fortune. In more recent times local sailors, including those in the Sydney to Hobart Yacht Race try and win over one of nature’s more challenging waterways. This piece is a tribute to them, and the songs that would have been sung by sailors in the bygone era.
$12.00
Storm Bay Shanty
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Celtique/Irlandais
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Fiona Hickie
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Storm Bay Shanty
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Fiona Alice Hickie
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.737931 Composed by Fiona Hickie. Celtic,Folk,Irish,Multicultural,World. Score and p...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.737931 Composed by Fiona Hickie. Celtic,Folk,Irish,Multicultural,World. Score and parts. 12 pages. Fiona Alice Hickie #3468608. Published by Fiona Alice Hickie (A0.737931). This piece is a tribute to the many naval explorers and their crews that sailed in the stormy, 'Storm Bay ' seas.History and Inspiration: Storm Bay Shanty Storm Bay is the opening of the river leading to Hobart, Tasmania’s capital city. It was named by Abel Tasman on the 30th November 1642, when a storm forced his ship out to sea before he could anchor there. He did return there in later days. Throughout its history it has seen indigenous people in their canoes and famous explorers such as Abel Tasman, Marc-Joseph Marion du Fresne , Bruni d'Entrecasteaux, William Bligh, Matthew Flinders, James Kelly and James Cook sail its waves. In colonial times whalers could also be seen trying to make their fortune. In more recent times local sailors, including those in the Sydney to Hobart Yacht Race try and win over one of nature’s more challenging waterways. This piece is a tribute to them, and the songs that would have been sung by sailors in the bygone era.
$12.00
The Fog Meets the Storm for small wind band and percussion
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Publis...
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Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
A Storm is Gathering PVG
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Piano, Voix
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INTERMÉDIAIRE
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Steven H
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Ashley Ivers
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A Storm is Gathering PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.983990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 7 pages. Boothe Publishing #4...
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Piano,Vocal,Voice - Level 3 - SKU: A0.983990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 7 pages. Boothe Publishing #4360789. Published by Boothe Publishing (A0.983990). 1st Kings 19: Verses 11 & 12When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$3.99
A Storm is Gathering Piano Vocal Performance
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Steven H
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Ashley Ivers
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A Storm is Gathering Piano Voc
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publi...
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Piano,Voice - SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publishing #4633697. Published by Boothe Publishing (A0.1069968). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
A Storm is Gathering Piano Minus Vocal
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Piano seul
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Steven H
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Ashley Ivers
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A Storm is Gathering Piano Min
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 236. Boothe Publishing #46...
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Piano - SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 236. Boothe Publishing #4632021. Published by Boothe Publishing (A0.1069947). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
String Quartet No. 12 ... The Seasons (2010) full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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String Quartet No. 12 ... The
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84
$9.99
Five Australian Scenes for String Orchestra - 3. The Outback
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I Lass #953270. Publ...
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String Orchestra - Level 3 - SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I Lass #953270. Published by MA Lass & I Lass (A0.1368928). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, The Outback, is set in the abandoned gold mining town of Goongarrie in the state WA. It depicts sunrise in the outback, the gradual heating up of the day, the scourge of blow flies, the searing and unbearable heat of midday, a sudden flash thunderstorm, and, as the storm clears, sunset over the abandoned town.
$39.00
Song of the Mountains
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Chorale SATB
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INTERMÉDIAIRE
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Greg Bartholomew
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Song of the Mountains
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Ba...
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Choral Choir (SATB) - Level 3 - SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Bagley #49747. Published by Burke & Bagley (A0.787250). SONG OF THE MOUNTAINS is a setting for mixed (SSAATB) choir with piano accompaniment of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual New Works New Hope concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. It was selected by the Portland Vocal Consort for their 2013 Best of the Northwest program. Duration ca. 6 minutes. Conductor Cindy Bell says, Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive. Song of the Mountains is almost cantata-like, or through-composed, in that each line of Muir's text receives equal and interesting interpretation. Occasional use of the triplet rhythm creates both a relaxing effect (grasses cease waving) and driving sense of forward motion (Vibrating!). Effective use of dynamics and interweaving of choral parts make for each section having a musical life of its own. Follow along in the score as you listen to a performance in this video: https://www.youtube.com/watch?v=5VVW1Ah6kqE SONG OF THE MOUNTAINS Climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees. The winds will blow their freshness into you, and the storms their energy, while cares drop off like autumn leaves. Here is calm so deep, grasses cease waving. Everything in wild nature fits into us, as if truly part and parent of us. The sun shines not on us but in us. The rivers flow not past, but through us, thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, Making them glide and sing. The trees wave and the flowers bloom in our bodies as in our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountain, is our song, our very own, and sings our love.
$2.50
Someone is praying for you 有人在为你祷告
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Ida L
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Ida L
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Someone is praying for you 有
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Steven See
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SheetMusicPlus
Choral 4-Part Chorus,Choir,Choral - Level 1 - SKU: A0.1510237 By Ida L. Reed. By Ida L. Reed. Arranged by Ida L. Reed. Christian,Praise & Worship,Religi...
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Choral 4-Part Chorus,Choir,Choral - Level 1 - SKU: A0.1510237 By Ida L. Reed. By Ida L. Reed. Arranged by Ida L. Reed. Christian,Praise & Worship,Religious,Spiritual. 4 pages. Steven See #1085443. Published by Steven See (A0.1510237). Someone is praying for youSomeone is praying for youSo when it seems you're all aloneAnd your heart will break in twoRemember someone is praying for youHave the crowds 'round you gathered in the midst of the storm?Is your ship tossed and battered, are you weary and worn?Don't lose hope, someone's praying for you this very dayAnd peace be still is already on the waySomeone is praying for youSomeone is praying for youSo when it seems you're all aloneAnd your heart will break in twoRemember someone is praying for youWhen it seems that you've prayed 'til your strength is all goneAnd your tears fall like raindrops all the day longHe cares and He knows just how much you can bearHe'll speak your name to someone in prayerSomeone is praying for youSomeone is praying for youSo when it seems you're all aloneAnd your heart will break in twoRemember someone is praying for youRemember someone is praying for you.
$3.99
Christ in the Storm (Accompaniment Track)
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Musique Sacrée
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Michael Waree
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Christ in the Storm
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Michael Ware Music
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SheetMusicPlus
Choir - SKU: A0.1069136 Composed by Michael Waree. Christian,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 278. Michael Ware Music #4349065...
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Choir - SKU: A0.1069136 Composed by Michael Waree. Christian,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 278. Michael Ware Music #4349065. Published by Michael Ware Music (A0.1069136). Each of us face storms in our lives and the disciples were no different. They struggled following Jesus in the difficult times. Christ in the Storm conveys raging waters as well as the Master calming the sea. Encourage your congregation with this dynamic choral setting. This download is the accompaniment track!SATB available here: https://www.sheetmusicplus.com/title/christ-in-the-storm-satb-digital-sheet-music/21181942?utm_mediu...TTBB Coming SoonYouTube: https://www.youtube.com/watch?v=rcQi3pjijPIVisit the composer's website: musicwarepress.com.
$5.00
'The Seventh Seal'
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Piano seul
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INTERMÉDIAIRE
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Amy Louise Lewis
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'The Seventh Seal'
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Amy Lewis
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. A...
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Piano Solo - Level 3 - SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480). This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.
$7.95
Shelter From The Storm
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Piano Facile
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FACILE
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Bob Dylan
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Jim Lansing
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Shelter From The Storm
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Jim Lansing
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.896077 By Bob Dylan. By Bob Dylan. Arranged by Jim Lansing. Film/TV,Folk,Instructional,Pop,Rock. Score. 4 pages. Jim Lans...
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Easy Piano - Level 2 - SKU: A0.896077 By Bob Dylan. By Bob Dylan. Arranged by Jim Lansing. Film/TV,Folk,Instructional,Pop,Rock. Score. 4 pages. Jim Lansing #5375347. Published by Jim Lansing (A0.896077). Early Intermediate level arrangement of 1974 Bob Dylan song (performed on Saturday Night live by Coldplay's Chris Martin) transposed to G.  Syncopation has been simplified; once notes are learned, encourage player to use their ear to fix rhythms to match the artist's recording.  Off-beat melody entrances are preceeded by LH playing on the beat so player can feel rhythmic pulse.  There is an optional end point after the interlude. RH plays mostly G or C position.  In m.10, the RH thumb extends down a 3rd to reach B.  All other movement happens directly during a rest. LH plays in C position for the first verse.  After the interlude, the bass line uses a descending G major scale pattern.  There are two points where the LH plays 5 on lower tonic, reaches 2 up to dominant, and then 1 on upper tonic.Â
$4.99
The Duality of Cats
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. ...
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Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00
A Shelter In The Time Of Storm
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Folklorique/Traditionel
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Ira Sankey
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A Shelter In The Time Of Storm
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Woodwind Quartet - Grade 2.75 - SKU: DX.130406 Composed by Ira Sankey. Traditional. Sacred instrumental music. Score and parts. 9 pages. David E. Smith ...
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Woodwind Quartet - Grade 2.75 - SKU: DX.130406 Composed by Ira Sankey. Traditional. Sacred instrumental music. Score and parts. 9 pages. David E. Smith - Digital Sheet Music #130406. Published by David E. Smith - Digital Sheet Music (DX.130406). An unaccompanied quartet for two flutes and two clarinets. The introduction is presented in a rather rollicking manner where it breaks into a first presentation of the melody- the verse is more said while the chorus is more snappy. A brief transition gives way to the first flute stating the tune, supported by the clarinets with this chorus more block. A modulation takes place using motivic material from the theme with the style smoother and more contrapuntal. The coda section takes from the introduction material and gains dynamic momentum, with a snappy ending.Key of F, Bb.
$9.00
Fantaisie-Impromptu Theme from Op. 66 (Posthumous)
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Piano seul
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Classique
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Frederic Chopin
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Edwin Mclean
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Fantaisie-Impromptu Theme from
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The FJH Music Company - Digital
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SheetMusicPlus
Piano Solo - SKU: F0.PS1012 Composed by Frederic Chopin. Arranged by Edwin Mclean. Classical. The FJH Piano Solo Series. Romantic Period. Solo Sheet. 3 ...
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Piano Solo - SKU: F0.PS1012 Composed by Frederic Chopin. Arranged by Edwin Mclean. Classical. The FJH Piano Solo Series. Romantic Period. Solo Sheet. 3 pages. The FJH Music Company - Digital #PS1012. Published by The FJH Music Company - Digital (F0.PS1012). UPC: 674398214211.This famous Chopin melody is here accessibly arranged in C major. Though a bit simplified, it still achieves the rich, open harmonies that support the theme. Known to some as I'm Always Chasing Rainbows, perhaps because it plays so calmly after a stormy opening in the original version. Makes a great introduction to the world of virtuosic repertoire.
$2.50
Master, the Tempest is Raging (SATB)
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Chorale SATB
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DÉBUTANT
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Musique Sacrée
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Mary Ann Baker, H
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Garrett Breeze
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Master, the Tempest is Raging
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Lagom Music
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiri...
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Choral Choir (SATB) - Level 1 - SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Lagom Music #6093717. Published by Lagom Music (A0.723296). This arrangement by Garrett Breeze is easy to learn and fun to sing! The men and women sing the first and second verses respectively in unison, then come together on the third verse in familiar harmony. The piano part is full of movement, evoking the motion of the ocean as it ebbs and flows. An excited and accessible arrangement suitable for many different kinds of church services.Visit https://garrettbreeze.com to read my blog and discover new music!Check out my catalog of choral music at https://holidaychoirmusic.com!Subscribe to my YouTube channel at https://bit.ly/35HZC2d!Lyrics:Master the tempest is raging! The billows are tossing high! The sky is o'ershadowed with blackness. No shelter or help is nigh. Carest thou not that we perish? How canst thou lie asleep when each moment so madly is threat'ning a grave in the angry deep?Master with anguish of spirit I bow in my gried today. The depths of my sad heart are troubled. Oh, waken and save, I pray! Torrents of sin and of anguish sweep o'er my sinking soul, and I perish! I perish! dear Master. Oh hasten and take control!Master, the terror is over, the elements sweetly rest. Earth's sun in the calm lake is mirrored, and heaven's within my breast. Linger, o blessed Redeemer! Leave me alone no more, and with joy I shall make the blest harbor and rest on the blissful shore.The winds and the waves shall obey thy will: Peace, be still. Whether the wrath of the stormtossed sea or demons or men or whatever it be, no waters can swallow the ship where lies the Master of ocean and earth and skies. They all shall sweetly obey Thy will: Peace, be still. Peace, be still. They all shall sweetly obey Thy will: Peace, peace, be still.
$2.25
SAMBA IS O POR
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Lars Ek
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SAMBA IS O POR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068910 Composed by Lars Ek. Folk,World. Full Performance. Duration 88. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068910 Composed by Lars Ek. Folk,World. Full Performance. Duration 88. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924309. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068910). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
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The Storm is Here
