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The Surface
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67
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14
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5
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6
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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Partitions à imprimer
347 partitions trouvées
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The Sands of Time Movement II: Go Down Moses
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Orchestre d'harmonie
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FACILE
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Peyton T
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The Sands of Time Movement II:
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Starkweather Arts Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts...
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Concert Band - Level 2 - SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses
$20.00
The Abduction of Persephone (for String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...
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String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
The Dreaming Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Ben Ledochowski
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The Dreaming Sea
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Ben Ledochowski
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Publis...
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Piano Solo - Level 4 - SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Published by Ben Ledochowski (A0.1023644). The Dreaming Sea was my first paid composition commission, a piece I wrote in April 2020. For the composition commission, my author friend Sterling Wisniewski requested me to score a short story of his, with the score I provided being expected to tell the story of the words through music and accompany original artwork. His short story is included as follows:A cardboard boat sifts the surface of the sea. A little girl,eyes closed, arms wide and crowned with a paper hat, stands at the front of the deck. Unsinkable - that's what she was. Her imagination bounced the boat on the tension of theworld, almost like it wasn't there. Her eyes were closed, yet she saw everything. On shore, a crowd of dirty sailors went about their work. Nasty mouths swore and harsh fists carried their cargo to their strong, dirty boat. A boy, no taller than a barrel, was in the midst of the buff shoulders and fit forearms. He peaked between the muscle mountains.He saw her. Eyes closed and arms wide, sailing away from the Sun and into the appearing Moon. The wind flapped her hair like the sail of a boat. The boy pried between the men and ran to the end of the dock, stuck his flat hand over his forehead to see. The boy could've sworn that she saw him. He could've sworn the boat swooped in a foot from his face. He could've sworn he heard her giggle. If anything, he thought he knew she saw him.The boy's father, the largest of all the men, wearing a real sailor's hat, gripped the boy's shoulder, spun him away from view of the cardboard boat, and without a word dragged him to the solid wooden ship in front of them. The robust crew pulled ropes and pushed out to set sail towards the setting Sun in the west.The boy soon slipped out of his father's grip and ran to the edge of the boat. Standing on his tiptoes, he hovered his eyes over the dock. There she was - eyes closed and arms wide, the wind flowing through her hair while her cardboard boat skipped the seas like a stone. he could've sworn she was thinking about him. he could've sworn he would see her again. He could've&n.
$5.99
The Valley of the Dry Bones
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Orchestre
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AVANCÉ
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Zsigmond Rosarion
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The Valley of the Dry Bones
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Zsigmond Rosarion
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
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Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
And the Surface Breaks for solo cello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Nicholas Yandell
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And the Surface Breaks for sol
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Nicholas Yandell Music
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1113882 Composed by Nicholas Yandell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Individual part. 5 pag...
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Cello Solo - Level 4 - SKU: A0.1113882 Composed by Nicholas Yandell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Individual part. 5 pages. Nicholas Yandell Music #715783. Published by Nicholas Yandell Music (A0.1113882). Written in 2013. Commissioned by cellist Micah Claffey and premiered by him in 2014. Studio recorded (also by Micah Claffey) in 2015. Has also been performed by Marilyn de Oliveira (Assistant Principal Cello of the Oregon Symphony) and Diane Chaplin. Duration: Around 8 minutes; one movement. Level: Great for a student recital piece; popular with college students. A rich, expressive, melodic piece written idiomatically for the cello's voice; easy for a performer to personalize. Appropriate for intermediate students, but certainly challenging enough to be of interest to professionals as well. Program Notes: This work is the third of three solo cello pieces written for Micah Claffey on pastoral/nature themes. The title refers to the surface of a body of water as one’s head breaks through after a long and strenuous swim beneath it. The core of this work is about defining the character of peace through the odyssey of a single cello’s musical voice. The peace theme starts as just a seed in the beginning; incomplete; represented by the first four notes (a pitch class: 0,4,6,7 or inverted as 0,1,3,7). The cello then plunges into tempestuous waters, but the seed is never lost throughout all the metamorphoses it goes through and all the commotion that surrounds it and this middle section becomes a time of catharsis and refinement. Finally, in the latter third of the work, the theme of peace breaks the surface in its complete form, starting out timidly, but soon climaxing to a powerful and penetrating statement and ending with a sense of relief, clarity, and renewal that exist not in spite of the tumultuous journey, but because of it. Performing Rights Organization: ASCAP Website: www.nicholasyandell.com.
$5.99
Mystery of the Hills
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Chorale SATB
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INTERMÉDIAIRE
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Debbie Allen
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Mystery of the Hills
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Nottingham Scores
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottin...
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Choral Choir (SATB) - Level 3 - SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottingham Scores #835514. Published by Nottingham Scores (A0.1240133). Mystery of the Hills is an S.A.T.B. choral work describing the wonder of the Flint Hills, a region in East Central Kansas.  I’m not a native Kansan, but whenever I drive through this area, I am enthralled by the infinite sense of expanse and gently rolling terrain. Geologists believe there was an inland seaway that covered central North America starting 290 million years ago. Over time, alternating layers of hard limestone and softer shale rocks formed. It is believed erosion caused the varied elevations of terrain, unique to the slopes of the Flint Hills. These surface layers of limestone and chert prevented the settler’s ability to farm, which in turn preserved the integrity of the soil. Today, the prairie grasses can reach 10 feet tall if not managed.  The rich grasses are prime for feeding livestock. This music attempts to provide images of traveling through the Flint Hills today, while imagining changes over eons of time, due to weather and eventually, human interaction.  Generally, the upper voices provide the imagery and some history, while the lower voices describe a bedrock foundation.  Describing the rock foundation found in the Flint Hills is also a metaphor for human strife and struggle as man, among living flora and fauna, interact with the area. The vocal ranges and harmonies are accessible for young ensembles, whether in development or with years of experience.
$2.99
30 Mythical Beasts: The Doppelgänger
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Piano seul
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AVANCÉ
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Kalynn Fleischman
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Kalynn Fleischman
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30 Mythical Beasts: The Doppel
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Kalynn Fleischman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1320944 By Kalynn Fleischman. By Kalynn Fleischman. Arranged by Kalynn Fleischman. 21st Century,Contemporary,Halloween,In...
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Piano Solo - Level 5 - SKU: A0.1320944 By Kalynn Fleischman. By Kalynn Fleischman. Arranged by Kalynn Fleischman. 21st Century,Contemporary,Halloween,Instructional,Romantic Period. Score. 4 pages. Kalynn Fleischman #909387. Published by Kalynn Fleischman (A0.1320944). Here is the eighteenth piece in a set of thirty all written in November of 2023. The Doppelgänger references many themes from other pieces in this set but copies them imperfectly. This piece is very expressive and somewhat dissonant. There is something truly monstrous about this one that is buried beneath the surface.
$3.99
Dance Me To The End Of Love
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Madeleine Peyroux
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Rita Arendz
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Dance Me To The End Of Love
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Rita Arendz
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1365341 By Madeleine Peyroux. By Leonard Cohen. Arranged by Rita Arendz. 20th Century,Folk,Jewish,Pop,Standards. Brass Band. 56 pages. Rita Arendz #949662. Published by Rita Arendz (A0.1365341). DANCE ME TO THE END OF LOVE by Leonard Cohen for Brass BandComposed and released in 1984, Leonard Cohen's Dance Me to the End of Love, on the surface appears to be just another love song. But it also has as its inspiration from the Holocaust.To Cohen, the idea came from hearing, reading, and knowing about the death camps: that at some camps, beside the crematoriums, a string quartet was pressed into performing while the horrors were occurring - and that the players could be next.The lyrics, Dance me to your beauty with a burning violin, represent the beauty of the consummation of life, the end of existence - layered with the surrender we feel for our beloved.The song's structure is similar to a Greek Hasapiko Dance, a style he would have heard while on the Island of Hydra.Although the theme is dark, there is a glimmer of light as Cohen searched from the raw truth to beauty, something he tried to find in all things.This arrangement is for a British-style Brass Band featuring the Flugelhorn and the Solo Tenor Horn. These parts, along with the euphonium part, are for more advanced players.  The accompaniment parts are suitable for intermediate.A moving addition to your repertoire and a wonderful companion to Cohen's Hallelujah!Duration 4:15  56 pagesSound clip generated with NoteperformerMore Arrangements by Rita Arendz: https://www.sheetmusicdirect.com/Search.aspx?query=rita%20arendzhttps://www.sheetmusicplus.com/en/explore?q=rita+arendz&lang=default.
$59.99
Surface Abrasion (in black & white) for piano
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Piano seul
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AVANCÉ
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Contemporain
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Nicholas Yandell
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Surface Abrasion
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Nicholas Yandell Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1000666 Composed by Nicholas Yandell. 20th Century,Contemporary. Score. 12 pages. Nicholas Yandell Music #6324367. Publis...
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Piano Solo - Level 5 - SKU: A0.1000666 Composed by Nicholas Yandell. 20th Century,Contemporary. Score. 12 pages. Nicholas Yandell Music #6324367. Published by Nicholas Yandell Music (A0.1000666). This piece explores the whole range of the piano, as well as the instrument's more percussive side in a work that's rhythmically rich, with accessible melodic material and harmonic contrasts. This is a high-concept, expressive show piece, which is perfect as a recital piece for a college student or professional and an average performance of this piece lasts just over 6 minutes. First performed (studio recording) in Scotland by Edward Cohen in August of 2020, this work explores the concept of Extant Art. The definition of Extant is: still in existence, surviving, what’s not destroyed or lost; focusing on what remains after the surface of a person, object, or idea is stripped away. Musically, this concept is expressed through breaking down melodies and harmonies to their simplest elements, exploring spacious and percussive textures, clusters and jarring contrasts, moments of shrill dissonance, and using fragmented and jagged rhythms to form the parts of a shattered whole. Ultimately, this work is about breaking down the outside emotional skin and then penetrating the depths of an individual, until left with just their extant core. It’s a thrashing musical journey of catharsis.Performing Rights Organization: ASCAPComposer's website: https://www.nicholasyandell.com
$8.99
On The Edge
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andrew McDonald
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Andrew McDonald
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On The Edge
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1279475 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1279475 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #870958. Published by Andrew Mc Donald (Macka Records) (A0.1279475). On The Edge is a song about someone who is thinking of ending it all. On the surface one can seem alright but inside there is a struggle. A person in this situation needs some intervention and certainly someone to tell them that Jesus loves and cares for them. I plead with anyone in this situation not to make that choice for they will be dearly missed! This is a pop song for piano and vocals.
$4.99
This is the Life
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Guitare notes et tablatures
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Metal/Hard Rock
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Dream Theater
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This is the Life
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Authentic Guitar TAB - SKU: AX.00-PS-0013521 By Dream Theater. By John Petrucci and Jordan Rudess. Hard Rock/Metal. 12 pages. Alfred Music - Digital She...
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Authentic Guitar TAB - SKU: AX.00-PS-0013521 By Dream Theater. By John Petrucci and Jordan Rudess. Hard Rock/Metal. 12 pages. Alfred Music - Digital Sheet Music #00-PS-0013521. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013521). ISBN 9780739087398. UPC: 038081433769.Dream Theater fans rejoice, this collection features note-for-note guitar TAB transcriptions for every song on the album A Dramatic Turn of Events. Titles: On the Backs of Angels * Build Me Up Break Me Down * Lost Not Forgotten * This Is the Life * Bridges in the Sky * Outcry * Far from Heaven * Breaking All Illusions * Beneath the Surface.
$2.99
Beneath the Silence
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Guitare notes et tablatures
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Metal/Hard Rock
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Dream Theater
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Beneath the Silence
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Authentic Guitar TAB - SKU: AX.00-PS-0013525 By Dream Theater. By John Petrucci. Hard Rock/Metal. 8 pages. Alfred Music - Digital Sheet Music #00-PS-001...
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Authentic Guitar TAB - SKU: AX.00-PS-0013525 By Dream Theater. By John Petrucci. Hard Rock/Metal. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0013525. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013525). ISBN 9780739087398. UPC: 038081433769.Dream Theater fans rejoice, this collection features note-for-note guitar TAB transcriptions for every song on the album A Dramatic Turn of Events. Titles: On the Backs of Angels * Build Me Up Break Me Down * Lost Not Forgotten * This Is the Life * Bridges in the Sky * Outcry * Far from Heaven * Breaking All Illusions * Beneath the Surface.
$2.99
Bridges in the Sky
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Guitare notes et tablatures
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Metal/Hard Rock
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Dream Theater
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Bridges in the Sky
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Authentic Guitar TAB - SKU: AX.00-PS-0013511 By Dream Theater. By John Myung, John Petrucci, and Jordan Rudess. Hard Rock/Metal. 15 pages. Alfred Music ...
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Authentic Guitar TAB - SKU: AX.00-PS-0013511 By Dream Theater. By John Myung, John Petrucci, and Jordan Rudess. Hard Rock/Metal. 15 pages. Alfred Music - Digital Sheet Music #00-PS-0013511. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013511). ISBN 9780739087398. UPC: 038081433769.Dream Theater fans rejoice, this collection features note-for-note guitar TAB transcriptions for every song on the album A Dramatic Turn of Events. Titles: On the Backs of Angels * Build Me Up Break Me Down * Lost Not Forgotten * This Is the Life * Bridges in the Sky * Outcry * Far from Heaven * Breaking All Illusions * Beneath the Surface.
$2.99
On the Backs of Angels
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Guitare notes et tablatures
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Metal/Hard Rock
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Dream Theater
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On the Backs of Angels
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Authentic Guitar TAB - SKU: AX.00-PS-0013509 By Dream Theater. By John Myung, John Petrucci, and Jordan Rudess. Hard Rock/Metal. 15 pages. Alfred Music ...
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Authentic Guitar TAB - SKU: AX.00-PS-0013509 By Dream Theater. By John Myung, John Petrucci, and Jordan Rudess. Hard Rock/Metal. 15 pages. Alfred Music - Digital Sheet Music #00-PS-0013509. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013509). ISBN 9780739087398. UPC: 038081433769.Dream Theater fans rejoice, this collection features note-for-note guitar TAB transcriptions for every song on the album A Dramatic Turn of Events. Titles: On the Backs of Angels * Build Me Up Break Me Down * Lost Not Forgotten * This Is the Life * Bridges in the Sky * Outcry * Far from Heaven * Breaking All Illusions * Beneath the Surface.
$2.99
Let Us Break Bread Together
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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Anonymous
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Paul Thurmond
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Let Us Break Bread Together
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.828261 Composed by Anonymous. Arranged by Paul Thurmond. Christian,Gospel,Sacred,Spiritual. Score. 4 pages. Paul Thurmond...
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Piano Solo - Level 4 - SKU: A0.828261 Composed by Anonymous. Arranged by Paul Thurmond. Christian,Gospel,Sacred,Spiritual. Score. 4 pages. Paul Thurmond #4969095. Published by Paul Thurmond (A0.828261). Tune: LET US BREAK BREADUse: Prelude, Offertory, CommunionThis song is an African-American spiritual. Some of the text may date back as far as the 18th century. Although it has been used in communion since at least the Civil War, that may not have been its original intent.I have heard lectures given by researchers who claim that many African-American spirituals contain coded messages, intended for slaves, about secret meetings, clandestine worship services, and escape plans. Some songs are even said to contain maps.The texts are innocuous on the surface, so as to not alert the slave owners. Some of the double meanings seem obvious in retrospect:When Israel was in Egypt land,Let My people go.Oppressed so hard they could not stand,Let My people go.And:Steal away, steal away, steal away to Jesus!Steal away, steal away home. I ain’t got long to stay here.In Let Us Break Bread Together, this curious line may have a double meaning:When I fall on my knees, with my face to the rising sunCommunion needn’t take place at daybreak, nor while facing east. The lyrics could be a pointer to a specific time and place for a prohibited meeting.Whatever its original meaning, this and many other African-American spirituals are now an important part of many worship traditions.
$4.99
Beneath the Surface
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Piano, Voix et Guitare
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Metal/Hard Rock
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Dream Theater
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Beneath the Surface
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013526 By Dream Theater. By John Petrucci. Hard Rock/Metal. 10 pages. Alfred Music - Digital Sheet Music #00-PS-0013...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013526 By Dream Theater. By John Petrucci. Hard Rock/Metal. 10 pages. Alfred Music - Digital Sheet Music #00-PS-0013526. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013526). ISBN 9780739086698. UPC: 038081432922.Keyboardists who are fans of Dream Theater's Jordan Rudess know that it's nearly impossible to nail down by ear exactly what he plays. Alfred Music is honored to assist with this album-matching sheet music collection, meticulously transcribed by prog keyboard aficionado Chris Romero in direct consultation with Rudess himself. The nearly 100 pages of note-for-note keyboard madness in this collection will challenge any keyboardist to aim high and tackle pioneering techniques that only Jordan Rudess could conceive. Titles: * On the Backs of Angels * Build Me Up Break Me Down * Lost Not Forgotten * This Is the Life * Bridges in the Sky * Outcry * Far from Heaven * Breaking All Illusions * Beneath the Surface.
$3.99
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Grant Gilman
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Scheherazade - I. The Sea and
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Dr. Grant Gilman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99
Beneath The Surface
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Michele McLaughlin
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Beneath The Surface
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Michele McLaughlin Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.858116 Composed by Michele McLaughlin. Contemporary,New Age. Score. 5 pages. Michele McLaughlin Music #6167687. Published...
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Piano Solo - Level 4 - SKU: A0.858116 Composed by Michele McLaughlin. Contemporary,New Age. Score. 5 pages. Michele McLaughlin Music #6167687. Published by Michele McLaughlin Music (A0.858116). Song: Beneath The Surface Album: Memoirs Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2019 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin.http://www.michelemclaughlin.com
$5.50
The Platypus
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Orchestre de chambre
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DÉBUTANT
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Sue Moore
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The Platypus
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Susie Moore
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. ...
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Chamber Orchestra - Level 1 - SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. Published by Susie Moore (A0.1008342). An instructional Chamber Orchestra work written for beginning strings and early intermediate winds. This work is in 6/4 time. The string parts (depicting the bubbles that are seen as the Platypus are submerged) have been written where they are either using the open strings or the patterns are repeated over several bars so that beginning students are able to focus on the challenges of the 6/4 time. Mapping which beat each string part falls on is helpful when starting to teach this piece. Platypus are shy in nature and do not normally cohabit in the same location in large numbers. This piece was written as the composer observed an unusually large number of Platypus in one location. The wind parts depict the Platypus as they surfaced and descended in the billabong where they lived and as they happened to meet another Platypus or come up where she was sitting they quickly retreated with a loud splash. This is heard throughout the piece. Parts are available.
$4.99
Wade in the Water
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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African American Spiritual
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Becky Sun
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Wade in the Water
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Becky Sun
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.902077 Composed by African American Spiritual. Arranged by Becky Sun. Gospel,Spiritual. Octavo. 5 pages. Becky S...
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Choral Choir (SATB) - Level 4 - SKU: A0.902077 Composed by African American Spiritual. Arranged by Becky Sun. Gospel,Spiritual. Octavo. 5 pages. Becky Sun #5287469. Published by Becky Sun (A0.902077). Many African American spirituals have dual meanings. On the surface, Wade in the Water is about Christian baptism or the Israelites crossing the Red Sea. Harriet Tubman used the song as a code to remind enslaved people who were escaping to get into a body of water when slavecatchers’ dogs were after them. God helps by troubling the water so the dogs would have an even harder time catching the escapees’ scent. The original verses are wonderful but rather opaque (by design), so I wrote two new verses to make the message and setting of this song more apparent for the modern audience.
$5.00
Moonlit Night on the Spring River - solo guitar
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Guitare notes et tablatures
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AVANCÉ
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Chinese traditional
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Jack Evans
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Moonlit Night on the Spring Ri
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Jack Stanley Evans
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SheetMusicPlus
Guitar - Level 5 - SKU: A0.964321 Composed by Chinese traditional. Arranged by Jack Evans. Folk,World. Guitar Tab. 9 pages. Jack Stanley Evans #6274353....
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Guitar - Level 5 - SKU: A0.964321 Composed by Chinese traditional. Arranged by Jack Evans. Folk,World. Guitar Tab. 9 pages. Jack Stanley Evans #6274353. Published by Jack Stanley Evans (A0.964321). One of the most famous pieces of Chinese classical music, this composition was originally written for solo Pipa and has been popular since the Ming Dynasty (1368-1644). It was previously known as Pipa of Xunyang, and Flute and Drum Music at Dusk, before it was given its current name in 1925. The name Moonlit Night on the Spring River is derived from a Tang Dynasty (618-907) poem by Zhang Ruoxu, which is very well regarded in China. The poem describes a scene of moonlight reflecting on the surface of a river in spring.Moonlit Night on Spring River is written in a multi-sectional form, with each section noticeably different to the others but with some recurring phrases which tie the whole composition together. Although it was originally composed for pipa, this guitar arrangement is based on a version for guzheng, which is a relative of the guqin, but with 21 strings and moveable bridges. The tuning for this arrangement is DGBEAD, from the lowest to highest string. As with Moon Over Guan Mountain, this arrangement is scored one tone higher, as if the third and fourth strings have been detuned by a semitone. I used a mixture pick, fingers, and hybrid picking to play this arrangement, with the fast, single note lines played with a pick and the loud chordal passages with hybrid picking. The quieter sections use fingers only.
$6.99
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The Surface