English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
23
Partitions
Numériques
87
Librairie
Musicale
27
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
24
PIANO & CLAVIERS
GUITARES
VOIX
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Flûte, Hautbois, Clarinette, Basson
20
Flûte, Clarinette (duo)
3
Flûte, Clarinette et Basson
2
Clarinette et Piano
2
Clarinette Basse, Piano
1
Flûte traversière et Piano
1
Flûte, Clarinette, Piano (trio)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
CORDES
Alto, Piano
1
Violon et Piano
1
PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
1
Piano et Orchestre
1
Orchestre d'harmonie
1
AUTRES
Vous avez sélectionné:
The Swan for Flute, Clarinet and Piano
Partitions à imprimer
87 partitions trouvées
<
1
26
51
76
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.98 €
#
Piano et Orchestre
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
The Swan for Flute, Clarinet and Piano
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital …
(+)
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1454914 By Camille Saint-Saens. By Camille Saint-Saens. Arranged by D. Wattson. 19th Century,Chamber,Holiday,Instructional,Romantic Period. 15 pages. Douglas Wattson #1033984. Published by Douglas Wattson (A0.1454914).
$4.99
4.57 €
#
Camille Saint-Saens
#
D
#
The Swan for Flute, Clarinet and Piano
#
Douglas Wattson
#
SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549798 Composed by Peter…
(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549798 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3539173. Published by jmsgu3 (A0.549798). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.19 €
#
Clarinette et Piano
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549805 Composed by Peter I…
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549805 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3541643. Published by jmsgu3 (A0.549805). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo parts: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
30.19 €
#
Clarinette Basse, Piano
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Swan Lake - Odette's Theme - Flute, Clarinet and Piano
Flûte, Clarinette, Piano (trio)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Downloa…
(+)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.721730 Composed by Peter Ilyich Tchaikovsky. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and parts. 4 pages. Music-Scores.com #4986627. Published by Music-Scores.com (A0.721730). Odette's Theme from Swan Lake. This beautiful theme is repeated several times in different ways throughout the ballet. For Flute. Clarinet and Piano.Duration about 1 minute.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com.
$4.99
4.57 €
#
Flûte, Clarinette, Piano (trio)
#
Peter Ilyich Tchaikovsky
#
Swan Lake - Odette's Theme - Flute, Clarinet and Piano
#
Music-Scores.com
#
SheetMusicPlus
Music for Three, Volume 8 - Keyboard or Guitar 50840
Small Ensemble Organ,Piano Accompaniment - Level 5 - Digital Download SKU: A0.961865
(+)
Small Ensemble Organ,Piano Accompaniment - Level 5 - Digital Download SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Traditional. Score and parts. 94 pages. Last Resort Music Publishing #567576. Published by Last Resort Music Publishing (A0.961865). Music for Three, Volume 8 - More Baroque, Classical & Romantic Favorites Keyboard or Guitar Including works by Bizet, Faure, Borodin, Gottschalk, and Rossini and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. The parts available for this volume are listed here! 50811 Part 1 Flute or Oboe or Violin 50813 Part 1 Clarinet in Bb 50821 Part 2 Flute or Oboe or Violin 50822 Part 2 Viola 50823 Part 2 Clarinet in Bb 50831 Part 3 Cello or Bassoon 50840 Keyboard or Guitar 50899 Score Table of Contents Badinerie from Suite #2 in b minor (Bach) Bist Du Bei Mir (Bach) Allegro Moderato & Allegro from Brandenburg Concerto #3 in G Major (Bach) Fur Elise (Beethoven) Galop & Petit Mari, Petite Femme from Jeux d'Enfants, Op. 22 (Bizet) Farandole & Menuet from L'Arlesienne Suite #2 (Bizet) Minuet from Quintet in E Major, Op. 13 #5 (Boccherini) Theme from Polovetzian Dances from Prince Igor (Borodin) Fantasie-Impromptu from Fantasie-Impromptu in C# minor, Op. 66 (Chopin) Adagio from Violin Sonata in G minor, Op. 5 #5 (Corelli) Flower Duet from Lakme (Delibes) Slavonic Dance #1 from Slavonic Dances, Op. 46 #1 (Dvorak) Slavonic Dance #2 from Slavonic Dances, Op. 46 #2 (Dvorak) Bereceuse from Dolly Suite, Op. 56 (Faure) Bananier, Le (Gottschalk) Dying Poet, The (Gottschalk) Tournament Galop (Gottschalk) Funeral March for a Marionette (Gounod) Juliet's Waltz Song Je veux vivre from Romeo and Juliet (Gounod) I Love Thee Ich Liebe Dich from The Heart's Melodies, Op. 5 (Grieg) Arrival of the Queen of Sheba from the Oratorio Solomon (Handel) Allegro & Hornpipe from The Water Music (Handel) Theme from Jupiter from The Planets (Holst) Capriccio #24 from 24 Capricci, Op. 1 (Paganini) Galop from La Boutique Fantastique (Rossini) Mon Coeur S'ouvre A Ta Voix from the opera Samson and Delilah (Saint-Saens) Rosamunde Ballet Music from incidental music to Rosamunde (Schubert) The Trout from the Trout Quintet, Op. 114 (Schubert) The Laughing Song from Die Fledermaus (Strauss) Danses des petits cygnes from the ballet Swan Lake (Tschaikovsky) None But the Lonely Heart from Six Songs, Op. 6 #6 (Tschaikovsky).
$26.00
23.82 €
#
Various
#
Daniel Kelley
#
Music for Three, Volume 8 - Keyboard or Guitar 50840
#
Last Resort Music Publishing
#
SheetMusicPlus
Swan Lake Theme, for Solo Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.587685 Composed by Peter Ilyich Tc…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.587685 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737757. Published by David McKeown (A0.587685). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Flute and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
#
Flûte traversière et Piano
#
Peter Ilyich Tchaikovsky
#
David McKeown
#
Swan Lake Theme, for Solo Flute and Piano
#
David McKeown
#
SheetMusicPlus
The Swan for Oboe, Clarinet, and Piano
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital …
(+)
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1455593 By Camille Saint-Saens. By Camille Saint-Saens. Arranged by D. Wattson. 19th Century,Chamber,Holiday,Instructional,Romantic Period. 15 pages. Douglas Wattson #1034688. Published by Douglas Wattson (A0.1455593).
$4.99
4.57 €
#
Camille Saint-Saens
#
D
#
The Swan for Oboe, Clarinet, and Piano
#
Douglas Wattson
#
SheetMusicPlus
It Is Well (in the setting of Swan Lake)
Alto, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU:…
(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.786384 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arranged by Beka Wilson. Christian,Contemporary,Gospel,Romantic Period,Sacred. Score and parts. 7 pages. Beka Wilson #4632405. Published by Beka Wilson (A0.786384). Horatio Spafford’s hymn, written after the death of his four daughters in a shipwreck, has brought comfort to many in their dark times. This arrangement (in the setting of Tchaikovsky’s Swan Lake) would be great for a calm instrumental special before the sermon, or a comforting song at a funeral.7 pages (includes piano score and parts), approximately 3:14 (suggested 100bpm), intermediate levelThis arrangement is for alto clef instruments, but the following instrumentation is also available on Sheet Music Plus:Flute/oboe/violin: S0.587367Trumpet/clarinet/tenor sax: S0.587389Alto Sax: S0. 587393Horn: S0. 587405Cello/bassoon/trombone: S0. 587409For custom instrumentation (for example, flute/cello or alto sax/clarinet), contact me at bekmars10@gmail.com, and I can get something posted here on Sheet Music Plus.
$9.99
9.15 €
#
Alto, Piano
#
Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky
#
Beka Wilson
#
It Is Well
#
Beka Wilson
#
SheetMusicPlus
It Is Well (in the setting of Swan Lake)
2 Saxophones, Piano
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download S…
(+)
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.786383 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arranged by Beka Wilson. Christian,Contemporary,Gospel,Romantic Period,Sacred. Score and parts. 7 pages. Beka Wilson #4632421. Published by Beka Wilson (A0.786383). Horatio Spafford’s hymn, written after the death of his four daughters in a shipwreck, has brought comfort to many in their dark times. This arrangement (in the setting of Tchaikovsky’s Swan Lake) would be great for a calm instrumental special before the sermon, or a comforting song at a funeral.7 pages (includes piano score and parts), approximately 3:14 (suggested 100bpm), intermediate levelThis arrangement is for any combination of treble clef E flat instruments, but the following instrumentation is also available on Sheet Music Plus:Flute/oboe/violin: S0.587367Trumpet/clarinet/tenor sax: S0.587389Viola: S0.587377Horn: S0. 587405Cello/bassoon/trombone: S0. 587409For custom instrumentation (for example, flute/cello or alto sax/clarinet), contact me at bekmars10@gmail.com, and I can get something posted here on Sheet Music Plus.
$9.99
9.15 €
#
2 Saxophones, Piano
#
Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky
#
Beka Wilson
#
It Is Well
#
Beka Wilson
#
SheetMusicPlus
Schubert: Standchen (or Serenade) from Swan Song - Clarinet and Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1485840 Composed by Fran…
(+)
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1485840 Composed by Franz Schubert. Arranged by Jim Paterson. 19th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. Music Files Ltd #1062891. Published by Music Files Ltd (A0.1485840). Schubert's Ständchen (or Serenade) is a song from his collection Swan Song. This version has been arranged for B-flat Clarinet and Piano. Score and all parts included. Note that the video is for Flute and Piano, and is included as an illustration of the arrangement.
$5.99
5.49 €
#
Clarinette et Piano
#
Franz Schubert
#
Jim Paterson
#
Schubert: Standchen
#
Music Files Ltd
#
SheetMusicPlus
The Swan, (Le Cygne), by Saint-Saens, Duet for Flute and Clarinet
Flûte, Clarinette (duo)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0…
(+)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.587377 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and parts. 4 pages. David McKeown #3222143. Published by David McKeown (A0.587377). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saens’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version is arranged as a duet for one Flute and one Clarinet. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
#
Flûte, Clarinette (duo)
#
Camille Saint-Saens
#
David McKeown
#
The Swan,
#
David McKeown
#
SheetMusicPlus
Swan Lake
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1261616 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Glauco Fernandes. Classical,Romantic Period,Wedding. 8 pages. Glauco Fernandes #854695. Published by Glauco Fernandes (A0.1261616). Description: Sheet Music for Swan Lake Arrangement for Woodwind Quartet with Piano and Chord Notations - Classical Music for Special EventsExperience the beauty and elegance of classical music at your special event with our remarkable sheet music for the Swan Lake arrangement for woodwind quartet with piano and chord notations. This meticulously crafted score is perfect for musicians of all levels, from beginners to experienced professionals, providing a memorable musical experience.Composed by Tchaikovsky, Swan Lake is a timeless masterpiece that adds a touch of sophistication and charm to any occasion. Whether it's a wedding, a refined reception, or a corporate event, this classical composition will captivate your audience and create a magical atmosphere.Our unique arrangement allows each instrument in the woodwind quartet, including flute, oboe, clarinet, and bassoon, to shine individually, while blending harmoniously to create a captivating performance. The piano adds depth and richness to the ensemble, enhancing the overall musical experience. Additionally, the inclusion of chord notations makes it accessible for musicians who may not read traditional sheet music, allowing for a seamless interpretation of the harmonies.Get your copy of the Swan Lake sheet music for woodwind quartet with piano and chord notations now and elevate the musical ambiance of your event. Whether you are a beginner musician seeking a delightful challenge or a seasoned professional looking for a standout classical piece, this arrangement is perfect for you. Seize the opportunity to perform one of the most beloved works of classical music, creating an unforgettable atmosphere for all attendees.Classical music for special events, ceremonies, and music enthusiasts. Be captivated by the allure of Swan Lake as its enchanting melodies intertwine with the harmonies of the woodwind quartet and piano, creating a mesmerizing experience for everyone to enjoy.
$17.99
16.48 €
#
Flûte, Hautbois, Clarinette, Basson
#
Peter Ilyich Tchaikovsky
#
Tchaikovsky, Swan Lake is a timeless masterpiece that adds a touch of sophistication and charm to any occasion
#
Glauco Fernandes
#
Swan Lake
#
Glauco Fernandes
#
SheetMusicPlus
Swan Lake
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1261619 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Glauco Fernandes. Classical,Romantic Period,Wedding. 8 pages. Glauco Fernandes #854698. Published by Glauco Fernandes (A0.1261619). Description: Sheet Music for Swan Lake Arrangement for Woodwind Quartet with Piano - Classical Music for Special EventsPresent the beauty and elegance of classical music at your special event with our remarkable sheet music for the Swan Lake arrangement for woodwind quartet with piano. This meticulously crafted score is perfect for musicians of all levels, from beginners to experienced professionals, providing a memorable musical experience.Composed by Tchaikovsky, Swan Lake is a timeless masterpiece that adds a touch of sophistication and charm to any occasion. Whether it's a wedding, a refined reception, or a corporate event, this classical composition will captivate your audience and create a magical atmosphere.Our unique arrangement allows each instrument in the woodwind quartet, including flute, oboe, clarinet, and bassoon, to shine individually, while blending harmoniously to create a captivating performance. The piano adds depth and richness to the ensemble, enhancing the overall musical experience.Get your copy of the Swan Lake sheet music for woodwind quartet with piano now and elevate the musical ambiance of your event. Whether you are a beginner musician seeking a delightful challenge or a seasoned professional looking for a standout classical piece, this arrangement is perfect for you. Seize the opportunity to perform one of the most beloved works of classical music, creating an unforgettable atmosphere for all attendees.Classical music for special events, ceremonies, and music enthusiasts. Be captivated by the beauty of Swan Lake as its enchanting melodies intertwine with the harmonies of the woodwind quartet and piano, creating a memorable musical experience for everyone to enjoy.
$17.99
16.48 €
#
Flûte, Hautbois, Clarinette, Basson
#
Peter Ilyich Tchaikovsky
#
Tchaikovsky, Swan Lake is a timeless masterpiece that adds a touch of sophistication and charm to any occasion
#
Glauco Fernandes
#
Swan Lake
#
Glauco Fernandes
#
SheetMusicPlus
Swan Lake
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1260969 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Glauco Fernandes. Classical,Romantic Period,Wedding. 13 pages. Glauco Fernandes #854071. Published by Glauco Fernandes (A0.1260969). Description: Sheet Music for Swan Lake Arrangement for Woodwind Quintet with Piano - Classical Music for Special EventsExperience the beauty and elegance of classical music at your special event with our remarkable sheet music for the Swan Lake arrangement for woodwind quintet with piano. This meticulously crafted score is ideal for musicians of all levels, from beginners to experienced professionals, providing a memorable musical experience.Composed by Tchaikovsky, Swan Lake is a timeless masterpiece that adds a touch of sophistication and charm to any occasion. Whether it's a wedding, a refined reception, or a corporate event, this classical composition will captivate your audience and create a magical atmosphere.Our unique arrangement allows each instrument in the woodwind quintet, including flute, oboe, clarinet, bassoon, and French horn, to shine individually, while blending harmoniously to create a captivating performance. The piano adds depth and richness to the ensemble, enhancing the overall musical experience.Obtain your copy of the Swan Lake sheet music for woodwind quintet with piano now and elevate the musical ambiance of your event. Whether you are a beginner seeking a delightful challenge or a seasoned professional looking for a standout classical piece, this arrangement is perfect for you. Seize the opportunity to perform one of the most beloved works of classical music, creating an unforgettable atmosphere for all attendees.Classical music for special events, ceremonies, and music enthusiasts. Be captivated by the allure of Swan Lake as its enchanting melodies intertwine with the harmonies of the woodwind quintet and piano, creating a mesmerizing experience for everyone to enjoy.
$19.99
18.31 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Peter Ilyich Tchaikovsky
#
Tchaikovsky, Swan Lake is a timeless masterpiece that adds a touch of sophistication and charm to any occasion
#
Glauco Fernandes
#
Swan Lake
#
Glauco Fernandes
#
SheetMusicPlus
Swan Lake
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1260044 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Glauco Fernandes. Chamber,Classical,Wedding. 11 pages. Glauco Fernandes #853282. Published by Glauco Fernandes (A0.1260044). Description: Sheet Music for Swan Lake Arrangement for Woodwind Quintet with Piano and Chord Notations - Classical Music for Special EventsIntroduce the beauty and elegance of classical music to your special event with our remarkable sheet music for the Swan Lake arrangement for woodwind quintet with piano and chord notations. This meticulously crafted score is ideal for musicians of all levels, from beginners to experienced professionals, providing a memorable musical experience.Composed by Tchaikovsky, Swan Lake is a timeless masterpiece that adds a touch of sophistication and charm to any occasion. Whether it's a wedding, a refined reception, or a corporate event, this classical composition will captivate your audience and create a magical atmosphere.Our unique arrangement allows each instrument in the woodwind quintet, including flute, oboe, clarinet, bassoon, and French horn, to shine individually, while blending harmoniously to create a captivating performance. The addition of chord notations makes it easier to interpret the harmonies, enabling musicians of all backgrounds to join in the enchanting melodies.Obtain your copy of the Swan Lake sheet music for woodwind quintet with piano and chord notations now, and elevate the musical ambiance of your event. Whether you are a beginner seeking a delightful challenge or a seasoned professional searching for a standout classical piece, this arrangement is perfect for you. Seize the opportunity to perform one of the most beloved works of classical music, creating an unforgettable atmosphere for all attendees.Classical music for special events, ceremonies, and music enthusiasts. Be captivated by the allure of Swan Lake as its enchanting melodies intertwine with the harmonies of the woodwind quintet and piano, creating an enchanting experience for everyone to cherish.
$19.99
18.31 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Peter Ilyich Tchaikovsky
#
Tchaikovsky, Swan Lake is a timeless masterpiece that adds a touch of sophistication and charm to any occasion
#
Glauco Fernandes
#
Swan Lake
#
Glauco Fernandes
#
SheetMusicPlus
My Dear Swan ("Lebăda mea dragă") (the long version) - arr. for G-clef piano/harp (GCP/GCH) (from
Violon et Piano
Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Violin - Level 3 - Digital Download …
(+)
Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Violin - Level 3 - Digital Download SKU: A0.912986 Composed by Andrei Lucian Dragoi. 20th Century,Contemporary,Standards. 5 pages. Andrei-Lucian Dragoi #3362515. Published by Andrei-Lucian Dragoi (A0.912986). Music (July 2009) & arr. for G-clef piano/harp (GCP/GCH) (28.12.2021): dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com, YT.dragoii.com)
$2.00
1.83 €
#
Violon et Piano
#
Andrei Lucian Dragoi
#
arr
#
My Dear Swan
#
Andrei-Lucian Dragoi
#
SheetMusicPlus
Neapolitan Song (flute, clarinet and bassoon)
Flûte, Clarinette et Basson
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU…
(+)
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU: A0.956600 Composed by P I Tchaikovsky. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. 6 pages. C Melville-Mason #6405187. Published by C Melville-Mason (A0.956600). Neapolitan Song is a charming light item from a collection of short piano pieces written by Russian composer Pyotr Ilyich Tcahikovsky 'for the young' in 1878. The composer also used an orchestrated version of the piece in Act 2 of his ballet Swan Lake.This arrangement for mixed woodwind trio of flute, clarinet in B-flat and bassoon demands tidy and accurate articulation - at speed in the faster, flashy closing section! The piece is ideal as a light closing item or encore for a recital.
$4.50
4.12 €
#
Flûte, Clarinette et Basson
#
P I Tchaikovsky
#
Catriona Melville-Mason
#
Neapolitan Song
#
C Melville-Mason
#
SheetMusicPlus
Swan Lake by Tchaikovsky for Woodwind Quartet and Piano
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.1202193 Com…
(+)
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.1202193 Composed by Peter Ilyich Tchaikovsky. Arranged by Langanho. Chamber,Classical,Romantic Period,Wedding. 6 pages. Avery Lynn Jordan #800859. Published by Avery Lynn Jordan (A0.1202193). Introducing a simplified arrangement of Tchaikovsky's timeless classic, Swan Lake, now available in a convenient Woodwind Quartet and Piano with Chords format. Perfect for beginners or anyone looking to delve into the world of classical music, this arrangement captures the beauty and elegance of the original composition while being accessible and easy to learn. Whether you're a budding musician or a parent looking to encourage your child's musical interests, this sheet music is an excellent choice. Immerse yourself in the enchanting world of Swan Lake and experience the joy of playing this beautiful piece for yourself.
$12.99
11.9 €
#
Flûte, Hautbois, Clarinette, Basson
#
Peter Ilyich Tchaikovsky
#
Langanho
#
Swan Lake by Tchaikovsky for Woodwind Quartet and Piano
#
Avery Lynn Jordan
#
SheetMusicPlus
Swan Lake by Tchaikovsky for Woodwind Quintet and Piano
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.1202208 Com…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.1202208 Composed by Peter Ilyich Tchaikovsky. Arranged by Langanho. Chamber,Classical,Romantic Period,Wedding. 7 pages. Avery Lynn Jordan #800875. Published by Avery Lynn Jordan (A0.1202208). Introducing a simplified arrangement of Tchaikovsky's timeless classic, Swan Lake, now available in a convenient Woodwind Quintet and Piano with Chords format. Perfect for beginners or anyone looking to delve into the world of classical music, this arrangement captures the beauty and elegance of the original composition while being accessible and easy to learn. Whether you're a budding musician or a parent looking to encourage your child's musical interests, this sheet music is an excellent choice. Immerse yourself in the enchanting world of Swan Lake and experience the joy of playing this beautiful piece for yourself.
$19.99
18.31 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Peter Ilyich Tchaikovsky
#
Langanho
#
Swan Lake by Tchaikovsky for Woodwind Quintet and Piano
#
Avery Lynn Jordan
#
SheetMusicPlus
Swan Lake by Tchaikovsky for Woodwind Quintet and Piano
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.1202207 Com…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.1202207 Composed by Peter Ilyich Tchaikovsky. Arranged by Langanho. Chamber,Classical,Romantic Period,Wedding. 7 pages. Avery Lynn Jordan #800874. Published by Avery Lynn Jordan (A0.1202207). Introducing a simplified arrangement of Tchaikovsky's timeless classic, Swan Lake, now available in a convenient Woodwind Quintet and Piano format. Perfect for beginners or anyone looking to delve into the world of classical music, this arrangement captures the beauty and elegance of the original composition while being accessible and easy to learn. Whether you're a budding musician or a parent looking to encourage your child's musical interests, this sheet music is an excellent choice. Immerse yourself in the enchanting world of Swan Lake and experience the joy of playing this beautiful piece for yourself.
$19.99
18.31 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Peter Ilyich Tchaikovsky
#
Langanho
#
Swan Lake by Tchaikovsky for Woodwind Quintet and Piano
#
Avery Lynn Jordan
#
SheetMusicPlus
Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals (A Selection of pieces from) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Dow…
(+)
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Romantic Period, Repertoire, Anniversary, Wedding, Recital. Score, Set of Parts. 48 pages. Published by RayThompsonMusic
The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and the complete work lasts around 25 minutes.<br> <br> I have arranged a selection of pieces from this suite for wind quintet-<br> <br> They are:<br> <br> I. Introduction et Marche Royale du Lion( Inroduction and Royal March of the Lion)<br> <br> II. Poules et Coqs (Hens and Roosters)<br> <br> IV. Tortues (Tortoises)<br> <br> V. L'Eléphant (The Elephant)<br> <br> XII. Fossiles (Fossils)<br> <br> XII. Le Cygne (The Swan)<br> <br> XIV. Final (Finale)The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and the complete work lasts around 25 minutes.<br> <br> I have arranged a selection of pieces from this suite for wind quintet-<br> <br> They are:<br> <br> I. Introduction et Marche Royale du Lion( Inroduction and Royal March of the Lion)<br> <br> II. Poules et Coqs (Hens and Roosters)<br> <br> IV. Tortues (Tortoises)<br> <br> V. L'Eléphant (The Elephant)<br> <br> XII. Fossiles (Fossils)<br> <br> XII. Le Cygne (The Swan)<br> <br> XIV. Final (Finale)
$19.95
18.28 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Camille Saint- Saens
#
Saint-Saëns: Le Carnaval des Animaux
#
RayThompsonMusic
#
SheetMusicPlus
It Is Well (in the setting of Swan Lake)
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano,Violin - Level 3 - Digital Down…
(+)
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.786382 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arranged by Beka Wilson. Christian,Contemporary,Romantic Period,Sacred. Score and parts. 7 pages. Beka Wilson #4632395. Published by Beka Wilson (A0.786382). Horatio Spafford’s hymn, written after the death of his four daughters in a shipwreck, has brought comfort to many in their dark times. This arrangement (in the setting of Tchaikovsky’s Swan Lake) would be great for a calm instrumental special before the sermon, or a comforting song at a funeral.7 pages (includes piano score and parts), approximately 3:14 (suggested 100bpm), intermediate levelThis arrangement is for any combination of treble clef C instruments, but the following instrumentation is also available on Sheet Music Plus:Trumpet/clarinet/tenor sax: S0.587389Viola: S0.587377Alto Sax: S0. 587393Horn: S0. 587405Cello/bassoon/trombone: S0. 587409For custom instrumentation (for example, flute/cello or alto sax/clarinet), contact me at bekmars10@gmail.com, and I can get something posted here on Sheet Music Plus.
$9.99
9.15 €
#
Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky
#
Beka Wilson
#
It Is Well
#
Beka Wilson
#
SheetMusicPlus
It Is Well (in the setting of Swan Lake)
Small Ensemble Bassoon,Cello,Piano,Trombone - Level 3 - Digital Download SKU: A0.786387…
(+)
Small Ensemble Bassoon,Cello,Piano,Trombone - Level 3 - Digital Download SKU: A0.786387 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arranged by Beka Wilson. Christian,Contemporary,Gospel,Romantic Period,Sacred. Score and parts. 7 pages. Beka Wilson #4632437. Published by Beka Wilson (A0.786387). Horatio Spafford’s hymn, written after the death of his four daughters in a shipwreck, has brought comfort to many in their dark times. This arrangement (in the setting of Tchaikovsky’s Swan Lake) would be great for a calm instrumental special before the sermon, or a comforting song at a funeral.7 pages (includes piano score and parts), approximately 3:14 (suggested 100bpm), intermediate levelThis arrangement is for any combination of bass clef C instruments, but the following instrumentation is also available on Sheet Music Plus:Flute/oboe/violin: S0.587367Trumpet/clarinet/tenor sax: S0.587389Viola: S0.587377Alto Sax: S0. 587393Horn: S0. 587405For custom instrumentation (for example, flute/cello or alto sax/clarinet), contact me at bekmars10@gmail.com, and I can get something posted here on Sheet Music Plus.
$9.99
9.15 €
#
Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky
#
Beka Wilson
#
It Is Well
#
Beka Wilson
#
SheetMusicPlus
It Is Well (in the setting of Swan Lake)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.786385 Composed by Horatio S…
(+)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.786385 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arranged by Beka Wilson. Christian,Contemporary,Gospel,Romantic Period,Sacred. 7 pages. Beka Wilson #4632433. Published by Beka Wilson (A0.786385). Horatio Spafford’s hymn, written after the death of his four daughters in a shipwreck, has brought comfort to many in their dark times. This arrangement (in the setting of Tchaikovsky’s Swan Lake) would be great for a calm instrumental special before the sermon, or a comforting song at a funeral.7 pages (includes piano score and parts), approximately 3:14 (suggested 100bpm), intermediate levelThis arrangement is for any combination of treble clef F instruments, but the following instrumentation is also available on Sheet Music Plus:Flute/oboe/violin: S0.587367Trumpet/clarinet/tenor sax: S0.587389Viola: S0.587377Alto Sax: S0. 587393Cello/bassoon/trombone: S0. 587409For custom instrumentation (for example, flute/cello or alto sax/clarinet), contact me at bekmars10@gmail.com, and I can get something posted here on Sheet Music Plus.
$9.99
9.15 €
#
Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky
#
Beka Wilson
#
It Is Well
#
Beka Wilson
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
