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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Time Passage
Non classifié
153
Piano & claviers
Piano seul
155
Piano Facile
19
Piano, Voix
13
Orgue
10
1 Piano, 4 mains
5
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4
Instruments en Do
3
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2
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1
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1
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1
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19
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5
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Banjo
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Ukulele
1
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63
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34
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28
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27
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26
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3
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1
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1
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34
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19
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15
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14
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14
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13
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13
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12
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12
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11
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11
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8
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8
2 Hautbois (duo)
8
Hautbois, Clarinette (duo)
8
Hautbois, Basson (duo)
7
Ensemble de Clarinettes
7
Clarinette et Piano
7
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7
Saxophone Alto
7
Saxophone Tenor
7
Hautbois, Flûte
7
Quatuor de Clarinettes: 4 clarinettes
6
Flûte, Saxophone (duo)
6
Quintette de Saxophone: 5 saxophones
6
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Alto et Piano
5
Clarinette et Alto
5
Flûte, Clarinette (duo)
4
Ensemble de Flûtes
4
Saxophone Soprano et Piano
4
Flûte, Trompette (duo)
4
3 Clarinettes (trio)
3
Hautbois (partie séparée)
3
Saxophone Tenor et Piano
2
Hautbois
2
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
2
Ensemble de saxophones
2
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2
Flûte, alto et harpe
1
Ensemble à vent
1
Clarinette, Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
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15
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14
Trombone et Piano
10
Trombone
10
Trompette
9
2 Trompettes (duo)
9
Cor
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette, Trombone (duo)
7
Cor et Piano
7
2 Trombones (duo)
7
Tuba
6
Trompette, Piano
5
Tuba et Piano
4
Ensemble de Trombones
2
Trompette (partie séparée)
2
Ensemble de Trompettes
2
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Cors Anglais Et Pianoforte
1
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1
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45
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24
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18
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18
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16
Violon, Violoncelle (duo)
11
Alto, Piano
11
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle
9
2 Violons (duo)
8
Alto seul
7
2 Altos (duo)
6
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Contre Basse
4
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
1
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1
4 Violoncelles
1
Alto et Harpe
1
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102
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40
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17
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17
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10
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CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
Call of the North (Elementary String Orchestra)
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Orchestre à Cordes
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DÉBUTANT
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Colin Kirkpatrick
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Call of the North
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.522248 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 23 pages. Colin Kirkpatrick Publi...
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String Orchestra - Level 1 - SKU: A0.522248 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 23 pages. Colin Kirkpatrick Publications #5017655. Published by Colin Kirkpatrick Publications (A0.522248). Call of the North is a movement from Colin Kirkpatrick's suite for elementary string orchestra entitled “Atlantic Highwayâ€. Ideal for end-of-semester concerts or any other school or college concert occasion, these tuneful and attractive pieces are bound to please audience and instrumentalists alike. The work is scored for Violins 1 and 2, Viola (with an identical but optional part for Vln 3 in treble clef), cello, double bass and piano (or digitial keyboard). The piano part is not merely an accompaniment but an integral part of music and therefore essential. However, the piano part is not especially difficult and perfectly manageable by the intermediate pianist. All the string parts can be played in first position and there are soli sections for vln 1, cello and double bass. Pizzicato is used extensively in the double bass part and is some of the passages for the upper strings. The piece is in D major with a central passage in G major and the time signature is 4/4 throughout. The string parts have been produced in fairly large type making them ideal for elementary players. Cues have been added where necessary. 
$9.95
Diehnelt: Striadica - A Symphonic Passage - SCORE
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kim Diehnelt
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Diehnelt: Striadica - A Sympho
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Kim Diehnelt
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Die...
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Full Orchestra - Level 4 - SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 ½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)© 2017 Kim Diehnelt (ASCAP)
$8.99
We Gather Together - trombone, flute, piano
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Traditional, Johann Cruger
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We Gather Together - trombone,
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Con Spirito Music
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - SKU: A0.726101 Arranged by Traditional, Johann Cruger. Christian,Holiday,Sacred. Score ...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - SKU: A0.726101 Arranged by Traditional, Johann Cruger. Christian,Holiday,Sacred. Score and parts. 12 pages. Con Spirito Music #6077249. Published by Con Spirito Music (A0.726101). This arrangement for trombone, flute, and piano brings together two hymn tunes that are especially popular at the American holiday of Thanksgiving, but appropriate at any time of year. We gather together are the opening words to a poem written by the Dutch poet and composer Adrianus Valerius in 1597 to celebrate the Dutch victory in a long-standing dispute with Spain. 1878, the Austrian composer/conductor Edward Kremser arranged six Dutch folk songs for men's voices, including Prayer of Thanksgiving: Old Dutch Melody, with texts in German. In 1894, Theodore Baker (editor of Baker's Biographical Dictionary of Musicians) translated the German text of Prayer of Thanksgiving into the familiar English version, We gather together to ask the Lord's blessing, that is sung today. Now Thank We All Our God is Catherine Winkworth's (1827-1878) translation of the German Nun Danket Alle Gott, written by Lutheran clergyman and hymn-writer Martin Rinckart (1586-1649). Rinckart's text, based on a passage from Ecclesiasticus, was set to a chorale tune by Johann Cruger (1598-1662) in his 1647 collection, Praxis pietatis melica (The Practice of Piety in Song), a hymnal for use in public worship and private devotions. Like We Gather Together, it is strongly associated the Thanksgiving holiday and other services of thanksgiving. Copyright 2015 Todd Marchand / www.ConSpiritoMusic.com
$6.00
Of time you would make a stream
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Chorale SATB
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Sven Hagvil
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Of time you would make a strea
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus a cappella - SKU: BJ.1462 Composed by Sven Hagvil. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1462. Published by Bo Ejeby Forlag - Digital...
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SATB chorus a cappella - SKU: BJ.1462 Composed by Sven Hagvil. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1462. Published by Bo Ejeby Forlag - Digital (BJ.1462). 8.27 x 11.7 inches.Winner of the 2nd prize in Bo Ejeby Förlag’s composition award 2021.The Lebanese American philosopher and poet Khalil Gibran’s book The Prophet has accompanied me for a long time, ever since I was first introduced to it by a friend, a Lebanese refugee, many years ago. I’ve returned to it often, to read and to make use of passages in compositions. The Prophet is a wondrous treasure trove of amazing poetry – covering life, death, and everything in between: love, friendship, children, work, power. And time.I always focus carefully on any texts I wish to use, read and rhythmize them in different ways they could be read and interpreted, and choose words and sentences that deserve to be emphasized, to stop and ponder on, or simply let go and flow. So too in this, in my opinion, magnificent poem. Sometimes there’s very little movement, sometimes it courses on in a mighty and unfathomable manner. Never predictable. I hope I managed to bring out the timelessness. – Sven Hagvil.
$4.00
The Entertainer (MEDIUM PIANO) [Scott Joplin]
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Piano seul
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Darek
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The Entertainer
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1259577 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pages. Darek #85288...
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Piano Solo - Level 3 - SKU: A0.1259577 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pages. Darek #852884. Published by Darek (A0.1259577). The Entertainer (MEDIUM PIANO) [Scott Joplin]Intermediate arrangement for pianists of The Entertainer by Scott Joplin. Intermediate version for pianists / Intermediate piano arrangement. Included: Fingering, Dynamics, Articulations and Youtube tutorial. Introducing my intermediate arrangement of The Entertainer by Scott Joplin, designed specifically for pianists seeking a more challenging yet accessible rendition of this beloved ragtime classic. Immerse yourself in the lively rhythms and captivating melodies that defined the era. This sheet music offers an engaging and enriching experience for intermediate pianists, allowing you to delve deeper into the intricate nuances of Joplin's composition. With clear and detailed notation, this arrangement strikes a balance between complexity and playability, providing an enjoyable challenge for pianists at the intermediate level. As you explore this sheet music, you'll find meticulously marked fingering suggestions that enhance your technical proficiency, ensuring smooth and seamless execution of the piece. Mastering the intricate passages and hand coordination becomes an exciting journey, as you embrace the artistry of Joplin's ragtime style. Capture the spirit of the music through meticulously annotated dynamics and articulations, adding depth and expression to your performance. These markings guide you in shaping the musical phrases, emphasizing the syncopated rhythms and contrasting elements that make The Entertainer so captivating. To further support your learning and provide comprehensive guidance, this product includes a YouTube tutorial. Witness firsthand how dynamics, articulations, and stylistic elements come together for an authentic and compelling interpretation. This intermediate arrangement of The Entertainer offers numerous benefits for pianists. Whether you're preparing for a performance, expanding your repertoire, or teaching students, this sheet music provides a rewarding and enriching musical experience. Embark on a musical journey into the vibrant energy and infectious rhythms of Joplin's ragtime era. As you navigate the intricacies of The Entertainer, you'll not only embrace the historical significance of the piece but also develop crucial musical skills such as coordination, expression, and interpretation. Experience the joy of mastering a timeless classic that has delighted audiences for generations. This intermediate arrangement allows you to confidently perform The Entertainer with flair and finesse, captivating listeners with your musicality and technical prowess. Unlock the versatility of The Entertainer as you infuse it with your personal style and creative expression. This sheet music is a valuable addition to your repertoire, whether you're an intermediate pianist seeking a captivating challenge or an educator looking for engaging teaching material. Discover the magic of Scott Joplin's ragtime masterpiece with this intermediate arrangement. With its engaging approach, detailed fingering, dynamic markings, and comprehensive tutorial, this sheet music ensures a gratifying and fulfilling journey as you master The Entertainer on the piano.
$3.00
The Love of God
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Frederick M
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Leandro Bizama
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The Love of God
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Leandro Bizama Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and...
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Concert Band - Level 3 - SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and parts. 44 pages. Leandro Bizama Music #2907105. Published by Leandro Bizama Music (A0.933695). The Love of God, for Concert Band, Grade Level 2.5, dur. 4 mins.The lyrical nature of the tune combined with the powerful poem about God's love make this one of the greatest hymns ever. This arrangement maintains the power of the tune and represents the beauty of the poetry musically. Each verse has its own special setting corresponding to the words of the hymn. Starting in a mysterious, martial and subdued style, The Love of God develops into a strong but respectful to the hymn type of finale, complete with musical representations of the waves of the sea. It is accessible to High School groups but also appropriate for Community or College ensembles. Because of its history (see below) it can appeal to a wide range of faiths and inspire unity and peace. Audiences and performers alike are sure to find it inspiring and uplifting.---A little about the history of the hymn:Could we with ink the ocean fill, and were the skies of parchment made;Were every stalk on earth a quill, and every man a scribe by trade;To write the love of God above would drain the ocean dry;Nor could the scroll contain the whole, though stretched from sky to sky.These timeless words inspired Lehman to write The Love of God after they were found edged on the wall of an asylum patient's room. They are an adaptation and translation of a poem originally written in Aramaic by the Jewish Rabbi of Worms, Germany around the year 1050. This poem in turn is similar to a passage in the Qur'an. What an incredible journey for these great words: an ancient poem that has its roots in the Qur'an, later adapted by a Rabbi, written on the wall of an insane asylum by a patient, and finally taken up by a Christian to be the basis of a beautiful song. Surely God's love and music are the only two things powerful enough in our World to bring unity and respect in the face of pride and violence.For more about the arranger, visitwww.leandrobizama.comSources:http://www.hymnary.org/text/the_love_of_god_is_greater_farhttp://library.timelesstruths.org/music/The_Love_of_God/http://www.tanbible.com/tol_sng/sng_theloveofgod.htm
$30.00
The Entertainer (HARD PIANO) [Scott Joplin]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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Darek
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The Entertainer
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1259579 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pages. Darek #85288...
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Piano Solo - Level 4 - SKU: A0.1259579 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pages. Darek #852886. Published by Darek (A0.1259579). The Entertainer (HARD PIANO) [Scott Joplin]Advanced arrangement for pianists of The Entertainer by Scott Joplin. Difficult version for pianists / Advanced piano arrangement. Included: Fingering, Dynamics, Articulations and Youtube tutorial. Introducing my advanced arrangement of The Entertainer by Scott Joplin, meticulously crafted for pianists seeking a challenging and virtuosic rendition of this iconic ragtime composition. Immerse yourself in the rich melodies and syncopated rhythms that defined the era and captivated audiences. This sheet music offers a thrilling musical journey for advanced pianists, allowing you to push your technical skills to new heights while exploring the depth and complexity of Joplin's masterpiece. With precise and detailed notation, this arrangement showcases the intricate passages and demanding hand coordination, providing an exhilarating challenge for pianists at the advanced level. As you delve into this sheet music, you'll find meticulously marked fingering suggestions that enhance your performance, ensuring optimal finger placement and fluid execution of the piece. These detailed markings contribute to a seamless and confident rendition, allowing you to conquer the technical intricacies with precision and finesse. Capture the essence of the music through meticulously annotated dynamics and articulations, adding depth, expression, and emotion to your performance. These markings guide you in shaping the musical phrases, accentuating the vibrant rhythms and contrasting elements that make The Entertainer so captivating. To further support your musical journey and provide comprehensive guidance, this product includes a YouTube tutorial. Witness firsthand how dynamics, articulations, and stylistic elements come together for an authentic and compelling interpretation. This advanced arrangement of The Entertainer offers numerous benefits for pianists. Whether you're preparing for a challenging performance, expanding your repertoire, or teaching students seeking a formidable piece, this sheet music provides a rewarding and enriching musical experience. Embark on a musical voyage into the vibrant energy and infectious rhythms of Joplin's ragtime era. As you navigate the intricate musical landscape of The Entertainer, you'll not only embrace the historical significance of the piece but also develop crucial musical skills such as dexterity, expression, and interpretation. Unlock the versatility of The Entertainer as you infuse it with your personal style and artistic expression. This sheet music is a valuable addition to your repertoire, whether you're an advanced pianist seeking a challenging masterpiece or an educator looking for captivating teaching material. Discover the magic of Scott Joplin's ragtime masterpiece with this advanced arrangement. With its intricate notation, detailed fingering, dynamic markings, and comprehensive tutorial, this sheet music ensures a gratifying and fulfilling journey as you master The Entertainer on the piano, leaving audiences in awe of your technical prowess and musical artistry.
$4.00
Debussy - The Girl with the Flaxen Hair for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Lin Yizhi Ernest
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Debussy - The Girl with the Fl
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Lin Yizhi Ernest
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yi...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yizhi Ernest #6609931. Published by Lin Yizhi Ernest (A0.748745). Debussy's The Girl with the Flaxen Hair is an endearing piece and a great introduction to the musical world of Debussy. Every piano player would most probably be familiar with this piece, but not necessarily wind players. However, with this arrangement for Wind Quintet, the expressive voices of this piano piece are further explored by the colours of the Flute, Oboe, Clarinet, Horn and Bassoon.The opening solo is deliberately given to the flute, paying homage to another iconic piece of Debussy's, Prélude à l'après-midi d'un faune, which opens with a lower register flute solo starting with the same note Db.Conscious decisions were also made to give the phrases in bars 12-13 and 15-16 with larger melodic spreads to the Clarinet, whose expressive qualities across these ranges suit these phrases particularly well.The revisiting of the theme in bar 28, this time in a higher register, was deliberately given to the Oboe and not the flute (not every high register melodies needs to be assigned to the flute). Oboe's higher registers, when played delicately to the point of almost struggling to hang on to the higher notes, suit the sweetness (tre doux) of the solo passage particularly well.Not to forget the characteristic Debussy harmonies that is fully supported and suited to be powered by the French Horn and Bassoon. These lower voices provide the harmonic engine that powers this unmistakable Debussy sound.Truly, this arrangement is a challenge and masterclass in tone colour for the Wind Quintet that demands a simultaneous homogeneity, as well as balance that brings out the Debussy sound, yet allowing each of the characteristics of the Wind instruments to shine through.
$18.00
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
The Entertainer - Joplin
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Piano seul
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FACILE
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Ragtime
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Scott Joplin
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Theoria Music
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The Entertainer - Joplin
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Theoria Music Publishing
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.894344 Composed by Scott Joplin. Arranged by Theoria Music. 20th Century,Folk,Traditional. Score. 4 pages. Theoria Music ...
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Piano Solo - Level 2 - SKU: A0.894344 Composed by Scott Joplin. Arranged by Theoria Music. 20th Century,Folk,Traditional. Score. 4 pages. Theoria Music Publishing #3624287. Published by Theoria Music Publishing (A0.894344). The Entertainer is sub-titled A Rag Time Two Step, which was a form of dance popular until about 1911, and a style which was common among rags written at the time. The piece is a 1902 classic piano rag written by Scott Joplin and it was sold first as sheet music, and in the 1910s as piano rolls that would play on player pianos.The first recording was by blues and ragtime musicians, the Blue Boys in 1928, played on mandolin and guitar.Its structure is: Intro–AA–BB–A–CC–Intro2–DD.It is primarily set in the key of C major; however, for the C section (commonly referred to as the 'Trio'), it modulates to the subdominant, F major, then through a transitional passage modulates back to C major for the D section. The B section contains an indication that the melody is to be played an octave higher on the repeat.In the June 7, 1903, St. Louis Globe-Democrat, contemporary composer Monroe H. Rosenfeld described The Entertainer as the best and most euphonious of Joplin's compositions to that point. It is a jingling work of a very original character, embracing various strains of a retentive character which set the foot in spontaneous action and leave an indelible imprint on the tympanum.Suggested by the rag's dedication to James Brown and his Mandolin Club, author Rudi Blesh wrote that some of the melodies recall the pluckings and the fast tremolos of the little steel-stringed plectrum instruments. Stark issued an arrangement of the piece for two mandolins and a guitar.Wikipedia contributors, The Entertainer (rag), Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=The_Entertainer_(rag)&oldid=916644407 (accessed September 29, 2019)Title: The EntertainerComposer: Scott JoplinYear: 1902Format: PDFSize: 8.5x11Publisher: Theoria Music PublishingWebsite: https://sheetmusicmarket.comÂ
$1.99
Playtime for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Playtime for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
The Bare Necessities
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Piano seul
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FACILE
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Film Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music...
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Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Spring (HARD PIANO) from the Four Seasons [Antonio Vivaldi]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Darek
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Spring
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1259529 Composed by Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music,Traditional. Score. 6 pages. Darek ...
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Piano Solo - Level 4 - SKU: A0.1259529 Composed by Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music,Traditional. Score. 6 pages. Darek #852834. Published by Darek (A0.1259529). Spring (HARD PIANO) from the Four Seasons [Antonio Vivaldi]Advanced arrangement for pianists of Spring from the Four Seasons by Antonio Vivaldi. Advanced version for pianists / Difficult piano arrangement. Included: Fingering, Dynamics, and video Youtube tutorial. Welcome to the world of classical music mastery with my exceptional creation, the Spring (for piano, difficult version, for advanced pianists). Immerse yourself in the captivating melodies of this timeless composition, derived from the iconic Four Seasons by the legendary Antonio Vivaldi. As an advanced pianist seeking a thrilling musical challenge, this arrangement is tailor-made to showcase your virtuosity and passion. Unlock the full potential of your musical expression with this meticulously crafted sheet music. The advanced difficulty level ensures that every note and passage will push your technical skills to new heights, allowing you to leave a lasting impression on audiences and fellow musicians. Within this remarkable package, you will find Fingering markings meticulously designed to guide your fingers effortlessly through the intricacies of the composition. These markings not only facilitate smooth execution but also promote efficient technique, enabling you to tackle the most demanding passages with precision and ease. To breathe life into your performance, detailed Dynamics markings have been thoughtfully incorporated. These markings serve as your guide to masterfully convey the subtle nuances and emotional depth embedded within Vivaldi's Spring. Elevate your interpretation and captivate audiences with the richness and expressiveness that only an advanced pianist can deliver. To enhance your learning experience and offer guidance throughout your musical journey, I have included a comprehensive video YouTube tutorial. This tutorial serves as your personal mentor, unveiling the secrets behind the interpretation and performance of this beloved classical piece. Immerse yourself in the insightful guidance provided and witness your artistry flourish. Indulge in the endless possibilities of Vivaldi's Spring and experience the thrill of mastering this challenging masterpiece. Whether you aspire to enrapture audiences on grand stages, enrich your personal repertoire, or seek to impart your knowledge through teaching, this advanced sheet music holds unparalleled value. Immerse yourself in the richness of classical music and claim your place among the elite pianists of our time. Elevate your artistry, captivate hearts, and ignite emotions with the Spring (for piano, advanced version, for advanced pianists).
$5.00
A Passage Through Time
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Janelle Zook Cunalata
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A Passage Through Time
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JZC Music
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SheetMusicPlus
Large Ensemble Flute,Oboe,Piano Accompaniment,Violin - Level 5 - SKU: A0.948360 Composed by Janelle Zook Cunalata. Concert,Contemporary,World. Score and...
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Large Ensemble Flute,Oboe,Piano Accompaniment,Violin - Level 5 - SKU: A0.948360 Composed by Janelle Zook Cunalata. Concert,Contemporary,World. Score and parts. 19 pages. JZC Music #3408435. Published by JZC Music (A0.948360). This piece takes listeners on a journey as they experience passage through uncertain times, calamities, and struggles. .
$7.99
A Dance In TripleTime
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Chorale SSAA
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FACILE
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. A...
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Voice (SSAA) - Level 2 - SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
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Orchestre d'harmonie
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Contemporain
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Neal Endicott
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Isn't It Enough to Think...Wit
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Neal Endicott Music
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SheetMusicPlus
Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott...
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Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
Air on the G String (HARD PIANO) from Suite No. 3 (BWV 1068) [Johann Sebastian Bach]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Darek
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Air on the G String
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1257386 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Score. 4 pages. Dare...
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Piano Solo - Level 4 - SKU: A0.1257386 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Score. 4 pages. Darek #850720. Published by Darek (A0.1257386). Embark on an exhilarating musical expedition with the Air on the G String, an awe-inspiring composition from Suite No. 3 (BWV 1068) by the legendary Johann Sebastian Bach. Prepare to be spellbound as you immerse yourself in the intricate melodies and technical challenges of this hard difficulty piano arrangement, crafted for pianists who crave a formidable musical adventure.Designed for seasoned pianists seeking to push their boundaries, this hard difficulty piano sheet music unlocks the full potential of Bach's masterwork. Explore the complexities of this iconic composition, from the lightning-fast passages to the demanding fingerings, as you showcase your virtuosity and command over the instrument.The Air on the G String stands alone in its ability to evoke a profound range of emotions, from gentle introspection to triumphant grandeur. Its timeless beauty and ethereal charm mesmerize listeners, drawing them into a captivating story told through every resounding note and nuanced phrase.Unleash your passion and dive into the captivating narrative as you breathe life into this formidable masterpiece. Let your fingers dance across the keys, interpreting the cascading melodies and expressive harmonies with the utmost precision and artistry, capturing the hearts and imaginations of your audience.Whether you're preparing for a demanding performance or simply seeking to conquer a musical Everest, this hard difficulty piano sheet music will challenge and inspire you. Embrace the exhilarating journey that awaits, and revel in the satisfaction of conquering Bach's magnificent creation.Keywords: Air on the G String, hard difficulty piano sheet music, Suite No. 3, BWV 1068, Johann Sebastian Bach, exhilarating, musical expedition, intricate melodies, technical challenges, formidable musical adventure, seasoned pianists, push boundaries, full potential, lightning-fast passages, demanding fingerings, virtuosity, command over the instrument, timeless beauty, ethereal charm, profound range of emotions, gentle introspection, triumphant grandeur, captivating story, resounding note, nuanced phrase, passion, formidable masterpiece, breathe life, precision, artistry, hearts and imaginations, demanding performance, musical Everest, challenge, inspire, exhilarating journey.
$5.00
In The Hall Of The Mountain King (MEDIUM PIANO) from Peer Gynt [Edvard Grieg]
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Piano seul
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INTERMÉDIAIRE
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Classique
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Halloween
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offering intermediate-level sh
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Edvard Grieg
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Darek
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In The Hall Of The Mountain Ki
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1257926 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 2 pages. Darek #851162. Published ...
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Piano Solo - Level 3 - SKU: A0.1257926 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 2 pages. Darek #851162. Published by Darek (A0.1257926). In The Hall Of The Mountain King (MEDIUM PIANO) from Peer Gynt [Edvard Grieg]Intermediate arrangement for pianists of In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Intermediate version of music song. Included: Fingering, Dynamics and video youtube tutorial. Immerse yourself in the captivating melodies of Edvard Grieg's In The Hall Of The Mountain King from Peer Gynt with our intermediate-level piano sheet music. Designed for pianists with some experience, this sheet music offers an exciting challenge that will enhance your skills and musicality.Our comprehensive package includes detailed fingering suggestions, dynamic markings, and a video YouTube tutorial, making it the perfect resource for intermediate pianists seeking to master this iconic piece. The fingering suggestions provide valuable guidance on hand placement and technique, ensuring that you navigate the intricate passages with precision and fluidity.In The Hall Of The Mountain King is a remarkable composition from the Romantic era, displaying Grieg's mastery of creating evocative and atmospheric music. The piece is known for its dramatic and suspenseful melodies, transporting performers and audiences to the mythical world of Peer Gynt.With our sheet music, you'll be able to unlock the full potential of this piece, accurately capturing its emotional depth and intensity. The included dynamic markings guide you in expressing the contrasting moods and bringing out the subtleties, adding depth and richness to your interpretation.To aid your learning process, we provide a comprehensive video YouTube tutorial alongside the sheet music. This tutorial offers expert guidance, breaking down the composition into manageable sections and providing valuable insights into interpretation and technique.As an intermediate pianist, it is crucial to challenge yourself with music that expands your repertoire and skills. Our intermediate-level sheet music for In The Hall Of The Mountain King strikes the perfect balance between accessibility and complexity, allowing you to explore new musical horizons and further develop your playing abilities.We understand the importance of providing quality resources for pianists at every level. By offering intermediate-level sheet music, we aim to support your musical growth and inspire you to continue pushing your boundaries as a pianist.Unlock the magic and power of Grieg's masterpiece by purchasing our intermediate-level piano sheet music for In The Hall Of The Mountain King. Perfect for pianists seeking to elevate their playing, this sheet music will challenge and delight you with its expressive melodies and dynamic contrasts.Position yourself for success on your musical journey by choosing sheet music that matches your skill level. With our intermediate-level sheet music for In The Hall Of The Mountain King, you'll embark on an exciting musical adventure, furthering your progress as a pianist and experiencing the thrill of performing this timeless composition.Don't miss the opportunity to master this iconic piece and showcase your musical prowess. Purchase our intermediate-level sheet music for In The Hall Of The Mountain King and let the enchanting melodies of Grieg's composition come alive under your fingertips. Begin your musical journey today and unlock the beauty of this timeless masterpiece.
$3.00
Ahsoka's Theme
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Orchestre d'harmonie
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DÉBUTANT
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Kevin Kiner
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David B Bell, Jr
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Ahsoka's Theme
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David B Bell, Jr.
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1494914 Composed by Kevin Kiner. Arranged by David B Bell, Jr. Contest,Festival,Film/TV,Instructional. 21 pages. David ...
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Concert Band - Level 1 - SKU: A0.1494914 Composed by Kevin Kiner. Arranged by David B Bell, Jr. Contest,Festival,Film/TV,Instructional. 21 pages. David B Bell, Jr. #1071475. Published by David B Bell, Jr. (A0.1494914). My 5th graders absolutely loved this arrangement of Ahsoka (End Credits). It was their favorite other than You Belong With Me.It would be a challenge piece for a first year band as it has many long tones and sustained passages. There is a tempo change, dynamic changes and triplet rhythms. Worth the time and effort as the result was a hit. FH doubles the AS. TS and BC double the TBN. Oboe doubles the FL.
$49.99
Then I Saw the Lucent Sky: Tuba
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Orchestre d'harmonie
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Methodes
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Todd Stalter
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Then I Saw the Lucent Sky: Tub
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001428_TB1 Tuba. Composed by Todd Stalter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-...
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Concert Band - SKU: AX.00-PC-0001428_TB1 Tuba. Composed by Todd Stalter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_TB1). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
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The Time Passage
