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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FLUTE DE PAN
FLUTE TRAVERSI…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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TROMPETTE
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The Tin Gee-Gee. Song
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Piano & claviers
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5
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4
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Vous avez sélectionné:
The Tin Gee-Gee. Song
Partitions à imprimer
91 partitions trouvées
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Tin Gee-Gee. Song
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Piano, Voix
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Fred Cape
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The Tin Gee-Gee. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.5821 Composed by Fred Cape. Stores & shops, Toys, Dolls, Soldiers, Courtship, Love, Storytelling. Lester S. Levy Collection. 4...
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Piano and voice - SKU: LV.5821 Composed by Fred Cape. Stores & shops, Toys, Dolls, Soldiers, Courtship, Love, Storytelling. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5821). The Tin Gee-Gee. Song. Written and Composed by Fred Cape. Published 1894 by T.B. Harms & Co., 18 East 22nd St. in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Stores & shops, Toys, Dolls, Soldiers, Courtship, Love, Storytelling. First line reads I was strolling, one day, down the Lowther Arcade.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
What do they matter? (for medium-high voice and harp)
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Contemporain
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...
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Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
(there'll Be Bluebirds Over) The White Cliffs Of Dover
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Walter Kent
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Kevin P Holdgate
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(there'll Be Bluebirds Over) T
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgat...
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Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
Gee I Wish I Had Someone to Rock Me
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Contemporain
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Eubie Blake, Noble Sissle
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Bill Wilson
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Gee I Wish I Had Someone to Ro
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775199 Composed by Eubie Blake, Noble Sissle. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #38749...
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Brass Quintet - Level 2 - SKU: A0.775199 Composed by Eubie Blake, Noble Sissle. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #3874957. Published by Alexander Wilson (A0.775199). Gee, I Wish I Had Some One to Rock Me, by the Tin Pan Alley songwriting team of Eubie Blake (music) and Noble Sissle (words), is a slightly wistful song, with plenty of countermelodic interest to go along with a charming melody. Our arrangement shares melodic responsibilities between the two trumpet parts. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:48. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Songs for a Rainbow People
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Songs for a Rainbow People
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SheetMusicPlus
A collection of hymns and songs by this talented New Zealand composer. The selections are light-hearted, creative and uplifting. Notes on the hymns are included...
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A collection of hymns and songs by this talented New Zealand composer. The selections are light-hearted, creative and uplifting. Notes on the hymns are included
Song List
: Across a Dark, Autumnal Sky I Saw a Flock of Wild Geese Fly (Honking Hymn) As Everyone Knows, or Thinks They Know from the Book of Genesis (The Tale of a Snake) A Stable Lamp Is Lighted Every Hair upon Your Head Fancy Noah Sailing in the Ark (Rainbow People) For Everyone Born a Place a the Table Gentle God, the Candle Flickers God in the Darkness, God Beyond Our Knowing God of the Bible, God in the Gospel(Fresh as the Morning) God Rest Us, Rest that Part of Us which Is Tired Great and Deep the Spirit's Purpose Here to Celebrate God's Loving How Much Am I Worth? I'm a Fishbowl Christian I'm Gonna Take Another Step Along the Way (Treksong) It All Depends on Where I'm Going Listen to the Voices, Listen to the Voices of the Earth Lord, I Wait for the Tide to Turn Lord Jesus, Look on This We Do Merry Christmas Rag Nothing Is Lost on the Breath of God Now as We Go, Kind Spirit Keep Us O Spring in the Desert, O Shelter from Heat (Prayer for the Presence) Snap Us Out of It, Lord (The Ho-Hum Hymn) Sometimes the Boundless Beauty of the World Strong Word of God, Spoken to All The Grace of God on You Distill The Lord God Walked in Paradise (Callings) There's Straw in the Manger (The Folly of Love Carol) These Hills Where the Hawk Flies Lonely This Tree We Plant in Loving Memory When I Was a Child I Thought as a Child When Our Lives Know Sudden Shadow
$9.95
A Tribute Solo in Praise of Martin Luther King, Jr.
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Voix seule
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DÉBUTANT
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Gospel Spirituel
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Jazz
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Spiritual
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S
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A Tribute Solo in Praise of Ma
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Suzanne Geer
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.999935 Composed by Spiritual. Arranged by S.R.Geer, ASCAP. Spiritual. 5 pages. Suzanne Geer #6113351. Published by ...
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Vocal Solo,Voice - Level 1 - SKU: A0.999935 Composed by Spiritual. Arranged by S.R.Geer, ASCAP. Spiritual. 5 pages. Suzanne Geer #6113351. Published by Suzanne Geer (A0.999935). The spiritual I've Got Peace Like a River was the inspiration in writing a song of tribute to Martin Luther King, Jr. Originally,this song was written for kindergarten students as a way to teach them all of the good things Dr. King did in his lifetime. It then evolved to having students in grades k - 5 sing it every January in honor of the MLK national holiday. There is also a choral arrangement of this song available for purchase. .
$1.99
Song of the Snow Goose
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Paroles et Accords
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FACILE
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Frances Newell
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Song of the Snow Goose
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Frances Newell
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1206010 Composed by Frances Newell. Chamber,Folk,Historic,Instructional,New Age. Chords/Lyrics. 7 pages. Frances Newell #8042...
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Guitar - Level 2 - SKU: A0.1206010 Composed by Frances Newell. Chamber,Folk,Historic,Instructional,New Age. Chords/Lyrics. 7 pages. Frances Newell #804201. Published by Frances Newell (A0.1206010). Hear the call of the migrating geese, captured in this colorful song with guitar and orchestra!Tang Dynasty Chinese poem flowing verse and imagery painted in music!
$6.99
The Song That Goes Like This
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Chorale SATB
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INTERMÉDIAIRE
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Eric Idle and John Du Prez
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K Hingee
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The Song That Goes Like This
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Katrin Hingee
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1499965 Composed by Eric Idle and John Du Prez. Arranged by K Hingee. 21st Century,A Cappella,Broadw...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1499965 Composed by Eric Idle and John Du Prez. Arranged by K Hingee. 21st Century,A Cappella,Broadway,Comedy,Contemporary,Musical/Show. 4 pages. Katrin Hingee #1076030. Published by Katrin Hingee (A0.1499965). From Monty Python's Spamalot, this song is just as ridiculous as you'd expect. Usually it's the soloists who get all the fun, but this a cappella arrangement has opportunities for the whole choir to join in on the joke, including altos getting picky about the key, tenors getting snarky about the Sir Galahad's high notes, and everyone being taken by surprise by the existence of a fourth page of music.Originally arranged for Away From Keyboard - a geek-themed choir based in Canberra, Australia.
$2.99
Song To The Siren
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Tim Buckley
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Andrew Orgee
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Song To The Siren
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Andrew Orgee
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1369022 By Tim Buckley. By Larry Beckett and Tim Buckley. Arranged by Andrew Orgee. 20th Century,C...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1369022 By Tim Buckley. By Larry Beckett and Tim Buckley. Arranged by Andrew Orgee. 20th Century,Contemporary,New Age,Pop. 17 pages. Andrew Orgee #953365. Published by Andrew Orgee (A0.1369022). This arrangement of “Song To The Siren†is based on Tim Buckley's original 1970 version of the song, and is scored for SATB choir with piano. The arrangement follows the verse and chorus structure of Larry Beckett's original text, but there is a countermelody which threads its way between the melody of the song. This is first stated by the piano accompaniment and then taken up by the choir throughout. This is the siren's song calling across the sea which is intended to be both beautiful and haunting at the same time. The piano accompaniment mimics the rolling movement of the sea which builds in intensity until the final closing bars.The arrangement is intended for choirs of a medium to large size, as the soprano and bass parts occasionally split into two parts.
$1.99
Morning Song for School Choir, Piano, Flute (or Recorder), and Percussion
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Chorale 2 parties
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DÉBUTANT
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Andrew Orgee
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Morning Song for School Choir,
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Andrew Orgee
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SheetMusicPlus
Choral 2-Part Chorus,Choir,Choral - Level 1 - SKU: A0.1471884 Composed by Andrew Orgee. Christian,Folk,Multicultural,World. 12 pages. Andrew Orgee #1049...
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Choral 2-Part Chorus,Choir,Choral - Level 1 - SKU: A0.1471884 Composed by Andrew Orgee. Christian,Folk,Multicultural,World. 12 pages. Andrew Orgee #1049507. Published by Andrew Orgee (A0.1471884). This is a setting of a hymn called Morning from the English Book of Common Prayer by W. Canton, which is giving thanks to our Lord for the beginning of a new day. I have scored this hymn to be sung by a primary school choir at the beginning of the school day with the music teacher playing piano and other children playing simple, supportive percussive rhythms.The hymn combines a gentle habanera rythmn together with an English folk song called The Dark Eyed Sailor. The folk song was collected in the early 20th centuary by Ralph Vaughan Williams in the East Anglia region of England. I used this folk song as a tribute to the school for whom this hymn was originally composed.
$1.99
Killing Me Softly With His Song
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Ensemble Jazz
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INTERMÉDIAIRE
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Fugees
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John Hoesly
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Killing Me Softly With His Son
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453554 By Fugees. By Charles Fox and Norman Gimbel. Arranged by John Hoesly. Jazz,Pop,Rock,Standards. 5...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453554 By Fugees. By Charles Fox and Norman Gimbel. Arranged by John Hoesly. Jazz,Pop,Rock,Standards. 55 pages. PRS&B #1032778. Published by PRS&B (A0.1453554). KILLING ME SOFTLY WITH HIS SONG- Arrangement for Little Big Band/ Jazz Ensemble. Beautiful soft rock ballad made famous by Roberta Flack. Killing Me Softly with His Song is a soulful and introspective ballad that captivates with its emotional depth and haunting melody. Killing Me Softly with His Song has since been covered by numerous artists, each bringing their own unique interpretation to the timeless classic. Despite the passage of time, the song's universal themes of love, longing, and the power of music to connect us remain as resonant as ever, ensuring its enduring appeal for generations to com Difficulty: Intermediate.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
$55.00
Song of the Snow Goose-Migrating Geese Sing - Score Only
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Orchestre
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Frances Newell
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Song of the Snow Goose-Migrati
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Frances Newell
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SheetMusicPlus
Full Orchestra - SKU: A0.1207076 Composed by Frances Newell. Chamber,Children,Folk,Instructional,New Age. 7 pages. Frances Newell #805255. Published by ...
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Full Orchestra - SKU: A0.1207076 Composed by Frances Newell. Chamber,Children,Folk,Instructional,New Age. 7 pages. Frances Newell #805255. Published by Frances Newell (A0.1207076). Hear the call of the migrating geese flying overhead over thousands of miles!Set to Tang Dynasty poem with flowing lyrics, this tone-paints the beauty of birds.
$7.99
A Song in Praise of Martin Luther King Jr. for SATB choir
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Jazz
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Spiritual
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S
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A Song in Praise of Martin Lut
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Suzanne Geer
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.999934 Composed by Spiritual. Arranged by S.R.Geer, ASCAP. Spiritual. Octavo. 6 pages. Suzanne Geer #6113349. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.999934 Composed by Spiritual. Arranged by S.R.Geer, ASCAP. Spiritual. Octavo. 6 pages. Suzanne Geer #6113349. Published by Suzanne Geer (A0.999934). This song's melody comes from the spiritual I've Got Peace Like a River. The new lyrics are in praise of Martin Luther King, Jr. Originally, the piece was written for kindergarten students, as a way to teach them about all of the good Dr. King did in his lifetime. This SATB arrangement can be easily modified for SAB, SA or TB choirs. A unison vocal version is also available for purchase.
$1.99
Never Give All The Heart - Part-Song for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE
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Andrew Orgee
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Never Give All The Heart - Par
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Andrew Orgee
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1091556 By Andrew Orgee. By Andrew Orgee. A Cappella,Classical,Contest,Festival. Octavo. 7 pages. Andrew Orgee #...
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Choral Choir (SATB) - Level 3 - SKU: A0.1091556 By Andrew Orgee. By Andrew Orgee. A Cappella,Classical,Contest,Festival. Octavo. 7 pages. Andrew Orgee #695732. Published by Andrew Orgee (A0.1091556). This part-song for unaccompanied mixed choir is a setting of W. B. Yeats poem - Never Give All The Heart - which cautions against romantic entanglements (!) The piece is light and non-serious and, with its full harmony and imitative part writing, is intended for concert performance or competition. It is written for amateur or professional choirs whose size can support double soprano parts and a fuller choral sound.
$1.99
Killing Me Softly With His Song
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Roberta Flack
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John Ivor Holland
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Killing Me Softly With His Son
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1446392 By Roberta Flack. By Charles Fox and Norman Gimbel. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Sin...
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Concert Band - Level 3 - SKU: A0.1446392 By Roberta Flack. By Charles Fox and Norman Gimbel. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Singer/Songwriter,Soul. 43 pages. John Ivor Holland #1026202. Published by John Ivor Holland (A0.1446392). Killing Me Softly with His Song is a song by Charles Fox with lyrics by Norman Gimbel. The lyrics were written in collaboration with Lori Lieberman after she was inspired by a Don McLean performance in late 1971. Denied writing credit by Fox and Gimbel, Lieberman released her version of the song in 1972, but it did not chart. In 1973, it became a number-one hit in the United States, Australia and Canada for Roberta Flack, and also reached number six on the UK Singles Chart. In 1996, Fugees recorded the song with Lauryn Hill on lead vocals. Their version became a number-one hit in twenty countries and since then, the song has often been performed by Flack and Fugees together on stage. This version for concert band features cor anglais on the opening melody but plenty of opportunities for expressive playing throughout the band.
$59.99
De Lam' a Strayin'. Song and Chorus
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Piano, Voix
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Thomas P
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De Lam' a Strayin'. Song and C
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4845 Composed by Thomas P. Westendorf. African Americans, Dialects, Heaven, Symbols, Sin. Lester S. Levy Collection. 4 pages. ...
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Piano and voice - SKU: LV.4845 Composed by Thomas P. Westendorf. African Americans, Dialects, Heaven, Symbols, Sin. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4845). De Lam' a Strayin'. Song and Chorus. (Exhortation at a Colored Camp Meeting. The dialect is that of a Mississippi Plantation). Words by Bo M'Gee. Music by Thos. P. Westendorf. Published 1882 by W.F. Shaw] in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include African Americans, Dialects, Heaven, Symbols, Sin. First line reads Look out, backsider, whar you walkin?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
How Deep Is Your Love from the Motion Picture SATURDAY NIGHT FEVER
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Bee Gees
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Abraham Maduro
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How Deep Is Your Love from the
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Abraham Maduro
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.715430 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Abraha...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.715430 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Abraham Maduro. Dance,Disco. Score and parts. 8 pages. Abraham Maduro #3536151. Published by Abraham Maduro (A0.715430). The beautiful and delicious Bee Gees's song from the Motion Picture SATURDAY NIGHT FEVER in Violin Viola Duet arrangement, in this duo while the violin carries the melody most of the time the viola part is musical and interesting, D mayor, 2:30 minutes long approx, specially arranged for recitals, weddings, Saint Valentine's Day and concerts Intermediate level.https://youtu.be/VVtW5qdR2Qw
$9.95
Gee Whiz, It's Christmas
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Noël
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Carla Thomas, Steve Cropper, a
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Jeff Tincher
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Gee Whiz, It's Christmas
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Jeff Tincher
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.582558 Composed by Carla Thomas, Steve Cropper, and Vincent Trauth. Arranged by Jeff Tincher. Contempo...
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String Quartet String Quartet - Level 2 - SKU: A0.582558 Composed by Carla Thomas, Steve Cropper, and Vincent Trauth. Arranged by Jeff Tincher. Contemporary. Score and parts. 14 pages. Jeff Tincher #3368365. Published by Jeff Tincher (A0.582558). This is a String Quartet (Violins 1 & 2, Viola, Cello) arrangement of Carla Thomas's big Christmas hit. In the original key, This soul song is great for any Christmas celebration! A true Christmas love song. Duration=2:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
The Christmas Song (Chestnuts Roasting On An Open Fire)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Nat Cole With N
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Chris Magee
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The Christmas Song
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Dubba C Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1363021 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Chris M...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1363021 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Chris Magee. Chamber,Christmas,Holiday. 15 pages. Dubba C Music #947407. Published by Dubba C Music (A0.1363021). Robert Wells' and Mel Torme's 1945 song, The Christmas Song (Chestnuts Roasting on an Open Fire), has become a much beloved Christmas classic ever since Nat King Cole's 1946 recording. This beautiful arrangement for brass quintet is a kaleidoscope of musical styles to evoke the spirit of the Christmas season. An optional part for drum set is included. Your audience will want to hear this arrangement again and again!
$24.99
Gee! It's A Wonderful Game Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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G
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Jari A
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Gee! It's A Wonderful Game Bra
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.722703 Composed by G. Harris (Doc) White. Arranged by Jari A. Villanueva. 20th C...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.722703 Composed by G. Harris (Doc) White. Arranged by Jari A. Villanueva. 20th Century,Folk,Traditional. Score and parts. 11 pages. JV MUSIC #2002829. Published by JV MUSIC (A0.722703). Gee! It's A Wonderful Game for Brass Quintet. Composed by G. Harris (Doc) White and arranged by Jari Villanueva. A delightful setting of a classic Baseball song. This tune was heard in the Ken Burns documentary Baseball and is scored for 2 Trumpets, Horn, Trombone and Tuba and has optional parts for alto Horn and TC Baritone.
$15.00
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
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The Tin Gee-Gee. Song
