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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Tree
Non classifié
1 404
Piano & claviers
Piano seul
1 411
Piano, Voix
712
Piano, Voix et Guitare
510
Piano Facile
322
Instruments en Do
85
Orgue
69
Piano grosses notes
48
1 Piano, 4 mains
32
Accordéon
14
2 Pianos, 4 mains
9
Piano (partie séparée)
7
Piano Trio: piano, violon, violoncelle
7
Accompagnement Piano
6
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
3
Ligne De Mélodie, Piano
3
Instrument seul et Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
246
Guitare notes et tablatures
193
Guitare
124
Ukulele
81
Paroles et Accords
76
Basse electrique
31
Guitare (partie séparée)
11
2 Guitares (duo)
11
Banjo
6
Piano, Guitare (duo)
6
4 Guitares (Quatuor)
5
Ukulele Baryton
4
Dulcimer
4
Partitions De Groupes
2
Ensemble de guitares
2
Basse électrique (partie séparée)
1
Guitare Tab, Voix, Basse, Batterie
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
532
Chorale 3 parties
228
Chorale 2 parties
143
Chorale TTBB
83
Chorale Unison
70
Pack Instrumental pour Chorale
63
Chorale SSAA
61
Chorale
39
Voix duo, Piano
36
Voix haute
16
Voix seule
15
Voix duo
7
Voix Baryton, Piano
5
Voix Soprano, Piano
5
Voix Alto, Piano
4
Voix moyenne, Piano
3
Chorale SSATBB
2
Chorale SAATB A Cappella
2
Chorale SSATTB
2
Voix basse, Piano
2
Chorale SSAB a cappella
1
Soli, choeur mixte et accompagnement
1
Voix Tenor, Piano
1
Voix, Guitare
1
Voix Tenor
1
Chorale SSAATTBB
1
Voix Soprano
1
Male Voice
1
+ 23 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
95
Saxophone (partie séparée)
93
Flûte traversière
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Flûte traversière et Piano
69
Saxophone Tenor
69
Saxophone Alto
65
2 Saxophones (duo)
54
Clarinette
50
2 Flûtes traversières (duo)
46
Flûte, Hautbois, Clarinette, Basson
46
Quatuor de Clarinettes: 4 clarinettes
45
Clarinette et Piano
45
2 Clarinettes (duo)
42
Saxophone Alto et Piano
40
Clarinette (partie séparée)
31
Hautbois, Piano (duo)
29
Saxophone Tenor et Piano
28
Quatuor de Flûtes : 4 flûtes
26
Flûte, Clarinette (duo)
26
Quintette de Saxophone: 5 saxophones
24
Hautbois (partie séparée)
22
Flûte et Guitare
21
Saxophone Soprano et Piano
20
3 Saxophones (trio)
18
Hautbois
15
Saxophone Soprano
15
Clarinette, Violon (duo)
13
Ensemble de saxophones
13
Quintette de Clarinettes: 5 clarinettes
12
Flute (partie séparée)
12
Saxophone, Clarinette (duo)
11
Clarinette, Guitare (duo)
11
Ensemble de Clarinettes
11
3 Clarinettes (trio)
11
Trio de Flûtes: 3 flûtes
10
2 Hautbois (duo)
10
Hautbois, Clarinette (duo)
10
Clarinette, Trompette (duo)
9
Ensemble de Flûtes
9
Clarinette Basse, Piano
8
Flûte, Violon
8
Flûte à bec Soprano
7
Flûte, Violon, Piano
7
Saxophone Baryton, Piano
7
Cor Anglais
6
Hautbois, Flûte
6
Quintette de Flûte : 5 flûtes
6
2 Flûte à bec (duo)
6
Flûte, Hautbois (duo)
6
Flûte, Violoncelle
5
2 Flûtes traversières, Piano
5
Hautbois, Basson (duo)
5
Clarinette et Alto
4
Flûte, Trompette (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Ocarina
4
Cor anglais, Piano
4
Clarinette, Harpe (duo)
4
Flûte, Clarinette et Basson
4
Flûte, Saxophone (duo)
4
Quatuor de Flûtes à bec
4
Flûte, Alto (duo)
4
Clarinette, Basson (duo)
3
Flûte à Bec, Piano
3
Clarinette, Violoncelle (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Cor anglais, Guitare (duo)
3
Flûte à bec Alto
3
Flûte à bec Alto, Piano
3
Saxophone
3
Saxophone et Guitare
2
2 Clarinettes, Piano
2
Flûte, Trombone (duo)
2
Harmonica
2
Flûte à Bec
2
3 Flûtes à bec (trio)
2
Hautbois, violon (duo)
2
5 Flûtes à bec
2
Hautbois, Guitare (duo)
2
Instruments en Mib
2
Ensemble à vent
1
Flûte à bec Tenor
1
Harmonica, Piano
1
Flute, Cor (duo)
1
Cornemuse
1
Flûte, Hautbois, Violon
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Saxophone et Orgue
1
Flûte, Harpe et Violoncelle
1
Hautbois, Violoncelle
1
Saxophone Baryton
1
Piccolo, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Violon (duo)
1
3 Hautbois
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
74
Trompette
70
Trompette (partie séparée)
59
Trombone (partie séparée)
51
Trombone
48
Cor
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trompette, Piano
33
2 Trompettes (duo)
26
Trombone et Piano
24
2 Trombones (duo)
24
Quatuor de Cuivres
20
Cor et Piano
20
Trompette, Trombone (duo)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
2 Cors (duo)
12
Quatuor de cuivres: 4 trombones
11
Tuba (partie séparée)
10
Ensemble de Trombones
10
Cor (partie séparée)
10
Trompette, Saxophone (duo)
8
Euphonium, Piano (duo)
8
Bass Clef Instruments
8
2 Euphoniums et 2 Tubas
7
Tuba et Piano
7
Cor Anglais
6
Tuba
6
Trio de Cuivres
5
Cor anglais, Piano
4
Trompette, Cor (duo)
4
Instruments en Sib
3
Ensemble de Trompettes
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 cors
3
2 Tubas (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Trompettes (trio)
1
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Cors
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Trompette, Basson (duo)
1
Trompette, Trombone, Piano
1
Cor, Trompette, Trombone (trio)
1
Trompette, violon (duo)
1
3 Cors (trio)
1
Tuba et Orgue
1
Clarinette, Cor (duo)
1
4 Tubas
1
Trompette, Violoncelle (duo)
1
Instruments en Fa
1
Trombone basse et Piano
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
194
Violon
75
Violon et Piano
74
Violoncelle
64
Harpe
63
Alto seul
51
Violon, Violoncelle (duo)
46
Alto, Piano
42
2 Violons (duo)
39
Violoncelle, Piano
36
Violon (partie séparée)
25
Violon, Alto (duo)
25
Trio à Cordes: violon, alto, violoncelle
23
2 Violoncelles (duo)
22
Contre Basse
21
Contrebasse (partie séparée)
19
2 Altos (duo)
17
Alto (partie séparée)
13
2 Harpes (duo)
12
Alto, Violoncelle (duo)
10
Violoncelle (partie séparée)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violoncelle, Contrebasse (duo)
8
Harpe, Flûte (duo)
8
Violoncelle , Guitare (duo)
7
4 Violoncelles
7
Contrebasse, Piano (duo)
6
Piano Trio: Violon, Alto, Piano
6
Violon, Guitare (duo)
6
2 Contrebasses (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Alto, Guitare (duo)
3
Quatuor à cordes: 4 violons
3
Harpe, Violon (duo)
2
Harpe, Violoncelle (duo)
2
Harpe, Voix
2
Trio à cordes: 3 violins
2
Trio à cordes
2
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
3 Harpes
1
2 Violons, Piano
1
Ensemble d'Altos
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, alto
1
4 Harpes
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
407
Ensemble Jazz
125
Orchestre
100
Cloches
94
Orchestre à Cordes
81
Ensemble de cuivres
61
Batterie
34
Fanfare
29
Orchestre de chambre
27
Ensemble de Percussions
23
Percussion (partie séparée)
22
Jazz combo
22
Batterie (partie séparée)
11
Percussion
5
Vibraphone
4
Timbales (partie séparée)
3
Marimba
3
Timbales
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
Xylophone
1
Xylophone, Piano
1
Caisse Claire
1
+ 18 instrumentations
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--INSTRUMENTS--
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BOUZOUKI
CHORALE - CHAN…
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CLAIRON
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Four Favorite Hymns from the Movie - "Stars In My Crown"
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99
7.37 €
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John R
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Ginny Saltzman
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Four Favorite Hymns from the Movie - "Stars In My Crown"
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Ginny's House of Music
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SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.52 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
I Sit Here on the Barren Hill
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
12.9 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
I Sit Here On The Barren Hill
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hic…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
4.6 €
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Piano, Voix
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
The Christmas Wish (Vocal Solo)
Chorale Unison
Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.727123 Composed by Carol…
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Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. Octavo. 11 pages. Carol Troutman Wiggins #2907289. Published by Carol Troutman Wiggins (A0.727123). The Christmas WishVocal Solo for AltoWould you like a different kind of Christmas wish this year? Here it is!This song is based on the poem Christmas Wishes written by contemporary author and poet Mary White Pustrom. Mary wrote many poems with the theme of Christmas, including what she thought people should wish for at Christmas. While so many adults wish for a new car, a sparkling diamond ring, or celebrating with a nice vacation in the tropics, she believes that Christmas wishes should be taken a step further by considering the wishes and needs of others more so than our own. In her poem Christmas Wishes, her desire for reaching out to others and granting them their wishes for the simple things in life take on great meaning: Christmas Wishes by Mary White Pustrom Now that Christmas is drawing near I cannot help but seeAll the poor and needy people who are reaching out to me. It seems that everywhere I look there is a need to fill; I feel so inadequate when their wishes I can't fill. Among the lights and decorations, there is hunger and despair, Faces filled with sadness while bright carols fill the air; Little children who are cold and hungry wait for Santa Claus, Wishing that he would bring them food, for that's a worthy cause. Others laughing, smiling, singing - so completely unaware Of all the pain and suffering that's around them everywhere; They wish for generosity in our thoughts, time, and deeds, And wish that here at Christmas time, someone could fill their needs. My wish is that we reach out to our sisters and our brothers, Who depend on us for kindness from one to another; Fill our hearts with Christmas cheer, and teach us how to share, So that Christmas wishes will be fulfilled all throughout the year. It sounds like she might have the right idea. At this time of year, it is so easy to get caught up in buying and receiving presents, the lights, and the Christmas tree, without considering the simple needs of others. Maybe this year, these simple wishes will come true for some: · Sick little children to be healed · Homeless people and children to find a family · For the less fortunate to have enough food, clothing, shelter, and shoes on their feet · That no one spends Christmas lonely and alone, and spent the way it should be, with loving family and friends. Most of all, wish that by caring for one another, Christmas wishes would come true all year long. ~ Carol Troutman Wiggins
$5.95
5.49 €
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Chorale Unison
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Carol Troutman Wiggins [ASCAP], Mary White Pustrom
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The Christmas Wish
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Carol Troutman Wiggins
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99
8.29 €
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Piano seul
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.29 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
The Dancing Forest
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochows…
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Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #6217581. Published by Ben Ledochowski (A0.1023643). Far to the westernmost regions of Russia, and then farther still, there is a place known as theDancing Forest of Kaliningrad. It is a mysterious, otherworldly place where trees grow in tangles,knots, and other unfathomable shapes, a place described by local psychics as a point of conflict where great positive and negative forces collide. Due to its remarkable air of mystery, the forest has woven its way into the legends and folklore of the region. My personal favorite legend about it goes as follows: The Prussian prince Barty used to hunt in these forests. Chasing a Roe deer one day, heheard a wonderful tune, and as he came to a field, he saw a beautiful girl playing a lyre. She was a Christian and her name was Predislava. The prince proposed to her but she replied that she would marry only a man of her faith. Prince Barty agreed to become a Christian as long as she could prove the power of her invisible God was more powerful than the surrounding trees. Predislava played her lyre. Birds grew silent, and the trees started dancing. The prince then took a bracelet from his hand and gave it to her as a token of their betrothal. On this very spot, many years later, there grew the Dancing Forest.This piece is my homage to the Dancing Forest of Kaliningrad and all its associated legends. Premiered by the Santa Teresa High School Concert Band in May 2019, the work is scored for a concert band of intermediate size and skill level and is designed to help introduce high school musicians to modal music and unconventional key signatures. Furthermore, the piece is inspired by multiple rhythmic and harmonic elements of rock and folk music in an attempt to help bridge the gap between popular music and contemporary wind ensemble repertoire. Enjoy!
$19.99
18.43 €
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Orchestre d'harmonie
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Ben Ledochowski
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The Dancing Forest
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Ben Ledochowski
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SheetMusicPlus
Around the Bend (for Cello & Piano)
Violoncelle, Piano
Cello,Piano - Level 5 - Digital Download SKU: A0.1280306 Composed by Brian Strohmet…
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Cello,Piano - Level 5 - Digital Download SKU: A0.1280306 Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Strohmetz #871769. Published by Brian Strohmetz (A0.1280306). Around the Bend is a journey of tranquility, adventure, and discovery down a section of the Monocacy Creek in Bethlehem, PA. The first section of the music that appears throughout the piece is a simple melody that is reminiscent of a simple art song. It represents the river flowing along peacefully on a beautiful day. Occasionally, we come across an area where the water hits a small obstacle that causes the water to change its path and speed. We hear this as violent 16th note interruptions in the music. The river then returns to its natural flow and pace. Further along we encounter a small waterfall area with rapids and obstacles. The music cascades and has a rhythmic drive representing the rapids and the swift moving waters. After we have traversed the rapids, we return to the calm waters of the river as it continuously flows peacefully. The next portion of our journey is inspired by a specific and unique section of the Monocacy, where we find the hidden ivy. Trees surround the creek. When looking into them, at a certain angle, you will find a tree covered in ivy hidden amongst the other trees. When we reach this point in our journey, the music starts off mysteriously as though looking through the trees. When we find the hidden ivy, we are greeted by a majestic melody that reflects this hidden beauty. The piano plays a rising arpeggio repeatedly, reflecting the ivy’s goal to grow higher and closer to the sky. Once we pass the ivy, we return to the peacefully flowing river. We approach a bend in the river that we cannot see beyond. There is a bit of trepidation, but as we start to go around the bend, everything ends peacefully, and we know everything will be fine. The river will keep moving and we will survive. For Cello & Piano.
$14.99
13.82 €
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Violoncelle, Piano
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Brian Strohmetz
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Piano.
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Around the Bend
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Brian Strohmetz
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.68 €
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Piano, Voix et Guitare
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano
Voix Tenor
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.533605 Composed by Cars…
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.
$25.95
23.92 €
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Voix Tenor
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Carson Cooman
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Carson Cooman: Rossini in the Kitchen
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Musik Fabrik Music Publishing
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SheetMusicPlus
1. Bulbul the Bird
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1138387 By Louise du Toit. By Louis…
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Piano Solo - Level 3 - Digital Download SKU: A0.1138387 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 4 pages. Louise du Toit #738715. Published by Louise du Toit (A0.1138387). Bulbul the Bird is the first in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Bulbul the bird leaps from one branch to another, searching for sunlight through the leaves of the trees. The warm sunrays on his beautiful body delight him when he sits quietly for a moment, every now and then fluttering his colorful wings and feathers as a sign of satisfaction. A heavy feathery fellow joins him for a few fleeting moments of dialogue before flying off to another acacia tree, leaving Bulbul to continue his morning exercises as he reaches for the highest branches, in an effort to be closer to the African sun..
$4.99
4.6 €
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Piano seul
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Louise du Toit
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Louise du Toit
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1. Bulbul the Bird
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Louise du Toit
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SheetMusicPlus
Songs and Dances from Another Time (Suite 1) (Elementary piano solos)
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.522203 Composed by Colin Kirkpatric…
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Piano Solo - Level 1 - Digital Download SKU: A0.522203 Composed by Colin Kirkpatrick. Concert,Instructional,Standards. Score. 12 pages. Colin Kirkpatrick Publications #3410943. Published by Colin Kirkpatrick Publications (A0.522203). Youngsters are sure to enjoy these tuneful pieces, crafted especially for the young learner. The music follows on from the much easier pieces in The River at the End of Day. They are ideal for elementary pianists, but of course could be used with beginners of all ages. More experienced students will find them ideal and enjoyable sight-reading exercises or to develop the useful skill of transposing at sight. The colorful pieces are arranged in approximate order of difficulty, so you can feel free to pick and mix according to the needs of the students. Most of the pieces use eighth notes (quavers), quarter notes (crotchets), half notes (minims) and whole notes (semibreves). Each piece takes up just one page. With attractive melodies and interesting harmonies several of them could be strung together to create a suite for a student recital. Many of the fingerings are provided but sometimes the choice of fingering is left for the teacher and student to decide. For more advanced students, these pieces can serve a useful function either as sight-reading exercises or for transposing at sight, a skill that is sometimes neglected. The sample audio clip contains the following pieces from the collection: (1) Dance to the Rising Sun; (2) Song of the Tree Spirits; (3) Mountain Dance; (9) Hymn to the Stars and (10) Night Dance.
$3.99
3.68 €
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Piano seul
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Colin Kirkpatrick
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(2) Song of the Tree Spirits
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Songs and Dances from Another Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Jesus Christ the Apple Tree — SATB voices
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1495196 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196). Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.Above the poem in the publication are words of its author:Gentlemen,Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. Voices realized by Cantamus (https://cantamus.app/)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
2.76 €
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Chorale SATB
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Todd Marchand
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Jesus Christ the Apple Tree — SATB voices
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Con Spirito Music
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SheetMusicPlus
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (piano score)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by A…
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi Edition #594856. Published by DoReMi Edition (A0.1009194). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl.
$19.99
18.43 €
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Piano, Voix et Guitare
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An-lun Huang
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Ballet, “THE LITTLE MATCH GIRL”, Op.24,
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DoReMi Edition
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SheetMusicPlus
Two Trees Piano Music by Yiling Huang
Piano seul
Piano Solo - Digital Download SKU: A0.887798 Composed by Yiling Huang. 20th Century…
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Piano Solo - Digital Download SKU: A0.887798 Composed by Yiling Huang. 20th Century,New Age. Score. 2 pages. Yiling Huang #6135595. Published by Yiling Huang (A0.887798). Two Trees from CD Somewhere In Time By Yiling Huang https://itunes.apple.com/us/artist/yiling-huang/id139522390 Two Tree Two old trees stand tall, their trunks twisted together for hundreds of years They are not alone. They stand united in strength, and we cannot destroy this holy, sacred place. The trees look so calm, yet seem so powerful, and I know they will still be standing after we pass. How many birds have made their nests in this place? How many storms have blown? How many children have climbed them, generation upon generation? How many artists have found inspiration here? I will always embrace the wisdom they teach me: Strength. Growth. Love. Endurance. Forgiveness. Peace~Yiling Huang
$6.00
5.53 €
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Piano seul
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Yiling Huang
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Yiling Huang
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Two Trees Piano Music by Yiling Huang
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Yiling Huang
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SheetMusicPlus
Bell Tree Descants-Digital Download
45 Selections to Enhance Hymn Singing For each of these 45 descants to familiar hymns ther…
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45 Selections to Enhance Hymn Singing For each of these 45 descants to familiar hymns there is an intermediate and a more advanced setting for bell tree ringers. Many of the tunes are offered in more than one key to make this collection compatible with most hymnals. Common title and tune indexes are provided for easy reference. Adding the sparkle of bells is sure to enhance and enliven your congregational hymn singing
Song List: O Come, All Ye Faithful Joy to the World Let All Things Now Living Blessed Assurance The Church's One Foundation (D & Eb) Glorious Things of Thee Are Spoken Come and Find the Quiet Center Love Divine, All Loves Excelling (A & Bb) All Hail the Power of Jesus' Name Lift High the Cross Fairest Lord Jesus God of Grace and God of Glory Rejoice, the Lord is King! (C & D) For the Beauty of the Earth Jesus Shall Reign (D & Eb) Christ the Lord Is Risen Today A Mighty Fortress Is Our God Hosanna, Loud Hosanna (A, Ab & Bb) Great Is Thy Faithfulness Be Still My Soul (Eb & F) I Sing the Mighty Power of God My Jesus, I Love Thee When I Survey the Wondrous Cross He Leadeth Me (C & D) God, Who Stretched the Spangled Heavens Joyful, Joyful, We Adore Thee Come, Thou Almighty King (F & G) To Mock Your Reign We Gather Together (C & D) Lead On, O King Eternal (C & Db) Praise to the Lord, the Almighty O Worship the King Come, Christians, Join to Sing (A & G) Eternal Father, Strong to Save Come, Thou Fount of Every Blessing (D & Eb) Holy, Holy, Holy Praise God from Whom All Blessings Flow Be Thou My Vision All Glory, Laud and Honor My Hope Is Built on Nothing Less To God Be the Glory (Ab & G) Lift Up Your Heads, O Mighty Gates (C & D) It Is Well with My Soul (C & Db) What Wondrous Love Is This Just As I Am (D & Db)
Song List
: O Come, All Ye Faithful Joy to the World Let All Things Now Living Blessed Assurance The Church's One Foundation (D & Eb) Glorious Things of Thee Are Spoken Come and Find the Quiet Center Love Divine, All Loves Excelling (A & Bb) All Hail the Power of Jesus' Name Lift High the Cross Fairest Lord Jesus God of Grace and God of Glory Rejoice, the Lord is King! (C & D) For the Beauty of the Earth Jesus Shall Reign (D & Eb) Christ the Lord Is Risen Today A Mighty Fortress Is Our God Hosanna, Loud Hosanna (A, Ab & Bb) Great Is Thy Faithfulness Be Still My Soul (Eb & F) I Sing the Mighty Power of God My Jesus, I Love Thee When I Survey the Wondrous Cross He Leadeth Me (C & D) God, Who Stretched the Spangled Heavens Joyful, Joyful, We Adore Thee Come, Thou Almighty King (F & G) To Mock Your Reign We Gather Together (C & D) Lead On, O King Eternal (C & Db) Praise to the Lord, the Almighty O Worship the King Come, Christians, Join to Sing (A & G) Eternal Father, Strong to Save Come, Thou Fount of Every Blessing (D & Eb) Holy, Holy, Holy Praise God from Whom All Blessings Flow Be Thou My Vision All Glory, Laud and Honor My Hope Is Built on Nothing Less To God Be the Glory (Ab & G) Lift Up Your Heads, O Mighty Gates (C & D) It Is Well with My Soul (C & Db) What Wondrous Love Is This Just As I Am (D & Db)
$46.95
43.28 €
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Bell Tree Descants-Digital Download
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SheetMusicPlus
Tree-Burial
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1319750 Composed by…
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1319750 Composed by Dave Froman. 19th Century,Historic,Multicultural,Spiritual,World. 19 pages. Dave Froman #908307. Published by Dave Froman (A0.1319750). 2022. SSAA, piano, flute and bassoon / 6 minI was taken in by the story in the poem “Tree-Burial†by William Cullen Bryant, a 19th century American romantic poet - about a Native American ritual of burying a child high among the trees rather than in the ground. This ritual and the words spoken seem a powerful balm in the face of grief and sadness. The text reflects the mother’s tenderness to the child - sorrowful but loving and beautiful. I found the poem in a collection of “Poems About Trees,†celebrating sacred groves, wild woodlands, and bountiful orchards, paying lyrical tribute to these majestic beings with whom we share the earth.Composed for women’s voices, the flute and bassoon add a doleful fullness to this piece. My composition borrows from the longer poem.Also available in SSA & piano, flute, oboe/clarinet and bassoon.As of Nov 15, 2023, I am seeking a premiere for this piece. Please get in touch through www.davefroman.com.  Performed here by the Rocky Mountain Chamber Choir - Virtual Singers.
$1.99
1.83 €
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Chorale SSAA
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Dave Froman
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Tree-Burial
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Dave Froman
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SheetMusicPlus
Tree-Burial
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1194181 By Dave Froman. By…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1194181 By Dave Froman. By Dave Froman. Chamber,Contemporary. Octavo. 19 pages. Dave Froman #793601. Published by Dave Froman (A0.1194181). 2022. SSAA, piano, flute and bassoon / 6 minI was taken in by the story in the poem “Tree-Burial†by William Cullen Bryant, a 19th century American romantic poet - about a Native American ritual of burying a child high among the trees rather than in the ground. This ritual and the words spoken seem a powerful balm in the face of grief and sadness. The text reflects the mother’s tenderness to the child - sorrowful but loving and beautiful. I found the poem in a collection of “Poems About Trees,†celebrating sacred groves, wild woodlands, and bountiful orchards, paying lyrical tribute to these majestic beings with whom we share the earth.Composed for women’s voices, the flute and bassoon add a doleful fullness to this piece. My composition borrows from the longer poem.Also available in SSA & piano, flute, oboe/clarinet and bassoon.Performed here by the Rocky Mountain Chamber Choir - Virtual Singers.If you would like to premiere this piece, please reach out to davefroman@gmail.com.
$1.99
1.83 €
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Chorale SSAA
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Dave Froman
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Tree-Burial
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Dave Froman
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SheetMusicPlus
The Tree Song
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008091 Composed by Connie…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008091 Composed by Connie Pwll Walck Tyler. Contemporary,Spiritual. Octavo. 12 pages. Connie Tyler #4833171. Published by Connie Tyler (A0.1008091). The Tree Song is one of many songs from the novel The Earth Woman Tree Woman Quartet. This piece for two cellos, a viola and a double bass, with SATB choir evokes the deep voice of the tree. The choral part is not difficult, but the strings are challenging. The string parts can be played on a synthesizer. Contact Connie at connie@deephum for help with this. The song is short, two and half minutes and might be performed with some of the other songs from the book. Some of the songs can be found on the website www.earthwomantreewoman.com. The words are: Waves of things of forms I am exist in dreams within me,flow through the sap of trees to come and leaves to come,falling, decaying, the soil I am, a nutrient for things living,eating the earth, water and sun, fruit I become,feeding the unrooted beings ever I'm giving.And then I am free.I stretch my wings and fling myself into the air.I sing, I call. My joy is beyond any earthly care.The snap of the jaws of the four-legged one is only a moment of painfor I am living again with a diff'rent name.And when this life's done the worms I become and pass to the earth to gain my rebirth. See my website at www.deephum.com and my facebook pages at Connie Pwll Walck Tyler, Deep Hum Productions, and The Earth Woman Tree Woman Quartet. For more information contact me at connie@deephum.com.
$5.00
4.61 €
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Chorale SATB
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Connie Pwll Walck Tyler
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The Tree Song
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Connie Tyler
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SheetMusicPlus
When You Prayed Beneath the Trees
Choral, Solo (Flute, French Horn, Other) - Digital Download SKU: H1.C5743DP Compose…
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Choral, Solo (Flute, French Horn, Other) - Digital Download SKU: H1.C5743DP Composed by Lloyd Larson. Piano with Optional Flute, Oboe, French Horn & Cello. Vocal Solo Sheet Music Series. Lent, Holy Week, Good Friday, Atonement, Blood, Cross of Christ, Gratefulness, Lamb of God, Life of Christ, Redemption, Sacrifice. Octavo. 8 pages. Hope Publishing - Digital #C5743DP. Published by Hope Publishing - Digital (H1.C5743DP). Christopher Idle. Matthew 26:36 - Matthew 26:37 - Matthew 26:38 - Matthew 26:39 - Matthew 26:40 - Matthew 26:41 - Matthew 26:42 - Matthew 26:43 - Matthew 26:44 - Matthew 26:45 - Matthew 26:46 - Matthew 26:47 - Matthew 26:48 - Matthew 26:49 - Matthew 2.Original Anthem Especially meaningful during the days of Holy Week, this Christopher Idle text relates to our Lord praying in the garden of Gethsemane, and weaves around the 'tree' theme found in many Scriptures about the cross. Lloyd Larson's original accompaniment for piano, plus the optional flute, oboe, French horn and cello perfectly capture the somber mood. This top-seller is now available in SATB, SAB, Two-Part Mixed voicings and a new Medium Voice Solo. The SATB version appears in Lloyd's blockbuster Lenten musical, The Shadow of the Cross, newly re-voiced for SAB choirs.
$2.95
2.72 €
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Lloyd Larson
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When You Prayed Beneath the Trees
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Hope Publishing - Digital
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SheetMusicPlus
When You Prayed Beneath the Trees
Solo Solo instrument (Flute, French Horn, Other) - Digital Download SKU: H1.C5206PDP
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Solo Solo instrument (Flute, French Horn, Other) - Digital Download SKU: H1.C5206PDP Composed by Lloyd Larson. Piano with Optional Flute, Oboe, French Horn & Cello. Vocal Solo Sheet Music Series. Lent, Holy Week, Good Friday, Atonement, Blood, Cross of Christ, Gratefulness, Lamb of God, Life of Christ, Redemption, Sacrifice. Instrumental Parts. 5 pages. Hope Publishing - Digital #C5206PDP. Published by Hope Publishing - Digital (H1.C5206PDP). Christopher Idle. Matthew 26:36 - Matthew 26:37 - Matthew 26:38 - Matthew 26:39 - Matthew 26:40 - Matthew 26:41 - Matthew 26:42 - Matthew 26:43 - Matthew 26:44 - Matthew 26:45 - Matthew 26:46 - Matthew 26:47 - Matthew 26:48 - Matthew 26:49 - Matthew 2.Original Anthem Especially meaningful during the days of Holy Week, this Christopher Idle text relates to our Lord praying in the garden of Gethsemane, and weaves around the 'tree' theme found in many Scriptures about the cross. Lloyd Larson's original accompaniment for piano, plus the optional flute, oboe, French horn and cello perfectly capture the somber mood. This top-seller is now available in SATB, SAB, Two-Part Mixed voicings and a new Medium Voice Solo. The SATB version appears in Lloyd's blockbuster Lenten musical, The Shadow of the Cross, newly re-voiced for SAB choirs.
$34.95
32.22 €
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Lloyd Larson
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When You Prayed Beneath the Trees
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Hope Publishing - Digital
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SheetMusicPlus
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The Tree
