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The Vampire: A Dramatic Theme
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Vous avez sélectionné:
The Vampire: A Dramatic Theme
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The Vampire: A Dramatic Theme
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 ...
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Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
Tanzsaal
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Orchestre d'harmonie
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AVANCÉ
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Musical
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Jim Steinman, with a book by M
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David Boyd
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Tanzsaal
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David Boyd
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1510595 By Musical (Original Cast). By Jim Steinman and Michael Kunze. Arranged by David Boyd. Broadway,Musical/Show,Po...
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Concert Band - Level 5 - SKU: A0.1510595 By Musical (Original Cast). By Jim Steinman and Michael Kunze. Arranged by David Boyd. Broadway,Musical/Show,Pop,Rock. 357 pages. David Boyd #1085794. Published by David Boyd (A0.1510595). Tanzsaal, or The Ballroom, is the dramatic antepenultimate piece from the musical Tanz der Vampire (Dance of the Vampires). Composed by Jim Steinman, with a book by Michael Kunze.Transcribing Tanzsaal for concert band was both a challenge and an exciting opportunity to bring this theatrical masterpiece into a new context. Though it contains elements from the 2019 Berlin Cast Recording, the majority of the material is transcribed from the original 1997 Vienna Cast Recording. Most of the original string parts have been given to the saxes and lower clarinets. The upper woodwinds retain the expanded ornamental material from the Berlin production. Two of the melodies prominently featured in this piece are recurring themes throughout the show. Gott ist tot” (God is dead) and Totale Finsternis (Eternal Darkness) appear as both their own numbers, and as incidental melodic material. English listeners may recognize these as Original Sin recorded by Pandora's Box and Meatloaf, and Total Eclipse of the Heart recorded by Bonnie Tyler and many others.
$79.99
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The Vampire: A Dramatic Theme
