English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Void
Sheetmusicplus
Non classifié
241
Piano & claviers
Instruments en Do
192
Piano seul
104
Piano, Voix
53
Piano Facile
30
Accompagnement Piano
22
Piano Quatuor: piano, violon, alto, violoncelle
15
Orgue
11
Piano, Voix et Guitare
7
1 Piano, 4 mains
5
Ensemble d'Accordéons
2
Accordéon
2
Orgue, Trompette (duo)
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
23
Guitare notes et tablatures
19
Ukulele
13
Basse electrique
5
2 Dulcimers (duo)
3
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
2
2 Guitares (duo)
2
Dulcimer
2
Piano, Guitare (duo)
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
25
Chorale 3 parties
20
Chorale Unison
5
Chorale SSAA
4
Chorale TTBB
4
Chorale 2 parties
4
Voix Soprano, Piano
2
Voix seule
1
Chorale SSAATTBB
1
+ 4 instrumentations
Retracter
Vents
2 Clarinettes (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte traversière et Piano
10
3 Clarinettes (trio)
9
Clarinette et Piano
7
Saxophone Alto et Piano
5
Clarinette
5
2 Saxophones (duo)
4
Saxophone Tenor et Piano
4
Flûte et Guitare
4
Ensemble de Clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte traversière
3
Flûte, Hautbois, Clarinette, Basson
2
Hautbois (partie séparée)
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Hautbois, Piano (duo)
2
Clarinette, Guitare (duo)
2
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Basson
1
2 Flûtes traversières (duo)
1
Saxophone Tenor
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Alto
1
Flûte, Clarinette (duo)
1
3 Saxophones (trio)
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 25 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone
5
Trompette
4
Trompette, Piano
3
2 Cors (duo)
3
Trombone et Piano
2
Cor et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba et Orgue
1
Trio de Cuivres
1
Euphonium, Tuba (duo)
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
Trombone, Cor (duo)
1
Quatuor de Cuivres
1
Tuba
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
130
Violon et Piano
30
Violon, Violoncelle (duo)
30
Violoncelle, Piano
20
Alto, Piano
18
Trio à Cordes: violon, alto, violoncelle
16
Harpe
14
Contrebasse, Piano (duo)
11
2 Violons (duo)
6
Trio à Cordes: 2 violons, violoncelle
4
Violon (partie séparée)
2
Violon
2
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
2 Altos (duo)
1
2 Contrebasses (duo)
1
2 Violons, Piano
1
2 Violoncelles (duo)
1
Alto (partie séparée)
1
Violoncelle , Guitare (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
50
Orchestre à Cordes
22
Orchestre
12
Ensemble de cuivres
10
Ensemble Jazz
7
Batterie
3
Ensemble de Percussions
2
Orchestre de chambre
2
Jazz combo
1
Percussion (partie séparée)
1
+ 5 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
185
Partitions Numériques
1 380
Librairie Musicale
0
Matériel de Musique
1
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Void
SheetMusicPlus
Partitions à imprimer
1 380 partitions trouvées
<
1
26
51
....
1376
The Story of a Leader
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.87 €
#
Chorale SATB
#
Igor Korneitchouk
#
The Story of a Leader
#
Studio at the Post
#
SheetMusicPlus
Toasting Mother Earth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
32.27 €
#
Piano, Voix
#
Ross Fiddes
#
dependent, fragile offspring
#
Toasting Mother Earth
#
Ross Fiddes
#
SheetMusicPlus
The Chimes I Heard Today (light jazz Christmas)
Piano Facile
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.973171 Composed by Richard d…
(+)
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.973171 Composed by Richard deCosta. Christian,Christmas,Gospel,Jazz. Score. 3 pages. Richard deCosta #4805429. Published by Richard deCosta (A0.973171). Light jazz vocal arrangement in the style of Ella Fitzgerald, Bing Crosby or Nat King Cole of a new original Christmas tune by deCosta & Lane.A day like any other day,A dismal one, I want to say.A day when joy seems to have flown away.Is misery to be my dole?But what now do I hear within my soul?They sing to me in lovely tones,I feel it in my flesh and bones,No longer will we be alone.Gone the void so dark and vast.Emmanuel is come at last.CHORUSI hear the chimes so many times,They ring out loud, so clear in my ears.But they don’t sound In just my ears,But deep in the hearts of all gathered here.And as the chimes so sweetly ring,Let us all rejoice and sing,And hearken to the hope they bring.We wonder what that may allow,If our savior’s with us now.We’ll know Him, somedayWe’ll know Him somehow.[CHORUS]
$7.99
7.37 €
#
Piano Facile
#
Richard deCosta
#
Lane
#
The Chimes I Heard Today
#
Richard deCosta
#
SheetMusicPlus
Into the Void
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.1013952 Composed by Jeff Hender…
(+)
Brass Ensemble - Level 5 - Digital Download SKU: A0.1013952 Composed by Jeff Henderson. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Jeff #6571231. Published by Jeff (A0.1013952). Into the Void for brass ensemble and percussion is an exciting piece full of adventure, drama, and heroism. Dr. Josh Mize, director of the Pensacola Christian College Brass Ensemble, commissioned the work for the Spring 2020 chamber concert. It is reminiscent of an epic sci-fi story and depicts a group of space travelers flying into the void, a great expanse of mystery and nothingness. The piece begins with a preparation for adventure, and the journey is underway. Later, the travelers contemplate and reflect on their bold mission as they fly through a nebula, and the piece ends with a triumphant victory as they return from the adventure.Scored for 4 trumpets, 4 horns, four trombones (4th is bass trombone), tuba, timpani, snare drum, suspended cymbal.
$75.00
69.14 €
#
Ensemble de cuivres
#
Jeff Henderson
#
Into the Void
#
Jeff
#
SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
21.19 €
#
Orchestre d'harmonie
#
William Brenner
#
1917: The Halifax Disaster
#
William Brenner
#
SheetMusicPlus
Issue 4, Series 1 - A Hero's Anthem from Strange Myths and Wondrous Images - A Comic Book Chronicle
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.886121 Composed by Jason McChrist…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886121 Composed by Jason McChristian. Contemporary. Score and parts. 49 pages. Jason Gary McChristian #552335. Published by Jason Gary McChristian (A0.886121). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. A Hero's Anthem - ...FROM THE DESTRUCTION A CRY IS HEARD, FROM THE CROWD A HERO EMERGES....
$40.00
36.88 €
#
Orchestre d'harmonie
#
Jason McChristian
#
Issue 4, Series 1 - A Hero's Anthem from Strange Myths and Wondrous Images - A Comic Book Chronicle
#
Jason Gary McChristian
#
SheetMusicPlus
The Emptiness of the Void
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874429 Composed by Gavin Koh. 20th …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874429 Composed by Gavin Koh. 20th Century,Concert,New Age. Score. 6 pages. Gavin Koh #4293225. Published by Gavin Koh (A0.874429). The Emptiness of the Void is a piece about looking up into the night sky and gazing at all the stars, only to realize that accompanying the stars, is a vast expanse of emptiness. And amidst the endlessness of the void, there is hope, which hopefully this song will evoke. Enjoy listening and leave comments on what you think about it. Follow the composer at https://www.facebook.com/gavinkoh1970
$4.49
4.14 €
#
Piano seul
#
Gavin Koh
#
The Emptiness of the Void
#
Gavin Koh
#
SheetMusicPlus
The Best Hymns of All Time (Violin, Cello and Piano) Book 1
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - Digital Download …
(+)
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - Digital Download SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 50 pages. Colin Kirkpatrick Publications #6596257. Published by Colin Kirkpatrick Publications (A0.522286). We’re really excited to present our collection of sixty of the best-loved hymns ever composed, presented in three books. Arranged for violin, cello and piano they are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position, though more experienced players would probably want to avoid open strings. The cello part does not follow the bass but instead plays an independent tenor line using to the mid to upper range of the instrument. The top note in the cello part is the F sharp above the bass clef. The piano part has been kept as straightforward as possible with the left hand playing the bass part. To extend the possible uses of this collection, there’s also a melody part printed in the bass clef, an octave lower than the violin part. This could of course be used for cello solo or indeed for any other bass clef instrument. Included in the 50-page PDF file is an optional bass part which follows the piano left hand and could be used for string bass or bass guitar. With such a small ensemble, a conductor is hardly necessary and to save on costs the pianist reads from the score. For this reason, the piano part in the score has been slightly enlarged. Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name. The audio samples include Abide with Me; All Through the Night; I Heard the Voice of Jesus Say; Nearer my God to Thee and What a Friend we Have in Jesus.
$15.99
14.74 €
#
Various
#
Colin Kirkpatrick
#
The Best Hymns of All Time
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.21 €
#
Orchestre à Cordes
#
Geoffrey Peterson
#
The Edmund Fitzgerald - Concerto for Piano and Strings
#
Geoffrey Peterson
#
SheetMusicPlus
Holy Holy Holy (To Thee We Sing)
Piano seul
Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arrang…
(+)
Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633. Published by April Ann Rundquist (A0.938197). This has always been a very visual arrangement for me with a rough narrative. It starts with the trumpets at the end of the world, the sense of quiet expectation. Wind across a field. It drops off into the silence of outer space. The initial theme presented against that impersonal void, knowing that He's out there, somewhere. Some of this is very difficult for me to describe because this is really about the Triune God, the great creative power, the mover in harmony and cooperation with Himself. The second verse is more grand, the love, the sense of story. And then it gets very, very big, in the way that I AM is always in capitals. Who WAS and IS and evermore shall BE! And in my mind that word BE is light, and just explodes against the blackness into a billion sparkles. And we shrink down to the microcosm for a moment, the wonders of His creative power in the tiny worlds, and it fades to the black of space again. Holy, Holy, Holy, though the darkness hide Thee. The Light that we can't see that would outshine all the stars. More beauty, and then we tumble down the waterfall of Living Water from the Throne of God...in Heaven. The golden palaces and the wonder, the unearthliness, the richness of the life. For a moment it's more simple and I'm reminded of an old hymn being sung in a rustic church. Then a vision of the Cosmic Christ from Revelation giving a benediction, and we're plunged into the chorus of Heaven, the new song of the 144,000. (this part sounds really good on an acoustic piano because the sound physically builds on itself) And it ends as it began...
$4.99
4.6 €
#
Piano seul
#
John Bacchus Dykes
#
April Rundquist
#
Holy Holy Holy
#
April Ann Rundquist
#
SheetMusicPlus
The Void (Blue Dream)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1050033 By Fiona Joy Hawkins. By Fi…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1050033 By Fiona Joy Hawkins. By Fiona. Joy Hawkins. Classical,Contemporary,New Age. Score. 3 pages. Fiona joy hawkins #654434. Published by fiona joy hawkins (A0.1050033). The Void is a great performance piece from the Blue Dream album. Suitable for AMEB Grades 4 and up.
$5.40
4.98 €
#
Piano seul
#
Fiona Joy Hawkins
#
The Void
#
fiona joy hawkins
#
SheetMusicPlus
Issue 10, Series 3 - The Sage from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.886128 Composed by Jason McChrist…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #553001. Published by Jason Gary McChristian (A0.886128). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Sage - ...A CALL FOR AID ECHOES ACROSS TIME AND SPACE. KNOWING THE STAKES, THE WISE-ONE PREPARES TO TAKE HER PLACE IN THE CHAOS.
$40.00
36.88 €
#
Orchestre d'harmonie
#
Jason McChristian
#
Issue 10, Series 3 - The Sage from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
#
Jason Gary McChristian
#
SheetMusicPlus
Issue 1, Series 1 - The City from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.886118 Composed by Jason McChrist…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886118 Composed by Jason McChristian. Contemporary. Score and parts. 108 pages. Jason Gary McChristian #550933. Published by Jason Gary McChristian (A0.886118). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The City - ...AMONG THE DENSE CITYSCAPE, AN UNFAMILIAR PRESENCE WEAVES THROUGH THE CROWD AND THE NOISE....
$40.00
36.88 €
#
Orchestre d'harmonie
#
Jason McChristian
#
Issue 1, Series 1 - The City from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
#
Jason Gary McChristian
#
SheetMusicPlus
The Void
Batterie
Drums - Level 3 - Digital Download SKU: A0.1152135 Composed by Ben Gordon, Jeffrey …
(+)
Drums - Level 3 - Digital Download SKU: A0.1152135 Composed by Ben Gordon, Jeffrey Ling, Luke Kilpatrick, and Winston Mccall. Arranged by Cyril Mayer. Rock. Score. 4 pages. Cyril Mayer #752348. Published by Cyril Mayer (A0.1152135). The Void - Parkway Drive - Drum Transcript + lyrics.
$5.99
5.52 €
#
Batterie
#
Ben Gordon, Jeffrey Ling, Luke Kilpatrick, and Winston Mccall
#
Cyril Mayer
#
The Void
#
Cyril Mayer
#
SheetMusicPlus
Issue 7, Series 2 - The Social Outcast from Strange Myths and Wondrous Images - A Comic Book Chronic
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.886124 Composed by Jason McChrist…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886124 Composed by Jason McChristian. Contemporary. Score and parts. 70 pages. Jason Gary McChristian #552907. Published by Jason Gary McChristian (A0.886124). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Social Outcast - ...THE FORSAKEN OUTSIDER OFFERS HELP; A GIFT NO ONE CONSIDERED....
$40.00
36.88 €
#
Orchestre d'harmonie
#
Jason McChristian
#
Issue 7, Series 2 - The Social Outcast from Strange Myths and Wondrous Images - A Comic Book Chronic
#
Jason Gary McChristian
#
SheetMusicPlus
The World in My Dream
Chorale Unison
Unison/Opt. Two-part chorus - Digital Download SKU: C7.CGE109 Composed by Ruth Elai…
(+)
Unison/Opt. Two-part chorus - Digital Download SKU: C7.CGE109 Composed by Ruth Elaine Schram. General. Sing! Octavo. 8 pages. Chorister's Guild - Digital #CGE109. Published by Chorister's Guild - Digital (C7.CGE109). UPC: 749193023174.Can you imagine a world without music? This sincere and inspirational original encourages all who hear it to fill the void with their own unique song, and thus fill the world with music. Highly recommended as a signature piece, its memorable melodies and message speak to us all. What a wonderful place, filled with beauty and grace; the world in my dream!
$2.10
1.94 €
#
Chorale Unison
#
Ruth Elaine Schram
#
the world in my dream!
#
The World in My Dream
#
Chorister's Guild - Digital
#
SheetMusicPlus
Brass Quartet - Titans
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. …
(+)
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
18.44 €
#
Ensemble de cuivres
#
Mike Lyons
#
Brass Quartet - Titans
#
Lyons Music Services
#
SheetMusicPlus
Brass Band - March -So Fly the Eagles
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.767302 Composed by Mike Lyons. Contemporary. Brass Band. 58 pages. Lyons Music Services #3409907. Published by Lyons Music Services (A0.767302). An original march dedicated to The Eagley Band, with whom I have a very long associationThe opening section is quite chaotic, as the eagles flap their wings and get ready for take-off. Then they are off with a run and a leap and we hear the first theme, a martial tune in the solo euphonium, with fanfare-like interjections on the cornets. At letter B, the tune is expanded to encompass the other sections of the band. Then at letter C, a new idea is introduced which has little obbligato tweets from the soprano and repieno on the repeat.The bass solo continues the military idea with aggressive fanfare interjections over the bass melody.The trio changes style completely and should be played as lightly and delicately as possible. The leaps on baritone and trombones should be clear and well articulated but should fit into the general texture rather than stick out abruptly.At letter G, the grace notes should be played by only one player in each section to avoid sounding like clucking chickens. The grace notes should be extremely light.
$25.00
23.05 €
#
Mike Lyons
#
Brass Band - March -So Fly the Eagles
#
Lyons Music Services
#
SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
36.87 €
#
Orchestre
#
Keith Terrett
#
Keith Terrett
#
Latvian National Anthem for Symphony Orchestra
#
Keith Terrett
#
SheetMusicPlus
Become The Earth
Choral Choir,Choral (SAA) - Level 3 - Digital Download SKU: A0.1389746 By Feist. By…
(+)
Choral Choir,Choral (SAA) - Level 3 - Digital Download SKU: A0.1389746 By Feist. By Leslie Feist. Arranged by Claire Coleman. A Cappella,Pop,Rock. 12 pages. Claire Coleman #973342. Published by Claire Coleman (A0.1389746). From Feist's 2023 album Multitides, Become The Earth is as earthy and unsettling as its subject matter. Pitchfork reviewer Ryan Dombal characterises its subject matter as being about the process of our bodies decomposing in the ground only to rise again as overgrown vines. Something that could be grim is instead glorious in weirdness, inviting listeners (and singers) to stare with Feist into the void and discover, at its heart, a story of return to our earthly origins.The arrangement is in six parts for womens' voices (SSAAAA). It is designed for a cappella singing with a small section of optional body percussion. Chord symbols are included to facilitate teaching.
$1.99
1.83 €
#
Feist
#
Claire Coleman
#
Become The Earth
#
Claire Coleman
#
SheetMusicPlus
The Restaurant Book - Classical Volume
Harpe
Harp - Advanced Intermediate - Digital Download Arranged by Darhon Res- Rohrbacher. Class…
(+)
Harp - Advanced Intermediate - Digital Download Arranged by Darhon Res- Rohrbacher. Classical Period. 63 pages. Published by Afghan Press Music for the Harp
Your audiences will love these popular classics! These beloved melodies have been arranged in progressive key order so that the book can be played as a continuous set of background music at a gig. However, individual tunes may be selected as separate musical renditions and selections omitted as desired. These arrangements strive to capture the "flavor" of the original source works and yet retain a strong melodic component. The selections are derived from orchestral, opera, operetta and art song compositions. Attempting to transfer them to the harp is a challenge due to the unique characteristics of the instrument. Some liberties had to be taken in order to avoid unusual key modulations or chromaticism of the original works. In some instances, a separate pedal and lever harp arrangement are provided for a more satisfactory performance. Contents: Porgi, Amor (Le Nozze di Figaro), Jupiter Theme (The Planets), Musetta?s Waltz (La Bohème), Egyptian March (Aida), La Donna è Mobile (Rigoletto), Va Pensiero (Nabucco), Waltz and Cradle Song (Brahms), Toreador Song (Carmen), On Wings of Song (Mendelssohn), Surprise Symphony Theme, Moderato Cantabile (Fantasia Impromptu), Song to the Moon (Rusalka), Minuetto (Don Giovanni), The Swan (Carnival of the Animals), Mio Babbino Caro (Gianni Schicchi), Polovtsian Dance Theme (Prince Igor), Barcarolle (Tales of Hoffman), Meditation (Thaïs), Largo (New World Symphony), The Merry Widow Waltz.Your audiences will love these popular classics! These beloved melodies have been arranged in progressive key order so that the book can be played as a continuous set of background music at a gig. However, individual tunes may be selected as separate musical renditions and selections omitted as desired. These arrangements strive to capture the "flavor" of the original source works and yet retain a strong melodic component. The selections are derived from orchestral, opera, operetta and art song compositions. Attempting to transfer them to the harp is a challenge due to the unique characteristics of the instrument. Some liberties had to be taken in order to avoid unusual key modulations or chromaticism of the original works. In some instances, a separate pedal and lever harp arrangement are provided for a more satisfactory performance.
Contents:
Porgi, Amor (Le Nozze di Figaro), Jupiter Theme (The Planets), Musetta?s Waltz (La Bohème), Egyptian March (Aida), La Donna è Mobile (Rigoletto), Va Pensiero (Nabucco), Waltz and Cradle Song (Brahms), Toreador Song (Carmen), On Wings of Song (Mendelssohn), Surprise Symphony Theme, Moderato Cantabile (Fantasia Impromptu), Song to the Moon (Rusalka), Minuetto (Don Giovanni), The Swan (Carnival of the Animals), Mio Babbino Caro (Gianni Schicchi), Polovtsian Dance Theme (Prince Igor), Barcarolle (Tales of Hoffman), Meditation (Thaïs), Largo (New World Symphony), The Merry Widow Waltz.
$20.00
18.44 €
#
Harpe
#
Darhon Res- Rohrbacher
#
The Restaurant Book - Classical Volume
#
Afghan Press Music for the Harp
#
SheetMusicPlus
The Dream Of Olwen
2 Guitares (duo)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797782
(+)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797782 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5790447. Published by Derek Hasted (A0.797782). THE DREAM OF OLWEN - One of two GUITAR DUETSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes I have made two arrangements of this lovely piece. This edition contains the more accessible arrangement - ideal for an intermediate duo or a student/teacher duo. Visit my website (below) to easily find the other version.This fantastic piece was written as an integral part of the film 'While I Live', and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.My arrangement for two guitars captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a wonderful concert piece lasting almost 4 minutes.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment is less rhythmically busy than the original, yet the chords are retained.There are two arrangements in this one edition...Version 1 allocates the music to the players as if they were the left and right hands of the piano piece - ideal for a duo in which one player is technically stronger than the other (for example a student/teacher duet).Version 2 swaps the roles around at the phrase boundaries and suits a well-matched duo.The choice of which you play is yours...The arpeggios are fingered because they generally only work well in one position. The melody, by contrast, is unfingered; it is chromatic and so there is no place on the neck where all the notes are accessible. It’s really a matter of personal choice where you change position and whether you prefer to stay high up the neck or venture down to get a brighter tone.Dedicated to the memory of my maternal grandmother Olwen
$4.99
4.6 €
#
2 Guitares (duo)
#
Pamela Page
#
Derek Hasted
#
The Dream Of Olwen
#
Derek Hasted
#
SheetMusicPlus
Inside The Cave
Level 4 - Digital Download SKU: A0.1389579 Composed by Caiden Christensen. Chamber,…
(+)
Level 4 - Digital Download SKU: A0.1389579 Composed by Caiden Christensen. Chamber,Classical,Halloween,Medieval,Romantic Period. 39 pages. Caiden Christensen #973174. Published by Caiden Christensen (A0.1389579). This song ventures into a pitch black void of a cave. A cave that has only been heard in legends. A cave full of wealth and riches beyond imagination!.. But, this cave is cursed. And anyone who has gone to search for it... Has never been seen again. The ones who are smart enough to turn back before they arrive at the cave are the ones who lose themselves. They become slaves to the cave, they no longer know who they are. They are lost to the cave.Try not to lose yourself on the way to the cave... And then make it back here, where it's safe.
$34.99
32.26 €
#
Caiden Christensen
#
Inside The Cave
#
Caiden Christensen
#
SheetMusicPlus
Mean Green Mother From Outer Space
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1453188 By Various. By Alan Menke…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1453188 By Various. By Alan Menken and Howard Ashman. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Film/TV,Musical/Show,Pop. 96 pages. Music Arrangement Services Inc. #1032414. Published by Music Arrangement Services Inc. (A0.1453188). From the Musical Production and Film “Little Shop Of Horrors”. This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is about the plant “Audrey 2” responding to being threatened because he is mean. The song refers to waiting, minding manners, changing tone, doing things their way, not knowing what they are messing with or what they are up against, being bad, being had, being mean and green, saving one’s self, good advice, being fighting mad, King Kong, Frankenstein, the Black Lagoon, The Thing, It, the Creature, can’t beat trouble. This arrangement is shorter than the original, thus avoiding harsh language. There are also cues for shortening this piece. This arrangement is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:50.
$49.99
46.09 €
#
Orchestre d'harmonie
#
Various
#
Jeffrey Bowen
#
Mean Green Mother From Outer Space
#
Music Arrangement Services Inc.
#
SheetMusicPlus
<
1
26
51
....
1376
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Void
