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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
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VIOLONCELLE
XYLOPHONE
The Waltz of Time in B Flat
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2 Clarinettes, Piano
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2 Saxophones (duo)
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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Crtitères actifs :
The Waltz of Time in B Flat
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Partitions à imprimer
82 partitions trouvées
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
The Waltz of Time in B Flat
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Cameron White
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The Waltz of Time in B Flat
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Cameron White
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1089321 Composed by Cameron White. Classical. Score and parts. 23 pages. Cameron White #693518. Published by Cameron Wh...
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Concert Band - Level 3 - SKU: A0.1089321 Composed by Cameron White. Classical. Score and parts. 23 pages. Cameron White #693518. Published by Cameron White (A0.1089321).
$20.00
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michae...
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Concert Band - Level 5 - SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$79.99
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael...
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Concert Band - Level 5 - SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$29.99
Variations on a Theme in D Flat
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Orchestre d'harmonie
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FACILE
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Contemporain
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
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Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
Unaccompanied Tuba Suite #1 in B-flat Major
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Tuba
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INTERMÉDIAIRE
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Jason Allie
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Unaccompanied Tuba Suite #1 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Publis...
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Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549830 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549830 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3550201. Published by jmsgu3 (A0.549830). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549818 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic ...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549818 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3546577. Published by jmsgu3 (A0.549818). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
THE DEEP for solo DOUBLE BASS
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Contre Basse
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Contemporain
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Double Bass,String Bass Solo - SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published b...
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Double Bass,String Bass Solo - SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
Five Miniatures for the Aspiring Brass Quintet, Op. 134
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Dr
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Five Miniatures for the Aspiri
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages. Https://gildedm...
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Brass Quintet - Level 2 - SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages. Https://gildedmusicpress.com/ #1066349. Published by https://gildedmusicpress.com/ (A0.1489486). This collection of short compositions for brass quintet was conceived specifically to supplement a dearth of appropriate and artistic original compositions for the young aspiring brass quintet. These pieces are most fitting for a good high school quintet or a beginning college ensemble that wants a conquerable challenge. With a variety of keys, styles, and tempos, they lend themselves well for deep work on the core ensemble skills of rhythmic accuracy, intonation, and dynamic balance. These brief works are also quite enjoyable for the professional quintet to perform for ever-popular school shows, or simply to read as a warmup with the focus of improving ensemble skills. Performance time for all five pieces is approximately five minutes.“Blackhawk” (duration 0:45) was originally composed in D-sharp minor as a melody to be used in Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 39). The quintet version is in concert D minor for more manageable execution. This brisk four-four work is perhaps the most difficult in the collection, with demands of multiple tonguing for all the instruments as well as fairly advanced intervallic jumps. “Lamb of God” (duration 1:00) is one of many hymn tunes originally composed by Dr. Thrower for use in Comprehensive Trumpet Skills, Book 7: Ensemble Skills (p. 54), intended to be used to tune unisons and octaves. As a tuning study it was published in the key of F major for B-flat trumpet, or concert E-flat major. The quintet version retained the original key of concert E-flat. The reverently subdued four-four tempo makes this the easiest piece in the collection, technically, though the three core ensemble skills listed in the introductory paragraph (rhythm, intonation, and balance) must still be extensively addressed. The horn part is perhaps the most demanding in “Lamb of God,” with arpeggiated discant lines toward the end.“Summer Solstice” (duration 1:10) was started on June 21, 2023, which was the summer solstice. It is a bright, cheerful piece in concert F major with a lot of interest in all the parts. One source of the title’s inspiration came from my family’s new situation living in Tokyo, Japan, where the dawn sky brightens around 4:00 AM on the longest days of the year, which obviously coincide with the summer solstice. The 70-second piece was completed four days after conception while the long days started at their earliest.“Triumph: Children’s March” (duration 1:00) was the catalyst for this collection. It started as a cute little brass quintet piece in the key of concert B-flat major, to be performed for children, such as for school concerts. The cut-time tempo is very brisk for a march, but animated little legs (or a more manageable audience activity of clapping hands) can easily handle the task. Although the first trumpet part ends up on a high C, there is an alternate note for a more comfortable ending.“Waltzing Puma” (duration 0:30) is an evocative title for an evocative piece. Like “Blackhawk,” this melody was composed as a melody for Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 36). The melodies in that series took on titles of military aircraft, and this one was the helicopter “Puma.” Since this tune is in a fast three-four, it became the “Waltzing Puma.” The quintet version retains the original key of concert F minor.
$24.95
Third Suite (I. March, II. Waltz, III. Rondo): (wp) B-flat Tuba B.C.
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Orchestre d'harmonie
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Methodes
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Robert Jager
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Festival.
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Third Suite
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002592_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Robert Jager. Instructional. World Part. 4 pages. Alfred Music - ...
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Concert Band - SKU: AX.00-PC-0002592_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Robert Jager. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002592_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002592_WPTBBBC). ISBN 9780757933776. UPC: 029156100570.Composed in 1966, this three movement work is performed regularly in contests and festivals as well as on concert band programs globally. The unique setting of this original work provides subtle challenges to the performers and conductor with enhanced interest for the listener. The movements are March---non-characteristically scored in alternating 4/4 and 3/4 time, Waltz---similarly juxtaposed in alternating 3/4 and 2/4 time, and the raucous Rondo. Robert Jager's Third Suite---a distinctive work with charming character. (8:45)List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
Third Suite (I. March, II. Waltz, III. Rondo): (wp) B-flat Baritone B.C.
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Orchestre d'harmonie
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Methodes
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Robert Jager
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Festival.
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Third Suite
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002592_WPBBBC (wp) B-flat Baritone B.C.. Composed by Robert Jager. Instructional. World Part. 4 pages. Alfred Music...
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Concert Band - SKU: AX.00-PC-0002592_WPBBBC (wp) B-flat Baritone B.C.. Composed by Robert Jager. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002592_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002592_WPBBBC). ISBN 9780757933776. UPC: 029156100570.Composed in 1966, this three movement work is performed regularly in contests and festivals as well as on concert band programs globally. The unique setting of this original work provides subtle challenges to the performers and conductor with enhanced interest for the listener. The movements are March---non-characteristically scored in alternating 4/4 and 3/4 time, Waltz---similarly juxtaposed in alternating 3/4 and 2/4 time, and the raucous Rondo. Robert Jager's Third Suite---a distinctive work with charming character. (8:45)List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
Third Suite (I. March, II. Waltz, III. Rondo): (wp) B-flat Tuba T.C.
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Orchestre d'harmonie
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Methodes
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Robert Jager
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Festival.
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Third Suite
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002592_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Robert Jager. Instructional. World Part. 4 pages. Alfred Music - ...
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Concert Band - SKU: AX.00-PC-0002592_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Robert Jager. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002592_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002592_WPTBBTC). ISBN 9780757933776. UPC: 029156100570.Composed in 1966, this three movement work is performed regularly in contests and festivals as well as on concert band programs globally. The unique setting of this original work provides subtle challenges to the performers and conductor with enhanced interest for the listener. The movements are March---non-characteristically scored in alternating 4/4 and 3/4 time, Waltz---similarly juxtaposed in alternating 3/4 and 2/4 time, and the raucous Rondo. Robert Jager's Third Suite---a distinctive work with charming character. (8:45)List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
"Waltz of the Harlequins" for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Grant Horsley
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"Waltz of the Harlequins&
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Grant Horsley
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1111734 Composed by Grant Horsley. Children,Classical,Comedy,Contempo...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1111734 Composed by Grant Horsley. Children,Classical,Comedy,Contemporary,Contest,Festival. 31 pages. Grant Horsley #713998. Published by Grant Horsley (A0.1111734). Scored for 1 Clarinet in E flat, 3 B flat Clarinets, Alto and Bass. Waltz of the Harlequins is an original piece- The Harlequin is the best-known of the comic servant characters from the Italian commedia dell'arte- popularised in Paris in the 16thc. The Harlequin is characterized by his checkered costume. Their role is that of a light-hearted, nimble, and astute servant, Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischievous devil character in medieval passion plays. This concert piece written in waltz time (almost 1 in a bar)is playful and light, and represents the characters escapades. It is in ternary for in Concert C minor with the middle section in A flat major major before returning to the opening them and coda. It has been set to intermediate although some parts an early intermediate player would manage. The whole score in on the youtube link for you to assess. The full score is 12 pages- parts are 3,each- 3mins 30 in length and the price is for full score and all parts. Ideal for concert, recital, production, Halloween, Fantasy themes, Folklore etc. or something different to the repertoire.
$13.99
La Waltz Triste (Clarinet Quartet version)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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James Pybus
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La Waltz Triste
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James Pybus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 4 - SKU: A0.764637 Composed by James Pybus. Contemporary,Contest,Festival. 21 pages. James Pybu...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 4 - SKU: A0.764637 Composed by James Pybus. Contemporary,Contest,Festival. 21 pages. James Pybus #34119. Published by James Pybus (A0.764637). La Waltz Triste is an original composition playable by Clarinet Quartet (3 B flats plus Bass Clarinet). Performance time is 3:10. As the title would suggest, it has a rather sad and melancholic feel. Several events in my personal life of a tragic nature which occurred during the year it was written (2014) have subconsciously contributed to this feeling, including in May 2014 the loss of a friend and colleague, followed in September by the loss of my father-in-law. An ongoing health issue which began in April prevented me from playing and performing to the best of my ability. Thankfully this issue has resolved itself; there is a ray of hope for the future. Not wanting to wallow in self-pity, I look forward to more cheerful days ahead. Contact me at james.pybus56@gmail.com.
$15.00
THE GOLDEN J WALTZ
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Piano seul
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INTERMÉDIAIRE
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ROBERT VAN HORNE
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THE GOLDEN J WALTZ
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1326631 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Contemporary,Film/TV,Holiday,Instructional,New Age. Score. 8 pages. Whi...
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Piano Solo - Level 3 - SKU: A0.1326631 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Contemporary,Film/TV,Holiday,Instructional,New Age. Score. 8 pages. White Piano International Publishing #914771. Published by White Piano International Publishing (A0.1326631). THE GOLDEN J WALTZ (Piano Solo) by Robert Van HorneIntermediate Piano Solo8 pagesDuration is about 3:00A fifty year anniversary or birthday is designated with the color GOLD. THE GOLDEN J WALTZ was composed as a piano solo in three-four time in about a week. It is dedicated to a dear friend, Jason who celebrated his 50th birthday.It begins in the key of E flat and has three themes: Theme A is heard three times, Theme B is heard five times (for 5 decades), Theme C is heard once as a transition to a new key of F Major. The sheet music is clearly notated with dynamic and articulation marks, phrasing, pedal indications, chord identifications, suggested fingerings and appropriate musical terms for playing.THE GOLDEN J WALTZ is an excellent teaching piece that incorporates three dreamy and ruminative melodies. This Intermediate Piano Solo is ideal for recitals and school musical events…a delightful musical listening treat for audiences and for advancing piano students.Robert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.com
$4.99
"Valse Sentimentale" Original for Alto Sax Duet and Piano
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Grant Horsley
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Grant Horsley
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"Valse Sentimentale"
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Grant Horsley
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.900625 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Contemporary,Contest,Festiv...
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Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.900625 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Contemporary,Contest,Festival,Romantic Period,Wedding. 2 scores. 23 pages. Grant Horsley #506922. Published by Grant Horsley (A0.900625). Valse Sentimentale is in ternary form, in 3/4 time and romantic in nature The first section is a gentle waltz in concert B flat minor minor and the second section by contrast is in G flat major and takes on a barcarolle like quality but remaining in 3/4 not the traditional 6/8. It returns to section one again and the coda brings back a short reminder of the barcarolle theme in B flat major to finish. The range of the Saxes are around two octaves- Each part is equally divided to avoid the 1st Sax and 2nd definition. I have set it to intermediate level. It would work well for a variety of occasions. The full score is on the you tube link for you to assess suitability. It is around 5 mins 50 in length. Price is for the full score and parts. Flute duet, Violin duet, Clarinet duet, Oboe duet and Solo Piano versions are also available.
$5.99
"Christmas Waltz" Original for Clarinet Choir. Early Intermediate
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Ensemble de Clarinettes
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FACILE
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Noël
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Grant Horsley
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"Christmas Waltz" Or
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Grant Horsley
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1291975 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holida...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1291975 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882595. Published by Grant Horsley (A0.1291975). Christmas Waltz is a short gentle waltz for Clarinet choir scored for E flat Clarinet, 3 B flat Clarinets, Alto and Bass Clarinet. I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy! Written in Concert E flat major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending. The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level. The whole piece is on the youtube link for you to assess suitability. Ideal to be added to a Christmas concert list! It is 3 minutes 15 in length.Price is for score and all parts.
$12.99
Waltz in A Minor (Chopin) - B Flat Clarinet and Piano - Chamber music
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.760516 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love...
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Clarinet,Piano - Level 3 - SKU: A0.760516 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4609281. Published by Raymond Fenech (A0.760516). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Waltz in A Minor (Chopin) - 2 B Flat Clarinets and Piano - Chamber music
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2 Clarinettes, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 3 - SKU: A0.760515 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,E...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 3 - SKU: A0.760515 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Period. Score and parts. 11 pages. Raymond Fenech #4609279. Published by Raymond Fenech (A0.760515). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
The Muskrat Waltz
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Piano Facile
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DÉBUTANT
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Lori Cummings
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The Muskrat Waltz
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Lori Cummings
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.762347 Composed by Lori Cummings. Children,Classical,Folk,Instructional,Traditional. Score. 1 pages. Lori Cummings #45932...
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Easy Piano - Level 1 - SKU: A0.762347 Composed by Lori Cummings. Children,Classical,Folk,Instructional,Traditional. Score. 1 pages. Lori Cummings #4593241. Published by Lori Cummings (A0.762347). The Muskrat Waltz is inspired by the muskrats that were dancing in my pond behind my home yesterday. This piece is written for late beginner/early elementary students. It is a great introduction to waltz time, teaching students to really feel the waltz beat. With the melody in the bass, it is a wonderful piece to showcase the left hand. The melody is catchy, with an unexpected E flat near the end to catch the audience's ear. Students will love this piece, recreating the dance of the muskrats. This piece was written in C position, but uses a B flat and an E flat to enhance the melody in a couple of spots. The font is larger for easy reading, with some colour added. Fingering has not been added to this piece as I felt this would also be a great piece for the student to work with the teacher to figure out fingering, using their knowledge of fingering they have learned so far.
$5.45
"Christmas Waltz" Original for For Clarinet Duet and Piano. Intermediate level
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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Noël
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Grant Horsley
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Grant Horsley
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"Christmas Waltz" Or
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Grant Horsley
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - SKU: A0.1293499 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Christmas,Classical,Holiday,Wedding. 2...
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Clarinet Duet Clarinet - Level 3 - SKU: A0.1293499 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Christmas,Classical,Holiday,Wedding. 2 scores. 15 pages. Grant Horsley #883985. Published by Grant Horsley (A0.1293499). I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy! Written in Concert B flat major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending. The range is two octaves at most and there is nothing more complicated than an eighth note although it is moderately high- hence it has been set at intermediate level. I wanted 2 equal instrumental parts so there is no number 1 and 2! The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list! It is 3 minutes 15 in length. Price is for score and parts.
$6.50
Frühlingsstimmen / Voices of Spring for easy clarinet in Bb and piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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Klas Krantz
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Frühlingsstimmen / Voices
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Amadeus Music
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1285529 Composed by Johann Strauss Jr. Arranged by Klas Krantz. Classical,Romantic Period. Score and part. 16 ...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1285529 Composed by Johann Strauss Jr. Arranged by Klas Krantz. Classical,Romantic Period. Score and part. 16 pages. Amadeus Music #876634. Published by Amadeus Music (A0.1285529). Johann Strauss II (1825 - 1899) was an Austrian composer known especially for his waltzes, such as The Blue Danube. He was known in his lifetime as the waltz king and was largely responsible for the popularity of the waltz in Vienna during the 19th century. He revolutionized the waltz, elevating it from a lowly peasant dance to entertainment fit for the royal Habsburg court.
$7.95
Frühlingsstimmen / Voices of Spring for clarinet in Bb and piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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Klas Krantz
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Frühlingsstimmen / Voices
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Amadeus Music
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.531104 Composed by Johann Strauss Jr. Arranged by Klas Krantz. 19th Century,Classical,Romantic Period. Score a...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.531104 Composed by Johann Strauss Jr. Arranged by Klas Krantz. 19th Century,Classical,Romantic Period. Score and part. 17 pages. Amadeus Music #2028925. Published by Amadeus Music (A0.531104). Johann Strauss II (1825 - 1899) was an Austrian composer known especially for his waltzes, such as The Blue Danube. He was known in his lifetime as the waltz king and was largely responsible for the popularity of the waltz in Vienna during the 19th century. He revolutionized the waltz, elevating it from a lowly peasant dance to entertainment fit for the royal Habsburg court.
$7.95
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The Waltz of Time in B Flat