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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Way We Were - Trombone 4
Non classifié
25
Piano & claviers
Piano seul
30
Piano, Voix et Guitare
13
Piano, Voix
7
Instruments en Do
5
Piano Facile
4
2 Pianos, 4 mains
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
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Guitare notes et tablatures
5
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5
2 Mandolines (duo)
2
Dulcimer
2
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2
Basse electrique
2
+ 1 instrumentations
Retracter
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Chorale SATB
20
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2
Chorale 3 parties
2
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1
Voix Tenor
1
Chorale SSATTB
1
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6
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5
Hautbois, Piano (duo)
4
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3
Clarinette
3
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2
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1
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1
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1
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1
Saxophone Alto
1
Saxophone Alto et Piano
1
Saxophone, Clarinette (duo)
1
Cor anglais, Piano
1
+ 9 instrumentations
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4
Cor et Piano
3
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1
2 Tubas (duo)
1
2 Trompettes (duo)
1
Trompette, Piano
1
Trompette
1
Cor anglais, Piano
1
+ 3 instrumentations
Retracter
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Quatuor à cordes: 2 violons, alto, violoncelle
11
Violoncelle, Piano
2
Violon (partie séparée)
2
Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse (partie séparée)
1
Violon et Piano
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
+ 4 instrumentations
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Orchestre & Percussions
Ensemble Jazz
4
Orchestre de chambre
3
Orchestre d'harmonie
3
Orchestre à Cordes
3
Orchestre
2
Ensemble de cuivres
2
Ensemble de Percussions
2
Batterie (partie séparée)
1
2 Marimbas
1
Jazz combo
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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Crtitères actifs :
The Way We Were - Trombone 4
Partitions à imprimer
222 partitions trouvées
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1
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201
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
#
When the Saints Go Marching In
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Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
The Way We Were (9-Piece Digital Pack)
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Alan Bergman, Marilyn Bergman,
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Larry Moore
#
The Way We Were
#
Hal Leonard - Digital
#
SheetMusicPlus
Orchestra Percussion - Level 3-4 - SKU: HX.250460 Composed by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Larry Moore. Standards. In...
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Orchestra Percussion - Level 3-4 - SKU: HX.250460 Composed by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Larry Moore. Standards. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.250460).
Digital Pack includes
:
The Way We Were - Full Score
The Way We Were - Violin 1
The Way We Were - Violin 2
The Way We Were - Violin 3 (Viola Treble Clef)
The Way We Were - Viola
The Way We Were - Cello
The Way We Were - Bass
The Way We Were - Piano
The Way We Were - Percussion
$45.00
The Way We Were guitar fingerstyle
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Guitare notes et tablatures
#
Fingerstyle/Fingerpicking
#
Methodes
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Barbra Streisand
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The Way We Were guitar fingers
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PianoSheetNow
#
SheetMusicPlus
Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar solo, Acoustic guitar - Early Intermediate - Digital Download By Barbra Streisand. Arranged ...
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Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar solo, Acoustic guitar - Early Intermediate - Digital Download By Barbra Streisand. Arranged by PianoSheetNow. Sheet Music Single, Tablature. 4 pages. Published by PianoSheetNow
The Way We Were is a song recorded by Barbra Streisand for her fifteenth studio album, The Way We Were (1974). Its lyrics detail the melancholic relationship between the two main characters in the 1973 film of the same name. The song won two Academy Awards, which were credited to the songwriters of the track.
For Guitar fingerstyle solo or Guitar and Voice.
Early Intermediate. With standard notation and tablature (TAB).
Pages: Four pages (4).
$4.99
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
The Way We Were
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Dulcimer
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Contemporain
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Barbra Streisand
#
The Way We Were
#
Larry Conger/Dulcimerican Music
#
SheetMusicPlus
Mountain Dulcimer - Advanced Intermediate - Digital Download By Barbra Streisand. Arranged by Larry Conger. Tablature. 4 pages. Published by Larry Conger/D...
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Mountain Dulcimer - Advanced Intermediate - Digital Download By Barbra Streisand. Arranged by Larry Conger. Tablature. 4 pages. Published by Larry Conger/Dulcimerican Music
From the 1973 romantic drama starring Barbara Streisand and Robert Redford, this arrangement is for solo mountain dulcimer in 1-5-8 or DAD tuning.
The arrangement is written with the upper intermediate level player in mind. It makes extensive use of the 1 fret and is pitched in the key of C while tuned in the key of D. The primary challenge will be the numerous three finger chords and several tougher than average reaches.
Three pages. Tablature, standard musical notation, lyrics and guitar accompaniment chords are included.
$4.99
Classic Movie Themes (5-Piece Digital Pack)
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Piano, Voix et Guitare
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Film/TV
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Frances Lai
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Classic Movie Themes
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Hal Leonard - Digital
#
SheetMusicPlus
Piano, voice and guitar (chords only) - Interactive Download SKU: HX.19724 By Frances Lai. This edition: Interactive Download,scorch. Film/TV,French,Jazz...
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Piano, voice and guitar (chords only) - Interactive Download SKU: HX.19724 By Frances Lai. This edition: Interactive Download,scorch. Film/TV,French,Jazz,Latin,Love,Standards. Score. 4 pages. Hal Leonard - Digital #512810. Published by Hal Leonard - Digital (HX.19724).
Digital Pack includes
:
Call Me Irresponsible
The Way We Were
Somewhere Out There
The Music Of Goodbye
A Man And A Woman (Un Homme Et Une Femme)
$9.99
Beyond The Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Bobby Darin
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Tobi A Crawford
#
Beyond The Sea
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Tobi Crawford
#
SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
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Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
The Way We Were
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Barbra Streisand
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John Fries
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The Way We Were
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.534914 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by John Fries. 20th Century...
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C Instrument - Level 4 - SKU: A0.534914 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #145075. Published by John Fries (A0.534914). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The Way We Were is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. Its lyrics detail the melancholic relationship between the two main characters in the 1973 film of the same name. American composer and producer Marvin Hamlisch created the final melody for The Way We Were, which initially was a problem between himself and the singer. Streisand had asked Hamlisch to produce a composition in minor key, but he instead wrote it in major key due to his fear of the song's lyrics being revealed too quickly.
$3.99
The Way We Were
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Barbra Streisand
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John Fries
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The Way We Were
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201552 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by John Fries....
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201552 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 2 pages. John Fries #800172. Published by John Fries (A0.1201552). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. The Way We Were is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. Its lyrics detail the melancholic relationship between the two main characters in the 1973 film of the same name. American composer and producer Marvin Hamlisch created the final melody for The Way We Were, which initially was a problem between himself and the singer. Streisand had asked Hamlisch to produce a composition in minor key, but he instead wrote it in major key due to his fear of the song's lyrics being revealed too quickly.
$4.99
The Way We Were
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Barbra Streisand
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Fred Barton
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The Way We Were
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Fred Barton Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1446709 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Fred Barton. Film/...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1446709 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Fred Barton. Film/TV,Pop,Standards. Score. 6 pages. Fred Barton Music #1026475. Published by Fred Barton Music (A0.1446709). A shattering climax, with the return of the main tune after the second bridge, is the highlight of this new piano-vocal arrangement, which ranges from romantic mystery to mainstream pop with a classical framework. Starting low and slow, a modulation upwards into the repeat of the bridge lifts the vocal into the mid-high range for the fireworks – then the song ends in a warm, contemplative mood.
$6.95
The Way We Were "theme" guitar TAB
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Guitare notes et tablatures
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FACILE
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Fingerstyle/Fingerpicking
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PianoSheetNow
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The Way We Were "theme" guitar
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SheetMusicPlus
Arranged by PianoSheetNow. Sheet Music Single, Tablature. 4 pages. Published by PianoSheetNow...
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Arranged by PianoSheetNow. Sheet Music Single, Tablature. 4 pages. Published by PianoSheetNow
$4.99
The Way We Were
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Contemporain
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Barbra Streisand
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Polar Publications
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The Way We Were
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Polar Publications
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.757675 By Barbra Streisand. By Marvin Hamlisch. Arranged by Polar Publications. Contemporary. Score and parts. 19 pag...
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Small Ensemble - Level 4 - SKU: A0.757675 By Barbra Streisand. By Marvin Hamlisch. Arranged by Polar Publications. Contemporary. Score and parts. 19 pages. Polar Publications #3501737. Published by Polar Publications (A0.757675). The title song from the classic movie The Way We Were make gorgeous brass quartet or choir ballad.
$20.00
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Saxophone Tutor Boox - Level 4 (Debut)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Methodes
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Alison Jackson, Jonathan Eno B
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Saxophone Tutor Boox - Level 4
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Jonathan Eno
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.936697 Composed by Alison Jac...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.936697 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. 23 pages. Jonathan Eno #6039303. Published by Jonathan Eno (A0.936697). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the woodwind BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheethttps://twitter.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don't Stop Me Now - QueenHold My Hand - Jess GlynneSuper Mario Theme - Nintendo You can listen to the world famous Hot House Saxophonix perform on all streaming platforms including: https://open.spotify.com/artist/0yJpRZxHG1GA38gv43QM5d?si=Bz9kCSaGRam4AsA1mOk_wQhttps://music.apple.com/gb/album/get-lucky/1518278864?i=1518278866This is perfect for schools and students!www.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
The Way We Were
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Flûte traversière et Piano
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Film/TV
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Barbra Streisand
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Shao Suan LOW
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The Way We Were
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Shao Suan low
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SheetMusicPlus
Flute,Piano - SKU: A0.502628 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Shao Suan LOW. Film/TV,Pop. Score a...
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Flute,Piano - SKU: A0.502628 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Shao Suan LOW. Film/TV,Pop. Score and part. 4 pages. Published by Shao Suan low (A0.502628). I arranged this song for flute and piano as I love the sound of the flute and I felt that the melody would sound lovely on the flute.
$6.00
The Way We Were
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Piano, Voix et Guitare
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Pop musique
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Perry Como
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The Way We Were
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Perry Como. Pop. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Perry Como. Pop. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
The Way We Were [Jazz version]
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Piano seul
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Rock
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Barbra Streisand
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The Way We Were [Jazz version]
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.451182 By Barbra Streisand. This edition: Interactive Download. Pop,Rock,Standards. Piano Solo. 4 pages. Published by Hal Le...
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Interactive Download SKU: HX.451182 By Barbra Streisand. This edition: Interactive Download. Pop,Rock,Standards. Piano Solo. 4 pages. Published by Hal Leonard - Digital (HX.451182).
$4.99
The Way We Were
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Alto, Piano
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FACILE
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Contemporain
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Barbra Streisand
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Kaiserin Rebecca
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The Way We Were
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.642657 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kai...
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Piano,Viola - Level 2 - SKU: A0.642657 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #6619175. Published by Kaiserin Rebecca (A0.642657). For viola solo and piano accompaniment with chords.
$6.99
The Way We Were
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Clarinette et Piano
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FACILE
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Contemporain
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Barbra Streisand
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Kaiserin Rebecca
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The Way We Were
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Kaiserin Rebecca
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.641556 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. ...
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Clarinet,Piano - Level 2 - SKU: A0.641556 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #6720241. Published by Kaiserin Rebecca (A0.641556). For clarinet in B flat solo and piano accompaniment with chords.
$6.99
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The Way We Were - Trombone 4