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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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FLUTE TRAVERSI…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Way We Were - Trumpet 1
Non classifié
18
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11
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5
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5
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3
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7
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17
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8
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
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CORNET
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FLUTE TRAVERSI…
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Crtitères actifs :
The Way We Were - Trumpet 1
Partitions à imprimer
290 partitions trouvées
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The Way We Were (9-Piece Digital Pack)
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Alan Bergman, Marilyn Bergman,
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Larry Moore
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The Way We Were
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Hal Leonard - Digital
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SheetMusicPlus
Orchestra Percussion - Level 3-4 - SKU: HX.250460 Composed by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Larry Moore. Standards. In...
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Orchestra Percussion - Level 3-4 - SKU: HX.250460 Composed by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Larry Moore. Standards. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.250460).
Digital Pack includes
:
The Way We Were - Full Score
The Way We Were - Violin 1
The Way We Were - Violin 2
The Way We Were - Violin 3 (Viola Treble Clef)
The Way We Were - Viola
The Way We Were - Cello
The Way We Were - Bass
The Way We Were - Piano
The Way We Were - Percussion
$45.00
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Four Favorite Hymns from the Movie - "Stars In My Crown"
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Musique Sacrée
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John R
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Ginny Saltzman
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Four Favorite Hymns from the M
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Ginny's House of Music
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robi...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99
The Way We Were
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Clarinette
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.609696 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin...
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Clarinet Solo - Level 1 - SKU: A0.609696 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376141. Published by Kevin Busse (A0.609696). This is a simple transcription of The Way We Were in the easy key of C for Clarinet.
$4.99
The Way We Were
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Trombone
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Trombone Solo - Level 1 - SKU: A0.609704 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin...
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Trombone Solo - Level 1 - SKU: A0.609704 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376159. Published by Kevin Busse (A0.609704). This is a simple transcription of The Way We Were in the easy key of C for Trombone.
$4.99
The Way We Were
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Basson
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Bassoon Solo - Level 1 - SKU: A0.609697 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin ...
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Bassoon Solo - Level 1 - SKU: A0.609697 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376145. Published by Kevin Busse (A0.609697). This is a simple transcription of The Way We Were in the easy key of C for Bassoon.
$4.99
The Way We Were
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Alto seul
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Viola Solo - Level 1 - SKU: A0.609709 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Bu...
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Viola Solo - Level 1 - SKU: A0.609709 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376177. Published by Kevin Busse (A0.609709). This is a simple transcription of The Way We Were in the easy key of C for Viola.
$4.99
The Way We Were
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Tuba
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Tuba Solo - Level 1 - SKU: A0.609705 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Bus...
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Tuba Solo - Level 1 - SKU: A0.609705 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376161. Published by Kevin Busse (A0.609705). This is a simple transcription of The Way We Were in the easy key of C for Tuba.
$4.99
The Way We Were
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Flûte traversière
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Flute Solo - Level 1 - SKU: A0.609694 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Bu...
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Flute Solo - Level 1 - SKU: A0.609694 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376131. Published by Kevin Busse (A0.609694). This is a simple transcription of The Way We Were in the easy key of C for Flute.
$4.99
The Way We Were
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Cor
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.609706 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Ke...
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French Horn Solo - Level 1 - SKU: A0.609706 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376169. Published by Kevin Busse (A0.609706). This is a simple transcription of The Way We Were in the easy key of C for Horn in F.
$4.99
The Way We Were
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Euphonium
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Euphonium Solo - Level 1 - SKU: A0.609707 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevi...
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Euphonium Solo - Level 1 - SKU: A0.609707 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376171. Published by Kevin Busse (A0.609707). This is a simple transcription of The Way We Were in the easy key of C for Euphonium.
$4.99
The Way We Were
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Saxophone Alto
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Alto Saxophone Solo - Level 1 - SKU: A0.609699 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages....
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Alto Saxophone Solo - Level 1 - SKU: A0.609699 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376149. Published by Kevin Busse (A0.609699). This is a simple transcription of The Way We Were in the easy key of C for Alto Sax.
$4.99
The Way We Were
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Saxophone (partie séparée)
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Baritone Saxophone Solo - Level 1 - SKU: A0.609701 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pa...
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Baritone Saxophone Solo - Level 1 - SKU: A0.609701 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376153. Published by Kevin Busse (A0.609701). This is a simple transcription of The Way We Were in the easy key of C for Bari Sax.
$4.99
The Way We Were
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Saxophone Tenor
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Tenor Saxophone Solo - Level 1 - SKU: A0.609700 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages...
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Tenor Saxophone Solo - Level 1 - SKU: A0.609700 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376151. Published by Kevin Busse (A0.609700). This is a simple transcription of The Way We Were in the easy key of C for Tenor Sax.
$4.99
The Way We Were
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Saxophone (partie séparée)
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Soprano Saxophone Solo - Level 1 - SKU: A0.609702 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pag...
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Soprano Saxophone Solo - Level 1 - SKU: A0.609702 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376155. Published by Kevin Busse (A0.609702). This is a simple transcription of The Way We Were in the easy key of C for Soprano Sax.
$4.99
The Way We Were
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Violoncelle
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.609710 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Bu...
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Cello Solo - Level 1 - SKU: A0.609710 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376179. Published by Kevin Busse (A0.609710). This is a simple transcription of The Way We Were in the easy key of C for Cello.
$4.99
The Way We Were
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Hautbois (partie séparée)
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.609695 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Bus...
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Oboe Solo - Level 1 - SKU: A0.609695 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376135. Published by Kevin Busse (A0.609695). This is a simple transcription of The Way We Were in the easy key of C for Oboe.
$4.99
The Way We Were
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Violon
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.609708 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. 1 pages. Kevin Busse #5376175. Pu...
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Violin Solo - Level 1 - SKU: A0.609708 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. 1 pages. Kevin Busse #5376175. Published by Kevin Busse (A0.609708). This is a simple transcription of The Way We Were in the easy key of C for Violin.
$4.99
The Way We Were
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Tuba
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INTERMÉDIAIRE
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.609672 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Bus...
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Tuba Solo - Level 3 - SKU: A0.609672 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376053. Published by Kevin Busse (A0.609672). This is a simple transcription of The Way We Were in the original key for Tuba.
$4.99
The Way We Were
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Piano seul
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.609698 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Score. 2 pages. Kevin Busse #53761...
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Piano Solo - Level 1 - SKU: A0.609698 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Score. 2 pages. Kevin Busse #5376147. Published by Kevin Busse (A0.609698). This is a simple transcription of The Way We Were in the easy key of C for Piano.
$4.99
The Way We Were
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Alto seul
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INTERMÉDIAIRE
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.609675 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Bu...
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Viola Solo - Level 3 - SKU: A0.609675 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376061. Published by Kevin Busse (A0.609675). This is a simple transcription of The Way We Were in the original key for Viola.
$4.99
The Way We Were
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Flûte traversière
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INTERMÉDIAIRE
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.609661 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Bu...
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Flute Solo - Level 3 - SKU: A0.609661 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376003. Published by Kevin Busse (A0.609661). This is a simple transcription of The Way We Were in the original key for Flute.
$4.99
The Way We Were
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Basson
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INTERMÉDIAIRE
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Contemporain
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.609664 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin ...
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Bassoon Solo - Level 3 - SKU: A0.609664 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376021. Published by Kevin Busse (A0.609664). This is a simple transcription of The Way We Were in the original key for Bassoon.
$4.99
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The Way We Were - Trumpet 1
