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--INSTRUMENTS--
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The Western Blues
Non classifié
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--INSTRUMENTS--
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Vous avez sélectionné:
The Western Blues
Partitions à imprimer
57 partitions trouvées
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Halls : The Western Blues
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Piano seul
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FACILE
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Jazz
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Halls
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The Western Blues
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Tomplay
Telechargez la partition Piano The Western Blues de Halls. Partition pour Piano seul -- Jazz...
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Telechargez la partition Piano The Western Blues de Halls. Partition pour Piano seul -- Jazz
4.99€
C Jam Blues for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
Nobody Knows The Trouble I've Seen
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Liam Noble and Traditional
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Samantha Clemens
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Folk Song
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Nobody Knows The Trouble I've
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Samantha Clemens
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1358994 Composed by Liam Noble and Traditional. Arranged by Samantha Clemens. Blues,Country,Folk,Spiritual,Traditional. S...
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Piano Solo - Level 4 - SKU: A0.1358994 Composed by Liam Noble and Traditional. Arranged by Samantha Clemens. Blues,Country,Folk,Spiritual,Traditional. Score. 2 pages. Samantha Clemens #943418. Published by Samantha Clemens (A0.1358994). ARRANGED FOR PIANO by Samantha ClemensA poignant rendition of the traditional spiritual song, Nobody Knows the Trouble I've Seen. Listen for the effective and unexpected counterpoint of the spirital, Swing Low, Sweet Chariot and the song I Saw the Light. This arrangement is used by professional musicians at weddings and private events and is perfect for church services, memorial services, weddings or other events. Includes two-page score.Traditional Spiritual; Folk Song; African; Easy Listening: Western Blues.
$4.99
The ULTIMATE Piano / Keyboard Self Tuition Book for Absolute Beginners Adults, Teenagers & Seniors!
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Piano Facile
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DÉBUTANT
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Martin Woodward
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The ULTIMATE Piano / Keyboard
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Martin Woodward
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1277423 Composed by Martin Woodward. 21st Century,Instructional,Pop,Standards,Traditional. Score. 214 pages. Martin Woodw...
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Easy Piano - Level 1 - SKU: A0.1277423 Composed by Martin Woodward. 21st Century,Instructional,Pop,Standards,Traditional. Score. 214 pages. Martin Woodward #869119. Published by Martin Woodward (A0.1277423). This is probably the most complete keyboard tutorial available for beginners with no prior experience and includes the very best from the authors four best selling books plus much more.The contents are suitable for piano and / or electronic keyboard (for Western Music - Not suitable for Asian music).Items covered include: Buying your first keyboard or piano; Reading music from scratch; Easy, effective finger exercises (with audio links) which require no reading ability; Important musical symbols; Your first tunes (with audio links) plus free links for many more; Key signatures and transposition; Major, minor, pentatonic and blues scales in keyboard and notation view, plus free links for more; Chord construction and fingering; Chord charts in keyboard view, plus free links to more; Arpeggios in keyboard and notation view; Diatonic Arpeggio exercises; Playing from a Fake Book with and without auto accompaniment; Plus more! After completing this book you should have a good basic understanding of music theory as well as a good basic playing technique, paving the way for more advanced study in your chosen field - jazz, blues, pop, classical etc.In addition there are also several valuable downloadable resources - please see the preview for further details.There is a huge amount of information in this book - please don't buy it if you are not ready for the commitment!
$15.99
Nobody Knows The Trouble I've Seen
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Gospel Spirituel
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Liam Noble and Traditional
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Samantha Clemens
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Folk Song
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Nobody Knows The Trouble I've
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Samantha Clemens
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1358864 Composed by Liam Noble and Traditional. Arranged by Samantha Clemens. 19th ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1358864 Composed by Liam Noble and Traditional. Arranged by Samantha Clemens. 19th Century,Religious,Spiritual,Standards,Traditional. 8 pages. Samantha Clemens #943315. Published by Samantha Clemens (A0.1358864). ARRANGED FOR STRING QUARTET by Samantha Clemens (2 violins, viola, cello)A poignant rendition of the traditional spiritual song, Nobody Knows the Trouble I've Seen. Listen for the effective and unexpected counterpoint of the spirital, Swing Low, Sweet Chariot near the end. This arrangement is used by professional musicians at weddings and private events and is perfect for church services, memorial services, weddings or other events. Includes score and parts.Traditional Spiritual; Folk Song; African; Easy Listening: Western Blues.
$14.99
C Jam Blues for Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Duke Ellington/Barney Bigard
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Keith Terrett
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C Jam Blues for Clarinet Quint
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Keith Terrett
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney B...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
Blues Impromptu
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Violoncelle
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AVANCÉ
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Gary Powell Nash
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Blues Impromptu
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Gary Powell Nash
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.881256 Composed by Gary Powell Nash. 20th Century,Contemporary. Individual part. 11 pages. Gary Powell Nash #5329177. Pub...
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Cello Solo - Level 5 - SKU: A0.881256 Composed by Gary Powell Nash. 20th Century,Contemporary. Individual part. 11 pages. Gary Powell Nash #5329177. Published by Gary Powell Nash (A0.881256). Blues Impromptu is a cello solo work in the Western classical tradition that reflects American music. It displays a rounded progressive form. The musical events stem extended playing techniques such as extreme high registers, extensive use of natural harmonics and multi layering effects with sul ponticello on fast note ostinato passages playing in the high register on top of the tail motive of the opening melody performed with double stops in the lower register. The closing section features the melody played with a left hand pizzicato over a sustained pedal
$10.00
C Jam Blues for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Keith Terrett
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C Jam Blues for String Orchest
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards...
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String Orchestra - Level 3 - SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
C Jam Blues for Trombone / Low Brass Quintet
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Ensemble de Trombones
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Keith Terrett
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C Jam Blues for Trombone / Low
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Keith Terrett
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SheetMusicPlus
Trombone Ensemble Bass Trombone - Level 3 - SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,...
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Trombone Ensemble Bass Trombone - Level 3 - SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
C Jam Blues for Saxophone Quintet
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Keith Terrett
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C Jam Blues for Saxophone Quin
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Keith Terrett
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1271383 By Duke Ellington. By Duke Ellington/B...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1271383 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
C Jam Blues for Recorder Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Keith Terrett
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C Jam Blues for Recorder Quint
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Stand...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$14.99
West End Blues
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Jazz
#
King Oliver
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Justin Florisson
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West End Blues
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Justin Florisson
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SheetMusicPlus
Banjo,Bass Voice,Clarinet,Guitar,Piano,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1116898 By King Oliver. By Clarence Williams and Joe Oliver. Arranged b...
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Banjo,Bass Voice,Clarinet,Guitar,Piano,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1116898 By King Oliver. By Clarence Williams and Joe Oliver. Arranged by Justin Florisson. Jazz. 19 pages. Justin Florisson #718554. Published by Justin Florisson (A0.1116898). A hybrid transcription of Louis Armstrong and His Hot Five's 1928 version of West End Blues. Includes parts. Intended for use in study of the Western Australian music ATAR curriculum.
$12.99
Out On The Western Plains
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Guitare notes et tablatures
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Rory Gallagher
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Out On The Western Plains
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Hal Leonard Europe
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SheetMusicPlus
Guitar - SKU: HX.142718 By Rory Gallagher. Blues,Rock. Guitar TAB. 10 pages. Published by Hal Leonard Europe (HX.142718). ...
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Guitar - SKU: HX.142718 By Rory Gallagher. Blues,Rock. Guitar TAB. 10 pages. Published by Hal Leonard Europe (HX.142718).
$4.99
Why You Blues
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Ensemble Jazz
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Jazz
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John Philips
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Why You Blues
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published by John Philips Music Service (A0.947277). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
The Big Book of Pentatonics & Fourths
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Eric Bolvin
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The Big Book of Pentatonics &a
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ERIC V BOLVIN
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95
Cross Road Blues (crossroads)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Cream
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Ted Allen
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Cross Road Blues
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Western Meadowlark Song
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.947799 By Cream. By Robert J...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.947799 By Cream. By Robert Johnson. Arranged by Ted Allen. Contemporary. 14 pages. Western Meadowlark Song #6503429. Published by Western Meadowlark Song (A0.947799). This is Robert Johnson's Cross Road Blues arranged for saxophone quartet after the versions recorded by Cream, March 10, 1968, Winterland Ballroom, San Francisco, and Derek and the Dominos, October 23, 1970, Fillmore East, New York. Duration: 2:46.
$15.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...
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Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
Tuesday Afternoon (forever Afternoon)
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Piano seul
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AVANCÉ
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Rock
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The Moody Blues
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Timothy Stapay
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Tuesday Afternoon
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.785634 By The Moody Blues. By Justin Hayward. Arranged by Timothy Stapay. Rock. Score. 6 pages. Timothy Stapay #6720097. ...
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Piano Solo - Level 5 - SKU: A0.785634 By The Moody Blues. By Justin Hayward. Arranged by Timothy Stapay. Rock. Score. 6 pages. Timothy Stapay #6720097. Published by Timothy Stapay (A0.785634). The song TUESDAY AFTERNOON was originally released on The Moody Blues 1967 album Days of Future Passed, a concept album chronicling a typical day. On the album, it was part one of The Afternoon track titled Forever Afternoon (Tuesday?). Justin Hayward said that he wrote the song on a Tuesday afternoon in Lypiatt Park, in western England near Stroud. Hayward's mother had taken him and his brother to the park while they were growing up, and he revisited the park during the production of Days of Future Passed to write the song.
$6.99
Khayaal, a lil fantasy
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Suraj Synthesist
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Khayaal, a lil fantasy
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Suraj Synthesist
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SheetMusicPlus
Double Bass,Drum Set,Piano - Level 3 - Interactive Download SKU: A0.1470882 By Suraj Synthesist. By Music by .Suraj Dinakar Shetty. This edition: Interac...
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Double Bass,Drum Set,Piano - Level 3 - Interactive Download SKU: A0.1470882 By Suraj Synthesist. By Music by .Suraj Dinakar Shetty. This edition: Interactive Download. Blues,Jazz,Rock,World. 32 pages. Duration 222. Suraj Synthesist #6CfkCDFWkiGuZ3cxOxFJYw. Published by Suraj Synthesist (A0.1470882). Key: F major.The instrumental song Khayaal, a lil Fantasy merges Khayaal, a style of Hindustani Classical Music, with synonymity of the word to Fantasy , a Western classical music style. It has a solo Electric Piano version & a band/trio combining Electric piano, Drums, and Contrabass. Though the fusion is not limited to Hindustani or Western Classical, as Carnatic Raagas for filler & BluesJazz/ Rock-n-Roll Bassline is also heard in the piece. This Book is the sheet music for same. Apart from spelled out notes of what is been played, It explains the musical decisions & directions that have gone in the Solo/ Band( Trio) version. The piece explains things like the use of the C half-diminished (2nd Octatonic diminished) scale, allowing exotic movements and exploring various genres. The piece draws inspiration from Indian ragas like Nasikabhushani Ramapriya and others. You will find notes of Crossrhythms, Polyrhythms, the change of time-Sginature, as well as Instrument specific techniques like the Glissando , or Holding a centre note of chord in an arpeggio and a Half-open HiHat, cross stick Snare drumming. You will find an explanation on some of the complex Drum fills used here , what was the crossrhythm, how to count them & how they were made to sound in the specific way.
$20.00
Huddie Ledbetter: Out On The Western Plains for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Blues
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Huddie Ledbetter
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Virtualsheetmusic
Instantly printable sheet music by Rory Gallagher for guitar (tablature) of MEDIUM skill level. / blues,rock
Instantly printable sheet music by Rory Gallagher for guitar (tablature) of MEDIUM skill level. / blues,rock
$8.97
Khayaal, a lil fantasy: Full score : Band/Trio and Solo
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Suraj Synthesist
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Suraj Dinakar Shetty
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Khayaal, a lil fantasy: Full s
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Suraj Synthesist
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1405714 By Suraj Synthesist. By Suraj Dinakar Shetty. Arranged by Suraj Dinakar Shetty. 21st Century,Contemporary,Jazz,Mu...
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Jazz Combo - Level 4 - SKU: A0.1405714 By Suraj Synthesist. By Suraj Dinakar Shetty. Arranged by Suraj Dinakar Shetty. 21st Century,Contemporary,Jazz,Multicultural,Rock,World. 32 pages. Suraj Synthesist #988778. Published by Suraj Synthesist (A0.1405714). The instrumental song â??Khayaal, a lil Fantasyâ? merges Khayaal, a style of Hindustani Classical Music, with synonymity of the word to Fantasy , a Western classical music style. It has a solo Electric Piano version and a band/trio combining Electric piano, Drums, and Contrabass. Though the fusion is not limited to Hindustani or Western Classical, as Carnatic Raagas for filler and BluesJazz/ Rock-n-Roll Bassline is also heard in the piece.This Book is the sheet music for same. Apart from spelled out notes of what is been played, It explains the musical decisions and directions that have gone in the Solo/ Band( Trio) version. The piece explains things like the use of the C half-diminished (2nd Octatonic diminished) scale, allowing exotic movements and exploring various genres. The piece draws inspiration from Indian ragas like Nasikabhushani Ramapriya and others. You will find notes of Crossrhythms, Polyrhythms, the change of time-Sginature, as well as Instrument specific techniques like the Glissando , or Holding a centre note of chord in an arpeggio and a Half-open HiHat, cross stick Snare drumming. You will find an explanation on some of the complex Drum fills used here , what was the crossrhythm, how to count them and how they were made to sound in the specific way.
$9.99
Ozarks Fiddle Music
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Bluegrass
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Drew Beisswenger
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Ozarks Fiddle Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fiddle - Beginning - SKU: M0.21123BCDEB Composed by Drew Beisswenger. Bluegrass. Fiddle Tunes. E-book and online audio. Mel Bay Publications - Digital S...
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Fiddle - Beginning - SKU: M0.21123BCDEB Composed by Drew Beisswenger. Bluegrass. Fiddle Tunes. E-book and online audio. Mel Bay Publications - Digital Sheet Music #21123BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21123BCDEB). ISBN 9781610653190. 8.75x11.75 inches.This book, which includes 308 tune transcriptions, is organized around individual fiddlers who typically combine Appalachian-style fiddling with rags, pop standards, Midwest-style fiddling and sometimes a touch of Western swing to create a style often identifiable as Ozarks. Thirty Ozarks fiddlers and their lives are highlighted with biographical sketches, photographs, and tune histories. Another 50 great Ozarks fiddlers are presented in a similar manner but with less detail. The book and accompanying online audio (with 37 tunes, many recorded in the field) emphasize the older fiddling traditions connected to the square dances and community events more than those connected to bluegrass music and modern contest fiddling. Some of the tunes in the collection are old standbys such as Bile Them Cabbage while others such as Finley Creek Blues are unique to the region. The book is the result of years of work by two respected researchers. Gordon McCann won the prestigious Missouri Arts Award in 2002 for his decades of work documenting, studying, and accompanying Ozarks fiddle music. Drew Beisswenger, a music librarian at Missouri State University with a Ph.D. in ethnomusicology, has published three other works about fiddle music and is known for his strong transcription and analysis skills. Includes access to online audiio.
$27.99
Afro-american Symphony
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Ensemble de cuivres
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AVANCÉ
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William Grant Still
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Richard Decker
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Afro-american Symphony
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1095398 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Bl...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1095398 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Classical,Contest,Festival,Multicultural,World. 61 pages. Charles Decker Music Press #699415. Published by Charles Decker Music Press (A0.1095398). This is a brilliant arrangement of the first movement Longing of William Grant Still's Afro-American Symphony for a brass choir of four B-flat trumpets, four horns in F, three trombones, euphonium and tuba. William Grant Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra in October 1931 at conductor Howard Hanson's notable American Music Festival, it brought the melancholy flavor of the Blues to the symphony. For William Grant Still the Blues was a distinct African-American musical contribution, separate from the spiritual and popular jazz, and he wanted to incorporate it into a symphonic work based on Western classical symphonic instrumentation and forms. As part of the early 20th Century Harlem Renaissance in New York City, this work was enthusiastically received across the USA and overseas. Pair this brass choir arrangement of the first movement Longing with the third movement Humor also at Charles Decker Music Press to enliven a concert with colorful rhythms, soulful melodies and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this memorable and exciting arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$24.99
Mean Machine
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Piano seul
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INTERMÉDIAIRE
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Ben Dockery
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Mean Machine
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.693008 Composed by Ben Dockery. Blues,Contemporary,Jazz,Standards. Score. 4 pages. Ben Dockery #3235561. Published by Ben...
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Piano Solo - Level 3 - SKU: A0.693008 Composed by Ben Dockery. Blues,Contemporary,Jazz,Standards. Score. 4 pages. Ben Dockery #3235561. Published by Ben Dockery (A0.693008). This intermediate piece for piano (2 min. 30 sec.) is the eighth in a series of impromptus inspired by sounds of childhood, namely themes from early 90s video game consoles like Nintendo. This composition is indicative of many of the bluesy soundtracks that also contain splashes of unexpected and quirky sonorities, giving it a bona fide unearthly quality. Think of a western shoot-out aboard an alien spaceship. Performers should keep the tempo rock-solid with no rubato. The syncopated ostinato bass pattern may take some getting used to at first, but it is essential to the entire arrangement. Many of the melodic figures have crescendos or decrescendos that are unconventional, e.g. a decrescendo under an ascending phrase. The middle section has a sixteenth note passage that should be fingered by alternating left and right hands as marked. Follow my work at www.bendockery.com. There you can sign up to my email list and get updates on new releases plus tons of free music!
$2.99
Out on the Western Plain by Rory Gallagher - Guitar Tab
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Guitare notes et tablatures
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Rory Gallagher
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Out on the Western Plain
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Musicnotes
Performed by: Rory Gallagher: Out on the Western Plain Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet m...
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Performed by: Rory Gallagher: Out on the Western Plain Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal/Chords, instruments: Voice;Guitar 1;Guitar 2; 10 pages -- Blues~~British Blues~~Blues Rock~~Pop Rock
$5.50
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The Western Blues
