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The Wind Etude in C Major
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Vous avez sélectionné:
The Wind Etude in C Major
Partitions à imprimer
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide R...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
Chopin: A Selection of Four Preludes Op.28 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Ray Thompson
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Chopin: A Selection of Four Pr
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1475123 Composed by Frederic Chopin. Arranged by Ray Thompson. 1...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1475123 Composed by Frederic Chopin. Arranged by Ray Thompson. 19th Century,Romantic Period. 15 pages. RayThompsonMusic #1052647. Published by RayThompsonMusic (A0.1475123). Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys.In addition, Chopin wrote three other preludes: a prelude in C♯ minor, Op. 45; a piece in A♭ major from 1834; and an unfinished piece in E♭ minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively.This is a selection of 4 of his shorter ones.Arranged wind quintetThey are: No. 4 in E minor No. 7 in A No. 6 in B minor No. 20 in C minor The first 3 have been transposed into easier keys for wind instruments.F minor, Bb major and C minor.Check out my arrangements of some of his other works including Raindrop Prelude, Etude No, 3 Tristesse and Nocturne No.2.
$19.95
The Wind Etude in C Major
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Methodes Etudes
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Ronald J
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Ronald J
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The Wind Etude in C Major
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Ronald J Karle
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SheetMusicPlus
By Ronald J. Karle. By Ronald J. Karle. Arranged by Ronald J. Karle. Classical,Contemporary. Score. 5 pages. Ronald J Karle #813252. Published by Rona...
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By Ronald J. Karle. By Ronald J. Karle. Arranged by Ronald J. Karle. Classical,Contemporary. Score. 5 pages. Ronald J Karle #813252. Published by Ronald J Karle
$2.95
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784345 Composed by Joshua Hau...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
Intermediate Music for Three, Volume 1, Part 1 Alto Sax in Eb 52115DD
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Various
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Daniel Kelley
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(Beethoven)
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Intermediate Music for Three,
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.530268 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards...
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Small Ensemble - Level 3 - SKU: A0.530268 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 44 pages. Last Resort Music Publishing #3221033. Published by Last Resort Music Publishing (A0.530268). Part 1 for Eb Alto Saxophone ~ An incredible collection of 35 arrangements for strings, woodwinds, saxophones and piano - these mix and match trios allow the performer to pick the instrumentation. Includes works by Beethoven, Chopin, Saint-Saens, Tchaikovsky and more! A versatile must-have for any musician, Intermediate Music for Three is perfect for the blossoming musician and is appropriate for recitals, concerts, and any chamber music gatherings. Intermediate Music for Three progresses to the same difficulty level as the Music for Three Series. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. 3 Volumes are available. Table of ContentsAllegro (Bach) Lento Affettuoso (Bach) Bagatelle from Bagatelles, Op. 119 #4 (Beethoven) Ecossaise from Ecossaise in G (Beethoven) Ecossaise in Eb from Six Ecossaises, #1 (Beethoven) Symphony #7 in A Major, Theme from Second Movement (Beethoven) Etude from Etude in E Major, Op. 10 #3 (Chopin) School Days When We Were A Couple Of Kids (Edwards, Gus & Will Cobb) Norwegian Dance Op. 35 #2 (Grieg) Fughette in C (Handel) Fugue in D (Handel) The Water Music Suite in G, 4 movements (Handel) Toy Symphony, 3 Movements (Haydn)Andantino from Andantino in Eb, K 236 (Mozart) Der Vogelfanger Bin Ich Ja - Papageno's Aria from The Magic Flute (Mozart) Hopak from The Fair at Sorochinsk (Mussorgsky) Shine On, Harvest Moon (Norworth & Bayes-Norworth) Take Me Out To The Ball Game (Norworth & Von Tilzer) Minuet in G from Op. 14 #1 (Paderewski) Fossils from Carnival of the AnimalsI (Saint-Saens) Soldier's March from Album for the Young, Op. 39 #2 (Schumann) Song of Spring from Album for the Young, Op. 68 #15 (Schumann) Valse Allemande from Carnaval, Op. 9 #16 (Schumann) Annie Laurie (Scottish Folk Song) Polka Marianka, komm und tanz from Die Fledermaus (Strauss) Radetzky March, Op. 228 (Strauss) Fantasie from Fantasias from Harpsichord, #14 (Telemann) Italian Song from Album for the Young, Op. 39 #15 (Tschaikovsky) Polka from Album for the Young, Op. 39 #2 (Tschaikovsky) Russian Song from Album for the Young, Op. 39 #11 (Tschaikovsky)www.lastresortmusic.com Visit our website for more information!
$20.00
Intermediate Music for Three, Volume 1, Part 2 Tenor Sax in Bb 52125DD
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Various
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Daniel Kelley
#
Intermediate Music for Three,
#
Last Resort Music Publishing
#
SheetMusicPlus
Level 3 - SKU: A0.530269 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 44 pages. Last ...
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Level 3 - SKU: A0.530269 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 44 pages. Last Resort Music Publishing #3221035. Published by Last Resort Music Publishing (A0.530269). Part 2 for Bb Tenor Sax An incredible collection of 35 arrangements for strings, woodwinds, saxophones and piano - these mix and match trios allow the performer to pick the instrumentation. Includes works by Beethoven, Chopin, Saint-Saens, Tchaikovsky and more! A versatile must-have for any musician, Intermediate Music for Three is perfect for the blossoming musician and is appropriate for recitals, concerts, and any chamber music gatherings. Intermediate Music for Three progresses to the same difficulty level as the Music for Three Series. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. 3 Volumes are available. Table of ContentsAllegro (Bach) Lento Affettuoso (Bach) Bagatelle from Bagatelles, Op. 119 #4 (Beethoven) Ecossaise from Ecossaise in G (Beethoven) Ecossaise in Eb from Six Ecossaises, #1 (Beethoven) Symphony #7 in A Major, Theme from Second Movement (Beethoven) Etude from Etude in E Major, Op. 10 #3 (Chopin) School Days When We Were A Couple Of Kids (Edwards, Gus & Will Cobb) Norwegian Dance Op. 35 #2 (Grieg) Fughette in C (Handel) Fugue in D (Handel)  The Water Music Suite in G, 4 movements (Handel) Toy Symphony, 3 Movements (Haydn)Andantino from Andantino in Eb, K 236 (Mozart) Der Vogelfanger Bin Ich Ja - Papageno's Aria from The Magic Flute (Mozart) Hopak from The Fair at Sorochinsk (Mussorgsky) Shine On, Harvest Moon (Norworth & Bayes-Norworth) Take Me Out To The Ball Game (Norworth & Von Tilzer) Minuet in G from Op. 14 #1 (Paderewski) Fossils from Carnival of the AnimalsI  (Saint-Saens) Soldier's March from Album for the Young, Op. 39 #2 (Schumann) Song of Spring from Album for the Young, Op. 68 #15 (Schumann) Valse Allemande from Carnaval, Op. 9 #16 (Schumann) Annie Laurie (Scottish Folk Song) Polka Marianka, komm und tanz from Die Fledermaus (Strauss) Radetzky March, Op. 228 (Strauss) Fantasie from Fantasias from Harpsichord, #14 (Telemann) Italian Song from Album for the Young, Op. 39 #15 (Tschaikovsky) Polka from Album for the Young, Op. 39 #2 (Tschaikovsky) Russian Song from Album for the Young, Op. 39 #11 (Tschaikovsky)www.lastresortmusic.com Visit our website for more information!
$20.00
Introspection 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte ...
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Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
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The Wind Etude in C Major
