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2 Cors Anglais Et Pianoforte
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Trompette
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2 Trombones (duo)
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2 Trompettes (duo)
10
2 Cors (duo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Cor et Piano
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Tuba et Piano
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Cor
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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2 Euphoniums (duo)
5
Trombone
4
3 Trombones (trio)
3
Trombone basse
2
Quatuor de cuivres: 4 cors
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Trombone basse et Piano
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Trompette (partie séparée)
2
Trompette, Trombone (duo)
2
Cor anglais, Piano
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Tuba
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Trompette, Cor (duo)
2
2 Tubas (duo)
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Cor Anglais
2
Quatuor de cuivres: 4 trompettes
2
Cor (partie séparée)
2
Trombone, Orgue
1
3 Cors (trio)
1
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
Ensemble de Trombones
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Trompette, Violoncelle (duo)
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2 Cors Anglais Et Pianoforte
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Euphonium, Piano (duo)
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Violon et Piano
16
2 Violoncelles (duo)
14
2 Violons (duo)
14
Violoncelle, Piano
13
Violon, Violoncelle (duo)
8
Harpe
6
Violon
4
Quatuor à cordes: 4 violons
3
Violoncelle
3
Trio à Cordes: 3 violoncelles
3
Violon (partie séparée)
2
2 Contrebasses (duo)
2
Harpe, Voix
2
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
2
Violon, Basson (duo)
1
3 Contrebasses
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
20
Orchestre
12
Ensemble de cuivres
9
Orchestre à Cordes
8
Cloches
7
Orchestre de chambre
4
Jazz combo
2
Ensemble de Percussions
1
Percussion (partie séparée)
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The Work of Grace - Viola
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The Winds of Grace As You Soar—SATB Choir and Piano
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1293980 By Daniel C…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1293980 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Praise & Worship,Religious,Sacred. 6 pages. Daniel Carter #884462. Published by Daniel Carter (A0.1293980). A musical blessing of healing and safety for those who have experienced difficulty and trauma in their lives. Arranged for intermediate-advanced choir and piano with flowing accompaniment and memorable melodic lines. Suitable for worship, farewells, homecomings, concert events, and many other settings. The text uses powerful images to strengthen and reassure:Safety of a mother’s womb to you. / Strength of a father’s love to you; / May the breath of each word that you speak and hear / Be a breath of affirming life in your ears, / Be the winds of grace in your wings, / Be grace in your wings as you soar.When stones of abuse and deceit are hurled / May you catch them and drop them before they harm. / But when your wounds are too much to bear, / May you offer no harm in return.Healing of a mother’s love to you. / Wisdom of a father’s heart to you. / And may your damaged wings heal once again / By the winds of grace as you soar.And so it is. / So be it. / AmenFor other choral, instrumental, vocal solo, and duet works by Daniel Carter, visit Daniel Carter Music.
$1.99
1.8 €
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Chorale SATB
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Daniel Carter
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Daniel Carter
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The Winds of Grace As You Soar—SATB Choir and Piano
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Daniel Carter
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SheetMusicPlus
Six Settings for Organ on Amazing Grace
Orgue
Organ - Level 5 - Digital Download SKU: A0.1008284 Composed by Christopher McWillia…
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Organ - Level 5 - Digital Download SKU: A0.1008284 Composed by Christopher McWilliams. 20th Century,Contemporary. Score. 9 pages. Christopher McWilliams #4728833. Published by Christopher McWilliams (A0.1008284). Note from the composer: This work was originally called Impromptu Variations on Amazing Grace. In 2016, I wrote half the variations and improvised the remaining ones. By 2019, I was determined to compose the rest so that they could be learned by other organists. I also changed the title to Six Settings for Organ on Amazing Grace because I mostly varied the accompaniments rather than the theme. What sets this work apart from other composers' versions is its key, G-flat major. Although it is rarely used in organ literature, it is a personal favorite key of mine, and I consider it a good challenge for the performing artist. Not only is the key unusual, but I have also incorporated some original idioms including a flutter figure on a light stop against the theme on a chime stop and a mysterious sounding introduction including chromatic scales. Aside from these original ideas, I have borrowed techniques from the works of Dave Brubeck, Chopin and Bach. .
$3.99
3.62 €
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Orgue
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2019, I was determined to compose the rest so that they could be learned by other organists
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Christopher McWilliams
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Six Settings for Organ on Amazing Grace
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Christopher McWilliams
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SheetMusicPlus
MY FATHER’S FAVORITE HYMNS Piano/Vocal Arrangements-full book
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson,…
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Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christian,Contemporary,Easter,Sacred. Score and parts. 99 pages. Deborah Johnson #4309241. Published by Deborah Johnson (A0.877827). Full book of twelve contemporary arrangements of timeless favorites, including two new hymns by Deborah Johnson. These are piano-based instrumentals and vocals with vocal and orchestral accompaniment. This 99-page book (including cover and table of contents) also includes a beautiful title page for each song with a brief history and lyrics for the two new hymns. The piano transcriptions are completely written out, including the chords and vocal parts. Several have secondary piano parts included. Also available are individual song downloads and some of the MP3 accompaniment tracks.Album notes: My Father’s Favorite Hymns is dedicated to my mom and dad. I have memories of being on the front row of church as a little girl, singing as loud as I could. The album is a tribute to my parents who raised my sisters and I to love God, our country and our families. As many musicians do, I got my start in the church, playing the piano for the Children’s church at the age of 10. It didn’t take long before I started sitting at a 9’ Steinway opposite an incredible organist who changed keys as often as a woman changes her clothes. I fell in love with the simplicity of the hymns and with the many fun arrangements that were possible. The lyrics of some of these hymns have been ingrained in my soul and have brought me comfort, deepened my faith, and have taught me that when all is said and done, the Truth and Faithfulness of God are what will carry me through.If you’re searching for: Christian music, inspirational music or church hymns, consider My Father’s Favorite Hymns. Songs include: Tell Me the Old Old Story; Just a Closer Walk with Thee; Great is Thy Faithfulness; Immortal Invisible; Amazing Grace/It is Well; Your Truth it Stands; Glory to His Name; Stand Up for Jesus/Leaning on the Everlasting Arms; In the Garden; Were You There when they Crucified my Lord? (acapella); What a Friend we Have in Jesus; You are Faithful, You are Lord. Separate song downloads also available, where you can hear and preview each selection.From the album up for a 2012 GRAMMY Award®: My Father’s Favorite Hymns, available on Amazon (https://www.amazon.com/music/player/albums/B008O86FQI) or on the website (https://DJWorksMusic.com/products) by Deborah Johnson. You can hear selections of each song on either of those sites, as well as purchase the album. Video playlist at: http://youtu.be/srvbPkI4eKM?list=PLE49F87AC9C76AE49. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, available on Amazon as well as a spiral-bound print version of this music book. Check out http://www.djworksmusic.com/fathershymns/For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$28.50
25.84 €
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Jazz combo
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Deborah Johnson, Various Public Domain
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DJWorks Music
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Just a Closer Walk with Thee
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MY FATHER’S FAVORITE HYMNS Piano/Vocal Arrangements-full book
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Deborah Johnson
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SheetMusicPlus
Rather Be
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521292 By Clean…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521292 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Sherry Lewis. Contemporary. 12 pages. Sherry Lewis Publishing #4626217. Published by Sherry Lewis Publishing (A0.521292). RATHER BE String Duo for violin and cello score 5 pages parts:4 pages time: 3'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$5.99
5.43 €
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Violon, Violoncelle (duo)
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Clean Bandit Feat
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Sherry Lewis
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https://www
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Rather Be
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Sherry Lewis Publishing
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
54.39 €
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
The Girl from Ipanema for Solo Trumpet & Piano
Trompette, Piano
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Musi…
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
$7.99
7.24 €
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Trompette, Piano
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Various
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Keith Terrett
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The Girl from Ipanema for Solo Trumpet & Piano
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Music for all Occasions
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SheetMusicPlus
Amazing Grace (And Then Some)
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733028 Composed by Marc Oliver. Arranged by…
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Concert Band - Digital Download SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. Score and parts. 42 pages. Ayotte Custom Musical Engravings #2347283. Published by Ayotte Custom Musical Engravings (A0.733028). Almost everybody and his mother on the Planet have written their own arrangements of Amazing Grace so I guess I should not be the exception. Amazing Grace (And Then some) is written for Solo Tuba, accompanied by a wind band. I was inspired to write this chart by a young man named Brandon Jones who lives in the Mobile, Alabama area. He was about 20 years old at the time of this writing (in 2012). He wanted to dedicate it to his father who had died when Brandon was about 4 or 5 years old. My arrangement of Amazing Grace (And Then Some) is not just another theme and variations type of work. Instead, I have interwoven two additional hymns (Praise to the Lord, the Almighty and I Will Sing of My Redeemer) in order to break up the monotony of just the one hymn (hence the subtitle And Then Some) Oh, did I mention that Brandon plays a C tuba that was passed down from his father?
$49.99
45.33 €
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Orchestre d'harmonie
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Marc Oliver
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Amazing Grace
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Ayotte Custom Musical Engravings
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SheetMusicPlus
We're Forgiven (God of Grace)
Piano, Voix
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.921766 Composed by Lisa Wait…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.921766 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6617305. Published by Servant Song Music and Ministry (A0.921766). This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing these musical Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Melody and harmony parts have been included in the score so that you can divide into soprano/alto parts if you'd like to, but the piece works equally well if you stick to the melody alone. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Published by Servant Song Music & Ministry, this piece is hot off the press for use in Advent 2021, but watch for an SATB Choral version to follow at Sheet Music Plus in the next week or two! There is also a video available on YouTube at https://youtu.be/orgm6VuEJVo which you are free to use for digital or hybrid worship services. The lyrics are Closed Captioned, so your people can learn to sing the piece in rhythm with the piano accompaniment. .
$2.99
2.71 €
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Piano, Voix
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Lisa Waites
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We're Forgiven
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Servant Song Music and Ministry
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SheetMusicPlus
Ms. Grace
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by F. Leslie Smith. Contemporary,Disco,Hip-Hop,Pop,R & B,Rock. Score and parts. 27 pages. Sweetwater Brass Press #800795. Published by Sweetwater Brass Press (A0.1202140). John Hall and his then-wife Johanna had written several hit songs for John's group, Orleans.  Johanna wanted to create a song in the 1950s doo-wop style she so admired.  They did, and their composition described a certain Miss Grace who enchanted the lyricist with her “satin and perfume and lace.† The problem was: that song really did not fit in with Orleans' pop rock repertoire and image.  Meanwhile, The Tymes, a Philadelphia group, was looking for a number that might revive its popularity.  So when the Miss Grace song was suggested they decided to take it on. This was the mid-1970s, just when the honorific Ms. was growing in use.  So The Tymes changed the song's title to “Ms. Grace.† Released as a single, the song did very well in the UK, topping the chart at number one in January 1975.  Written in 4/4 time, this brass quintet version flows along at about 104 BPM.  Beginning notation instructs that eighth-note pairs are to be played so that the first note is about twice as long as the second; in other words, swing style.  It retains the original D major key, but gives most of the melody to Horn and Trombone an octave lower so that it stays within normal playing range of the group.  The nature of the song is such that there are a number of phrases that begin with off-beat pickup notes. Trumpets provide accents and flourishes and occasionally take over the melody for a few measures.  Tuba really does the most work, playing through almost the entire piece.  Completed in 2023, performance time runs about 3 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.78 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johanna Hall and John Hall
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F
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in other words, swing style
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Ms. Grace
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Sweetwater Brass Press
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SheetMusicPlus
The Shepherd's Song (An Ancient Christmas Carol)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1211652
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1211652 Composed by Alexandre Guilmant (1837-1911). Arranged by Andrew Lamb. Christmas. 18 pages. Andrew Lamb #809264. Published by Andrew Lamb (A0.1211652). Extra parts included: Tenor Horn, Trombone/Euphonium (treble clef), Eb Bass (treble clef), and Bb Bass (treble clef)This arrangement of The Shepherd's Song (An Ancient Christmas Carol) by Alexander Guilmant captures the timeless beauty of this cherished piece. Crafted specifically for Brass Quintet, it brings a fresh and captivating interpretation to this beloved French organist and composer's work.Immerse yourself in the enchanting melodies and harmonies as they resonate through the triumphant blend of brass instruments. The arrangement skillfully showcases the quintessential sound of the brass ensemble, allowing each instrument to shine individually while blending harmoniously together.Perfect for the holiday season, this arrangement of The Shepherd's Song adds a touch of grandeur and festivity to any Christmas gathering. Whether performed in a church service, a holiday concert, or simply for personal enjoyment, the arrangement evokes a sense of joy and reverence that captures the spirit of the season.Experience the power and grace of this timeless carol as it is beautifully reimagined for brass quintet. The arrangement provides a delightful musical journey, evoking images of shepherds on a starlit night, guiding listeners through a tapestry of emotions and uplifting them with its captivating melodies.Indulge in the rich timbre and majestic sound of the brass quintet, brought to life through the meticulous arrangement of The Shepherd's Song. This arrangement is a must-have for brass musicians and enthusiasts, offering a refreshing and inspiring addition to their repertoire.Embrace the spirit of Christmas with this exceptional brass quintet arrangement of The Shepherd's Song (An Ancient Christmas Carol) by Alexander Guilmant. Let the music transport you to a place of wonder and celebration, as you create cherished memories during the holiday season and beyond.
$8.00
7.25 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Alexandre Guilmant
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Andrew Lamb
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The Shepherd's Song
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Andrew Lamb
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SheetMusicPlus
Five Lyrics of Robert Herrick - Roger Quilter
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger Quilter. 20th Century,Classical. Octavo. 24 pages. Forsyth Brothers Ltd #771738. Published by Forsyth Brothers Ltd (A0.1171401). A delightful early opus from one of the most individual English songwriters of the Twentieth Century, Roger Quilter (1877-1953). The texts are taken from the works of Seventeenth Century English poet Robert Herrick (ca 1591-1674) whose lyrics Quilter also set to music in his Opus 8 song-cycle To Julia (1905). The Opus 7 settings are dedicated to Quilter's friend Percy Grainger.FIVE LYRICS OF ROBERT HERRICK (SATB & Piano): Cupid A Dirge Morning Song To Electra To Violets  CupidLove, like a beggar came to meWith hose and doublet torn;His shirt bedangling from his knee,With hat and shoes outworn. He asked an alms; I gave him bread,And meat too for his need,Of which, when he had fully fed,He wished me all good speed.Away he went, but as he turned,In faith I know not how,He touched me so, as that I burnedAnd am tormented now. Love’s silent flames and fires obscureThen crept into my heart;And though I saw no bow, I’m sureHis finger was the dart. A DirgeHere she lies, in bed of spice,Fair as Eve in ParadiseFor her beauty was suchPoets could not praise too much.Virgins come, and in a ringHer supremest requiem sing.Then depart but see ye treadLightly, lightly o’er the dead.Morning Song Let's now take our time,While we're in our prime,And old, old age is afar off:For the evil, evil daysWill come on apace,Before we can be aware of. To ElectraI dare not ask a kiss;I dare not beg a smile;Lest, having that or this,I might grow proud the while. No, no, the utmost shareOf my desire shall beOnly to kiss the airThat lately kissèd thee. To VioletsWelcome, maids of honour!You do bringIn the SpringAnd wait upon her She has virgins manyFresh and fair;Yet you areMore sweet than anyY'are the maiden posiesAnd so graced,To be placed'Fore damask roses.Yet though thus respectedBy and byYe do lie,Poor girls, neglected.
$9.99
9.06 €
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Chorale SATB
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and by
Ye do lie,
Poor girls, neglected
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Roger Quilter
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Five Lyrics of Robert Herrick - Roger Quilter
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Forsyth Brothers Ltd
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SheetMusicPlus
Pantheon for Horn, Violin and Piano
Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Compo…
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Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
40.8 €
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Elizabeth Raum
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Pantheon for Horn, Violin and Piano
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Gordon Cherry
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SheetMusicPlus
I Sing This Song of Praise (Split Track MP3)
Chorale SATB
SATB chorus, opt. Children's chorus - Digital Download SKU: C6.841048 Composed by C…
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SATB chorus, opt. Children's chorus - Digital Download SKU: C6.841048 Composed by Cindy Berry. Christian, General, Children, Thanksgiving. MP3. Celebrating Grace - Digital #841048. Published by Celebrating Grace - Digital (C6.841048). Cindy Berry does not disappoint in this carefully crafted anthem of praise for SATB choirs and optional children's choir. Easy part-writing and limited ranges make this a perfect multigenerational moment for any service. The children's part works in conjunction with the Growing in Grace Champions of Faith, Spring Older Children curriculum. Minimum purchase of 10 copies on digital download anthems.
$9.99
9.06 €
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Chorale SATB
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Cindy Berry
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I Sing This Song of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
I Sing This Song of Praise (Accompaniment MP3)
Chorale SATB
SATB chorus, opt. Children's chorus - Digital Download SKU: C6.846048 Composed by C…
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SATB chorus, opt. Children's chorus - Digital Download SKU: C6.846048 Composed by Cindy Berry. Christian, General, Children, Thanksgiving. MP3. Celebrating Grace - Digital #846048. Published by Celebrating Grace - Digital (C6.846048). Cindy Berry does not disappoint in this carefully crafted anthem of praise for SATB choirs and optional children's choir. Easy part-writing and limited ranges make this a perfect multigenerational moment for any service. The children's part works in conjunction with the Growing in Grace Champions of Faith, Spring Older Children curriculum. Minimum purchase of 10 copies on digital download anthems.
$9.99
9.06 €
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Chorale SATB
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Cindy Berry
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I Sing This Song of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
I Sing This Song of Praise (Demo MP3)
Chorale SATB
SATB chorus, opt. Children's chorus - Digital Download SKU: C6.836048 Composed by C…
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SATB chorus, opt. Children's chorus - Digital Download SKU: C6.836048 Composed by Cindy Berry. Christian, General, Children, Thanksgiving. MP3. Celebrating Grace - Digital #836048. Published by Celebrating Grace - Digital (C6.836048). Cindy Berry does not disappoint in this carefully crafted anthem of praise for SATB choirs and optional children's choir. Easy part-writing and limited ranges make this a perfect multigenerational moment for any service. The children's part works in conjunction with the Growing in Grace Champions of Faith, Spring Older Children curriculum. Minimum purchase of 10 copies on digital download anthems.
$1.99
1.8 €
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Chorale SATB
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Cindy Berry
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I Sing This Song of Praise
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Celebrating Grace - Digital
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SheetMusicPlus
The Fundamentals of Music Theory - Booklet 1
Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. …
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Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
9.96 €
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Jose Valladares
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Jose Valladares
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The Fundamentals of Music Theory - Booklet 1
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Circlesquare Music
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SheetMusicPlus
The Grim Reaper's Suite
Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.942081 Composed by Apost…
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Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.942081 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,Romantic Period,World. Score and parts. 40 pages. Silver Sickle Publications #4887663. Published by Silver Sickle Publications (A0.942081). The Grim Reaper’s Suite consists of five humorous and at the same dark pieces for five guitars to celebrate the humanity of the Grim Reaper. Two of these pieces are the well-known tune of Happy Birthday in two different and witty variations. The work was conceived to be performed live during the projection of a film by Apostolos Paraskevas called I Finally Did It. The work was premiered in 2009 by an array of well-known soloists at the Iserlohn Guitar Festival in Germany. Duration: approx. 10 minutes Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music
$12.99
11.78 €
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Apostolos Paraskevas
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The Grim Reaper's Suite
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Silver Sickle Publications
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SheetMusicPlus
Amazing Grace
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.744630 Arranged by Arranged by Elen…
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Piano Solo - Level 3 - Digital Download SKU: A0.744630 Arranged by Arranged by Elena Fortin. Christian,Contemporary,Sacred,Spiritual. Score. 4 pages. Elena Fortin #6082835. Published by Elena Fortin (A0.744630). Amazing Grace - Intermediate piano solo Arranged by Elena FortinLately, I have been working on arrangements and videos of songs that I consider to be important either in the way they touch listeners, in how they are used, or if they have stood the test of time.Amazing Grace is a beautiful, traditional hymn with well-known lyrics penned by John Newton. The original hymn was published in 1779, with the words written in 1772. This piece is one of those songs that can be used for many different reasons. It is used in worship services, as a hymn of praise and faith, as celebration of life lived, and as a prayer of thanksgiving. My arrangement is for the intermediate player. The arrangement is simple, but should be played expressively. Each repetition of the hymn is slightly different, with the second repetition using the harmonic structure but introducing a new invented melody by me. (You can hum the melodic line of Amazing Grace over the top of this second repetition and you'll see what I mean!) The very last repetition is played allargando which means slightly slower, and more broadly. Enjoy those left hand octave notes and full chords! Please check out my website at https://www.the-piano-studio.com to keep up to date. If you would like to keep up with my new arrangements or videos, please subscribe to my YouTube Channel https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg?view_as=subscriber If you enjoy this arrangement, please check out my other work on my Sheet Music Plus publisher page here: https://www.sheetmusicplus.com/search?Ntt=Elena+fortin
$4.99
4.52 €
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Piano seul
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Amazing Grace
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Elena Fortin
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SheetMusicPlus
Grace Kelly
Chorale SSAA
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan War…
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
$12.99
11.78 €
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Chorale SSAA
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Mika
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Liz Garnett
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Grace Kelly
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Liz Garnett
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SheetMusicPlus
Glorious the Mystery of Christ (Soprano Rehearsal MP3)
Chorale SATB
SATB Chorus, opt. Cello - Digital Download SKU: C6.831090 Composed by Marty Parks. …
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SATB Chorus, opt. Cello - Digital Download SKU: C6.831090 Composed by Marty Parks. Communion, Lent, Holy Week, General, Eastertide, Christian. MP3. Celebrating Grace - Digital #831090. Published by Celebrating Grace - Digital (C6.831090). Marty Parks explores the attributes and work of Christ in this moving choral piece. In an almost hymn-like fashion, each stanza is filled with lush part-writing and theologically-rich statements. A contrasting middle section explores the sacrifice Christ made when leaving heaven and becoming our Savior. A third hymn-like stanza returns, followed by beautiful choral writing to finish the piece. This piece is appropriate for communion, or any celebration of the gospel message. Optional cello part included.
$2.99
2.71 €
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Chorale SATB
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Marty Parks
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Glorious the Mystery of Christ
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Celebrating Grace - Digital
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SheetMusicPlus
Glorious the Mystery of Christ (Alto Rehearsal MP3)
Chorale SATB
SATB Chorus, opt. Cello - Digital Download SKU: C6.832090 Composed by Marty Parks. …
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SATB Chorus, opt. Cello - Digital Download SKU: C6.832090 Composed by Marty Parks. Communion, Lent, Holy Week, General, Eastertide, Christian. MP3. Celebrating Grace - Digital #832090. Published by Celebrating Grace - Digital (C6.832090). Marty Parks explores the attributes and work of Christ in this moving choral piece. In an almost hymn-like fashion, each stanza is filled with lush part-writing and theologically-rich statements. A contrasting middle section explores the sacrifice Christ made when leaving heaven and becoming our Savior. A third hymn-like stanza returns, followed by beautiful choral writing to finish the piece. This piece is appropriate for communion, or any celebration of the gospel message. Optional cello part included.
$2.99
2.71 €
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Chorale SATB
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Marty Parks
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Glorious the Mystery of Christ
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Celebrating Grace - Digital
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SheetMusicPlus
Glorious the Mystery of Christ (Tenor Rehearsal MP3)
Chorale SATB
SATB Chorus, opt. Cello - Digital Download SKU: C6.833090 Composed by Marty Parks. …
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SATB Chorus, opt. Cello - Digital Download SKU: C6.833090 Composed by Marty Parks. Communion, Lent, Holy Week, General, Eastertide, Christian. MP3. Celebrating Grace - Digital #833090. Published by Celebrating Grace - Digital (C6.833090). Marty Parks explores the attributes and work of Christ in this moving choral piece. In an almost hymn-like fashion, each stanza is filled with lush part-writing and theologically-rich statements. A contrasting middle section explores the sacrifice Christ made when leaving heaven and becoming our Savior. A third hymn-like stanza returns, followed by beautiful choral writing to finish the piece. This piece is appropriate for communion, or any celebration of the gospel message. Optional cello part included.
$2.99
2.71 €
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Chorale SATB
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Marty Parks
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Glorious the Mystery of Christ
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Celebrating Grace - Digital
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SheetMusicPlus
Glorious the Mystery of Christ (Split Track MP3)
Chorale SATB
SATB Chorus, opt. Cello - Digital Download SKU: C6.841090 Composed by Marty Parks. …
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SATB Chorus, opt. Cello - Digital Download SKU: C6.841090 Composed by Marty Parks. Communion, Lent, Holy Week, General, Eastertide, Christian. MP3. Celebrating Grace - Digital #841090. Published by Celebrating Grace - Digital (C6.841090). Marty Parks explores the attributes and work of Christ in this moving choral piece. In an almost hymn-like fashion, each stanza is filled with lush part-writing and theologically-rich statements. A contrasting middle section explores the sacrifice Christ made when leaving heaven and becoming our Savior. A third hymn-like stanza returns, followed by beautiful choral writing to finish the piece. This piece is appropriate for communion, or any celebration of the gospel message. Optional cello part included.
$9.99
9.06 €
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Chorale SATB
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Marty Parks
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Glorious the Mystery of Christ
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Celebrating Grace - Digital
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SheetMusicPlus
Glorious the Mystery of Christ (Demonstration MP3)
Chorale SATB
SATB Chorus, opt. Cello - Digital Download SKU: C6.836090 Composed by Marty Parks. …
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SATB Chorus, opt. Cello - Digital Download SKU: C6.836090 Composed by Marty Parks. Communion, Lent, Holy Week, General, Eastertide, Christian. MP3. Celebrating Grace - Digital #836090. Published by Celebrating Grace - Digital (C6.836090). Marty Parks explores the attributes and work of Christ in this moving choral piece. In an almost hymn-like fashion, each stanza is filled with lush part-writing and theologically-rich statements. A contrasting middle section explores the sacrifice Christ made when leaving heaven and becoming our Savior. A third hymn-like stanza returns, followed by beautiful choral writing to finish the piece. This piece is appropriate for communion, or any celebration of the gospel message. Optional cello part included.
$1.99
1.8 €
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Chorale SATB
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Marty Parks
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Glorious the Mystery of Christ
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Celebrating Grace - Digital
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SheetMusicPlus
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