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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The World Is Ours
Non classifié
434
Piano & claviers
Piano Facile
179
Piano seul
173
Piano, Voix
62
Piano, Voix et Guitare
30
Instruments en Do
28
Orgue
16
Piano Trio: piano, violon, violoncelle
9
Piano grosses notes
8
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
2
Accordéon
2
Orgue, Piano (duo)
1
Clavecin
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
36
Guitare
31
Piano, Guitare (duo)
16
Basse electrique
9
Mandoline
3
Ukulele
3
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Mandoline, Guitare (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
63
Voix Tenor
25
Voix Alto, Piano
24
Voix Soprano
23
Voix Baryton, Piano
19
Chorale 3 parties
12
Chorale 2 parties
11
Chorale Unison
7
Voix Soprano, Piano
4
Chorale TTBB
3
Voix duo, Piano
3
Voix Tenor, Piano
2
Voix duo
2
Chorale SSAATTBB
2
Chorale
1
Voix haute
1
+ 11 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
96
Flûte traversière et Piano
53
Clarinette et Piano
52
2 Saxophones (duo)
38
Quatuor de Saxophones: 4 saxophones
29
Saxophone Alto et Piano
27
Clarinette
26
Saxophone Tenor et Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Alto
24
Flûte traversière
24
Quintette de Saxophone: 5 saxophones
23
Hautbois (partie séparée)
20
Flûte, Hautbois, Clarinette, Basson
19
Saxophone (partie séparée)
15
2 Flûtes traversières (duo)
11
Saxophone Tenor
10
Saxophone, Clarinette (duo)
9
Flûte, Basson et Piano
9
2 Clarinettes (duo)
9
Flûte, Violon, Piano
8
Saxophone Baryton, Piano
8
Saxophone Soprano et Piano
8
Clarinette, Violon (duo)
7
Flûte, Harpe et Violoncelle
6
Quatuor de Clarinettes: 4 clarinettes
5
5 Flûtes à bec
5
Hautbois, Violoncelle
5
Flûte, Trompette (duo)
4
2 Hautbois (duo)
4
Clarinette, Basson (duo)
4
Quatuor de Flûtes à bec
4
Flûte, Violon
4
Flûte, Clarinette (duo)
4
Clarinette, Violoncelle (duo)
3
Flute, harpe et violon
3
Flûte, Alto (duo)
3
Hautbois, Flûte
3
Hautbois, Clarinette (duo)
3
Flûte, Violoncelle
3
Ensemble de Clarinettes
3
Clarinette et Alto
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette, Trompette (duo)
2
Hautbois, Violon, Piano
2
Flûte et Guitare
2
3 Clarinettes (trio)
2
Hautbois, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Hautbois et alto (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte à Bec
1
Hautbois, violon (duo)
1
Flûte de Pan
1
Clarinette, Guitare (duo)
1
Flûte, Trombone (duo)
1
Hautbois, trombone (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Alto et Piano
1
Ensemble de saxophones
1
Saxophone
1
Ensemble de Flûtes
1
Cor anglais, Piano
1
Clarinette Basse, Piano
1
Flûte à bec Tenor
1
+ 64 instrumentations
Retracter
Cuivres
Quatuor de Cuivres
48
Trombone et Piano
43
Trompette
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trombone
21
Trompette, Piano
19
Cor et Piano
18
Trompette (partie séparée)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Tuba
13
Cor
12
Tuba et Piano
11
Euphonium, Piano (duo)
7
Trombone (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Saxophone (duo)
5
2 Trompettes (duo)
5
Trompette, Trombone (duo)
4
2 Trombones (duo)
4
Trompette, Violoncelle (duo)
3
Cor et Basson (duo)
2
Cor, Violoncelle (duo)
2
Ensemble de Trompettes
2
2 Cors (duo)
1
Trompette, Cor (duo)
1
Trio de Cuivres
1
Ensemble de Trombones
1
Ensemble de Cors
1
Euphonium
1
2 Tubas (duo)
1
Cor anglais, Piano
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
86
Violon et Piano
85
Alto, Piano
61
Violoncelle, Piano
41
Violon
41
Violoncelle
35
Alto seul
34
Violon, Violoncelle (duo)
21
Trio à Cordes: 2 violons, violoncelle
16
Alto (partie séparée)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Harpe
10
2 Violoncelles (duo)
10
Contre Basse
9
Trio à Cordes: violon, alto, violoncelle
8
Violon, Alto (duo)
8
Piano Trio: Violon, Alto, Piano
7
2 Violons (duo)
7
Contrebasse, Piano (duo)
7
2 Altos (duo)
6
Harpe, Flûte (duo)
6
Harpe, Violon (duo)
4
Violon, Clarinette, Piano (trio)
3
Violon, Guitare (duo)
2
Harpe, Violon, Violoncelle
2
2 Harpes (duo)
2
Alto et Basson
2
Violon (partie séparée)
1
Violon, Basson (duo)
1
Flûte, Contrebasse (duo)
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
Ensemble d'Altos
1
Ensemble de Violons
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
100
Ensemble Jazz
23
Orchestre
18
Orchestre à Cordes
15
Orchestre de chambre
7
Ensemble de cuivres
4
Jazz combo
4
Fanfare
1
Ensemble de Percussions
1
Marimba
1
Cloches
1
Xylophone, Piano
1
Batterie
1
Batterie (partie séparée)
1
+ 9 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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The World Is Ours
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The Sundials: I;Tempus Edax Rerum (Time devours things)
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Contemporain
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Re
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phi...
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Piano Trio,String Ensemble - SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
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Trio à Cordes: violon, alto, violoncelle
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Contemporain
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Matthew Scott Phillips
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The Sundials: II; Pereunt et I
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Matthew Scott Phillips
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SheetMusicPlus
String Ensemble,String Trio - SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Ph...
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String Ensemble,String Trio - SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
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Contemporain
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugi
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phil...
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Piano Trio,String Ensemble - SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
The World Is Ours
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Chorale 3 parties
#
Adam Schmalholz, Aloe Blacc, A
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The World Is Ours
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0003426 The World Is Ours - SSA. Composed by Adam Schmalholz, Aloe Blacc, Andrew Bloch, Antonina Armato, and Tim James. Ch...
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Chorus - SKU: AX.00-PO-0003426 The World Is Ours - SSA. Composed by Adam Schmalholz, Aloe Blacc, Andrew Bloch, Antonina Armato, and Tim James. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0003426. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003426). UPC: 038081490823.This carnival-inspired World Cup theme song combines pop and samba rhythms in an inspiring message of hope! Appropriate for all ages.Recorded Acc. Available.
$2.00
The World Is Ours
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Chorale 2 parties
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Adam Schmalholz, Aloe Blacc, A
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The World Is Ours
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0003427 The World Is Ours - 2-Part. Composed by Adam Schmalholz, Aloe Blacc, Andrew Bloch, Antonina Armato, and Tim James....
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Chorus - SKU: AX.00-PO-0003427 The World Is Ours - 2-Part. Composed by Adam Schmalholz, Aloe Blacc, Andrew Bloch, Antonina Armato, and Tim James. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0003427. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003427). UPC: 038081490830.This carnival-inspired World Cup theme song combines pop and samba rhythms in an inspiring message of hope! Appropriate for all ages.Recorded Acc. Available.
$2.00
The World Is Ours
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Chorale 3 parties
#
Adam Schmalholz, Aloe Blacc, A
#
The World Is Ours
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0003425 The World Is Ours - SAB. Composed by Adam Schmalholz, Aloe Blacc, Andrew Bloch, Antonina Armato, and Tim James. Ch...
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Chorus - SKU: AX.00-PO-0003425 The World Is Ours - SAB. Composed by Adam Schmalholz, Aloe Blacc, Andrew Bloch, Antonina Armato, and Tim James. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0003425. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003425). UPC: 038081490816.This carnival-inspired World Cup theme song combines pop and samba rhythms in an inspiring message of hope! Appropriate for all ages.Recorded Acc. Available.
$2.00
The World Is Ours
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Chorale SATB
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Adam Schmalholz, Aloe Blacc, A
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The World Is Ours
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0003424 The World Is Ours - SATB. Composed by Adam Schmalholz, Aloe Blacc, Andrew Bloch, Antonina Armato, and Tim James. C...
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Chorus - SKU: AX.00-PO-0003424 The World Is Ours - SATB. Composed by Adam Schmalholz, Aloe Blacc, Andrew Bloch, Antonina Armato, and Tim James. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0003424. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003424). UPC: 038081490809.This carnival-inspired World Cup theme song combines pop and samba rhythms in an inspiring message of hope! Appropriate for all ages.Recorded Acc. Available.
$2.00
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem fo
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Keith Terrett
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Wo...
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Full Orchestra - Level 3 - SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
The World Is Ours (Coca-Cola 2014 World Cup Anthem)
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Chorale SATB
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Adam Schmalholz, Aloe Blacc, A
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The World Is Ours
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Youth Singers of Calgary
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - SKU: A0.1436766 Composed by Adam Schmalholz, Aloe Blacc, Antonina Armato, Edmond Dunne, Lawrence Altruda, Lawrence Blo...
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Choral Choir,Choral,SATB Chorus - SKU: A0.1436766 Composed by Adam Schmalholz, Aloe Blacc, Antonina Armato, Edmond Dunne, Lawrence Altruda, Lawrence Bloch, and Timothy Price. Arranged by Kristian Alexandrov and Reid McLean Wiest. Multicultural,Pop,World. 11 pages. Youth Singers of Calgary #1016876. Published by Youth Singers of Calgary (A0.1436766). Originally written for the 2014 FIFA World Cup, this song has been arranged for choral voices by Youth Singers of Calgary.The accompanying instrumental track is recommended with this arrangement; to purchase the track, please email production@youthsingers.org.
$2.75
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
SOS REACHING THE FUTURE
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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SOS REACHING THE FUTURE
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 256. THEMIS KOUTRAS #4766863. P...
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Piano - SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 256. THEMIS KOUTRAS #4766863. Published by THEMIS KOUTRAS (A0.1066576). The meaning of this song is that if we right something down like a message or film tape so on you can then hide it good well sometime in the future the item will still be there as long as it is not destroyed thus it will travel in the future the best way is on paper writings or stone tablets because in the future they may have or may not have the same technology as we do today for videos or tapes so on to see it or hear the message if someone in the future finds it off course it would have to be preserved from things like weather that can destroy it well the old saints preached the gospel everywhere but also wrote it down and hid it well well by miracle by praying GOD preserved it and now we got the holy bible this is proven that there was no way in the world that this holy bible could have survived preserved all these years unless GOD preserved it which he did this is the story of how the holy bible survived the time they found it they found it in different books lots of them in different places of the world this proves there must be a GOD out there who preserved it the HOLY BIBLE thus the song says s o s reaching the future thus it means as i said above
$4.99
Believe in Yourself Guitar Minus Vocal
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Basse electrique
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the time I sat down I had deci
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Steven H
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Believe in Yourself Guitar Min
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Boothe Publishing
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SheetMusicPlus
Bass Guitar - SKU: A0.1069949 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 187. Boothe Publishing #4632027. Published by ...
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Bass Guitar - SKU: A0.1069949 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 187. Boothe Publishing #4632027. Published by Boothe Publishing (A0.1069949). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
Believe in Yourself Piano Vocal Performance
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the time I sat down I had deci
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Steven H
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Ashley Ivers
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Believe in Yourself Piano Voca
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069969 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 189. Boothe Publi...
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Piano,Voice - SKU: A0.1069969 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 189. Boothe Publishing #4633703. Published by Boothe Publishing (A0.1069969). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
Believe in Yourself Guitar Vocal Performance
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the time I sat down I had deci
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Steven H
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Believe in Yourself Guitar Voc
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Boothe Publishing
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SheetMusicPlus
Bass Guitar,Voice - SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Publ...
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Bass Guitar,Voice - SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Published by Boothe Publishing (A0.1069967). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
Believe in Yourself PVG
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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the time I sat down I had deci
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Steven H
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Ashley Ivers
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Believe in Yourself PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.983992 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 9 pages. Boothe Publishin...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.983992 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 9 pages. Boothe Publishing #4360819. Published by Boothe Publishing (A0.983992). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$3.99
Believe in Yourself Piano Minus Vocal
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Piano seul
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the time I sat down I had deci
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Steven H
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Ashley Ivers
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Believe in Yourself Piano Minu
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069951 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 189. Boothe Publishing #46...
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Piano - SKU: A0.1069951 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 189. Boothe Publishing #4633635. Published by Boothe Publishing (A0.1069951). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
The Emotional Lives of Colors (for trumpet, piano, and percussion)
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Brandon Nelson
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The Emotional Lives of Colors
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Brandon Nelson
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SheetMusicPlus
B-Flat Trumpet,Percussion,Piano - Level 5 - SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37...
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B-Flat Trumpet,Percussion,Piano - Level 5 - SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
$29.99
Someone's Brother
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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Someone's Brother
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841828 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #34781...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841828 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3478185. Published by Andrew Mc Donald (Macka Records) (A0.841828). Someone's Brother is a song about loving one another. Why do we hate and look down the barrel of a gun to each other? There is so much abuse and assault that we hear of these days, the world has gone mad. We need to remember that person is someone's brother or mother or sister or father.We should be treating one another in love and respect and how we should expect to be treated ourselves.
$4.99
This Is What Falling In Love Feels Like
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jvke
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Sarah Cellobat Chaffee
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This Is What Falling In Love F
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1461717 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Sarah Cellobat Chaffee. Contemporary...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1461717 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Singer/Songwriter,Wedding. 10 pages. Sarah Cellobat Chaffee #1040465. Published by Sarah Cellobat Chaffee (A0.1461717). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO*Jacob Dodge Lawson, better known to fans around the world as JVKE, is a singer-songwriter and pianist who began releasing his self-produced music while stuck at home during pandemic lockdowns. Audiences around the world were soon captivated by his ethereal voice, unconventional song constructions, and virtuosic piano skills; his song Golden Hour became his first Billboard hit and kickstarted his career as a touring and award-winning artist. Along with Golden Hour, his debut EP included another breakthrough hit, This Is What Falling In Love Feels Like, which has also become a widely played and platinum-certified song. So it's no wonder people have been requesting it for strings! This Cellobat arrangement for your violin/viola/cello trio was originally written for a wedding ceremony, but it will also be great for prelude, cocktail hour, receptions, parties, and more. Maintaining the quirky energy, wall-of-sound approach, and signature string lines of the original, this one is sure to be lots of fun to play! Rated advanced-intermediate for a few tricky rhythms, tempo changes, and a few high notes in the violin part (up to 5th position); this won't be too difficult to put together, but will probably warrant a run-through before performing.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$14.99
The First Vision Guitar Minus Vocal
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Steven H
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The First Vision Guitar Minus
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Boothe Publishing
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SheetMusicPlus
Guitar - SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe...
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Guitar - SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe Publishing (A0.1069964). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$1.99
The First Vision TAB
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Musique Sacrée
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Steven H
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The First Vision TAB
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Boothe Publishing
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.984011 Composed by Steven H. Boothe. Christian,Sacred. Guitar Tab. 13 pages. Boothe Publishing #4360937. Published by Boothe ...
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Guitar - Level 3 - SKU: A0.984011 Composed by Steven H. Boothe. Christian,Sacred. Guitar Tab. 13 pages. Boothe Publishing #4360937. Published by Boothe Publishing (A0.984011). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$3.99
The First Vision Piano Minus Vocal
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Piano seul
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Musique Sacrée
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Steven H
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Ashley Ivers
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The First Vision Piano Minus V
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069995 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Sacred. Accompaniment. Duration 231. Boothe Publishing #598412...
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Piano - SKU: A0.1069995 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Sacred. Accompaniment. Duration 231. Boothe Publishing #5984125. Published by Boothe Publishing (A0.1069995). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$1.99
Seasons of Song (6 songs to celebrate the seasons for 2-Part Choirs)
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Chorale 2 parties
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DÉBUTANT
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Joanna Mills
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Seasons of Song
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.781400 Composed by Joanna Mills. Arranged by Additional PD Lyrics by Helen Hunt Jackson & Frances Ellen Watkin...
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Choral Choir (2-Part) - Level 1 - SKU: A0.781400 Composed by Joanna Mills. Arranged by Additional PD Lyrics by Helen Hunt Jackson & Frances Ellen Watkins Harper. Holiday,Instructional,Standards. Octavo. 76 pages. Joanna Mills Music #6694219. Published by Joanna Mills Music (A0.781400). Celebrate all four seasons with your 2-Part choir with this collection of six original songs by award-winning composer Joanna Mills and save more than 50% by purchasing this collection instead of individually! All pieces are set in accessible keys for young children, have easy-to-learn harmonies, and some feature easy optional counterpoint/descant parts for added interest and challenge. The piano parts support the melody and harmonies to assist very young singers, and guitar/ukulele chords are included! Full scores and additional lyric sheets for each part are included for the following songs:Autumn Days (Late Summer/Fall): A dreamy melody accompanies an adaptation of the poems October and November by Helen Hunt Jackson.Butterflyin’ (Spring, Summer) : Inspired by the story of the Boy and the Butterfly, this lovely song tells the tale of a weary caterpillar who perseveres through many struggles, holds onto its dreams, and emerges a beautiful butterfly.First Snow (Late Fall/ Winter): This hauntingly beautiful original song celebrates the magic of winter's first snowfall!The Crocuses (Late Winter/Spring) : Set to a sweet, original melody, Frances Ellen Watkins Harper's poem The Crocuses has been adapted into a lovely song about the first flowers of spring and their love for Mother Earth.The Winding Creek (Late Spring/Summer) : This folk-style song evokes nostalgic summer memories of long hot days spent playing in a country creek.The World is a Rainbow (Spring/Summer/Fall):This fun and upbeat song teaches the colours of the rainbow by listing many red, orange, yellow, green, blue, indigo and violet items found in nature!Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
$4.99
Seasons of Song (6 songs to celebrate the seasons for Unison Choirs)
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Chorale Unison
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DÉBUTANT
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Joanna Mills
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Seasons of Song
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.781401 Composed by Joanna Mills. Broadway,Children,Contemporary,Holiday,Instructional,Musical/Show. Octavo. 52...
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Choral Choir (Unison) - Level 1 - SKU: A0.781401 Composed by Joanna Mills. Broadway,Children,Contemporary,Holiday,Instructional,Musical/Show. Octavo. 52 pages. Joanna Mills Music #6687495. Published by Joanna Mills Music (A0.781401). Celebrate all four seasons with your unison choir with this collection of six original songs by award-winning composer Joanna Mills and save more than 50% by purchasing this collection instead of individually! All pieces are set in accessible keys for young children and feature easy, short, optional echo/harmony parts for added interest and challenge. The piano parts support the melody to assist very young singers, and guitar/ukulele chords are included! Full scores and additional one-page lyric sheets are included for the following songs:Autumn Days (Late Summer/Fall): A dreamy melody accompanies an adaptation of the poems October and November by Helen Hunt Jackson. Butterflyin’ (Spring, Summer) : Inspired by the story of the Boy and the Butterfly, this lovely song tells the tale of a weary caterpillar who perseveres through many struggles, holds onto its dreams, and emerges a beautiful butterfly. First Snow (Late Fall/ Winter): This hauntingly beautiful original song celebrates the magic of winter's first snowfall! The Crocuses (Late Winter/Spring) : Set to a sweet, original melody, Frances Ellen Watkins Harper's poem The Crocuses has been adapted into a lovely song about the first flowers of spring and their love for Mother Earth. The Winding Creek (Late Spring/Summer) : This folk-style song evokes nostalgic summer memories of long hot days spent playing in a country creek. The World is a Rainbow (Spring/Summer/Fall):This fun and upbeat song teaches the colours of the rainbow by listing many red, orange, yellow, green, blue, indigo and violet items found in nature! Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
$4.99
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