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The Writings of a Mad Man
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Vous avez sélectionné:
The Writings of a Mad Man
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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The Writings of a Mad Man
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bufalini
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The Writings of a Mad Man
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Michael Bufalini
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.996162 Composed by Michael Bufalini. Concert,Contemporary,Halloween. Score. 4 pages. Michael Bufalini #4824155. Published...
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Piano Solo - Level 4 - SKU: A0.996162 Composed by Michael Bufalini. Concert,Contemporary,Halloween. Score. 4 pages. Michael Bufalini #4824155. Published by Michael Bufalini (A0.996162). First fast and then slow, chaotic and beautiful, this is nothing short of a mad man's quest. This piano piece is meant for intermediate to advanced audiences.
$5.00
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Sweet Dreams (Are Made Of This)
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The Eurythmics
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Dan Jones www
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Sweet Dreams
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DanJonesGuitarist
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SheetMusicPlus
Guitar Ensemble - Level 3 - SKU: A0.1439828 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by Dan Jones www.danjonesguitarist.com. Class...
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Guitar Ensemble - Level 3 - SKU: A0.1439828 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Pop. Score and Parts. 37 pages. DanJonesGuitarist #1019774. Published by DanJonesGuitarist (A0.1439828). Your download includes A score with notes and TAB A score with just notes All parts with notes and TAB All parts with notes only. Sweet Dreams (Are Made of This) was released as a single in 1983. It became a huge, international successfor The Eurythmics and was listed in Rolling Stone magazine’s list of 500 greatest pop songs of all time.The original is in the key of C minor but I have transposed it to A minor to make it more idiomatic forguitarists.The percussion and pizz. techniques, particularly in guitar 4, are best explained by watching the film of thearrangement at www.danjonesguitarist.com or by visiting YouTube. This will be uploaded before the end of June 2024.Whereas many commentators discuss The band’s use of technology in their music, very few mention thesubtle relative minor chord substitutions, altered dominants. and modal implications within the song. Itis a truly exceptional piece of composition.For a huge choice of arrangements, writings, ensemble works, solo pieces, compositions and more, pleasevisit: www.danjonesguitarist.com.
$7.95
Married Life
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Guitare
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FACILE
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Film/TV
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Michael Giacchino
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Pablo Alcázar
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Married Life
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1325179 Composed by Michael Giacchino. Arranged by Pablo Alcázar. 21st Century,Classical,Film/TV,Wedding. Individual ...
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Solo Guitar - Level 2 - SKU: A0.1325179 Composed by Michael Giacchino. Arranged by Pablo Alcázar. 21st Century,Classical,Film/TV,Wedding. Individual part. 2 pages. Pablo Alcázar #913407. Published by Pablo Alcázar (A0.1325179). Arrangement for SOLO GUITAR of the intro from the movie UP. This special arrangement is made to create a beautiful and romantic atmosphere. Is a slower version from the original soundtrack but it have the essence of the song. It's made for begginners guitarist as a challenge and for intermediate guitarist to be a great song to memorize. You have both writings, notation and tablature and also it has a nicely made fingerpicking style and fingering decision by a professional guitarist with hundred of arrangements made.
$4.99
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The Writings of a Mad Man
