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The fields of my childhood
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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Crtitères actifs :
The fields of my childhood
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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The fields of my childhood
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Piano Facile
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kim Malmquist
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The fields of my childhood
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Kim Malmquist
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SheetMusicPlus
Easy Piano - Level 4 - SKU: A0.1013371 Composed by Kim Malmquist. 20th Century. Score. 5 pages. Kim Malmquist #6691091. Published by Kim Malmquist (A0.1...
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Easy Piano - Level 4 - SKU: A0.1013371 Composed by Kim Malmquist. 20th Century. Score. 5 pages. Kim Malmquist #6691091. Published by Kim Malmquist (A0.1013371). The fields of my childhood is a pianopiece from the CDalbum Earth memories composed and recorded by Kim Malmquist. This piece is for intermediate to advanced piano players.
$4.99
Thérèse Brenet : Le Visionnaire for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.532826 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.532826 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 11 pages. Musik Fabrik Music Publishing #44849. Published by Musik Fabrik Music Publishing (A0.532826). The German mystic the Abbess, Saint Hildegarde de Bingen, describes in the Sciula contraction of Cito uias domini (Learn the ways of the Lord), the visions that she had from childhood. This kind of experience is in a certain extent comparable to the beginning of the process of artistic creation. It was the case of Hildegarde herself, who had great expertise in many fields, including medicine, astronomy. and poetry which she often set in musical setting which were often very inspired. According to God’s will, my soul sometimes goes up into the heights of the sky and in the various regions of air, sometimes among the various peoples who live in far-off lands, unknown places because I see these things in my soul and according to this manner I see them also according to the imprecision of clouds and other creatures. I do not hear these things with my ear, I do not perceive them according to the thoughts of my heart, nor any of my five sense. I see them only en my soul, and the eyes of my body are open; And I see them awake both day and night This work also exists in a version for alto saxophone, viola and piano.
$10.35
Because I Could Not Stop for Death
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Richard deCosta
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Richard deCosta
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Because I Could Not Stop for D
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Richard deCosta
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
Thanksgiving Reverie
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Violoncelle, Piano
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INTERMÉDIAIRE
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Lewis A
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Thanksgiving Reverie
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Lewis A. Kocher
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Piano - Level 3 - SKU: A0.943039 Composed by Lewis A. Kocher. Contemporary,Holiday,Sacred. Score and parts. 9 ...
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 3 - SKU: A0.943039 Composed by Lewis A. Kocher. Contemporary,Holiday,Sacred. Score and parts. 9 pages. Lewis A. Kocher #6040547. Published by Lewis A. Kocher (A0.943039). THANKSGIVING REVERIE for CELLO AND PIANOPlaying time: Appx. 2:30 Seasons: Autumn/ThanksgivingSoft wisps of snow sift gently around and past an old barn. The harvest is finished, and the fields are at rest.As a farmer closes the barn door, knocking on the wood in a silent prayer of Thank You for all of this, so we too pause in humble thankfulness. The music of Thanksgiving Reverie pauses with us, allowing us time to contemplate the blessings and The Source from which they come. Poignant imagery passes through our minds; childhood Thanksgiving memories, memories of loved ones gone and reflections upon loved ones still with us.Winter is coming. There is so much to do, so much to prepare for. And yet for now…it is time to pause. To reflect. To rejoice in quiet jubilation.Although this composition is not unusually challenging for the cellist nor the pianist, it is my intent that it sets a mood, an ambience of introspective gratitude and joy. God bless.
$8.95
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The fields of my childhood