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The song of the Virgin Mary for organ - CS105
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Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.83 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.32 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Missa Sanctae Mariae Virginis
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1027605 Composed by James …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1027605 Composed by James Kennerley. Christian,Christmas,Contemporary,Sacred. Octavo. 30 pages. James Kennerley #2119771. Published by James Kennerley (A0.1027605). The Missa Sanctae Mariae Virginis – literally Mass of Saint Mary the Virgin – was composed for the Episcopal church of Saint Mary the Virgin, New York City, where the composer was Music Director & Organist from 2008 to 2013. The Kyrie was composed in 2016. The title makes reference to the name of the church, but also makes reference to the principal source of inspiration: two ancient plainsong melodies that accompany Marian texts (Salve regina and Ave maris stella). The Mass is composed in a vain that is influenced by the great parody Masses of Renaissance masters Palestrina, Lassus, and others. Nods are also made to the twentieth century, and particularly to the music of Herbert Howells and the Anglican tradition, and also to Jean Langlais, Olivier Messiaen, and similar French musical trends. It features a wide range of moods, from scintillating and exotic harmonies to thrilling rhythmic passages. The work is composed for 8-part choir with solo sections for additional voices from within the choir. The Mass can be performed complete as part of a church service. Likewise, any of the movements will work as independent compositions which makes them suitable for concert performance. Please visit www.jameskennerley.com for complete biographical information and for links to recorded performances of this work.
$4.49
4.12 €
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Chorale SATB
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James Kennerley
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Missa Sanctae Mariae Virginis
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James Kennerley
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SheetMusicPlus
I Syng of a Mayden - A Christmas Carol for SATB Choir and Organ
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1084969 By Andrew Orgee. B…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1084969 By Andrew Orgee. By Andrew Orgee. Christmas,Classical,Sacred. Octavo. 9 pages. Andrew Orgee #689093. Published by Andrew Orgee (A0.1084969). This is a setting of one of the earliest known Christmas Carol texts in the English language - I Syng of a Mayden - believed to be sung to music around the 15th century. It is scored for Soprano, Alto, Tenor, and Bass choir with church organ and is written for semi-professional choirs. The opening plainsong and modal harmony set a medieval and reverential tone for the piece. This develops into an outpouring a joy and praise for the Virgin Mary and her child represented by full choral harmony with organ pedals.
$1.99
1.83 €
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Chorale SATB
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Andrew Orgee
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I Syng of a Mayden - A Christmas Carol for SATB Choir and Organ
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Andrew Orgee
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SheetMusicPlus
Silent Night and the Carols of Christmas for Beginner Piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1321655 Composed by Traditional Chr…
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Easy Piano - Level 1 - Digital Download SKU: A0.1321655 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 56 pages. SilverTonalities #910120. Published by SilverTonalities (A0.1321655). Silent Night and the Carols of Christmas for Beginner Piano Traditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.ANGELS SINGING CHURCH BELLS RINGING, is a traditional Children’s Carol, written by Claudia Frances Hernaman, pages 1-3AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels,  pages 4-6BLASTS OF CHILL DECEMBER, is an English Carol composed in 1894 by Reverend R.F. Smith, with lyrics by Norval Clyne, pages 7-9CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 10-12DECK THE HALL, is a Welsh Carol dating back to the 16th Century, representing a joyous celebration of the season, pages 13-15GOD REST YE MERRY GENTLEMEN, is a traditional English Carol, possibly dating back to as early as the 1650’s, pages 16-17GOOD KING WENCESLAS, is set to the melody of the 13th Century Spring Carol, “Tempus adest floridumâ€, pages 18-19HERE WE COME A WASSAILING, is a 17th Century Carol, also known as “The Wassail Songâ€, and/or “Here We Come a Caroling, pages 20-22IN BETHLEHEM CITY ON CHRISTMAS DAY MORN, is an old Worcestershire Carol, in the 7th or “Locriaen†mode, pages 23-24JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 25-27JOLLY OLD ST. NICHOLAS, is a Children’s Christmas song, originating from a poem by Emily Huntington Miller in 1865, pages 28-30LO HOW A ROSE EVER BLOOMING, or “Es ist a Ros Entsprungen†is a German Carol, with the lyric “Rose†referring to the Virgin Mary, pages 31-32O COME LITTLE CHILDREN, “Ihr Kinderlein kommetâ€, also a German Carol composed in 1840 by Johann Abraham Peter Schulz, pages 33-34O HOLY NIGHT, or “Cantique de Noel†is a French Carol written by Adolphe C. Adam in 1843, pages 35-38PARADE OF THE WOODEN SOLDIERS, is a popular Character Piece, written by the German Composer, Leon Jessel in 1897, pages 39-43RING OUT SWEET BELLS, written by the English Composer and Organist, William Joseph Westbrook, pages 44-45SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 46-47SLOWLY FALL THE SNOWFLAKES, is a tradtional English Carol by the hymnist, William Henry Borrow, pages 48-49STAR OF THE EAST, composed by Amanda Kennedy in 1890, was inspired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 50-52WE WISH YOU A MERRY CHRISTMAS, a popular 18th Century English Carol, based on the tradition of giving treats to carolers, pages 53-54
$9.99
9.17 €
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Piano Facile
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Traditional Christmas Carols
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SilverTonalities
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Silent Night and the Carols of Christmas for Beginner Piano
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SilverTonalities
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SheetMusicPlus
Tota pulchra es
Voix duo, Orgue
Mottetto per soprano, tenore e organo. Composed by Nino Rota (1911-1979). This editi…
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Mottetto per soprano, tenore e organo. Composed by Nino Rota (1911-1979). This edition: score. Downloadable. Duration 4 minutes. Schott Music - Digital #Q11756. Published by Schott Music - Digital
Latin.<br> <br> This motet for soprano, tenor and organ without pedal ranks among the little, yet particularly valuable pieces of Rota for singing voice and organ. Originally, 'Tota pulchra es' ('You are completely beautiful') is a song of Mary from the 4th century which praises the immaculacy of the Virgin Mary. In Rota's version, the Latin verses describe the beauty of the beloved. At the end, the dialogue between soprano and tenor blends into a melancholy duet of tonal beauty.
$9.99
9.17 €
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Voix duo, Orgue
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Nino Rota
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Tota pulchra es
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Schott Music - Digital
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SheetMusicPlus
Cadenza
Harpe, Flûte (duo)
Flute and harp - difficult - Digital Download Of the concerto for flute, harp and orc…
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Flute and harp - difficult - Digital Download Of the concerto for flute, harp and orchestra KV 299. Composed by Wolfgang Amadeus Mozart (1756-1791) and Nino Rota (1911-1979). This edition: set of solo parts. Cadenza. Downloadable. Duration 4 minutes 30 seconds. Schott Music - Digital #Q6047. Published by Schott Music - Digital
Latin.<br> <br> This motet for soprano, tenor and organ without pedal ranks among the little, yet particularly valuable pieces of Rota for singing voice and organ. Originally, 'Tota pulchra es' ('You are completely beautiful') is a song of Mary from the 4th century which praises the immaculacy of the Virgin Mary. In Rota's version, the Latin verses describe the beauty of the beloved. At the end, the dialogue between soprano and tenor blends into a melancholy duet of tonal beauty.
$12.99
11.93 €
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Harpe, Flûte (duo)
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Wolfgang Amadeus Mozart
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Cadenza
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Schott Music - Digital
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SheetMusicPlus
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