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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
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BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POLKA
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A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
11487
PIANO & CLAVIERS
Piano seul
11554
Piano Facile
3175
Piano, Voix
1589
Piano, Voix et Guitare
1498
Instruments en Do
592
Orgue
517
1 Piano, 4 mains
311
Piano grosses notes
283
Accompagnement Piano
268
Accordéon
189
Piano Trio: piano, violon, violoncelle
107
2 Pianos, 4 mains
66
Piano (partie séparée)
48
Ligne De Mélodie, Piano
33
Piano Quatuor: piano, 2 violons, violoncelle
32
Piano Quatuor: piano, violon, alto, violoncelle
27
Piano Quintette: piano, 2 violons, alto, violoncelle
26
Clavecin
19
Orgue, Trompette (duo)
19
Orgue, Piano (duo)
12
1 Piano, 6 mains
9
Clavier
8
2 Pianos, 8 mains
7
Accordéon, Piano
5
Instrument seul et Orgue
5
Accordéon, Voix
4
2 Accordéons
3
Ensemble d'Accordéons
2
Tous Les Instruments
1
2 Orgues (duo)
1
Accordéon, Corde(s)
1
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GUITARES
Guitare notes et tablatures
1347
Ligne De Mélodie, (Paroles) et Accords
684
Guitare
494
Basse electrique
405
Ukulele
194
Paroles et Accords
142
Mandoline
128
Piano, Guitare (duo)
89
2 Guitares (duo)
56
Guitare (partie séparée)
43
Basse électrique (partie séparée)
39
Ensemble de guitares
30
4 Guitares (Quatuor)
27
Banjo
20
Dulcimer
20
Partitions De Groupes
18
3 Guitares (trio)
14
Ensemble de Ukulélés
11
Mandoline, Guitare (duo)
4
Ukulele Baryton
3
2 Dulcimers (duo)
2
Guitare, Violon, Violoncelle (trio)
2
Bouzouki
1
2 Mandolines (duo)
1
Guitare, Orchestre
1
Guitare Tab, Voix, Basse, Batterie
1
Guitare, Quatuor à cordes
1
Instrumentations suivantes
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VOIX
Chorale SATB
7508
Chorale 3 parties
1497
Chorale Unison
1148
Chorale 2 parties
1136
Chorale TTBB
489
Voix duo, Piano
242
Chorale SSAA
227
Voix duo
105
Chorale
73
Voix seule
49
Voix haute
21
Chorale SSATB
18
Voix moyenne, Piano
17
Voix Soprano, Piano
13
Voix Alto, Piano
13
Voix basse, Piano
11
Chorale SSAATTBB
11
Chorale SSATTB
5
Voix Tenor
5
Soli, choeur mixte et accompagnement
3
Voix Tenor, Piano
3
Voix Mezzo-Soprano, Piano
3
Voix basse
2
Chorale SATBB
2
Chorale, Orgue
2
Voix Soprano
2
Male Voice
1
Voix Baryton, Piano
1
Voix haute, Piano
1
Chorale SSATBB
1
Chorale SSAB, Piano
1
Chorale SSAATB
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
987
Flûte traversière
782
Clarinette
771
Quatuor de Saxophones: 4 saxophones
739
Flûte traversière et Piano
719
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
668
2 Saxophones (duo)
649
Clarinette (partie séparée)
557
Flûte, Hautbois, Clarinette, Basson
497
Clarinette et Piano
450
Saxophone Alto
421
Hautbois, Piano (duo)
406
Quatuor de Clarinettes: 4 clarinettes
376
Saxophone Alto et Piano
369
2 Flûtes traversières (duo)
367
2 Clarinettes (duo)
352
Quintette de Saxophone: 5 saxophones
323
Saxophone
307
Saxophone Tenor et Piano
301
Hautbois (partie séparée)
288
Saxophone Soprano et Piano
226
Flute (partie séparée)
192
Saxophone Tenor
170
Flûte, Clarinette (duo)
167
Ensemble de Clarinettes
153
Quatuor de Flûtes : 4 flûtes
140
Saxophone, Clarinette (duo)
135
Ensemble de Flûtes
135
2 Hautbois (duo)
133
3 Saxophones (trio)
131
Ensemble de saxophones
123
3 Clarinettes (trio)
109
Flûte et Guitare
108
Saxophone Baryton, Piano
99
Hautbois, Basson (duo)
98
Clarinette, Violon (duo)
93
Flûte à bec Soprano
92
Hautbois
89
Clarinette, Trompette (duo)
86
2 Flûte à bec (duo)
79
Hautbois, Clarinette (duo)
76
Trio de Flûtes: 3 flûtes
75
Quintette de Clarinettes: 5 clarinettes
75
Flûte à Bec
73
Flûte à bec Alto
65
Harmonica
64
Cor anglais, Piano
57
Hautbois, Flûte
56
Flûte, Violon
53
Flûte, Alto (duo)
50
Clarinette et Alto
48
Flûte, Saxophone (duo)
47
Clarinette Basse, Piano
41
Quatuor de Flûtes à bec
39
Quintette de Flûte : 5 flûtes
38
Flûte, Trompette (duo)
38
Flûte, Clarinette et Basson
33
Clarinette, Basson (duo)
31
Saxophone Soprano
23
Flûte, Hautbois, Clarinette (trio)
23
Flûte, Hautbois (duo)
22
Instruments en Mib
22
5 Flûtes à bec
21
Flûte, Hautbois, Basson
21
Flûte, Violoncelle
21
Clarinette, Violoncelle (duo)
18
Hautbois, Clarinette, Basson (trio d'anches)
17
Clarinette Basse
15
Clarinette, Guitare (duo)
15
Cor Anglais
15
Flûte, Clarinette, Cor, Basson (Quartet)
14
Clarinette, Trombone (duo)
14
Saxophone Baryton
11
Flûte à bec Alto, Piano
11
2 Saxophones, Piano
11
Piccolo, Piano
10
Flûte à bec Tenor
10
Flûte, Clarinette, Piano (trio)
10
2 Clarinettes, Piano
10
Hautbois, Violoncelle
9
3 Flûtes à bec (trio)
9
Flûte à bec Soprano, Piano
9
Flûte, Basson et Piano
9
Piccolo
9
Flûte, Violoncelle, Piano (trio)
8
3 Hautbois
8
Saxophone et Guitare
8
Ensemble De Flûte à bec
7
Flûte, Hautbois, Piano (trio)
6
Flûte, Violon et Violoncelle
6
Flûte traversière, Orgue (duo)
6
Cor anglais, Guitare (duo)
5
2 Flûtes traversières, Piano
5
Ensemble à vent
5
Clarinette, Violoncelle, Piano (trio)
5
Flute, harpe et violon
5
Hautbois, Guitare (duo)
5
Saxophone et Orgue
4
2 Clarinettes, Basson
4
Saxophone et Harpe
4
Flûte, Violon, Piano
4
Flûte, Violon, Violoncelle et Piano
4
Clarinette, Basson, Piano (trio)
4
Flûte, Alto et Piano
4
Flûte, Trombone (duo)
4
4 Hautbois
4
Ocarina
4
Flûte à Bec, Piano
3
Saxophone, Basson (duo)
3
2 Cors Anglais Et Pianoforte
3
Hautbois et alto (duo)
3
Flûte, Violon, Guitare
2
Hautbois, Harpe
2
Flûte, trombone et piano
2
Clarinette, Orgue
2
Clarinette, Alto et Piano (trio)
2
Clarinette, Harpe (duo)
2
Ensemble de Hautbois
2
Flûte irlandaise
2
Clarinette, trompette et piano
2
Flûte, Alto et Violoncelle
2
Flûte, Tuba (duo)
2
Flûte et Trio à cordes
2
Hautbois, violon (duo)
2
Flûte, Hautbois, Violon
1
Clarinette, Tuba
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Basse continue
1
2 Flûtes à bec, Guitare
1
Cornemuse
1
2 Hautbois et Cor anglais
1
2 Hautbois, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Harmonica, Piano
1
Melodica
1
Flûte de Pan
1
Flute, Cor (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte à bec, Guitare (duo)
1
Flûte, Harpe et Violoncelle
1
2 Flûtes à bec, Piano
1
Hautbois, Basson et Piano
1
Hautbois, Violoncelle et Piano
1
2 Harmonicas
1
Hautbois, trombone (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1060
Trompette
575
Trompette (partie séparée)
568
Trombone (partie séparée)
534
Trombone
415
Trompette, Piano
411
Trombone et Piano
407
Cor
356
Quatuor de Cuivres : 2 trompettes, trombone, tuba
347
Cor (partie séparée)
290
Cor et Piano
276
2 Trompettes (duo)
211
2 Trombones (duo)
188
Tuba (partie séparée)
182
Quatuor de Cuivres
171
Tuba
166
Tuba et Piano
137
Quatuor de Cuivres: 2 trompettes, Cor, trombone
130
Trompette, Trombone (duo)
100
Trompette, Saxophone (duo)
99
2 Cors (duo)
92
Euphonium, Piano (duo)
82
Quatuor de cuivres: 4 trombones
80
Ensemble de Trompettes
64
Cor anglais, Piano
57
Ensemble de Trombones
57
Quatuor de cuivres: 4 cors
56
2 Euphoniums et 2 Tubas
43
Trompette, Cor (duo)
42
2 Tubas (duo)
40
Euphonium
37
Ensemble de Cors
36
Quatuor de cuivres: 4 trompettes
26
Instruments en Sib
26
3 Trompettes (trio)
24
Trio de Cuivres
24
Bass Clef Instruments
24
4 Tubas
24
Trombone, Tuba (duo)
22
Tuba et Orgue
20
3 Trombones (trio)
19
Tuba ou Euphonium ou Saxhorn
18
Quatuor de cuivres: 2 trompettes, 2 trombones
15
Cor Anglais
15
2 Euphoniums (duo)
12
Instruments en Fa
10
Trombone basse et Piano
9
Trombone, Cor (duo)
9
Trompette, Tuba (duo)
8
3 Cors (trio)
8
Euphonium, Tuba (duo)
7
Cor, Tuba (duo)
6
Trompette, Violoncelle (duo)
6
Cor, Violoncelle (duo)
6
Trompette, Basson (duo)
6
Cor anglais, Guitare (duo)
5
Trombone basse
5
Clarinette, Cor (duo)
4
Cor et Basson (duo)
4
Cornet A Pistons
4
Trombone, Violon (duo)
3
Cornet et Piano
3
2 Cors Anglais Et Pianoforte
3
3 Tubas (trio)
3
Trombone, Orgue
3
Cor et Harpe
3
3 Euphoniums
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Cors, Piano
2
Trompette, Orchestre
2
Cor, Trompette, Trombone (trio)
2
Trompette, Violoncelle et Piano
1
Cor et Orgue
1
2 Trombones, Piano
1
Bugle
1
Trompette, Trombone, Piano
1
Cornet et orchestre
1
Trombone et orchestre
1
Ensemble de Tubas
1
Cor, Orchestre
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1752
Violon
945
Violon et Piano
766
Violoncelle, Piano
540
Violon (partie séparée)
455
Alto seul
418
Violoncelle (partie séparée)
416
Alto, Piano
403
Violon, Violoncelle (duo)
354
2 Violons (duo)
308
Violoncelle
271
2 Violoncelles (duo)
268
Harpe
243
Trio à Cordes: violon, alto, violoncelle
211
Quintette à cordes: 2 violons, alto, violoncelle, basse
211
Contrebasse (partie séparée)
188
2 Altos (duo)
173
Violon, Alto (duo)
168
Alto (partie séparée)
158
Contre Basse
139
Contrebasse, Piano (duo)
95
Alto, Violoncelle (duo)
65
Trio à Cordes: 2 violons, violoncelle
63
Piano Trio: Violon, Alto, Piano
58
4 Violoncelles
52
Trio à Cordes: 3 violoncelles
34
Violon, Guitare (duo)
32
2 Harpes (duo)
22
Violoncelle , Guitare (duo)
21
Trio à cordes: 3 altos
21
Quatuor à cordes: 4 violons
20
2 Contrebasses (duo)
18
Trio à cordes
18
Violoncelle, Contrebasse (duo)
16
Quatuor à cordes : 4 altos
16
Trio à cordes: 3 violins
16
Trio à Cordes: 2 violons, alto
15
Harpe, Voix
12
Alto, Guitare (duo)
12
Violon, Basson (duo)
12
Harpe, Violon (duo)
9
Ensemble de Violons
9
Alto et Basson
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Ensemble de Violoncelles
7
Ensemble d'Altos
7
Harpe, Flûte (duo)
7
2 Violons, Piano
6
4 Contrebasses
6
Violon, Clarinette, Piano (trio)
5
Flûte, Contrebasse (duo)
5
Violoncelle, Orchestre
5
2 Violoncelles, Piano
5
Harpe (partie séparée)
4
Violon, Orgue
3
Harpe, Violoncelle (duo)
3
Violoncelle, Orgue
2
Alto et Harpe
2
Violon, Violoncelle, Clarinette
1
Violon, Tuba (duo)
1
2 Altos, Piano
1
Harpe et Piano
1
Harpe et mandoline
1
Alto, Orgue
1
Autoharp
1
4 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
5000
Orchestre
1214
Orchestre à Cordes
1176
Ensemble de cuivres
444
Percussion (partie séparée)
394
Cloches
393
Ensemble Jazz
348
Fanfare
216
Orchestre de chambre
183
Batterie (partie séparée)
179
Batterie
111
Jazz combo
111
Percussion
96
Ensemble de Percussions
85
Timbales (partie séparée)
51
Marimba
37
Xylophone
20
Timbales
17
Vibraphone
17
Quintette à Vent
12
Xylophone, Piano
12
Piano et Orchestre
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Ensemble d'École
8
Instrumentation Flexible
7
Quintette de Cuivres: autres combinaisons
6
Big band
3
Vibraphone et Marimba
2
Caisse Claire
1
3 Marimbas
1
Marimba ou Xylophone et Piano
1
Voix et Orchestre
1
Orchestre, Violon
1
Vibraphone (partie séparée)
1
Xylophone ou Marimba ou Vibraphone
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
2
Théorie de la musique
1
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Ensemble de Percussions
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The Muppet Show Theme
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download Composed by Jim Henson and Sam Pottl…
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Percussion Ensemble - Level 1 - Digital Download Composed by Jim Henson and Sam Pottle. Arranged by Brian Monroe. Contemporary. Score and parts. 9 pages. BLM Music Publications (https://brianmonroemusic.com) #6737583. Published by BLM Music Publications (https://brianmonroemusic.com)
The Muppet Show Theme has been arranged for elementary percussion ensemble. It is playable by any combination of 4 keyboard percussion instruments. This arrangement is specifically orchestrated for 2 players on bells (bell kits are fine) and 2 on a shared Xylophone.
$15.00
13.99 €
#
Ensemble de Percussions
#
Jim Henson and Sam Pottle
#
Brian Monroe
#
The Muppet Show Theme
#
BLM Music Publications (https://brianmonroemusic.com)
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donât step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâd like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.66 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, Iâve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, Iâve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, Iâve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we donât have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. Iâve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.85 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Tap-Accent-Tap // [DRUMLINE EXERCISE]
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013128 Composed by Justin…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013128 Composed by Justin Bowe. Instructional. Score and parts. 3 pages. Bowe Percussion #5997605. Published by Bowe Percussion (A0.1013128). What better way to get your drumline students on the same page than with a jammin' two-heights exercise? This warm-up will work your drumline's accent-tap skills while also helping them tap into the groove that will tune them in for rehearsal, and more importantly, to their inner musicianship.INCLUDED:pdf score (portrait)FREE AUDIO RESOURCES:master audio files of the exercise at 100, 115, and 130 bpm, looped 3 times for personal practice.e-mail bowe.justin@gmail.com for audio files.Listen to the entire piece here:soundcloud.com/justin-bowe/tap-accent-tapWant this piece for FREE? Visit the following site:https://www.teacherspayteachers.com/Product/Tap-Accent-Tap-DRUMLINE-WARM-UP-Easy-5687304
$1.99
1.86 €
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Ensemble de Percussions
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Justin Bowe
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Tap-Accent-Tap // [DRUMLINE EXERCISE]
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Bowe Percussion
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SheetMusicPlus
Duel for 2 Marching Percussionists
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Gr…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam B. Grim (A0.939385). The Duel for 2 Marching Percussionists was written in 2015 and premiered at Ohio Northern University. It features two players, each with a number of marching percussion (drumline) instruments in front of them. Both players use a snare drum and mounted cymbal while one player plays 5 tonal bass drums and the other plays the tenors (for 5 drums). It is for advanced high school or college level players, and is very entertaining to watch. It includes stick tricks and moves that are neat to see and do. All the tricks are fairly well known, so you could easily see them on YouTube. If not, then contact me directly and I would be happy to explain!
$15.00
13.99 €
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Ensemble de Percussions
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Adam Grim
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Duel for 2 Marching Percussionists
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Adam B. Grim
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SheetMusicPlus
Ojo for percussion quintet
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1086633 Composed by Joe W.…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 82 pages. JWMIII Compositions #690841. Published by JWMIII Compositions (A0.1086633). Ojo (evil eye) was written in 2018 for the UTRGV Percussion ensemble. The inspiration for the piece comes from Latin American folklore âmal de ojoâ which is essentially staring or looking on someone with envy or praising them without touching them. It is believed that your spirit will haunt the person youâve looked at with a desire to touch but didnât. This is the goal of the piece; to keep the audience engaged throughout the work with quick passages, rhythmic variety, and timbre changes, giving the performers ojo because there is no other option but to watch and listen intently.
$50.00
46.64 €
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Ensemble de Percussions
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Joe W
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Ojo for percussion quintet
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JWMIII Compositions
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SheetMusicPlus
Vivaldi Medley for Marimba Band - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. B…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube. These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
$19.99
18.65 €
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Ensemble de Percussions
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Joan Lithgow
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Joan Lithgow
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Vivaldi Medley for Marimba Band - Score Only
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Joan Lithgow Music
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SheetMusicPlus
The Escape (medium/big percussion ensemble)
Ensemble de Percussions
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspend…
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
74.63 €
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Ensemble de Percussions
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Celebrations for Percussion Ensemble Octet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications (https://brianmonroemusic.com) #679741. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1075547). Celebrations is a mixed percussion ensemble octet utilizing both keyboard and non keyboard percussion instruments. It was written in memory of Ohio Band Director, Dan Meeks. In life we celebrate many occasions: birthdays, holidays, vacations, winning seasons, winning the lottery, anniversaries, marriages and births, just to name a few. But at times of loss we can also celebrate those who have left an indelible mark on us. Parents, mentors and teachers fit into this category. This piece is written to celebrate learning and though who guided us on our path. Specifically this piece is dedicated in memory of Dan Meeks, a teacher, band director, percussionist, husband and dad who touched so many lives teaching and guiding his family, friends and students through part of their lives. We are forever in debt to people like Dan and celebrate them. Dan would often say, Just Have Fun! This piece is written with that joy and love of life in mind. Thanks Dan, you always made it fun. Parts: Part 1: Bells (w/hard plastic mallets) Part 2: Xylophone & Crotales (or Bells) (w/medium plastic mallets) Part 3: Vibraphone (w/medium cord mallets) Part 4: Marimba 1: (w/medium yard mallets) Part 5: Marimba 2: if possible 4.5 or 5 octave play lower notes. (w/medium yard mallets) Part 6: Percussion 1: Snare Drum & Sleighbells Part 7: Bass Drum, Gong, Suspended Cymbal & Triangle Part 8: Timpani.
$15.00
13.99 €
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Ensemble de Percussions
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Brian Monroe
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Celebrations for Percussion Ensemble Octet
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BLM Music Publications
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SheetMusicPlus
Op. 30 - Poem For Drums for HS Drumline
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.987180 Composed by K. Mars…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.987180 Composed by K. Marschke. Contemporary. Score and parts. 3 pages. K Marschke #2024387. Published by K Marschke (A0.987180). A drum cadence staring snare, tenor (5 drums), bass. Length is 1 min played at 120 bpm. This is challenging and easy to learn so the players could spend little time practicing on it while still giving them a challenge to improve off of.
$21.00
19.59 €
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Ensemble de Percussions
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K
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Op. 30 - Poem For Drums for HS Drumline
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K Marschke
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SheetMusicPlus
Tequila
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.777070 By The Champs. By C…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.777070 By The Champs. By Chuck Rio. Arranged by Scott Meister. Contemporary. Score and parts. 19 pages. Scott Meister #2894529. Published by Scott Meister (A0.777070). Great fun tune for all audiences. You will have everyone up and dancing. Involve your audience with having them shout Ta-Key-La with the band on the drum set cue.
$25.00
23.32 €
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Ensemble de Percussions
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The Champs
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Scott Meister
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Tequila
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Scott Meister
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SheetMusicPlus
Dance of the Wind-Up Toys
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.972638 Composed by James S…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Music and Writings #3025013. Published by James Siddons Music and Writings (A0.972638). Dance of the Wind-Up Toys is for one clarinet in Bb, one cello, percussionist(s), and mime dancer(s). This work may be performed by instruments only; the percussion part being performed by one, two, or three performers.If a mime performer, or one or more dancers, also perform, the instrumental ensemble must be on the stage with them. The mime or dancer(s) enter the stage at measure 20 and either 1) perform until the end (m. 91), or 2) perform from m. 20 to m. 41, then leave the stage, and then return at m. 67. Costumes: the instrumentalists may be in costume as well as the performers, if desired. See the title page for suggestions. This piece is meant to be energetic, theatrical, and fun to perform as well as to watch.Program Note Dance of the Wind-Up Toys was composed in April-May 1968, when composer James Siddons was 19 years old. It was inspired by mime performers as well as the mechanical toys common in the early twentieth century.
$10.00
9.33 €
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Ensemble de Percussions
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James Siddons
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Dance of the Wind-Up Toys
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James Siddons Music and Writings
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SheetMusicPlus
The Holly And The Ivy (Bells, Xylophone, Marimba, Vibraphone)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.823104 Composed by Traditi…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.823104 Composed by Traditional. Arranged by Clark Cothern. Christmas. Score and parts. 11 pages. Clark Cothern #3038949. Published by Clark Cothern (A0.823104). As heard on the album, A Small Ensemble Christmas, by DDT Brahms. This music box-like arrangement of The Holly And The Ivy for Bells, Xylophone, Marimba and Vibraphone is accessible to intermediate players on up. There are several of these music box arrangements for percussion ensemble. You might consider putting three or four of them together as a suite. (Other titles from DDT Brahms' album with the music box style include: Frosty the Snowman, Jingle Bells, Ding Dong Merrily On High, and I Saw Three Ships.)
$12.00
11.19 €
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Ensemble de Percussions
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Traditional
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Clark Cothern
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The Holly And The Ivy
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Clark Cothern
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SheetMusicPlus
33 Tears (for percussion trio)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul Sa…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #3539349. Published by Distant Engraver Music (A0.977040). (For this piece, both score and parts are included in a single PDF file.)This quietly beautiful music began as a simple piano piece in memory of the composerâs late wife. Because her âEnglishâ name, Sansan, sounds like the number 33 in Mandarin Chinese, the piece is based on the numbers 3, 33 and various multiples of them. The numbers were used to shape all aspects of the music, but in performance the piece still flows simply and naturally. It is technically not difficult for performers, but they do need good ears for color and balance, and they must work carefully as an ensemble. Instrumentation:Perc. 1: vibraphone and crotales (or glockenspiel)Perc. 2: vibraphonePerc. 3: Marimba (with low C)
$8.00
7.46 €
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Ensemble de Percussions
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Paul SanGregory
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33 Tears
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Distant Engraver Music
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SheetMusicPlus
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. …
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Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$10.00
9.33 €
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verliebt sein
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Flavio Regis Cunha
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SheetMusicPlus
Steel Jam
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939365 Composed by Adam Gr…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939365 Composed by Adam Grim. Rock,World. Score and parts. 30 pages. Adam B. Grim #4780705. Published by Adam B. Grim (A0.939365). Steel Jam is a hard rockin' steel band chart that brings metal to the ensemble! I listen to metal and hard rock, and love steel band, so I figured the best way to combine them is to do this kind of piece. It involves a solo section (with a short written solo for a lead player if they do not want to improvise), and a soli bass section that really lays down the bass!I hope you enjoy!This is for a more experienced steel band!
$35.00
32.65 €
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Ensemble de Percussions
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Adam Grim
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Steel Jam
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Adam B. Grim
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SheetMusicPlus
The Entertainer for Percussion
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.963608 Composed by Scott J…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.963608 Composed by Scott Joplin. Arranged by Zachary Broyles. 20th Century,Ragtime. Score and parts. 26 pages. Big Boi Noise Productions #5756287. Published by Big Boi Noise Productions (A0.963608). You'll be sure to entertain your audience with this classic ragtime piano piece arranged for Percussion ensemble! Introduce your players to common ragtime motifs, and allow them to develop their ability to play complex rhythms.
$10.00
9.33 €
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Ensemble de Percussions
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Scott Joplin
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Zachary Broyles
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The Entertainer for Percussion
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Big Boi Noise Productions
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Greatâs global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The musicâs sectional nature parallels the libraryâs different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the scoreâs contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.32 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Staying Busy for Two Marimbas (or vibraphones)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.803346 Composed by Paul Ta…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.803346 Composed by Paul Taylor. 20th Century. Score and parts. 6 pages. Paul Taylor #6099257. Published by Paul Taylor (A0.803346). An exciting and busy marimba or xylophone duet written for late intermediate students. Both students get to play the main motives and will find it stimulating to bat these motives back and forth to each other throughout the piece. The printing format provides each player with their own score, allowing them the convenience of not only seeing their own individual part, but their partner's as well. .
$1.99
1.86 €
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Ensemble de Percussions
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Paul Taylor
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Staying Busy for Two Marimbas
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Paul Taylor
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SheetMusicPlus
Your Love
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.884320 By Dirty Heads. By …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.884320 By Dirty Heads. By Dustin Bushnell, Jared Watson, Lewis Michael Richards, Lewis Richards, Stan Fox, Stan Frazier, and Steve Fox. Arranged by Aaron Ziegler. Contemporary. Score and parts. 29 pages. Aaron Ziegler #6244907. Published by Aaron Ziegler (A0.884320). Your Love by the Dirty Heads feat. Ky-Mani Marley is a fun pop-reggae that will be a blast for your band to play, and audience to hear. This arrangement is a quick learn and is great for any level band for either gigs or more formal concerts. While the tune has repetitive parts, small changes keep the player on their toes, and give them a chance to work on different elements of music through changes in strum pattern, arpeggiation, and/or melody/counter melody parts. .
$20.00
18.66 €
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Ensemble de Percussions
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Dirty Heads
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Aaron Ziegler
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Your Love
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Aaron Ziegler
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.884321 By John Denver. By …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.884321 By John Denver. By Mel Torme and Robert Wells. Arranged by Aaron Ziegler. Contemporary. Score and parts. 19 pages. Aaron Ziegler #6256563. Published by Aaron Ziegler (A0.884321). The Christmas Song by Mel Torme is a holiday classic that will enchant your audiences and get them in the Christmas spirit this season. This arrangement will prove to be challenging yet fun for all of the players of your ensemble.
$20.00
18.66 €
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Ensemble de Percussions
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John Denver
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Aaron Ziegler
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The Christmas Song
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Aaron Ziegler
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SheetMusicPlus
Ambrosian Wish - Percussion Ensemble with Narrator
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1012290 Composed by Chris …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1012290 Composed by Chris Kamerling. Contemporary,Standards. Score and parts. 24 pages. Phantom K Music #6642767. Published by Phantom K Music (A0.1012290). Are you searching for something different for your percussion ensemble? Do you not have enough players to utilize keyboard percussion? Have you ever wanted to do something with narrator, but haven't had the chance? Well, I've got a piece for you! This piece is for four percussionists and a single narrator. The sound hearkens back to the beatnik poets of the 1960s! This is an exploration of sound for your percussionists, which allows them to use varied instruments from the snare drum to flower pots! I hope you enjoy Ambrosian Wish for percussion ensemble and narrator. Chris Kamerling can be found on Facebook at www.facebook.com/kamerlingcomposer; his website is www.chriskamerling.com; and his YouTube channel is www.youtube.com/user/ckamerling93. You are always welcome to contact Mr. Kamerling by email at phantomkmusic@gmail.com
$15.00
13.99 €
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Ensemble de Percussions
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Chris Kamerling
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his website is www
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Ambrosian Wish - Percussion Ensemble with Narrator
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Phantom K Music
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
279.85 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
139.93 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
The Man Who Laughs
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batmanâs greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Jokerâs aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
9.33 €
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Ensemble de Percussions
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the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
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