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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
Theme From Canon In D - Bass
SheetMusicPlus
Partitions à imprimer
27 partitions trouvées
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26
Pachelbel - Themes From Canon in D - (Key Map Tablature)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.984723 Composed by Johann Pachelbel…
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Piano Solo - Level 3 - Digital Download SKU: A0.984723 Composed by Johann Pachelbel. Arranged by John M. Honeycutt. Baroque. Score. 10 pages. Music Innovators Workshop #4359461. Published by Music Innovators Workshop (A0.984723). This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.)
$2.00
1.79 €
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Piano seul
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Johann Pachelbel
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John M
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Pachelbel - Themes From Canon in D -
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Music Innovators Workshop
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SheetMusicPlus
Mission: Impossible Theme
Harpe
Pedal Harp - Level 3 - Digital Download SKU: A0.1247254 By Adam Clayton And Larry M…
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Pedal Harp - Level 3 - Digital Download SKU: A0.1247254 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Lydia Haywood. Film/TV,Pop,Thriller. Score. 3 pages. Lydia Haywood #841801. Published by Lydia Haywood (A0.1247254). Intermediate Pedal Harp ArrangementI was asked to play this for the ring bearers who were dressed as secret service agents in a wedding ceremony. I put it in the key of Db as I was transitioning from Canon in D (which I always play in Db). I added the repeat in case the piece needed to be longer, so feel free to repeat as necessary or just skip ahead to the coda as I did in the video. Have fun!
$6.99
6.26 €
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Harpe
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Adam Clayton And Larry Mullen
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Lydia Haywood
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Mission: Impossible Theme
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Lydia Haywood
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SheetMusicPlus
Chromatic Prelude in B major
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1008279 Composed by Christopher McW…
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Piano Solo - Level 5 - Digital Download SKU: A0.1008279 Composed by Christopher McWilliams. Baroque,Contemporary. Score. 6 pages. Christopher McWilliams #4632439. Published by Christopher McWilliams (A0.1008279). For the Prelude, I have incorporated variations of the iconic chord progression from Pachelbel's Canon in D major and took the liberty to quote three themes from other sources at three distinct points throughout. The first one marks the conclusion from the first movement of Vivaldi's Guitar Concerto in D major. The source for the second borrowed theme is unknown, and the third theme is derived from the song Somedays featured in Paul McCartney's 1997 album Flaming Pie. The main motive of the prelude is loosely based on a rhythmic figure found in a typical prelude by J.S. Bach. Although the harmony is largely diatonic, I have clearly marked key modulations that descend by chromatic steps during the episodes from B major to B major. .
$3.99
3.57 €
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Piano seul
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Christopher McWilliams
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Chromatic Prelude in B major
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Christopher McWilliams
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SheetMusicPlus
Canon in D / Joyful, Joyful We Adore Thee (Key of C - Lead Sheet)
Small Ensemble Flute,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.774168 …
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Small Ensemble Flute,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.774168 Composed by Pachelbel / Beethoven. Arranged by Peggy Duquesnel. Baroque,Romantic Period,Sacred,Wedding. Score and parts. 2 pages. Duquesnel Music Publishing #3104625. Published by Duquesnel Music Publishing (A0.774168). Great for church services, prelude, meditation, communion, offertory and memorials this is a unique arrangement of Pachelbel's Canon and Beethoven's Theme from the 9th Symphony. Available on the In the Garden Piano Orchestrations album released by www.JoySpringMusic.com and www.PianoOrchestrations.com http://cdbaby.com/cd/peggyduquesnel4 https://itunes.apple.com/us/album/in-garden-piano-orchestrations/id1105705305
$3.99
3.57 €
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Pachelbel / Beethoven
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Peggy Duquesnel
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Canon in D / Joyful, Joyful We Adore Thee
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Duquesnel Music Publishing
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SheetMusicPlus
Canon In D
B-Flat Clarinet - Level 1 - Digital Download SKU: A0.1104485 Composed by Johann Pac…
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B-Flat Clarinet - Level 1 - Digital Download SKU: A0.1104485 Composed by Johann Pachelbel. Arranged by Claire Summerbell. Baroque,Wedding. Full Performance. Duration 153. Claire Summerbell #707703. Published by Claire Summerbell (A0.1104485). This famous tune is one of the most often-played classical themes in the world, and is often played at weddings. Here it is arranged for easy clarinet duet. If you like this arrangement and would like to buy the sheet music, it is available from my publisher page. Enjoy!
$1.99
1.78 €
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Johann Pachelbel
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Claire Summerbell
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Canon In D
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Claire Summerbell
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SheetMusicPlus
Music for Four - Volume 1 - Part 3 Clarinet in Bb 70133
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530441…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530441 Composed by Various. Arranged by Daniel Kelley. Concert,Contemporary,Graduation,Holiday,Wedding. 46 pages. Last Resort Music Publishing #3603717. Published by Last Resort Music Publishing (A0.530441). Music for Four, Volume 1 - Baroque, Classical & Romantic FavoritesPart 3 for Clarinet in Bb #70133DD*25 Fantastic arrangements for quartet with flexible instrumentation including composers like Bach, Gluck, Faure, Wagner, Mendelssohn and more! Perfect for Weddings, Receptions, Concerts and more! Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Parts are sold separately and as sets. Table of ContentsAve Maria, adapted by Gounod (Bach) Jesu, Joy of Man's Desiring (Bach) Suite #3 in D Major - Air, Bourree, Gavotte, Gigue, Overture (Bach) Trumpet Voluntary (Clarke) Berceuse from Dolly Suite Op. 56 (Faure) Sicilienne from Pelleas et Melisande, Op. 78 (Faure) Minuet & Dance of the Blessed Spirits from Orpheus (Gluck) Water Music Suite - Air, Allegro, Andante, Hornpipe (Handel) Regrets from Songs Without Words Op. 19, #2 (Mendelssohn) Spring-Song from Songs Without Words Op. 62, #6 (Mendelssohn) Andante from Piano Concerto #21, K. 467 (Mozart) Romanza from Eine Kleine Nachtmusik, K. 525 (Mozart) Canon (Pachelbel) Andante from String Quartet Rosamunde (Schubert) Danses des petit cygnes from Swan Lake (Tschaikovsky) Theme from Swan Lake (Tschaikovsky) Londonderry Air (Traditional Irish) Bridal Chorus from Act III of Lohengrin (Wagner)
$18.50
16.57 €
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Quatuor de Clarinettes: 4 clarinettes
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Various
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Daniel Kelley
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Music for Four - Volume 1 - Part 3 Clarinet in Bb 70133
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Last Resort Music Publishing
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SheetMusicPlus
Love In The First Degree
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999556 By Sushi. By Keren Woodward, Matt Aitken, Matthew Aitken, Michael Stock, Mike Stock, Pete Waterman, Peter Alan Waterman, Peter Waterman, Sarah Dallin, Siobhan Fahey, and Siobhan Maire Deirdre Fahey. Arranged by Russell Ward. Contemporary. 8 pages. Russell Ward #6047135. Published by Russell Ward (A0.999556). This is the First Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The opening movement here features the Bananarama hit Love in the First Degree Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
13.42 €
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Quatuor de Saxophones: 4 saxophones
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Sushi
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Russell Ward
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Love In The First Degree
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Russell Ward
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SheetMusicPlus
Classical Wedding Fake Book - Popular classical songs arranged in lead sheet format
Instruments en Do
Arranged by Stephen Bulat. Baroque, Classical, Opera, Romantic Period, Wedding. Scor…
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Arranged by Stephen Bulat. Baroque, Classical, Opera, Romantic Period, Wedding. Score and parts. 53 pages. Stephen Bulat Publishing #5723211. Published by Stephen Bulat Publishing
This compilation of popular classical pieces often performed at weddings is arranged in the "fake book/lead sheet format" Fake book also available for concert Bb and Eb instruments as well as a Bandleader Gig Pack that contains fake books for C, Bb and Eb Instrumentation.<br> <br> Songs include:<br> Adagio in G Minor - Tomaso Giovanni Albinoni <br> Air On The G String - J. S. Bach <br> Arioso - J. S. Bach <br> Ave Maria - J. S. Bach/Gounod <br> Jesu, Joy of Man's Desiring - J. S. Bach <br> Minuet in G Major - J. S. Bach <br> Ode To Joy - Ludwig Van Beethoven <br> Trumpet Voluntary - Jeremiah Clarke <br> Clair De Lune - Claude Debussy <br> The Flower Duet - Leo Delibes <br> Salut D’Amor - Edward Elgar <br> Pavane - Gabriel Faure <br> Air (from "Water Music") - George Frideric Handel <br> Arrival Of The Queen Of Sheba - George Frideric Handel <br> Meditation (from "Thais") - Jules Massenet <br> Wedding March (from "A Midsummer’s Night Dream") - Felix Mendelssohn<br> Rondeau (Theme from "Masterpiece Theatre") - Jean-Joseph Mouret <br> Eine Kleine Nachtmusik - Wolfgang Amadeus Mozart <br> Canon in D - Johann Pachalbel <br> Trumpet Tune - Henry Purcell <br> The Swan (from "Carnival Of The Animals") - Camille Saint-Saëns <br> Ave Maria - Franz Schubert <br> Romeo & Juliet (Love Theme) - Pyotor Ilyich Tchaikovsky <br> Sleeping Beauty Waltz - Pyotor Ilyich Tchaikovsky <br> Swan Lake - Pyotor Ilyich Tchaikovsky <br> Spring (1stMovement) (from "The Four Seasons") - Antonio Vivaldi <br> Bridal Chorus - Richard Wagner <br> <br> Please click on the publisher to purchase compilation songs.
$9.99
8.95 €
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Instruments en Do
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Stephen Bulat
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Classical Wedding Fake Book - Popular classical songs arranged in lead sheet format
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Stephen Bulat Publishing
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SheetMusicPlus
Variations On A Theme From Pachelbel's Canon In D Major
Piano seul
Piano Solo,Piano and Keyboard - Digital Download SKU: HX.498448 By David Lanz. This…
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Piano Solo,Piano and Keyboard - Digital Download SKU: HX.498448 By David Lanz. This edition: scorch. New Age. Score. 13 pages. Published by Hal Leonard - Digital (HX.498448).
$4.99
4.47 €
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Piano seul
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David Lanz
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Variations On A Theme From Pachelbel's Canon In D Major
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Hal Leonard - Digital
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SheetMusicPlus
Pachelbel Variations
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.940864 Composed by Johann Pachelbel…
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Piano Solo - Level 5 - Digital Download SKU: A0.940864 Composed by Johann Pachelbel, Bobby Brader. Arranged by Bobby Brader. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. 14 pages. Bobby Brader #3517689. Published by Bobby Brader (A0.940864). Pachelbel wrote the famous Canon in D Major over 300 years ago and, since then, countless arrangements (including Theme & Variations) have been made. This is my arrangement, in the key of F Major, and it ranges from reasonable and sight-readable to wild and virtuosic. Whether you plan to learn this piece for your recital or simply study the music, I believe you will be amused. Thank you for checking out my Pachelbel Variations! .
$4.99
4.47 €
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Piano seul
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Johann Pachelbel, Bobby Brader
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Bobby Brader
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Variations) have been made
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Pachelbel Variations
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Bobby Brader
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SheetMusicPlus
Petite Classics for Easiest Piano Booklet U2
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.644999 Composed by Waldteufel Pache…
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Easy Piano - Level 1 - Digital Download SKU: A0.644999 Composed by Waldteufel Pachelbel Tchaikovsky. Arranged by SilverTonalities. Baroque,Classical,Romantic Period. Score. 12 pages. SilverTonalities #4783641. Published by SilverTonalities (A0.644999). Petite Classics for Easiest Piano Booklet U2 Popular Classics for Beginner and Novice Pianists by SilverTonalities! Letter Names Embedded in Noteheads For Quick and Easy Reading! Booklet U2 includes: - Angel of Love Waltz by Emile Waldteufel - Canon in D by Johann Pachelbel - Theme from Swan Lake by Peter Ilyich Tchaikovsky
$6.99
6.26 €
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Piano Facile
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Waldteufel Pachelbel Tchaikovsky
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SilverTonalities
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Petite Classics for Easiest Piano Booklet U2
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SilverTonalities
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SheetMusicPlus
Violin Masters' Duet Repertoire
Violin, Violin Duet - Difficulty: medium-difficult SKU: HL.4472680 Violin Duet C…
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Violin, Violin Duet - Difficulty: medium-difficult SKU: HL.4472680 Violin Duet Collection - Unaccompanied. Edited by Harvey S. Whistler and Herman Hummel. Rubank Educational Library No. 161. Classical. Duet songbook. With standard notation, fingerings and bowings. 56 pages. Rubank Publications #RUBL161. Published by Rubank Publications (HL.4472680). ISBN 9781423444923. UPC: 073999776201. 9x12 inches.Fantastic collection of advanced pieces for violin duet. Works by such esteemed composers as Telemann, Corelli, Kreutzer, Paganini and many, many more are included. Highly appropriate and challenging for contest or festival, yet none are more than two pages in length. Each duet is carefully edited and bowed.
Song List: Allegro De Concert Allegro (from Sonata In A) Andante (from Duo Sonata in G) Aubade Canzoneta Concerto Grosso in D Minor Concertstuck Divertimento in D Dudziarz (The Country Fiddler) Duettino In F Duo Brillante Duo Celebre Duo Concertante Duo De Salon Duo Dramatique Duo Perpetuo Duo Populaire Duo Symphonique Finale (from Sixth Canonic Sonata) La Chasse La Melancolie Meditation (from Military Concerto) Menuet (from Concert-Sonate) Minuetto (from Suite Romantique) Morceau Lyrique Notturno-Pastorale Piece De Concert Rondo-Allegro (from Grand Duo in Eb) Salon-Duett Scherzo-Caprice Souvenir Poetique Theme & Variation (on Barucaba) Allegro (from First Canonic Sonata) Adagio Elegiaque Rondo Elegante Fantaisie Brillante (Duo de Concours) Musette (from Second CLassical Suite) Variations (on Montegnard) Folies D' Espagne (Theme and Variations)
$9.99
8.95 €
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Violin Masters' Duet Repertoire
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Rubank Publications
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SheetMusicPlus
Sonatina for Flute and Piano
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James …
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
26.87 €
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Chamber Music for Three Flutes
Flute SKU: HL.4474540 Composed by Various. Edited by H. Voxman. Arranged by H. Voxm…
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Flute SKU: HL.4474540 Composed by Various. Edited by H. Voxman. Arranged by H. Voxman. Ensemble Collection. Classical. 32 pages. Rubank Publications #RUBL272. Published by Rubank Publications (HL.4474540). ISBN 9781423444978. UPC: 073999745405. 9.0x12.0x0.111 inches.Easy to medium level flute trios in score form. Suitable for contest, concert or church performance, these pieces appear on several state contest lists. Includes works by Bach, Corelli, Faber, Handel, Haydn, Mozart, Quantz, Schubert and others.
Song List: Allegro (Mozart) Adagio Cantabile (Haydn) Air From Sonata Iii (Mattheson) Allegro Scherzando (Bach Cpe) Andantino (Trio In D Hook) At Christmastide Bourree (Part. In F Faber) Canon At 2nd (Mozart) Canon At Unison & Octave (Mozart) Christ Lay In Bonds Of Death (Bach) Gigue(Son. Iii Mattheson) Largo & Minuetto (Trio D) Quantz Let Every Heart Be Merry (Vecchi March (Son.Iii Mattheson) March In B Flat (Handel) Menuet Antique (Scheurer) Romanze (Div. V Mozart) Sarabande In D Minor Scherzino (Metzger) Sonata Iii (Mattheson) Theme-Fl.Trio,Op.37 (Walckiers) Three American Folk Songs German Dance Adagio
$7.99
7.16 €
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Various
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H
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Chamber Music for Three Flutes
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Rubank Publications
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SheetMusicPlus
My GPS Piano System Library #1 Classical and Americana Songs
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.848590 Composed by Various. Arrange…
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Piano Solo - Level 2 - Digital Download SKU: A0.848590 Composed by Various. Arranged by Gene Roberson. Concert,Folk,Standards. Score. 10 pages. Gene Roberson #3572905. Published by Gene Roberson (A0.848590). Here is my GPS Piano learning system Library # 1. A collection of public domain Classical and Americana songsarranged as a companion to Lessons 1 through 7 of the new piano learning system. Intended primarily for Adults. Olderpiano students will enjoy learning this system learning left hand chords at their first lesson.Songs include: Canon in C (Easy version of Pachabal's Canon in D, Theme from Piano Concerto by Tchaikovsky,American songs: Beautiful Dreamer, Old Folks at Home, She'll Be Comin Round the Mountain, My Old Kentucky Home, Shenandoah, and America the Beautiful.
$4.95
4.43 €
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Piano seul
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Various
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Gene Roberson
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My GPS Piano System Library #1 Classical and Americana Songs
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Gene Roberson
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SheetMusicPlus
Classic Favourites for Easy Piano
Piano Facile
Piano Solo - Level 1 - Digital Download SKU: A0.1354967 Composed by Antonin Dvorak,…
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Piano Solo - Level 1 - Digital Download SKU: A0.1354967 Composed by Antonin Dvorak, Edvard Grieg, Edward Elgar, Gustav Holst, Johann Pachelbel, and Peter Ilyich Tchaikovsky. Arranged by D. Costigan. Classical. Score. 9 pages. D. Costigan #939679. Published by D. Costigan (A0.1354967). Six classical favourties arranged for easy solo piano. Includes the theme from 'Jupiter' (I vow to thee my country) and Pachelbel's famous 'Canon in D'.
$9.99
8.95 €
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Piano Facile
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Antonin Dvorak, Edvard Grieg, Edward Elgar, Gustav Holst, Johann Pachelbel, and Peter Ilyich Tchaikovsky
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D
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Classic Favourites for Easy Piano
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D. Costigan
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SheetMusicPlus
Classical Favorites for Easy Violin
Violon
Composed by Various. Arranged by Hannah C Sheats. Baroque, Classical, Instructional, …
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Composed by Various. Arranged by Hannah C Sheats. Baroque, Classical, Instructional, Romantic Period, Standards. 39 pages. Hannah Sheats #4616097. Published by Hannah Sheats
Twenty-fiveclassical themes that violinists know and love. Each piece is writtenwith larger than average notes to make reading easy and fun.Difficulty ranges from beginner level to early intermediate. Titlesinclude: Aria from the Peasant Cantata, Canon in D, Eine KleineNachtmusik, Hornpipe from the Water Music, Jesu Joy of Man'sDesiring, Jupiter from the Planets, Largo from the New WorldSymphony, Lullaby – Brahms, March in D, Minuet – Mozart, Minuetin G, Ode to Joy, Overture from William Tell, Pomp and Circumstance,Rage Over a Lost Penny, Royal Fireworks Suite – Menuet, SleepingBeauty Waltz, The Four Seasons – Spring, The Four Seasons –Winter, The Merry Widow Waltz, The Surprise Symphony, Theme from SwanLake, To a Wild Rose, Trumpet Tune, and Waltz by Brahms.
$14.99
13.42 €
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Violon
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Various
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Classical Favorites for Easy Violin
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Hannah Sheats
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SheetMusicPlus
Intermediate Classical Favorites - 10 Arrangements for Early to Mid-Intermediate Pianists
Piano Facile
Piano Solo - Early Intermediate - Digital Download Composed by J.S. Bach, Pachelbel, Mo…
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Piano Solo - Early Intermediate - Digital Download Composed by J.S. Bach, Pachelbel, Mozart, Beethoven, Grieg, Debussy, Joplin. Arranged by Chrissy Ricker. Romantic Period, Classical Period, Baroque Period, Impressionistic, Ragtime. Sheet Music Single. 32 pages. Published by Chrissy Ricker
"Intermediate Classical Favorites" is a collection of 10 famous classical works arranged for early to mid-intermediate pianists (pianists in level 3-4 of most piano method books). See the companion video for a sheet music and audio sample of the first page of each piece in the collection. Included in this collection:Jesu, Joy of Man's Desiring (J. S. Bach), Canon in D (Pachelbel), Rondo alla Turca (Mozart), Theme from Sonata in A Major (Mozart), Für Elise (Beethoven), Moonlight Sonata (Beethoven), Opening Theme from Concerto in A Minor (Grieg), Reverie (Debussy), Clair de Lune (Debussy), and The Entertainer (Joplin). Like this collection but need something easier? Check out my "Easy Classical Favorites" and "More Easy Classical Favorites" collections here at Sheet Music Plus by clicking on my publisher name above! About the arranger: Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Kjos Music Company and Piano Pronto Publishing. Her music has appeared on the piano contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com
$9.99
8.95 €
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Piano Facile
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J
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Chrissy Ricker
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Intermediate Classical Favorites - 10 Arrangements for Early to Mid-Intermediate Pianists
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Chrissy Ricker
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.39 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.39 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.39 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
I Should Be So Lucky
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999557 By Kylie Minogue. By Matt Aitken and Mike Stock. Arranged by Russell Ward. Dance,Pop. 8 pages. Russell Ward #6047143. Published by Russell Ward (A0.999557). This is the 2nd Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The 2nd movement here features the Kylie Minogue hit Love in the First Degree Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
13.42 €
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Quatuor de Saxophones: 4 saxophones
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Kylie Minogue
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Russell Ward
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I Should Be So Lucky
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Russell Ward
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SheetMusicPlus
Never Gonna Give You Up
2 Saxophones (duo)
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet,Soprano Saxophone,Te…
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Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999558 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Russell Ward. Contemporary. Score and parts. 7 pages. Russell Ward #6047149. Published by Russell Ward (A0.999558). This is the 3rd Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The 3rd movement here features the Rick Astley hit Never Gonna Give You Up Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
13.42 €
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2 Saxophones (duo)
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Rick Astley
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Russell Ward
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Never Gonna Give You Up
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Russell Ward
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SheetMusicPlus
Together Forever
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999560 By Jimmy Fallon. By Matthew Aitken, Michael Stock, Pete Waterman, and Peter Alan Waterman. Arranged by Russell Ward. Contemporary. 16 pages. Russell Ward #6047155. Published by Russell Ward (A0.999560). This is the 4th and final Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
13.42 €
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Quatuor de Saxophones: 4 saxophones
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Jimmy Fallon
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Russell Ward
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Together Forever
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Russell Ward
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SheetMusicPlus
Sweelinck: Fantasia Chromatica for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1294880 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1294880 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 27 pages. Jmsgu3 #885196. Published by jmsgu3 (A0.1294880). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Fantasia Chromatica is based on a descending chromatic tetrachord from D to A. The theme is later developed in various ways, including canons, augmentation, diminution, and double augmentation. The piece forms an essential link between the Renaissance and the Baroque.
$28.95
25.93 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Fantasia Chromatica for String Quartet
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jmsgu3
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SheetMusicPlus
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