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Theme From Transformers - F Horn
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Vous avez sélectionné:
Theme From Transformers - F Horn
Partitions à imprimer
8 partitions trouvées
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Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappell...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
Theme From Transformers - Baritone T.C.
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Saxhorn ou Euphonium
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Film/TV
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Steve Jablonsky
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Michael Sweeney
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Theme From Transformers - Bari
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Steve Jablonsky. Arranged by Michael Sweeney. Concert Band. For Baritone T.C.. Film/TV. Individual instrument part. 1 pages. Duration 1:50. Published by Hal ...
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By Steve Jablonsky. Arranged by Michael Sweeney. Concert Band. For Baritone T.C.. Film/TV. Individual instrument part. 1 pages. Duration 1:50. Published by Hal Leonard - Digital Sheet Music
$6.00
Scheherazade Selections: (wp) 1st Horn in E-flat
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Orchestre d'harmonie
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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L
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Scheherazade Selections:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014861_WPEH1 (wp) 1st Horn in E-flat. Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by L. C. Harnsberge...
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Concert Band - SKU: AX.00-PC-0014861_WPEH1 (wp) 1st Horn in E-flat. Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by L. C. Harnsberger. Classical. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014861_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014861_WPEH1). UPC: 038081355306.Scheherazade is Rimsky-Korsakov's amazing musical interpretation of the tales of the Arabian Nights as told to the sultan by his wife who is destined to be executed. Her stories over 1,001 nights so engage the sultan he eventually spares her life. This skillful arrangement transforms some of the most memorable themes of the original piece into a real audience pleaser perfect for younger performers. The mysterious mood of the opening from The Sea and Sinbad's Ship sets the tone for the magical music to come. Woodwinds soar with the lyrical melodies of The Young Prince and Princess, and the full band shines in the exciting selection from The Story of the Kalendar Prince. Scheherazade Selections will make a successful addition to any concert.
$3.00
Playground (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Playground
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158396 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Children,Classical. 35 pages. Https://gil...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158396 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Children,Classical. 35 pages. Https://gildedmusicpress.com/ #758677. Published by https://gildedmusicpress.com/ (A0.1158396). Duration: 4:00. The first of the rhapsodic composition’s three themes is the “running theme†with its jumpy heart-thumping accompaniment. Sandwiched in the middle of the running theme is the contrasting “hiding theme,†which is driven by a calmer but unsettling three-measure hemiola phrase structure. The third theme, the “escape theme,†transitions to a minor key and masterfully modifies a motif from “Escape†by Kevin McKee. Running, hiding, and escaping all take their turns throughout the piece with various senses of urgency, triumph, and terror. At times, the themes transform into opposite meanings. More detail is found in the score’s program notes.
$24.95
I Had Much Grief
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
A Well-Traveled Road
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Orchestre
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AVANCÉ
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Contemporain
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Ste...
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Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
Batá para meu pai
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Jonas Hocherman
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Jonas Hocherman
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Batá para meu pai
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Jonas Hocherman
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - SKU: A0.1175824 By Jonas Hocherman. By Jonas Hocherman. Arranged by Jonas Hocherman...
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - SKU: A0.1175824 By Jonas Hocherman. By Jonas Hocherman. Arranged by Jonas Hocherman. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 49 pages. Jonas Hocherman #775945. Published by Jonas Hocherman (A0.1175824). This piece is for the formation of Brass ensemble. It's about passage, about path, about life and about death. I began to write this piece from a rhythmic ostinato that came to me from the machine that monitored my father's health in the hospital in his last days of life.This ostinato immediately referred me to a clave of a candomblé rhythm called batá. From this rhytmic motive that accompanies us on this path, the theme emerges as if it were a distant corner that resonsin our existence. The ideas that accompany emerge and transform, bringing to this passage between life and death, this environment of the existence of the work.Listening is an immersion in this moment that we don't know, but we can imagine.This timeless space arises from passage between life and death, death and life.
$70.00
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Theme From Transformers - F Horn
