Epic famous film music STAR TREK theme "To Boldly Go and End Credits" arranged for single trombone solo performance (or any instrument notated in bass clef in C).
A symphonic suite arranged for slide-trombone instrumentation. Originally I started to play the trombone because of Commander William T. Riker.

This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.
It has been adapted specifically for trombone / t-bone brass players. Breething signs and spaces are included. Special slide positions and slide effects are notated as well.

Total play time is approximately 7 minutes and 43 seconds
but there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of "to boldly go" ends:
https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787
After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.

Score is available in C in bass clef with 5 pages in DIN-A4 format.

Major high notes that are the climax of a tension bow sometimes end on a high: ringing Ab''
There is even a High Db''' for the very ambitious trombone player (but the higher notes are also notated one octave lower).

Thanks!

This arrangement of "Super Mario Bros. Main Theme" is a real crowd pleaser! Young or old, everyone will be bobbing along with this charming and delicate arrangement. As part of the Saxophonix series from www.hhmusic.co.uk this chart keeps you interested with some challenging rhythmic patterns.

You can listen to the world famous Hot House Saxophonix perform this arrangement on all streaming platforms including:
https://open.spotify.com/artist/0yJpRZxHG1GA38gv43QM5d?si=Bz9kCSaGRam4AsA1mOk_wQ
https://music.apple.com/gb/artist/saxophonix/1502709239

This is perfect for schools and students!
Coming soon...

The Addams FamilyTheme
Program Notes

The Addams Family Theme is from the Addams Family TV Showand Movie. This flute choir arrangementcan be performed with as few as 5 players or a full flute choir with multipleplayers on a part. It is scored for 4trombones.

Halloween
Broadway
Movies
Television
Musicals

Phyllis Avidan Louke is an award-winning composer andarranger with more than 70 published pieces to her credit. www.phyllislouke.com

10 romantic pieces collection for Eb Alto Saxophone and Piano, a great resource for students of the first courses. This collection features 10 easy pieces from the romantic period, arranged for Eb Alto Saxophone and Piano. Perfect for essays, concerts, and other performances, these pieces are sure to bring out the best in any student. With 10 romantic pieces, you have the perfect selection for any performance. Get ready to show off your talent with 10 romantic pieces! Complete parts for Sax and Piano.
Easy keys and range for SaxEasy Piano accompanimentMusical themes taken from the original compositions
Largo from ?New World Symphony? ? A. Dvorák
Theme from "Le Streghe" - N. Paganini
Melody in F ? A. Rubinstein
Soldier March ? R. Schumann
The Great Gate of Kiev - M. Mussorgsky
Theme from "New World Symphony" (IV mov.) - A. Dvorák
Theme from "Symphony n. 1" (IV mov.) - J. Brahms
Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
Theme from "Swane Lake" - P. I. Tchaikovsky.

"The Ecstasy of Gold" (Italian: L'estasi dell'oro) is a musical composition by Ennio Morricone, part of his score for the 1966 Sergio Leone film The Good, the Bad and the Ugly. It is played while Tuco (Eli Wallach) is frantically searching a cemetery for the grave that holds $200,000 in gold coins. Sung by Edda Dell'Orso, it stands as one of the most well known of Morricone's themes. American metal band Metallica has used "The Ecstasy of Gold" as the introductory music for its concerts since 1984. New York City-based punk rock band Ramones used this theme as the outro music for their concerts since 1991.

This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.
It is suitable for classroom, repertoire and recital.

The Super Mario Bros. theme, officially known as the "Ground Theme"[a] or "Overworld Theme",[1][2] is a musical theme originally heard in the first stage of the 1985 Nintendo Entertainment System video game Super Mario Bros.. It was one of six themes composed for the game by Nintendo sound designer Koji Kondo, who found it to be the most difficult track to compose for it. The theme has a calypso rhythm and usually receives a corresponding orchestration in games whose sound synthesizers can imitate steel drums.

Since being included in Super Mario Bros., it went on to become the theme of the series and has been a fixture in most of its titles. It has been reused and remixed in other Nintendo-published games, including Tetris DS, Nintendogs: Chihuahua and Friends, WarioWare, Inc.: Mega Microgames!, and every entry in the Super Smash Bros. series.

Ciacona (original key of F minor for organ) has been beautifully arranged for trombone quartet in C minor by Mark LaFratta. It is probably Pachelbel?s second most famous work, after the Kanon in D. As is typical for a Ciacona (Chaconne), there is a short simple tune in triple meter over a repeating bass ostinato that provides a vehicle for variation, ornamentation, and melodic invention. It is somewhat similar to a passacaglia. There is a passage or two that even have hints of Bach's great Passacaglia, which didn't appear for many years in the future.



Pachelbel's Ciacona states an opening theme followed by 22 variations, the last of which is an almost exact repeat of the opening theme.



This fantastic 8-minute arrangement is appropriate for advanced performers and is scored for: alto trombone, 2 tenor trombones, and a bass trombone

10 easy duets collection of the romantic period arranged for Bb Trumpet and Trombone or Euphonium bass clef, very useful for recital of beginners / intermediate players. Each title is arranged in three different keys, the most comfortable, from low to high. Duration 15.00 (+-). Contents: 1. Largo from "New World Symphony" ? A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody ? A. Rubinstein 4. Soldier March ? R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane Lake" - P.I.Tchaikovsky.

10 Easy Romantic Pieces arranged for Trombone or Euphonium Duet (scored in 4 different keys).
contents titles: 1. Largo from "New World Simphony" ? A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody ? A. Rubinstein 4. Soldier March ? R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák
7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky

10 easy duets collection of the romantic period arranged for Bb Trumpet and Bb Trombone or Euphonium treble clef, very useful for recital of beginners / intermediate players. Each title is arranged in three different keys, the most comfortable, from low to high. Duration 15.00 (+-). Contents: 1. Largo from "New World Symphony" ? A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody ? A. Rubinstein 4. Soldier March ? R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane Lake" - P.I.Tchaikovsky.

10 Easy Romantic Pieces arranged for Bb Trumpet or Trombone T.C. Duet (scored in 4 different keys).
contents titles: 1. Largo from "New World Simphony" ? A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody ? A. Rubinstein 4. Soldier March ? R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák
7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky.

Diversions is a work by Canadian composer Elizabeth Raum for Trombone quartet written in 1998 for the Aurora Trombone Quartet. Elizabeth Raum's writing is influenced by the school of the tone poem in that her music seems often to tell a story.

Diversions consists of several sections, each with its own personality. It opens with a signal call from the first trombone that is answered in turn by each of the others. This leads to the first rather contrapuntal theme combining the Baroque with the Romantic; then a bridge consisting of variations on the signal brings us to the second theme of three muted trombones playing a lively dance-like accompaniment to the open sound of the first trombone. The continuity of the dance is interrupted by occasional asides or "diversions."

Finally, all four instruments, unmuted, join together bringing the piece to a rousing finish. This work of about 6 1/2 minutes in length is appropriate for advanced performers.

Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.

Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven?s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process.

The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.

This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.

Dimensión is a tango that wascomposed based on two simple piano pieces destined to young pianists: the firsttheme is "Langostango" andthe second one "Continuando".When joining to build up "Dimensión",additional elements came into the game, such as an important secondary melodyand a few transitions.

Dimensión is therefore a clearexample of a successful composition: a couple of good ideas and a lot of workto achieve that nobody notices how much work lies behind it.

About the title, it obeys to my (slightly excessive) concerntowards finding names that can be understood in any language of the places Iusually am related to (i.e. in Spanish, English and German). In the case of "dimensión"it is a transparent word, understandingas such the words that are practically identical in any language while keepingtheir meaning (there exist words that are quite similar in different languages,but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words.

In September 2002 I began to conductthe Orquesta No Típica at theUniversity of Bremen, Germany, a chamber group of variable instrumentationdevoted to tango music. Dimensión wasthe first piece that I composed especially for this group, in January /February 2003. The original version of Dimensiónis therefore for Sextet: flute, clarinet, violin, guitar, bass,piano.

Sincethat first version (performed several times in Germany and Argentina) I wrote along dozen of arrangements for different instrumental groups.



Dimensión for trombone octet: https://www.youtube.com/watch?v=Q8Uq4_PSlPI

O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of "O God, Beyond All Praising", a hymn tune based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of "Jupiter" (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.
The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, "Jupiter, the Bringer of Jollity", Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked "Andante Maestoso", perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named "Thaxted", named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn "I Vow to The, My Country", other settings of this hymn tune also include "O God, Beyond All Praising", by Michael Perry in 1982 and "We Praise You and Acknowledge You, O God", a paraphrase of the "Te Deum Laudemus" by Stephen P. Starke in 1999.
Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones (one of which has the lead) and 1 Baritone Saxophone, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of "O God, Beyond All Praising" based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.