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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Theme and Variations in F Minor
Non classifié
7
Piano & claviers
Piano seul
12
Piano, Voix
4
Orgue
2
Piano Facile
1
1 Piano, 4 mains
1
Clavecin
1
+ 1 instrumentations
Retracter
Guitares
Guitare
1
Voix
Vents
Flûte, Hautbois, Clarinette, Basson
1
Flûte et Guitare
1
Clarinette Basse, Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Alto et Piano
1
Cuivres
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
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Trio à Cordes: violon, alto, violoncelle
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Theme and Variations in F Minor
Partitions à imprimer
43 partitions trouvées
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26
Theme (Theme and Variations in F Minor, Hob. XVII:6, Excerpt)
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Flûte et Guitare
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INTERMÉDIAIRE
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Classique
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Franz Joseph Haydn
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Mark Phillips
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Theme
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A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.691420 Composed by Franz Joseph Haydn. Arranged by Mark Phillips. Classical. Score ...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.691420 Composed by Franz Joseph Haydn. Arranged by Mark Phillips. Classical. Score and parts. 2 pages. A. J. Cornell Publications #3434761. Published by A. J. Cornell Publications (A0.691420). Haydn's Theme (Theme and Variations in F Minor, Hob. XVII:6, Excerpt) for flute and guitar (in standard notation and tablature)
$4.99
Theme and Variations in F Minor
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Jordan C Warren
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Theme and Variations in F Mino
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Jordan Warren
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1031793 Composed by Jordan C Warren. Instructional,Romantic Period,Standards. Score a...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1031793 Composed by Jordan C Warren. Instructional,Romantic Period,Standards. Score and parts. 14 pages. Jordan Warren #3563613. Published by Jordan Warren (A0.1031793). I wrote this piece my senior year of high school for a music class. It was well received by my teachers and peers so I thought why not share it!The duration of this piece is about 4:30 minutes.The piece was written using certain methods of Brahms and the general Romantic period. There isn't really a certain place to play this other than just concert repertoire. Note: there isn't a second violin or bass part, I'd be up for writing them so just email me a request for them!!
$3.99
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Echoes in Variation
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Piano seul
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INTERMÉDIAIRE
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Classique
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Tori Amos
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Todd J
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Echoes in Variation
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Todd J. Scallan
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1470460 By Tori Amos. By Charles-Valentin Alkan, Claude Debussy, Domenico Scarlatti, Enrique Granados, Erik Satie, Felix ...
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Piano Solo - Level 3 - SKU: A0.1470460 By Tori Amos. By Charles-Valentin Alkan, Claude Debussy, Domenico Scarlatti, Enrique Granados, Erik Satie, Felix Bartholdy Mendelssohn, Franz Schubert, Frederic Chopin, Johann Sebastian Bach, Modest Petrovich Mussorgsky, and Robert Schumann. Arranged by Todd J. Scallan. Baroque,Classical,Romantic Period. Score. 48 pages. Todd J. Scallan #1048169. Published by Todd J. Scallan (A0.1470460). Echoes in Variation brings together the classical inspirations for the musical themes in Night of Hunters – a song cycle by Tori Amos. The songs from Night of Hunters are mainly variations on the classical pieces presented here as arrangements for solo piano. Each arrangement is faithful to the original piano score, but with cleaner formatting and clearer performance directions.This collection offers an excellent introduction to a range of brilliant composers spanning the 18th through early 20th centuries:- Alkan: Song of the Madwoman on the Seashore, Preludes Op. 31, No. 8- Granados: Añoranza from 6 Pieces on Spanish Folk Songs- Satie: Gnossienne No. 1- Granados: Spanish Dance No. 2 from 12 Spanish Dances- Chopin: Nocturne Op. 9, No. 1- Schubert: Andantino from Piano Sonata in A major, D. 959- Mendelssohn: Venetian Boat Song, from Songs Without Words Book 2, Op. 30- Schumann: Theme in E-flat Major for Piano (Ghost Variations), WoO 24- J. S. Bach: Siciliana from Flute Sonata in E-flat major, BWV 1031- Mussorgsky: The Old Castle from Pictures at an Exhibition- Gregorian chant: Salve Regina- Scarlatti: Sonata in F minor, K. 466- J. S. Bach: Prelude in C minor, BWV 999- Debussy: The Girl with the Flaxen Hair, Preludes Book 1, No. 8As a complement to these pieces, solo piano arrangements for the songs from Tori Amos’ Night of Hunters are also available.
$24.99
Passacaglia in C (piano duet)
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1 Piano, 4 mains
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99
Theme and Variations on a Purim Song
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Shoshana Michel
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Theme and Variations on a Puri
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Shoshana Michel
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818095 Arranged by Shoshana Michel. Concert,Jewish,Standards,World. Score. 14 pages. Shoshana Michel #3422649. Published ...
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Piano Solo - Level 4 - SKU: A0.818095 Arranged by Shoshana Michel. Concert,Jewish,Standards,World. Score. 14 pages. Shoshana Michel #3422649. Published by Shoshana Michel (A0.818095). Shoshana Michel’s arrangement of her Theme and Variations on a Purim Song, based on the song Vayehi Bimei Achashverosh(In The Days of Achashveiroish). It is a fun piece that modulates to different keys and different styles including, classical, ragtime, music box, Baroque and boogie-woogie.You can reference the original video at https://www.youtube.com/watch?v=aBrecihr7N8This sheet music is very close to how it is played on the video but is not note-for-note as minor changes were made to make the piece smoother and cleaner.Level: 7 – Late IntermediateKey Signature: C minor (3 flats), D minor (1 flat), E minor (1 sharp), F minor (4 flats), G minor (2 flats), A minor (no flats or sharps), Bb minor (5 flats)Length: 14 pages (Including title and intro page)Shoshana Michel is an award winning composer/pianist. You can learn more about her and her music at www.ShoshanaMusic.com
$5.95
Sonata in F and C, for Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand, aka Michael M
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Sonata in F and C, for Solo Pi
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Michael M. Strand
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.970714 Composed by Mike Strand, aka Michael M. Strand. Contemporary,World. Score. 37 pages. Michael M. Strand #4829865. P...
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Piano Solo - Level 4 - SKU: A0.970714 Composed by Mike Strand, aka Michael M. Strand. Contemporary,World. Score. 37 pages. Michael M. Strand #4829865. Published by Michael M. Strand (A0.970714). By Mike Strand, ASCAP This sonata is in the style of Ludwig von Beethoven, whom this composer has studied and greatly admires.The audio sample is taken from Movement 3: The end of variation 2, all of variation 3 (rock), and the beginning of variation 4 (rag). Movement 1 This is the result of my experimenting with the first movement of Beethoven’s piano sonata no. 23 op. 57. The Beethoven sonata’s overarching tonality based on F minor evokes a mood of darkness and despair. I used the time signature 4-4 instead of Beethoven’s 12-8, and my sonata introduces a new set of themes and motifs with tonality F major. These modifications posed interesting problems in figuration and modulation and changed the mood of the piece. Movement 2 This is a slow movement that might be characterized as minimalistic. The player should accentuate the right-hand octaves corresponding to the gradually unfolding melody. Movement 3 This is a theme with five variations, among which are rock, rag, and swing.
$5.00
Sonatina for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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the composition
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Sonatina for Bass Clarinet and
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Dacker Music
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.814740 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and individual part....
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Bass Clarinet,Instrumental Solo,Piano - Level 4 - SKU: A0.814740 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and individual part. 36 pages. Dacker Music #3049201. Published by Dacker Music (A0.814740). As the title indicates, Sonatina for Bass Clarinet and Piano closely follows sonata form on a somewhat smaller scale. Tonality and tonal relationships are basic to sonata form, and in this sonatina, the tonal relationships within the movements are all based on seconds, while the second movement is in the relative major of the sonatina's home key. The first movement, Allegro appassionato, is a fairly strict sonata-allegro in F minor. The second movement, Adagio cantabile, is a theme and variations in Ab major. The finale, Allegretto giocoso, is an abridged sonata-rondo in F minor. The B episode is derived from the inverted second subject of the first movement.Although not obvious on casual listening, this provides a degree of thematic unity to the composition.Grade 4+ Duration:7:40
$14.00
Ode to Sadness (a minor key variation of Ode to Joy)
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Piano Facile
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Amanda Dills
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Number of Pages: 1
&bull
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Ode to Sadness
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Amanda Dills
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1105617 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Classical,Contest,Festival,Folk,Holiday,Instructional...
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Easy Piano - Level 1 - SKU: A0.1105617 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Classical,Contest,Festival,Folk,Holiday,Instructional. Score. 1 pages. Amanda Dills #708834. Published by Amanda Dills (A0.1105617). This minor-key version of Ode to Joy features a mysterious ostinato in the right hand and a haunting left-hand melody. The entire piece is in A minor position, making it perfect for beginning players. Arrangement Details: • Number of Pages: 1 • Duration: approx 1 min • Hand Position: A Minor position • Key: A mior • Includes: 1 repetition of the main theme • Features: finger numbers, dynamics, legato markings • Great For: sight reading, teaching major and minor, Halloween recitals and lessons, beginners, self-taught, group lessons About the Arranger: Amanda Dills is a composer and arranger (and educator and instructional designer) from Oklahoma City. She has a degrees in Music Education and Music Composition, and teaching experience in settings ranging from private violin and piano instruction to K12 Vocal Music to college music theory courses. For more information (including full composition and arrangement catalogue and fun freebies!), visit www.amandasmusicshop.com Looking for other minor key variations or Beethoven arrangements? Here are some other pieces by this arranger you may like: • Für Elise (Sheet Music Plus | Sheet Music Direct) • Seven Sinister Songs for Easy Piano (Sheet Music Plus | Sheet Music Direct)
$1.99
Variationen über ein Thema von Georg Friedrich Händel für das Cembalo (Variations on a Theme by G
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Clavecin
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Joseph Dillon Ford
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Variationen über ein Them
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David Warin Solomons2
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SheetMusicPlus
Harpsichord - Level 3 - SKU: A0.958456 Composed by George Frideric Handel. Arranged by Joseph Dillon Ford. 20th Century,Baroque,Classical. Score. 6 page...
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Harpsichord - Level 3 - SKU: A0.958456 Composed by George Frideric Handel. Arranged by Joseph Dillon Ford. 20th Century,Baroque,Classical. Score. 6 pages. David Warin Solomons2 #3690481. Published by David Warin Solomons2 (A0.958456). The Variations on a Theme by Handel are based on the Sarabande from Handel's Suite No. 11 in D Minor, a movement made famous by the 1975 motion picture Barry Lyndon by director Stanley Kubrick. Indeed, this superlative film, which brought to the screen a remarkably authentic interpretation of William Makepeace Thackeray's novel The Luck of Barry Lyndon (1844), won an Oscar for its imaginative musical adaption of Handel's theme. This cinematic gem stimulated Ford to create four new variations which he interpolated into Handel's original score, a short movement consisting only of the theme and variations two and three of the present work. Exactly why Handel provided this majestic Sarabande with only two variations may never be precisely known, but Ford's expansion of the movement by more than half its original length makes for a compelling and aesthetically satisfying concert solo.
$8.00
Sonatina for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Richard E Brown
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Sonatina for Alto Saxophone an
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Dacker Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.814693 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and part. 34 pages. Dacker Music #295...
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Alto Saxophone,Piano - Level 3 - SKU: A0.814693 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and part. 34 pages. Dacker Music #2959577. Published by Dacker Music (A0.814693). As the title suggests, Sonatina for Alto Saxophone and Piano is a 3-movement composition employing sonata forms on a somewhat smaller scale. It is useful recital repertoire for intermediate students and soloists. This is the same sonatina as the one for tenor sax in a different key. The movements are:I. Allegro - sonata-allegro - F minorII. Adagio cantabile - theme and variations - A-flat majorIII. Allegro con spirito - abridged sonata-rondo - F minorGrade 4 - Duration 8:30
$14.00
Theme and Variations on Happy Birthday
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Piano seul
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Angel Lazaro
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Theme and Variations on Happy
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Angel Lazaro
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SheetMusicPlus
Piano Solo - SKU: A0.942448 Composed by Angel Lazaro. 20th Century,Romantic Period. Score. 5 pages. Angel Lazaro #3640527. Published by Angel Lazaro (A0...
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Piano Solo - SKU: A0.942448 Composed by Angel Lazaro. 20th Century,Romantic Period. Score. 5 pages. Angel Lazaro #3640527. Published by Angel Lazaro (A0.942448). Theme and Variations in F Minor is suitable for advanced to advanced intermediate musicians. Consists of frequent time signatures, varying dynamics and rhythms. Works great for individual instruction.
$2.50
The First Noel Variations for Woodwind Quintet MP3
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Noël
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Traditional
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Nick Raspa
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The First Noel Variations for
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NJR Music
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SheetMusicPlus
SKU: A0.1068222 Composed by Traditional. Arranged by Nick Raspa. Christmas. Full Performance. Duration 155. NJR Music #3879885. Published by NJR Music (...
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SKU: A0.1068222 Composed by Traditional. Arranged by Nick Raspa. Christmas. Full Performance. Duration 155. NJR Music #3879885. Published by NJR Music (A0.1068222). This is a theme and variations setting for Woodwind Quintet (Flute, English Horn, B Flat Clarinet, Horn in F, Bassoon). This arrangement starts with a traditional setting followed by three variations. The first variation is in the Major, the second is minor and the third is a lively gigue. The score and parts are also available on Sheet Music Plus.
$3.99
Intermediate Music for Four, Volume 1 Part 2 Clarinet or Trumpet in Bb 72123DD
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Sta...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Standards. 42 pages. Last Resort Music Publishing #28467. Published by Last Resort Music Publishing (A0.529976). This is the second part in the Intermediate Music for Four, Volume 1 Series. Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately. Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Other parts available: Part 1 Flute or Oboe or Violin Part 1 Clarinet or Soprano Sax in Bb Part 1 Alto Sax in Eb Part 2 Flute or Oboe or Violin Part 2 Clarinet or Trumpet in Bb Part 2 Alto Sax in Eb Part 3 Violin in C Part 3 Viola Part 3 Clarinet or Trumpet in Bb Part 3 Tenor Sax in Bb Part 3 French Horn in F Part 4 Cello or Bassoon Part 4 Bass Clarinet in Bb Part 4 Baritone Sax in Eb Keyboard or Guitar Score (Parts 1-4 in C) Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Nore Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel).
$18.50
Waltz In D Minor Variations (3 Variations)
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Classique
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Ethan Tai
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Waltz In D Minor Variations
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Ethan T.
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SheetMusicPlus
Harmonica,Instrumental Solo - Level 1 - Interactive Download SKU: A0.1272979 Composed by Ethan Tai. This edition: Interactive Download. Classical. Indivi...
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Harmonica,Instrumental Solo - Level 1 - Interactive Download SKU: A0.1272979 Composed by Ethan Tai. This edition: Interactive Download. Classical. Individual part. 3 pages. Duration 179. Ethan T. #4VVFvFUmqr35mxPJInyzRe. Published by Ethan T. (A0.1272979). Key: F major.Dedicated to all students and teachers affected by the COVID Pandemic as well as everyone affected by the COVID Pandemic. This piece contains a main theme and 3 variations for studying or inspiration. Variation 1: Rhythm slightly changes with Eighth Notes added in place of some Quarter Notes in the main theme. Variation 2: Main Theme expect in Major Key Variation 3: Main Theme except in 6/8 Sorry for not posting this earlier! I thought I posted it since some pieces have very similar names to this one.
$2.99
Passacaille by Handel, with 2 Halvorsen Variations
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Piano seul
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INTERMÉDIAIRE
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Traditional
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Joan Bujacich
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Passacaille by Handel, with 2
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Joan Bujacich
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1511692 By Traditional. By George Frideric Handel. Arranged by Joan Bujacich. 21st Century,Classical,Traditional. Score. ...
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Piano Solo - Level 3 - SKU: A0.1511692 By Traditional. By George Frideric Handel. Arranged by Joan Bujacich. 21st Century,Classical,Traditional. Score. 6 pages. Joan Bujacich #1086840. Published by Joan Bujacich (A0.1511692). Passacaille in G minor by Handel: This is the original Handel Theme in G minor with 4 of Handel's variations and the 2 variations from the recent popular Halvorsen version transcribed to G minor. My student liked the Halvorsen version but he was unaware that this was originally a piece by Handel. So I took my favorite variations and original theme in G minor and combined it with 2 of the Halvorsen variations. The Halvorsen variations are in F minor, so I transcribed them to G minor. He performed it for an annual piano incentive program in New Jersey and it was well received and he got a lovely evaluation from the judge on his performance. The Handel in its entirerty, in my opinion, gets a bit too repetitive and so does the Halvorsen in its entirety. So combining a little of the new style into the Baroque style made for an over all more interesting perfromance. Nothing has been simplified. This is Handel and Halvorsen's writing, just put all in one key and does not include all their variations.
$5.99
Sarabande from Keyboard Suite in D minor HWV 437 (for Horn Quartet)
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Quatuor de cuivres: 4 cors
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Robert Newth
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Sarabande from Keyboard Suite
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Robert Newth
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.845579 Composed by George Frideric Handel. Arranged by Robert Newth. Baroque. Score and parts. 8 pages. Robert N...
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Brass Ensemble Horn - Level 3 - SKU: A0.845579 Composed by George Frideric Handel. Arranged by Robert Newth. Baroque. Score and parts. 8 pages. Robert Newth #3508601. Published by Robert Newth (A0.845579). The Sarabande from Georg Frideric Handel's Keyboard Suite in D minor HWV 437 is one of the most famous pieces of classical music, and this arrangement for french horn quartet preserves the character of the original piece. The theme and two variations can be repeated or omitted as required. This PDF download includes a full score in F and all four parts.The second and fourth horn parts feature extensive bass clef writing, with the fourth horn part reaching pedal G.https://www.youtube.com/watch?v=7nLbE4Fa3uY
$7.20
Brahms: 6 Klavierstücke Op.118 No.2. Intermezzo in A - symphonic wind dectet/bass
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Ray Thompson
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Brahms: 6 Klavierstücke O
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1486812 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic ...
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A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1486812 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 47 pages. RayThompsonMusic #1063880. Published by RayThompsonMusic (A0.1486812). Brahms Six Pieces for Piano, Op. 118, were completed in 1893 and published with a dedication to Clara Schumann. The set was the penultimate of Brahms's published works. It was also his penultimate work for piano solo.The pieces are frequently performed. Like Brahms's other late keyboard works, Op. 118 is more introspective than his earlier piano pieces, which tend to be more virtuosic in character.The pieces are:Intermezzo in A minor. Allegro non assai, ma molto appassionatoIntermezzo in A major. Andante teneramente Ballade in G minor. Allegro energicoIntermezzo in F minor. Allegretto un poco agitatoRomanze in F major. AndanteIntermezzo in E♭ minor. Andante, largo e mestoThis is my arramgement of no 2 Intermezzo in AIt is arranged here for standard wind decet/dectet (double wind quintet) and bass.Check out my other Brahms arrangements : Variations on a Theme of Haydn, Lullaby, various movements from his Serenades and various Intermezzos, 2 Ballades and a Romanze from his piano works.
$19.95
Variations on a Theme in D Flat
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Orchestre d'harmonie
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FACILE
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Contemporain
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
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Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
Heidenröslein: Variations on a Theme by Franz Schubert
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Classique
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroq...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
Beethoven: Piano Sonata No.12 in Ab Op.26 Mvt.I Andante and Variations - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Piano Sonata No.12
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553586 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Concert,Graduation. ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.553586 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Concert,Graduation. 22 pages. RayThompsonMusic #3124225. Published by RayThompsonMusic (A0.553586). The first movement of Sonata no 26 in Ab major arranged for wind quintet. I have tried as far as possible to arranage the piece as though Beethoven would have written it. The horn is in Ab alto and I have tried as far as possible to use the notes of the natural horn.(This works better in some of the variations. I have used Ab basso for variation III. A horn in F part is also included. Variation 2:I have taken some liberties in that the constant syncopation in the R.H.piano part would not sit well on wind instruments, so I have retained Beethoven's harmonies and maintained the feel of the piece. Variation 3 is in Ab minor (7 flats) so may well present some difficulties for the players playing in an unfamiliar key!. The theme and othe variations are more playable.
$7.95
BEETHOVEN: 6 VARIATIONS D'UN AIR SUISSE for flute, clarinet & bassoon or cello
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Classique
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Ludwig van Beethoven
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Pat Spence
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BEETHOVEN: 6 VARIATIONS D'UN A
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 3 - SKU: A0.811813 Composed by Ludwig van Beethoven (1770 - 1827). Arranged by Pat Spence. Classical...
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Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 3 - SKU: A0.811813 Composed by Ludwig van Beethoven (1770 - 1827). Arranged by Pat Spence. Classical,Concert,Graduation,Standards,Wedding. Score and parts. 20 pages. Piper Publications #6457307. Published by Piper Publications (A0.811813). Theme & 6 variations with a (very short) coda in F major - variation 3 is in F minor. Well within the capabilities of players of intermediate standard. .
$9.00
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Flavio Regis Cunha
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Beethoven: 7 Variations on 'Go
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Stand...
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Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.
$4.99
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Theme and Variations in F Minor
