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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Theme for a Dream
Non classifié
42
Piano & claviers
Piano seul
81
Piano Facile
25
Piano, Voix et Guitare
21
Piano, Voix
5
Instruments en Do
5
Orgue
4
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
1
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
5
Guitare
2
Ukulele
1
Voix
Chorale SATB
14
Chorale 3 parties
3
Chorale Unison
3
Chorale TTBB
3
Chorale 2 parties
2
Voix Alto, Piano
1
Voix duo
1
Voix seule
1
+ 3 instrumentations
Retracter
Vents
2 Saxophones (duo)
8
Flûte traversière et Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Quatuor de Saxophones: 4 saxophones
5
Clarinette et Piano
5
Saxophone Alto et Piano
5
Hautbois, Piano (duo)
4
Quatuor de Flûtes : 4 flûtes
3
2 Clarinettes (duo)
3
2 Flûtes traversières (duo)
3
Flûte, Hautbois, Clarinette, Basson
2
2 Hautbois (duo)
2
Saxophone, Clarinette (duo)
2
Saxophone Soprano et Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Clarinette
1
Flûte, Saxophone (duo)
1
2 Clarinettes, Piano
1
Flûte, Trompette (duo)
1
Ensemble de Clarinettes
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Ensemble de Flûtes
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
2 Flûtes traversières, Piano
1
Saxophone Tenor et Piano
1
3 Saxophones (trio)
1
+ 26 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette, Piano
4
2 Trompettes (duo)
2
2 Trombones (duo)
2
Quatuor de Cuivres
2
Trompette
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba
1
Ensemble de Trombones
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Trio à Cordes: violon, alto, violoncelle
8
Violoncelle, Piano
8
Violon et Piano
7
Violon, Violoncelle (duo)
6
Alto, Piano
4
Violon
4
Trio à Cordes: 2 violons, alto
3
2 Violons (duo)
2
Alto seul
2
2 Violoncelles (duo)
2
Violoncelle
2
2 Altos (duo)
2
Trio à cordes: 3 violins
1
Violon, Alto (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse, Piano (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
+ 15 instrumentations
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Orchestre & Percussions
Ensemble Jazz
24
Orchestre d'harmonie
12
Orchestre
8
Orchestre de chambre
4
Orchestre à Cordes
2
Cloches
2
Ensemble de Percussions
1
+ 2 instrumentations
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ACCORDEON
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CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Theme for a Dream
Partitions à imprimer
459 partitions trouvées
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Dream of Wonder
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Suzanne Herman
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Dream of Wonder
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Suzanne Herman Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.977373 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 4 pages. Suzanne Her...
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Piano Solo - Level 4 - SKU: A0.977373 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 4 pages. Suzanne Herman Music #3868989. Published by Suzanne Herman Music (A0.977373). Dream of Wonder begins quietly then gracefully flows into a second theme. The second theme intensifies as the tempo quickens and the R.H. reveals a beautiful, octave melody. The final seven measures combine both alluring themes for a calm ending. Dream of Wonder is from the popular solo piano album and songbook, Horizons, and can be found worldwide on all major listening platforms including Spotify, Apple Music, iTunes, Amazon Music, Pandora, etc.For more information visit: https://www.SuzanneHerman.com Â
$5.50
A Dream from the Past
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published...
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Chamber Orchestra - Level 3 - SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
Sonata for Flute and Piano, Op. 12
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Flûte traversière et Piano
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AVANCÉ
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Beautiful American Airs and Ballads for Solo Baritone Ukulele
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Ukulele
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Beautiful American Airs and Ba
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Ukulele - Intermediate - SKU: M0.31040EB American Music. E-book. 57 pages. Mel Bay Publications - Digital Sheet Music #31040EB. Published by Mel Bay Pub...
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Ukulele - Intermediate - SKU: M0.31040EB American Music. E-book. 57 pages. Mel Bay Publications - Digital Sheet Music #31040EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31040EB). ISBN 9781513477404. 8.75x11.75 inches.This book presents 25 lyrical North American melodies scored for solo baritone ukulele in standard notation and tablature; occasional left-hand fingering suggestions are provided in these intermediate to advanced melody/chord settings. Selections include historical themes from the turbulent Civil War era, popular 19th century ballads, and modern pieces by William Bay. Along with the songs of several other known and unknown composers, any collection of American ballads would be incomplete without the timeless melodies penned by Stephen Foster; you will find Beautiful Dreamer, I Dream of Jeannie with the Light Brown Hair, Darling Nellie Gray, and Stephen Foster's timeless Civil War classic Hard Times, Come Again No More in this collection.As the baritone uke is tuned the same as the top four strings of the guitar, guitarists can enjoy playing these satisfying arrangements on a second instrument!
Song List
: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyin' For You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy - O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$17.99
A Dream Is A Wish Your Heart Makes
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Linda Ronstadt
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Timothy Stapay
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A Dream Is A Wish Your Heart M
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1190986 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Timothy Stapay. Broadway,Children...
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Piano Solo - Level 4 - SKU: A0.1190986 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Timothy Stapay. Broadway,Children,Film/TV,Musical/Show,Pop,Standards. Score. 4 pages. Timothy Stapay #790514. Published by Timothy Stapay (A0.1190986). This is an arrangement of A Dream Is A Wish Your Heart Makes from the Walt Disney movie Cinderella. It is written in a happy rhythmic style. This style of piano performance is often used by piano players at Disney World, to entertain the guests.Now you can learn to play this beloved classic song, in the same style as the famous Disney pianists.A Dream Is A Wish Your Heart Makes is a song written and composed by Mack David, Al Hoffman and Jerry Livingston for the Walt Disney film Cinderella (1950). In the song, Cinderella (voiced by Ilene Woods) encourages her animal friends to never stop dreaming, and that theme continues throughout the entire story. The song was inspired off of Franz Liszt’s Transcendental Etude No. 9 (Ricordanza).See the lyrics below:A dream is a wish your heart makesWhen you're fast asleepIn dreams you will loose your heartacheWhatever you wish for, you keepHave faith in your dreams and somedayYour rainbow will come smiling throughNo matter how your heart is grievingIf you keep on believingThe dream that you wish will come trueOh, that clock!Oh, killjoyI hear you, come on, get up you sayTime to start another dayEven he orders me aroundWell, there's one thingThey can't order me to stop dreamingAnd perhaps somedayThe dreams that I wish will come trueNo matter how your heart is grievingIf you keep on believingThe dream that you wish will come true
$5.99
A Child’s Garden of Jazz for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Wolking, Henryenry
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A Child’s Garden of Jazz
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cher...
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Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50
Debussy: Reverie for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James M
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Debussy: Reverie for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.550082 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Standards,Wedding. Score ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.550082 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Standards,Wedding. Score and part. 19 pages. Jmsgu3 #4593283. Published by jmsgu3 (A0.550082). Claude Debussy's Rêverie holds significant importance in the realm of classical music for several reasons:Early Work: Composed in 1890, Rêverie is one of Debussy's earlier works, showcasing his evolving style and paving the way for his later, more mature compositions.Dream-like State: The title Rêverie refers to a dream-like state, and the piece is known for its calm, peaceful, and atmospheric qualities, making it a perfect entry point into Debussy's style.Impressionism: Rêverie is often considered a symbol of the Impressionism musical movement, featuring subtle, dreamy emotions that capture the essence of this artistic style.Emotive and Dreamy Nature: The emotive and dreamy nature of Rêverie has made it a popular choice for various multimedia, including films, commercials, and piano recitals, solidifying its iconic piece of piano repertoire.Personal and Romantic: The music of Rêverie overwhelms and transports the listener to a dreamlike state, creating a personal and romantic experience open to individual interpretation.Masterful Atmosphere: Debussy's ability to create a dream-like atmosphere through the music, with a gently repetitive theme that evolves into richer textures, showcases his mastery in crafting captivating musical landscapes.In summary, Rêverie is significant for its role in Debussy's early career, embodiment of Impressionism, and enduring popularity as a captivating and emotive musical piece.
$32.95
Piano Sonata No. 1 Movement 1 "Remembrance of a Dream"
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Piano seul
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INTERMÉDIAIRE
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 1
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Samuel Warren Hatch
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1025433 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Romantic Period. Score. 6 pages. Samuel Warren Hatch #...
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Piano Solo - Level 3 - SKU: A0.1025433 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Romantic Period. Score. 6 pages. Samuel Warren Hatch #4764139. Published by Samuel Warren Hatch (A0.1025433). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. I. Remembrance of a Dream is the first movement, characterised by its sonata form and distinct, contrasting sections. The piece paints a story of dancing lovers before they are forced to give their final goodbyes.
$3.99
Of a Lover's Dream
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Chorale TTBB
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INTERMÉDIAIRE
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Paul M
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Of a Lover's Dream
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Paul M Osborne
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1285510 Composed by Paul M. Osborne. 21st Century,Classical,Contemporary,Contest,Festival. 7 pages. Paul ...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1285510 Composed by Paul M. Osborne. 21st Century,Classical,Contemporary,Contest,Festival. 7 pages. Paul M Osborne #876615. Published by Paul M Osborne (A0.1285510). Written in 2019 for the Young Men's Ensemble of the Central Coast Youth Chorus, Of a Lover's Dream is an ideal work for intermediate male ensembles both young and old. This work is a dreamy and passionate profession of love, set to an original poem by Kristopher R. McGuire. Featuring both sections of homophonic singing as well as canonic polyphonic singing, ranging from solemn to soaring, this piece takes your audience on a journey.Voicing: TBB + PianoThemes: Love, Dreams, AdventurePaul Osborne is a choral director, tenor soloist, and composer/arranger from California's Central Coast.  He received his degree at Concordia College in Moorhead, MN, where he studied choral conducting with René Clausen.  He serves as Chorus Master for Opera San Luis Obispo and Central Coast Gilbert and Sullivan, is the founder and director of Resonance Vocal Ensemble, and is the former choral director at San Luis Obispo High School. He has been a passionate composer and arranger of choral music for over 20 years.
$1.99
Dream Big (Unison Choir, Piano Accompaniment)
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Chorale Unison
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DÉBUTANT
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Cathy Stamegna
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Dream Big
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.780741 Composed by Cathy Stamegna. Children,Contemporary,Instructional,Pop. Octavo. 7 pages. Cathy Stamegna #5...
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Choral Choir (Unison) - Level 1 - SKU: A0.780741 Composed by Cathy Stamegna. Children,Contemporary,Instructional,Pop. Octavo. 7 pages. Cathy Stamegna #5304527. Published by Cathy Stamegna (A0.780741). Dream Big (Unison Choir, Piano Accompaniment) An inspiring message for young people to believe in yourself and take steps forward to make an effort toward your goals. Appropriate for Children’s Choir or adults. A possible selection for a staff to perform for their students and create a unit around the theme. Composer’s comments included. 2-Part and Vocal Solo arrangements available. Accompaniment mp3 sold separately.
$2.00
Dream Big (2-Part Choir, Piano Accompaniment)
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Chorale 2 parties
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DÉBUTANT
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Cathy Stamegna
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Dream Big
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.780742 Composed by Cathy Stamegna. Children,Contemporary,Instructional,Pop. Octavo. 8 pages. Cathy Stamegna #5...
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Choral Choir (2-Part) - Level 1 - SKU: A0.780742 Composed by Cathy Stamegna. Children,Contemporary,Instructional,Pop. Octavo. 8 pages. Cathy Stamegna #5304517. Published by Cathy Stamegna (A0.780742). Dream Big (2-Part Choir, Piano Accompaniment) An inspiring message for young people to believe in yourself and take steps forward to make an effort toward your goals. Appropriate for Children’s Choir or adults. A possible selection for a staff to perform for their students and create a unit around the theme. Composer’s comments included. Unison and Solo arrangements available. Accompaniment mp3 sold separately.
$2.25
Dream Big (Vocal Solo, Piano Accompaniment)
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Voix seule
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DÉBUTANT
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Cathy Stamegna
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Dream Big
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Cathy Stamegna
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.780743 Composed by Cathy Stamegna. Children,Contemporary,Instructional,Pop. 7 pages. Cathy Stamegna #5304531. Publi...
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Vocal Solo,Voice - Level 1 - SKU: A0.780743 Composed by Cathy Stamegna. Children,Contemporary,Instructional,Pop. 7 pages. Cathy Stamegna #5304531. Published by Cathy Stamegna (A0.780743). Dream Big (Vocal Solo, Piano Accompaniment) An inspiring message for young people to believe in yourself and take steps forward to make an effort toward your goals. Appropriate for Children’s Choir or adults. A possible selection for a staff to perform for their students and create a unit around the theme. Composer’s comments included. Unison and 2-Part Choir arrangements available. Range: Bb4-D5. Accompaniment mp3 sold separately.
$4.99
Overture “A Midsummer Night's Dream” Op. 21 for Brass Ensemble
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Classique
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Felix Bartholdy Mendelssohn
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Shinya Ishida
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Overture “A Midsummer Ni
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BitNotes.jp
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Horn,Piccolo Trumpet,Tuba - Level 4 - SKU: A0.1292240 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya...
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Brass Ensemble Bass Trombone,Euphonium,Horn,Piccolo Trumpet,Tuba - Level 4 - SKU: A0.1292240 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century. Score and Parts. 19 pages. BitNotes.jp #882854. Published by BitNotes.jp (A0.1292240). The Overture A Midsummer Night's Dream is originally composed by the German composer Felix Mendelssohn, who was inspired by reading William Shakespeare's play A Midsummer Night's Dream. It was initially created as a piano piece for duet, intended for enjoyment with his sister Fanny. Notably, Mendelssohn himself later arranged it for orchestra in 1826 when he was just 17 years old.Fast forward 16 years, this piece took an unconventional path to composition. It was commissioned by King Wilhelm IV of Prussia at the time, and the overture became part of a larger work known as Incidental Music, where it was accompanied by other pieces, apart from the overture.The Overture A Midsummer Night's Dream begins with four chords that evoke a gentle breeze, as if beckoning you into the world of fairies, in line with the folklore that claims that on the eve of Midsummer (Walpurgis Night), fairies and witches gather for revelry. It then transitions into the theme of the fairy's fluttering wings, followed by the music of the Fairy King's palace, the lovers' theme, and passages for clowns and hunting scenes. Finally, it returns to the fairies, dancing and disappearing as if carried away by the wind.We have arranged this enchanting piece for a brass ensemble, featuring ten players (3 trumpets, 3 horns, 3 trombones, and 1 tuba). The 1st Trumpet part includes an optional switch to Piccolo Trumpet, but this is purely optional and not mandatory to perform the arrangement.Additionally, please note that the 3rd Trombone part is intended for the Bass Trombone but can also be performed using Euphonium or Tenor Bass Trombone.
$12.00
Aunt Rhody's Dream
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Violon et Piano
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DÉBUTANT
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T
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Christopher A
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Aunt Rhody's Dream
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Christopher A. Sforza
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.909635 Composed by T.H. Bayly, Jean Jacques Rousseau. Arranged by Christopher A. Sforza. Contemporary,Standards. 21 pag...
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Piano,Violin - Level 1 - SKU: A0.909635 Composed by T.H. Bayly, Jean Jacques Rousseau. Arranged by Christopher A. Sforza. Contemporary,Standards. 21 pages. Christopher A. Sforza #6596439. Published by Christopher A. Sforza (A0.909635). T.H. Bayly's Long, Long Ago and the folk song Go Tell Aunt Rhody (based on the music of Jean Jacques Rousseau), are two classic tunes learned and performed by beginning instrumentalists from around the world. In Aunt Rhody's Dream, these two melodies come together in a new arrangement for violin ensemble with mixed-level parts. Violin I, written for beginners, contains the melody overall (except for an instance where it switches to harmony to avoid low first finger patterns). Violin II, written for intermediate players, contains interesting harmonies and rhythms. Violin III, written for the advanced player, contains countermelodies and exciting variations on the original theme. Violin IV is written completely using open pizzicato strings suitable for a very early player. Included are the violin parts, piano reduction, and score.
$4.95
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
A Night’s Tale
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contrast, the middle section,
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Alfredo Franco
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Cristiano Porqueddu
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A Night’s Tale
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published...
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Guitar - SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
$5.95
Concert and Contest Collection for Trombone
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Pub...
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Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Published by Rubank Publications (HL.4002521). UPC: 884088111168. 9x12 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. This item (accompaniment CD) includes full performance and accompaniment only tracks (all pieces) and tempo adjustment software (most pieces).Also available:• Solo Book (HL04471790)• Piano Accompaniment Book (HL04471800)• Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002522)Contents: Allegro Vivace from Concerto for Trombone (Rimsky-Korsakov) • Après un Rêve (After a Dream) (Faure) • Canzonetta (Mozart) • Concerto in F Minor (Lauga) • Concerto Miniature (Ostransky) • Crepuscule (Twilight) (Faure) • Love Thoughts (Pryor) • Morceau de Concours (Missa) • Prelude and Fanfaronade (Koepke) • Sarabande and Vivace (Handel) • Solo de Concert (Dubois) • Thème de Concours (Clerisse) • Two Spanish Dances (Ostransky) • Valse Sentimentale (Tchaikovsky).
Song List
: Love Thoughts (Pryor) Crepuscule (Pares) Concerto In F Minor (Lauga) Allegro Vivace(Con-Rim.Korsakof) Canzonetta (Mozart) Concerto Miniature (Ostransky) Morceau De Concours (Missa) Prelude & Fanfaronade (Koepke) Sarabande & Vivace (Handel) Solo De Concert (Dubois) Theme De Concours (Clerisse) Two Spanish Dances (Ostransky) Valse Sentimentale (Tchaikovsky) Après un rêve Apres Un Reve
$9.95
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Dreams in Motion
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Violoncelle
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INTERMÉDIAIRE
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Zoe Felton
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Dreams in Motion
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Zoe Felton
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1291672 Composed by Zoe Felton. 21st Century,Classical. Individual part. 1 pages. Zoe Felton #882278. Published by Zoe Fe...
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Cello Solo - Level 3 - SKU: A0.1291672 Composed by Zoe Felton. 21st Century,Classical. Individual part. 1 pages. Zoe Felton #882278. Published by Zoe Felton (A0.1291672). A short piece for solo cello, written for František Brikcius. Begining dreamily, the piece picks up movement becoming more animated before returning to the opening dreamy theme for it's conclusion.
$1.99
Dorian Album For String Trio
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Harvey S
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Dorian Album For String Trio
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Rubank Publications
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SheetMusicPlus
Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730 Violin, Cello and Piano. Arranged by Harvey S. Whistler and Herma...
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Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730 Violin, Cello and Piano. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Baroque and Classical Period. Set of performance parts (includes separate pull out parts for violin & cello). 63 pages. Rubank Publications #RUBL285. Published by Rubank Publications (HL.4472730). ISBN 9781540001801. UPC: 073999184112. 9x12 inches. Whistler/Hummel.These 30 easy level (grade 2) string trios from the masters, arranged by Rubank legends Harvey Whistler and Herman Hummel, are the ultimate way to introduce your youngest players to ensemble playing. Songs average 30-40 measures long, with optional repeats to create a longer piece at your discretion. Includes a treasure trove of titles: Abendlied (Schumann) * Allegro from Der Freischutz (Weber) * Ave Verum (Mozart) * Carnival of Venice * Chanson Triste (Tchaikovsky) * Cielito Lindo * Country Dance (Beethoven) * Liebestraum (Liszt) * Drink to Me Only with Thine Eyes * New World Symphony Excerpts (Dvorak) * Jesu, Joy of Man's Desiring (students play the melody, not the triplet pattern) * Jolly Coppersmith * Melody for Strings (Rubinstein) * Men of Harlech * Menuet from Symphony No. 7 (Haydn) * Procession (Handel) * Theme from Fantasie Impromptu (Chopin) * Rondo (Schubert) * Theme from Symphony No. 1 (Brahms) * Vienna Life (Strauss) * Volga Boatman * Waltz from HMS Pinafore.
Song List
: Alma Mater Ave Verum (Jesu, Word of God Incarnate) Carnival of Venice Cielito Lindo (My Pretty Darling) Drink to Me Only With Thine Eyes Fantaisie-Impromptu It Came Upon the Midnight Clear Jesu, Joy Of Man's Desiring Jolly Coppersmith March Liebestraum (Dream Of Love) Melody Men Of Harlech O Promise Me Silent Night New World Symphony (Theme) Song Of The Volga Boatman Theme (Der Freischutz) Abendlied (Evening Song) Theme (Iphigenia In Tauris) Happy Holiday Theme (Symphony #7) String Salutation Waltz From The H.M.S. Pinafore Chanson Triste Country Dance Theme Theme (Handel) Gaily The Troubador Vienna Life
$12.99
Ode to Joy (GUITAR TAB) Theme from 9th Symphony [Ludwig van Beethoven]
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Guitare notes et tablatures
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FACILE
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Classique
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Ludwig van Beethoven
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Darek
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Ode to Joy
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Darek
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1259058 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period,Wedding. ...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1259058 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period,Wedding. Tablature. 1 pages. Darek #852323. Published by Darek (A0.1259058). Ode to Joy (GUITAR TAB) Theme from 9th Symphony [Ludwig van Beethoven]Guitar arrangement of Ode to Joy Theme from 9th Symphony by Ludwig van Beethoven. Simplified arrangement for guitarists. Easy-intermediate arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial. I am delighted to present you with the opportunity to learn and master the Ode to Joy Theme from Beethoven's 9th Symphony on the guitar. As a passionate guitarist and music enthusiast, I am thrilled to offer you my meticulously crafted guitar tablature for this timeless composition. Designed specifically for beginner-intermediate guitarists, my sheet music provides a seamless learning experience. With a focus on accessibility and progressive difficulty, you can confidently embark on your musical journey with this remarkable piece. Whether you're just starting out or looking to expand your repertoire, this guitar tablature will guide you every step of the way. The Ode to Joy Theme is a true gem from the classical era, showcasing the genius of Ludwig van Beethoven. As you dive into this composition, you'll be transported to a world of beauty, passion, and musical brilliance. The chords and tablature included in my sheet music faithfully capture the essence of the original piece, allowing you to recreate the iconic melody with ease. To enhance your learning experience, I have also included detailed sheet music and a video tutorial on YouTube. This comprehensive approach ensures that you have all the resources necessary to master the Ode to Joy Theme. From understanding the notes and chords to refining your technique and expression, my goal is to empower you to bring this masterpiece to life. Unlock your musical potential and embrace the joy of playing the guitar with this exceptional sheet music. Whether you dream of performing solo, jamming with friends, or simply immersing yourself in the magic of Beethoven's music, this guitar tablature will serve as your trusted companion. Experience the thrill of mastering the Ode to Joy Theme on the guitar and create music that resonates with your soul. Order your copy today and embark on a musical journey that will leave a lasting impression. Let the timeless beauty of Beethoven's composition inspire you as you strum the strings and bring forth the joyous melody.
$2.00
Debussy: Reverie for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James M
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Debussy: Reverie for Violin &a
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.550075 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Standards. 19 pages. Jmsgu3 #4593...
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Piano,Violin - Level 3 - SKU: A0.550075 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Standards. 19 pages. Jmsgu3 #4593181. Published by jmsgu3 (A0.550075). Claude Debussy's Rêverie holds significant importance in the realm of classical music for several reasons:Early Work: Composed in 1890, Rêverie is one of Debussy's earlier works, showcasing his evolving style and paving the way for his later, more mature compositions.Dreamlike State: The title Rêverie refers to a dreamlike state, and the piece is known for its calm, peaceful, and atmospheric qualities, making it a perfect entry point into Debussy's style.Impressionism: Rêverie is often considered a symbol of the Impressionism musical movement, featuring subtle, dreamy emotions that capture the essence of this artistic style.Emotive and Dreamy Nature: The passionate and dreamy nature of Rêverie has made it a popular choice for various multimedia, including films, commercials, and piano recitals, solidifying its iconic piece of piano repertoire.Personal and Romantic: The music of Rêverie overwhelms and transports the listener to a dreamlike state, creating an intimate and romantic experience open to individual interpretation.Masterful Atmosphere: Debussy's ability to create a dreamlike atmosphere through the music, with a gently repetitive theme that evolves into richer textures, showcases his mastery in crafting captivating musical landscapes.In summary, Rêverie is significant for its role in Debussy's early career, embodiment of Impressionism, and enduring popularity as a captivating and vibrant musical piece.
$32.95
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Theme for a Dream
