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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
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FORMATION MUSI…
GUITARE
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Non classifié
7
PIANO & CLAVIERS
Piano seul
10
Piano Facile
4
1 Piano, 4 mains
1
GUITARES
VOIX
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quintette de Saxophone: 5 saxophones
2
Trio de Flûtes: 3 flûtes
1
Clarinette et Piano
1
Saxophone Alto et Piano
1
Flûte traversière et Piano
1
Hautbois, Piano (duo)
1
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Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
1
Ensemble de Trombones
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Piano
1
CORDES
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1
Contrebasse (partie séparée)
1
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1
4 Violoncelles
1
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
20
Orchestre
4
Orchestre de chambre
1
AUTRES
Vous avez sélectionné:
Theme from First Symphony - Violin 1
Partitions à imprimer
69 partitions trouvées
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51
Theme from First Symphony
Orchestra - Level 1-1.5 - Digital Download SKU: HX.96690 Composed by Johannes Brahm…
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Orchestra - Level 1-1.5 - Digital Download SKU: HX.96690 Composed by Johannes Brahms. Arranged by Harvey Whistler and Herman Hummel. Classical. Individual instrument part. 1 pages. Duration 120. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.96690).
$40.00
36.03 €
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Johannes Brahms
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Theme from First Symphony
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Hal Leonard - Digital
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SheetMusicPlus
Lockdown Themes
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1140067 Composed by Don Bowyer.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1140067 Composed by Don Bowyer. 20th Century,Classical,Contemporary,Contest,Festival. Score and parts. 73 pages. Dolphin Don's Music School #740323. Published by Dolphin Don's Music School (A0.1140067). During Malaysia's third Covid-19 Lockdown, in January 2021, I composed a short piece for solo trombone each day for 14 days, performing them each evening in an online stream from my apartment balcony. This work fleshes out the themes from Lockdown Miniatures #1 and #4. The first two themes, from Lockdown Miniatures #1 (subtitled Here We Go Again), reflect the angst and uncertainty of beginning yet another lockdown — with all businesses once again closed, police roadblocks preventing movement beyond the neighborhood, and all human contact reduced to a small screen. The third theme, from Lockdown Miniatures #4 (subtitled Loss), is meant to express the raw emotion associated with losing loved ones over the previous ten months. This piece was recorded by the London Symphony Orchestra, conducted by Miran Vaupotic, on 26 February 2022 as part of a project by Parma Recordings. The album, titled Sparks: Eye of London, was released in October 2022 on Navona Records.
$65.00
58.54 €
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Orchestre
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Don Bowyer
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Lockdown Themes
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Dolphin Don's Music School
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
13.51 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
13.51 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Antonin Dvorak
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Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
13.51 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.51 €
#
Quintette de Saxophone: 5 saxophones
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Going Home (Largo – Theme from New World Symphony) for four part cello ensemble or mixed level cel
String Ensemble Cello - Level 3 - Digital Download SKU: A0.812917 Composed by Anton…
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String Ensemble Cello - Level 3 - Digital Download SKU: A0.812917 Composed by Antonin Dvorak. Arranged by Yellow Cello Music. Contemporary,Romantic Period,Sacred. Score and parts. 6 pages. Sheryl Smith #6599853. Published by Sheryl Smith (A0.812917). Largo from the New World Symphony by Dvorak. For quartet or ensemble of mixed level players. Transcribed to C major.Part 1 - all positions, mostly in treble clefPart 2 - bass clef only, some shifting up to fourth position. Tricky harmonies.Part 3 - bass clef, can be played in first position (better shifted up). Tricky harmonies, one tricky triplet passage.Part 4 - bass clef, first position only with extensions. Simple rhythms, simple bowings.
$3.99
3.59 €
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Antonin Dvorak
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Yellow Cello Music
#
Transcribed to C major
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Going Home
#
Sheryl Smith
#
SheetMusicPlus
INTRO THEME AND CODA FROM FOURTH MOVIMENT OF THE FIRST SYMPHONY - G. MAHLER
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.973865 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.973865 Composed by G. Mahler. Arranged by Paulo C. Gonçalves. Romantic Period. 71 pages. ZappoZ.edit #6425231. Published by ZappoZ.edit (A0.973865). Arrangement for Woodwind Quintet.Based on the original score, the intro and theme runs from bar 1 to bar 285, the second part of this arrangement runs from bar 428 to the end.
$10.00
9.01 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
G
#
Paulo C
#
INTRO THEME AND CODA FROM FOURTH MOVIMENT OF THE FIRST SYMPHONY - G. MAHLER
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ZappoZ.edit
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SheetMusicPlus
Theme from Piano Concerto - Level 1 piano arrangement
Piano seul
Easy Piano - Level 1 - Digital Download SKU: A0.902458 Composed by Amy Beach (1867-…
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Easy Piano - Level 1 - Digital Download SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996573. Published by Cameron E Smith (A0.902458). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 1 Early ElementaryDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner.This is an early elementary level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 14 measures. Right hand is in a 5-finger, middle C position. Left hand is in a 5-finger position, one note below middle C. Eighth-notes, quarter-notes, half-notes and dotted half-notes.Technique: 5th finger stretch in the right hand is introduced. 5-finger scales. No accidentals. There are also level 2-4 arrangements of this piece available.History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to become world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.79 €
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Piano seul
#
Amy Beach
#
Cameron Smith
#
Theme from Piano Concerto - Level 1 piano arrangement
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Cameron E Smith
#
SheetMusicPlus
Theme from Piano Concerto - Level 2 piano arrangement
Piano seul
Easy Piano - Level 1 - Digital Download SKU: A0.902457 Composed by Amy Beach (1867-…
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Easy Piano - Level 1 - Digital Download SKU: A0.902457 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996589. Published by Cameron E Smith (A0.902457). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 2, Late ElementaryDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner. Arranged by Cameron Smith.This is a late elementary level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 14 measures. Right hand and left hand change positions. Eighth-notes, quarter-notes, half-notes and whole notes.Technique: Moving positions are introduced. Left hand chords and intervals. Three accidentals. There are also level 1, 3 and 4 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to be world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 1900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.79 €
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Piano seul
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Amy Beach
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Cameron Smith
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Theme from Piano Concerto - Level 2 piano arrangement
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Cameron E Smith
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SheetMusicPlus
Theme from Piano Concerto - Level 4 piano arrangement
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.902460 Composed by Amy Beach (1867-…
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Piano Solo - Level 3 - Digital Download SKU: A0.902460 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996637. Published by Cameron E Smith (A0.902460). Basic Info:Piano Solo Sheet Music, digital downloadFormat: Level 4, IntermediateDetailed Description:Piano concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 20 measures. Right hand melody in between G4 and C5, left hand accompaniment in broken chords and block chords. Eighth-notes, quarter-notes, dotted quarter-notes, half-notes and whole notes.Technique:Left hand accompaniment arpeggios with crossing fingerings are introduced. Flats and sharps are mixed. Independence of hands. There are also level 1, 2, and 3 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to become world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.79 €
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Piano seul
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Amy Beach
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Cameron Smith
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Theme from Piano Concerto - Level 4 piano arrangement
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Cameron E Smith
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SheetMusicPlus
Theme from Piano Concerto - Level 3 piano arrangement
Piano seul
Easy Piano - Level 2 - Digital Download SKU: A0.902459 Composed by Amy Beach (1867-…
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Easy Piano - Level 2 - Digital Download SKU: A0.902459 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996609. Published by Cameron E Smith (A0.902459). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 3, Early IntermediateDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an early intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 20 measures. Right hand plays the melody and left hand accompanies in broken arpeggios. Eighth-notes, dotted quarter-notes, quarter-notes, half-notes, dotted half-notes and whole notes.Technique: Fingering crossing over and under the thumb is introduced. Sharps and flats are mixed. There are also level 1, 2, and 4 arrangements of this piece available. History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.79 €
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Piano seul
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Amy Beach
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Cameron Smith
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Theme from Piano Concerto - Level 3 piano arrangement
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Cameron E Smith
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SheetMusicPlus
Symphony Number 40 in G Minor K550 First Movement Beginner Piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.645762 Composed by Wolfgang Amadeus…
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Easy Piano - Level 1 - Digital Download SKU: A0.645762 Composed by Wolfgang Amadeus Mozart. Arranged by SilverTonalities. Classical. Score. 6 pages. SilverTonalities #6437047. Published by SilverTonalities (A0.645762). Opening Theme from Mozart's Symphony Number 40 K550 for Beginner PianoA SilverTonalities Arrangement! Easy Note Style Sheet Music Letter Names of Notes embedded in each Notehead!
$4.99
4.49 €
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Piano Facile
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Wolfgang Amadeus Mozart
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SilverTonalities
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Symphony Number 40 in G Minor K550 First Movement Beginner Piano
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SilverTonalities
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SheetMusicPlus
Symphony No. 40 in G minor (Movement 1) (Solo with Music History Lesson)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1487173 By Jennifer Eklund. By Wolf…
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Piano Solo - Level 2 - Digital Download SKU: A0.1487173 By Jennifer Eklund. By Wolfgang Amadeus Mozart. Arranged by Jennifer Eklund. Classical,Instructional. Score. 7 pages. Jennifer Eklund #1064144. Published by Jennifer Eklund (A0.1487173). The first movement theme from Mozart’s Symphony No. 40 in G minor, arranged for early intermediates by Jennifer Eklund. This piece, which includes a music history lesson, is part of the Mozart: Exploring His Life & Music songbook.
$5.99
5.39 €
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Piano seul
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Jennifer Eklund
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Jennifer Eklund
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Music songbook.
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Symphony No. 40 in G minor
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Jennifer Eklund
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SheetMusicPlus
Symphony No. 29 (Movement 1) (Solo with Music History Lesson)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1488487 By Jennifer Eklund. By Wolf…
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Piano Solo - Level 3 - Digital Download SKU: A0.1488487 By Jennifer Eklund. By Wolfgang Amadeus Mozart. Arranged by Jennifer Eklund. Classical,Instructional. Score. 7 pages. Jennifer Eklund #1065376. Published by Jennifer Eklund (A0.1488487). The first movement theme from Mozart’s Salzburg Symphony No. 29 in A major, arranged for intermediates by Jennifer Eklund. This piece, which includes a music history lesson, is part of the Mozart: Exploring His Life & Music songbook.
$5.99
5.39 €
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Piano seul
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Jennifer Eklund
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Jennifer Eklund
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Music songbook.
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Symphony No. 29
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Jennifer Eklund
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SheetMusicPlus
Classic Themes - Arranged for Beginning Band
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.779814 Composed by Franz Schubert…
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Concert Band - Level 1 - Digital Download SKU: A0.779814 Composed by Franz Schubert, Johannes Brahms, and Ludwig van Beethoven. Arranged by Alexandre CARLIN. Classical,Romantic Period,Standards. Score and parts. 27 pages. Alexandre CARLIN #4986137. Published by Alexandre CARLIN (A0.779814). Classic Themes is a medley of three famous tunes from great composers (Schubert's military march, Brahms' first symphony, Beethoven's ode to joy), arranged for beginning band by Alexandre CARLIN. Grade 1. Very fun to play ! All instruments parts provided : flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, horn, trombone, euphonium, tuba, timpani, glockenspiel, drum set. Duration : 3:00. 8 pages score. 19 pages of parts.
$29.99
27.01 €
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Orchestre d'harmonie
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Franz Schubert, Johannes Brahms, and Ludwig van Beethoven
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Alexandre CARLIN
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Classic Themes - Arranged for Beginning Band
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Alexandre CARLIN
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SheetMusicPlus
Piano Sonata Nº 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1315857 Composed by Paul Dukas. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.1315857 Composed by Paul Dukas. Arranged by Zellev. 20th Century,Classical,Contemporary,Halloween,Patriotic. Score. 24 pages. Zellev Music #904634. Published by Zellev Music (A0.1315857). Composer bio:Paul Abraham Dukas ( 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece The Sorcerer's Apprentice (L'apprenti sorcier), the fame of which has eclipsed that of his other surviving works. Among these are the opera Ariane et Barbe-bleue, his Symphony in C and Piano Sonata in E-flat minor, the Variations, Interlude and Finale on a Theme by Rameau (for solo piano), and a ballet, La Péri.In the first decade of the 20th century, following the immense success of his orchestral work The Sorcerer's Apprentice, Dukas completed two complex and technically demanding large-scale works for solo piano: the Piano Sonata, dedicated to Saint-Saëns, and Variations, Interlude and Finale on a Theme by Rameau (1902). In Dukas's piano works critics have discerned the influence of Beethoven, or, Beethoven as he was interpreted to the French mind by César Franck. Both works were premiered by Édouard Risler, a celebrated pianist of the era.In an analysis of the work in The Musical Quarterly in 1928, the critic Irving Schwerké wrote:The Sonata is classical in structure and in four movements, connected more by mutual formal perfection and nobility of thought than by cyclic procedures. The first movement … is built on two sharply contrasted themes, developed according to the sonata-form.[quoted from Bartje Bartmans from YT @bartjebartmans].
$17.00
15.31 €
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Piano seul
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Paul Dukas
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Zellev
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Piano Sonata Nº 1
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Zellev Music
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SheetMusicPlus
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph H…
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Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00
40.53 €
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Orchestre d'harmonie
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Franz Joseph Haydn
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Ted R
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
67.55 €
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Orchestre d'harmonie
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Gregory Fritze
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Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Musica Nova USA
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SheetMusicPlus
Ode to Joy from Symphony No. 9
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1108325 Composed by Ludwig van Beet…
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Easy Piano - Level 1 - Digital Download SKU: A0.1108325 Composed by Ludwig van Beethoven. Arranged by Robert Luke Thompson. 19th Century,Classical,Folk,Instructional,Traditional. Score. 3 pages. Monkspath Music #710958. Published by Monkspath Music (A0.1108325). Completed in 1824, Beethoven’s Ninth Symphony is one of the composer’s most famous works and is frequently performed by orchestras and choir around the word. It is notable for several reasons including being completed at a time when Beethoven was almost completely deaf, and being the first time a major composer had used voices in a symphony. Much like his earlier works, Beethoven’s Ninth Symphony would become a highly influential and popular piece of music. The text ‘Ode to Joy’ (‘An die Freude’ in the original German) is adapted from the ode written in 1785 by German poet and playwright Friedrich Schiller, and features prominently in the final fourth movement. This arrangement of the ‘Ode to Joy’ theme, for solo piano, is perfect for beginners who would like to perform this well-known piece. The right hand is solely in 5 finger position, with the left hand having a slightly wider, but easily manageable range. Fingering suggestions have been made, but as always, they are only a guide and performers should use suitable fingering for them. Ideal for absolute beginners, pupils preparing for their ABRSM prep test or early grade exams (Initial Grade, Grade 1, Grade 2), or anyone looking for an accessible, but pleasing arrangement of this excellent piece. For further pieces, view the Monkspath Music catalogue and click here!
$1.99
1.79 €
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Piano Facile
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Ludwig van Beethoven
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Robert Luke Thompson
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Ode to Joy from Symphony No. 9
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Monkspath Music
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SheetMusicPlus
Finale from Symphony No. 2 in C minor, Op. 17 (A4)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1276066 Composed by Pyotr Tchaiko…
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Concert Band - Level 4 - Digital Download SKU: A0.1276066 Composed by Pyotr Tchaikovsky (1840-1893). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 410 pages. Kasama Music Corporation #867823. Published by Kasama Music Corporation (A0.1276066). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]The Second Symphony in C minor, Op. 17 by Pyotr Tchaikovsky (1840-1893) is widely known as the “Little Russian†because some Ukrainian folk songs are used in the symphony. The first theme of the finale is the Ukrainian folk song “The Crane†which dominates the movement.This transcription is for concert band with full score (pp. 1–61), piccolo–percussion (pp. 63–301), and transposed parts (pp. 302–410).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$28.00
25.22 €
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Orchestre d'harmonie
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Pyotr Tchaikovsky
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Shinji Kasama
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Finale from Symphony No. 2 in C minor, Op. 17
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Kasama Music Corporation
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SheetMusicPlus
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