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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Theme in E Major
Non classifié
78
Piano & claviers
Piano seul
75
Piano, Voix
11
Piano Facile
9
Piano, Voix et Guitare
6
Accordéon
3
Orgue
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 4 mains
1
Piano grosses notes
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
12
Guitare
9
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
1
2 Guitares (duo)
1
Voix
Chorale SATB
5
Chorale SSAA
1
Chorale 2 parties
1
Chorale 3 parties
1
Vents
Flûte traversière et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Ensemble de Clarinettes
5
Flûte et Guitare
5
Flûte traversière
4
Clarinette (partie séparée)
3
Clarinette et Piano
3
2 Flûtes traversières (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Hautbois (partie séparée)
3
Quintette de Saxophone: 5 saxophones
3
Ensemble de Flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Guitare (duo)
2
Flute (partie séparée)
1
Hautbois, Piano (duo)
1
3 Saxophones (trio)
1
Quatuor de Clarinettes: 4 clarinettes
1
Ensemble à vent
1
Saxophone
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violon (duo)
1
Clarinette
1
Saxophone Tenor et Piano
1
Clarinette Basse, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone Alto et Piano
1
2 Clarinettes (duo)
1
+ 23 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
4
Quatuor de Cuivres
4
Tuba
3
Trompette (partie séparée)
3
Trompette
3
Trompette, Piano
1
Cor
1
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
Instruments en Sib
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor (partie séparée)
1
Ensemble de Trombones
1
Trombone (partie séparée)
1
Tuba et Piano
1
+ 11 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon (partie séparée)
10
Violon et Piano
7
Violon
7
Violoncelle, Piano
5
Harpe
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto (partie séparée)
4
Alto, Piano
4
Contrebasse (partie séparée)
3
Violoncelle (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violons (duo)
2
Contre Basse
2
Violoncelle
1
Quatuor à cordes : 4 altos
1
Alto seul
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
16
Orchestre
15
Orchestre à Cordes
8
Batterie
5
Orchestre de chambre
3
Orchestre, Violon
1
Marimba
1
Cloches
1
Percussion (partie séparée)
1
Ensemble Jazz
1
Ensemble de cuivres
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Theme in E Major
Partitions à imprimer
463 partitions trouvées
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Theme in E Major (from "L’encouragement," op. 34)
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2 Guitares (duo)
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INTERMÉDIAIRE
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Classique
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Fernando Sor
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Mark Phillips
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Theme in E Major
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A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.691229 Composed by Fernando Sor. Arranged by Mark Phillips. Classical. Score and parts. 3...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.691229 Composed by Fernando Sor. Arranged by Mark Phillips. Classical. Score and parts. 3 pages. A. J. Cornell Publications #3064939. Published by A. J. Cornell Publications (A0.691229). Fernando Sor's Theme in E Major for guitar duet, from Theme and Variations portion of L'encouragement (Op. 34), in score format, in standard notation and tablature.
$2.99
My Heart Will Go On (love Theme From 'titanic')
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Basse electrique
#
DÉBUTANT
#
Film/TV
#
Celine Dion
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Felipe Gonçalves
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My Heart Will Go On
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Felipe Gonçalves
#
SheetMusicPlus
Bass Guitar - Level 1 - SKU: A0.1307212 By Celine Dion. By James Horner and Will Jennings. Arranged by Felipe Gonçalves. 20th Century,Film/TV,Pop. Sc...
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Bass Guitar - Level 1 - SKU: A0.1307212 By Celine Dion. By James Horner and Will Jennings. Arranged by Felipe Gonçalves. 20th Century,Film/TV,Pop. Score. 2 pages. Felipe Gonçalves #896468. Published by Felipe Gonçalves (A0.1307212). Simplified arrangement for music bass tablature My Heart Will Go On (love Theme From 'titanic') by Celine Dion in E majorC# minor and Ab majorF minor.
$4.99
My Heart Will Go On (love Theme From 'titanic')
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Film/TV
#
Celine Dion
#
Felipe Gonçalves
#
My Heart Will Go On
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Felipe Gonçalves
#
SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Instrumental Solo - Level 1 - SKU: A0.1225644 By Celine Dion. By James Horner and Will Jennings. Arranged by ...
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Bass Drum,Double Bass,Electric Bass Guitar,Instrumental Solo - Level 1 - SKU: A0.1225644 By Celine Dion. By James Horner and Will Jennings. Arranged by Felipe Gonçalves. 20th Century,Film/TV,Pop. Individual part. 1 pages. Felipe Gonçalves #821714. Published by Felipe Gonçalves (A0.1225644). Bass simplified arrangement music My Heart Will Go On (love Theme From 'titanic') by Celine Dion in E majorC# minor and Ab majorF minor.
$4.99
My Heart Will Go On (love Theme From 'titanic')
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Film/TV
#
Celine Dion
#
Felipe Gonçalves
#
My Heart Will Go On
#
Felipe Gonçalves
#
SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Instrumental Solo - Level 1 - SKU: A0.1328834 By Celine Dion. By James Horner and Will Jennings. Arranged by ...
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Bass Drum,Double Bass,Electric Bass Guitar,Instrumental Solo - Level 1 - SKU: A0.1328834 By Celine Dion. By James Horner and Will Jennings. Arranged by Felipe Gonçalves. 20th Century,Film/TV,Pop. Individual part. 1 pages. Felipe Gonçalves #916855. Published by Felipe Gonçalves (A0.1328834). Bass simplified arrangement music My Heart Will Go On (love Theme From 'titanic') by Celine Dion in E majorC# minor and Ab majorF minor.
$4.99
Take My Breath Away (Love Theme)
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Batterie
#
DÉBUTANT
#
Film/TV
#
Rock
#
Berlin
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Felipe Gonçalves
#
Take My Breath Away
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Felipe Gonçalves
#
SheetMusicPlus
Drum Set,Drums - Level 1 - SKU: A0.1492264 By Berlin. By Giorgio Moroder and Tom Whitlock. Arranged by Felipe Gonçalves. Film/TV,Pop,Rock. Score. 4 pag...
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Drum Set,Drums - Level 1 - SKU: A0.1492264 By Berlin. By Giorgio Moroder and Tom Whitlock. Arranged by Felipe Gonçalves. Film/TV,Pop,Rock. Score. 4 pages. Felipe Gonçalves #1068935. Published by Felipe Gonçalves (A0.1492264). Simplified drums arrangement with chords from the song Take My Breath Away (love Theme) from top gun film by Berlin in E major, C# minor and G major, E minorYear: 1986.
$4.99
Take My Breath Away (Love Theme)
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Berlin
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Felipe Gonçalves
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Take My Breath Away
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Felipe Gonçalves
#
SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - SKU: A0.1466367 By Berlin. By Giorgio Moroder and Tom Whitlock....
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - SKU: A0.1466367 By Berlin. By Giorgio Moroder and Tom Whitlock. Arranged by Felipe Gonçalves. Blues,Film/TV,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1044948. Published by Felipe Gonçalves (A0.1466367). Bass simplified arrangement music Take My Breath Away (Love Theme) by Berlin in E major, C# minor and G major, E minor.
$4.99
Ducktales Theme
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Mark Clifford Mueller and Mark
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Juan-Carlos Mackay
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Ducktales Theme
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Music by Mack
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.823206 Composed by Mark Clifford Mueller and Mark Mueller. Arranged by Juan-Carlos Mackay. Contemporary. Score. 3 pages. ...
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Piano Solo - Level 4 - SKU: A0.823206 Composed by Mark Clifford Mueller and Mark Mueller. Arranged by Juan-Carlos Mackay. Contemporary. Score. 3 pages. Music by Mack #4896511. Published by Music by Mack (A0.823206). The theme song from the original Disney TV show in its original key. It begins in E Major (Mixolydian) then transposes to F# Major (Mixolydian), making for an entertaining way to sharpen skills in a less common, more challenging key. Performance time approx. 1 minute without repeats, 1:30 with optional repeat. Ideal surprise for social gatherings, talent shows, and casual performances. Easy to sing along with.Composer pages:www.musicbymack.comwww.instagram.com/music.by.mackwww.facebook.com/musicbymackwww.youtube.com/musicbymack
$4.99
Spring (from The Four Seasons Concerto No. 1 in E major, RV 269) / Antonio Vivaldi
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Antonio Vivaldi
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Kan Saito / Japan Duo Notes
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Spring
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1491281 Composed by Antonio Vivaldi. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,Film/TV...
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Flute Duet Flute - Level 3 - SKU: A0.1491281 Composed by Antonio Vivaldi. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,Film/TV,Wedding. Score. 4 pages. Japan Duo Notes #1068019. Published by Japan Duo Notes (A0.1491281). Title: Spring (from The Four Seasons Concerto No. 1 in E major, RV 269) by Antonio Vivaldi – Flute Duet ArrangementDescription:Celebrate the arrival of Spring with this delightful flute duet arrangement of Antonio Vivaldi’s iconic Concerto No. 1 in E major from The Four Seasons. One of the most beloved pieces in the classical repertoire, Vivaldi’s Spring is full of bright, joyful melodies that capture the essence of nature’s rebirth. This arrangement for two flutes brings Vivaldi’s timeless work to life, allowing both players to share in the playful and lively spirit of the original violin concerto.Key Features:Composer: Antonio VivaldiArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 4 pagesThis flute duet arrangement of Spring from The Four Seasons preserves the vibrant energy and melodic charm of Vivaldi’s masterpiece. With intricate harmonies and interwoven melodies, both flutes engage in a musical dialogue that mirrors the original concerto’s celebration of nature and the joy of springtime. Ideal for concerts, recitals, and special events, this arrangement is a perfect showcase of baroque elegance and vitality.Why Choose This Arrangement?Faithful Adaptation: Captures the bright and energetic spirit of Vivaldi’s Spring from The Four Seasons, arranged for two flutes with attention to detail.Versatile and Joyful: Suitable for a range of performances, from formal recitals to spring-themed concerts and celebratory occasions.Musically Engaging: Ideal for intermediate to advanced flutists, offering a rewarding blend of technical challenge and expressive performance.Embrace the vibrant energy of Vivaldi’s Spring with this beautifully arranged flute duet. This arrangement brings one of classical music’s most iconic works to your flute repertoire, perfect for flutists seeking a lively and joyful performance piece.Keywords: Antonio Vivaldi, Spring, The Four Seasons, Concerto No. 1, flute duet, flute sheet music, baroque music, classical music, Vivaldi arrangements, intermediate flute music, concert flute duet, recital music, joyful flute music.
$5.99
Prelude 17 in E Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Inspiration No. 4 in E Major on a Theme of Burgmueller
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Piano seul
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AVANCÉ
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Karl Logue
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Inspiration No. 4 in E Major o
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LogueRhythm Productions
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1170846 Composed by Karl Logue. Contemporary,Instructional,New Age. Score. 3 pages. LogueRhythm Productions #771190. Publ...
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Piano Solo - Level 5 - SKU: A0.1170846 Composed by Karl Logue. Contemporary,Instructional,New Age. Score. 3 pages. LogueRhythm Productions #771190. Published by LogueRhythm Productions (A0.1170846). The fourth in a series of pieces inspired by works of Heller and Burgmueller, composed in a New Age/romantic fusion style. This series will be a favorite with students who have already studied Heller or Burgmueller. You might recognize the source, you might not, but you'll love the tuneful nature of these pieces. Excellent works for late intermediate or advanced students.
$4.99
My Heart Will Go On (Love Theme From 'titanic')
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Piano, Voix et Guitare
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DÉBUTANT
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Celine Dion
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Felipe Gonçalves
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My Heart Will Go On
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Felipe Gonçalves
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1468088 By Celine Dion. By James Horner and Will Jennings. Arranged by Felipe Gonçalves. 20th Century,Film...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1468088 By Celine Dion. By James Horner and Will Jennings. Arranged by Felipe Gonçalves. 20th Century,Film/TV,Folk,Pop. Score. 2 pages. Felipe Gonçalves #1046398. Published by Felipe Gonçalves (A0.1468088). SHEET MUSIC OF THE SIMPLIFIED VOCAL MELODY OF THE SONG My Heart Will Go On (Love Theme From 'titanic') by Celine Dion IN E MAJOR, C# MINOR AND Ab MAJOR, F MINOR TO BE PLAYED ON KEYBOARD, PIANO.
$4.99
Festive Fantasia In E Major
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Thomas R
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Festive Fantasia In E Major
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 4 - SKU: A0.912451 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Sacred,Standards. Score. 8 pages. Thomas R. Schadl #2030849....
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Organ - Level 4 - SKU: A0.912451 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Sacred,Standards. Score. 8 pages. Thomas R. Schadl #2030849. Published by Thomas R. Schadl (A0.912451). This work alternates between fanfare and chordal passages, and has a majestic flare to it. The middle section contrasts the main theme in its character in two instances: 7/8 time signature and very rhythmic in nature. This piece is suitable for concert use and may be also performed in gala recitals and other occasions. Enjoy it.
$8.99
Uncharted: Nate's Theme
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Trompette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Greg Edmonson
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Fernando Britto
#
Uncharted: Nate's Theme
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Minhas Partituras
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.685611 Composed by Greg Edmonson. Arranged by Fernando Britto. Contemporary,Film/TV,Video Game,Wedding. Individual part...
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Trumpet Solo - Level 4 - SKU: A0.685611 Composed by Greg Edmonson. Arranged by Fernando Britto. Contemporary,Film/TV,Video Game,Wedding. Individual part. 1 pages. Minhas Partituras #6384517. Published by Minhas Partituras (A0.685611). Arrangement of the song Nate's Theme (from Uncharted) for Trumpet in Bb Solo with Chords (In G Major).
$4.99
Fantasia And Chorale In E
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Thomas R
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Fantasia And Chorale In E
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 4 - SKU: A0.912466 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 16 pages. Thomas R. Schadl #1910845. ...
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Organ - Level 4 - SKU: A0.912466 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 16 pages. Thomas R. Schadl #1910845. Published by Thomas R. Schadl (A0.912466). Written in E, the work consist of two themes that have hymn-like and chorale qualities interspersed with lighthearted passages that depict the strength and weakness of human nature. The first theme resembles a melody of the ancient church; the melody has a mystical quality depicting God's majesty. The transition is light in content as it gives a listener a break from the serious mood of the first theme. The second theme is a chorale and is chordal in texture; it resembles a church hymn sung in many churches. Moreover, the second theme is written in B Flat Major, depicting one's praising God in spirit; the general mood is quiet. Following that section is the transition that gradually builds up excitement before the restatement of the first theme. The second theme is restated in E Major, but its longer note values are placed over the repeated bass and chordal patterns, a style that many composers use in their works, including Igor Stravinsky's L'Histoire Du Soldat. Once again, the lighthearted transitional passage recurs before the chimes start to strike four times. Following the chimes, the chorale is stated in E Major and begins quietly and builds up power as the work nears its ending; the chorale, unlike its first statement depicts the singing of praise with joy. This piece may be performed in concert halls and churches; it could give people fond memories of recitalists who enjoy bringing excitement to the public.
$10.99
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Publishe...
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Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
Echoes in Variation
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Piano seul
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INTERMÉDIAIRE
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Classique
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Tori Amos
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Todd J
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Echoes in Variation
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Todd J. Scallan
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1470460 By Tori Amos. By Charles-Valentin Alkan, Claude Debussy, Domenico Scarlatti, Enrique Granados, Erik Satie, Felix ...
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Piano Solo - Level 3 - SKU: A0.1470460 By Tori Amos. By Charles-Valentin Alkan, Claude Debussy, Domenico Scarlatti, Enrique Granados, Erik Satie, Felix Bartholdy Mendelssohn, Franz Schubert, Frederic Chopin, Johann Sebastian Bach, Modest Petrovich Mussorgsky, and Robert Schumann. Arranged by Todd J. Scallan. Baroque,Classical,Romantic Period. Score. 48 pages. Todd J. Scallan #1048169. Published by Todd J. Scallan (A0.1470460). Echoes in Variation brings together the classical inspirations for the musical themes in Night of Hunters – a song cycle by Tori Amos. The songs from Night of Hunters are mainly variations on the classical pieces presented here as arrangements for solo piano. Each arrangement is faithful to the original piano score, but with cleaner formatting and clearer performance directions.This collection offers an excellent introduction to a range of brilliant composers spanning the 18th through early 20th centuries:- Alkan: Song of the Madwoman on the Seashore, Preludes Op. 31, No. 8- Granados: Añoranza from 6 Pieces on Spanish Folk Songs- Satie: Gnossienne No. 1- Granados: Spanish Dance No. 2 from 12 Spanish Dances- Chopin: Nocturne Op. 9, No. 1- Schubert: Andantino from Piano Sonata in A major, D. 959- Mendelssohn: Venetian Boat Song, from Songs Without Words Book 2, Op. 30- Schumann: Theme in E-flat Major for Piano (Ghost Variations), WoO 24- J. S. Bach: Siciliana from Flute Sonata in E-flat major, BWV 1031- Mussorgsky: The Old Castle from Pictures at an Exhibition- Gregorian chant: Salve Regina- Scarlatti: Sonata in F minor, K. 466- J. S. Bach: Prelude in C minor, BWV 999- Debussy: The Girl with the Flaxen Hair, Preludes Book 1, No. 8As a complement to these pieces, solo piano arrangements for the songs from Tori Amos’ Night of Hunters are also available.
$24.99
Rondeau in E flat for Harp or Pianoforte (Benton 613)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Ignaz Josef Pleyel
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Allan Badley
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Rondeau in E flat for Harp or
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Artaria Editions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1487252 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. Score. 11 pages. Artaria Editions #1064226. ...
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Piano Solo - Level 3 - SKU: A0.1487252 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. Score. 11 pages. Artaria Editions #1064226. Published by Artaria Editions (A0.1487252). Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Pleyel wrote very little solo keyboard music preferring instead to compose accompanied sonatas (i.e. piano trios). The attractive Rondeau in E flat (Benton 613), suitable for performance by either harp or fortepiano, illustrates many of Pleyel's strengths as a composer. It is attractive, technically resourceful and unerring in its sense of dramatic pace. Its principal theme is lively and distinctive, not too difficult technically and yet rewarding to play. The principal theme and the episodic material are elegantly constructed and reveal a sensitivity to the tone colour of the instrument. The minore section is dramatic and the octave doublings lend it a strength and power which contrasts effectively with the gentle rondeau theme. The final episode, the most technically challenging, adds a thrilling touch of drama to the closing phase of the piece.
$25.00
Passacaglia in C (piano duet)
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1 Piano, 4 mains
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99
Passacaglia in C (Organ)
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Orgue
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Publ...
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Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
My Heart Will Go On (love Theme From 'titanic')
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Film/TV
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Celine Dion
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Felipe Gonçalves
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My Heart Will Go On
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Felipe Gonçalves
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SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Instrumental Solo - Level 1 - SKU: A0.1328814 By Celine Dion. By James Horner and Will Jennings. Arranged by ...
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Bass Drum,Double Bass,Electric Bass Guitar,Instrumental Solo - Level 1 - SKU: A0.1328814 By Celine Dion. By James Horner and Will Jennings. Arranged by Felipe Gonçalves. 20th Century,Film/TV,Pop. Individual part. 1 pages. Felipe Gonçalves #916835. Published by Felipe Gonçalves (A0.1328814). Bass simplified arrangement music My Heart Will Go On (love Theme From 'titanic') by Celine Dion in C majorA minor and E majorC# minor.
$4.99
My Heart Will Go On (love Theme From 'titanic')
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Film/TV
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Celine Dion
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Felipe Gonçalves
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My Heart Will Go On
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Felipe Gonçalves
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SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Instrumental Solo - Level 1 - SKU: A0.1317476 By Celine Dion. By James Horner and Will Jennings. Arranged by ...
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Bass Drum,Double Bass,Electric Bass Guitar,Instrumental Solo - Level 1 - SKU: A0.1317476 By Celine Dion. By James Horner and Will Jennings. Arranged by Felipe Gonçalves. 20th Century,Film/TV,Pop. Individual part. 1 pages. Felipe Gonçalves #906140. Published by Felipe Gonçalves (A0.1317476). Bass simplified arrangement music My Heart Will Go On (love Theme From 'titanic') by Celine Dion in C majorA minor and E majorC# minor.
$4.99
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Chopin: Étude No.3 in E "Tristesse" Op.10 No.3 - wind quintet
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Classique
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Frederic Chopin
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Ray Thompson
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Chopin: Étude No.3 in E
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet,English Horn,Flute,Oboe - Level 3 - SKU: A0.1473315 Composed by Frederic Chopin. Arranged by Ray Thompson. 1...
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Woodwind Ensemble,Woodwind Quintet Clarinet,English Horn,Flute,Oboe - Level 3 - SKU: A0.1473315 Composed by Frederic Chopin. Arranged by Ray Thompson. 19th Century,Romantic Period,Wedding. 10 pages. RayThompsonMusic #1051126. Published by RayThompsonMusic (A0.1473315). Étude Op. 10, No. 3, in E major, is a study for solo piano composed by Frédéric Chopin in 1832. It was first published in 1833 in France,Germany,and England as the third piece of his Études Op. 10. This is a slow cantabile study for polyphonic and expressive legato playing. In fact, Chopin himself believed the melody of the piece to be the most beautiful one he ever composed. It became famous through numerous popular arrangements.Although this étude is sometimes identified by the names Tristesse (Sadness) or Farewell (L'Adieu), neither is a name given by Chopin, but rather his critics.Arranged wind quintet.I have transposed it from E major to F major to aid the players.It is NOT the complete study, rather it is of the opening theme, a small selection from the development and the reprise of the theme.The melody is taken mainly the the oboe and flute, the clarinet takes the broken arpeggios, the bassoon the bass line, and the horn adds sustaining notes.Check out my other Chopin arrangements of some of his Preludes (including Raindrop) and of Nocturne No.2.
$17.95
Guitar Sonata No. 5 in G major (open G tuning)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
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Theme in E Major
