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--INSTRUMENTS--
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Theme with Variations No. 4
Non classifié
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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ORGUE
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Crtitères actifs :
Theme with Variations No. 4
Partitions à imprimer
77 partitions trouvées
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Theme with Variations No. 4
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Violoncelle, Piano
#
Jean Baptiste Charles Dancla
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Mourey
#
Theme with Variations No. 4
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Violoncello & Piano - Grade 4 - SKU: R0.24393 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Viol...
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Violoncello & Piano - Grade 4 - SKU: R0.24393 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Violoncello & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24393. Published by Editions Marc Reift - Digital (R0.24393).
$6.95
Theme with Variations No. 4
#
Clarinette
#
Jean Baptiste Charles Dancla
#
Mourey
#
Theme with Variations No. 4
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Clarinet & Piano - Grade 4 - SKU: R0.24383 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Clarine...
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Clarinet & Piano - Grade 4 - SKU: R0.24383 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Clarinet & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24383. Published by Editions Marc Reift - Digital (R0.24383).
$6.95
Theme with Variations No. 4
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Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jean Baptiste Charles Dancla
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Mourey
#
Theme with Variations No. 4
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Alto Saxophone & Piano - Grade 4 - SKU: R0.24385 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. A...
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Alto Saxophone & Piano - Grade 4 - SKU: R0.24385 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Alto Saxophone & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24385. Published by Editions Marc Reift - Digital (R0.24385).
$6.95
Theme with Variations No. 4
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jean Baptiste Charles Dancla
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Mourey
#
Theme with Variations No. 4
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Tenor Saxophone & Piano - Grade 4 - SKU: R0.24386 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. ...
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Tenor Saxophone & Piano - Grade 4 - SKU: R0.24386 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Tenor Saxophone & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24386. Published by Editions Marc Reift - Digital (R0.24386).
$6.95
Theme with Variations No. 4
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jean Baptiste Charles Dancla
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Mourey
#
Theme with Variations No. 4
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Soprano Saxophone & Piano - Grade 4 - SKU: R0.24384 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey...
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Soprano Saxophone & Piano - Grade 4 - SKU: R0.24384 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Soprano Saxophone & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24384. Published by Editions Marc Reift - Digital (R0.24384).
$6.95
Theme with Variations No. 4
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Violon et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jean Baptiste Charles Dancla
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Mourey
#
Theme with Variations No. 4
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Violin & Piano - Grade 4 - SKU: R0.24391 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Violin & ...
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Violin & Piano - Grade 4 - SKU: R0.24391 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Violin & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24391. Published by Editions Marc Reift - Digital (R0.24391).
$6.95
Theme with Variations No. 6
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Clarinette
#
Charles Dancla
#
Colette Mourey
#
Theme with Variations No. 6
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Clarinet & Piano - Grade 4 - SKU: R0.24408 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Clarinet & Pia...
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Clarinet & Piano - Grade 4 - SKU: R0.24408 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Clarinet & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24408. Published by Editions Marc Reift - Digital (R0.24408).
$8.95
Theme with Variations No. 6
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Flûte traversière et Piano
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Charles Dancla
#
Colette Mourey
#
Theme with Variations No. 6
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Flute & Piano - Grade 4 - SKU: R0.24406 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Flute & Piano. Sc...
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Flute & Piano - Grade 4 - SKU: R0.24406 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Flute & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24406. Published by Editions Marc Reift - Digital (R0.24406).
$8.95
Theme with Variations No. 6
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Charles Dancla
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Colette Mourey
#
Theme with Variations No. 6
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Tenor Saxophone & Piano - Grade 4 - SKU: R0.24411 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Tenor S...
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Tenor Saxophone & Piano - Grade 4 - SKU: R0.24411 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Tenor Saxophone & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24411. Published by Editions Marc Reift - Digital (R0.24411).
$8.95
Theme with Variations No. 6
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Charles Dancla
#
Colette Mourey
#
Theme with Variations No. 6
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Alto Saxophone & Piano - Grade 4 - SKU: R0.24410 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Alto Sax...
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Alto Saxophone & Piano - Grade 4 - SKU: R0.24410 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Alto Saxophone & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24410. Published by Editions Marc Reift - Digital (R0.24410).
$8.95
Nimrod from Enigma Variations Op. 36 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Classique
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Edward Elgar
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Robert Luke Thompson
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Nimrod from Enigma Variations
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Monkspath Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1124310 Composed by Edward E...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1124310 Composed by Edward Elgar. Arranged by Robert Luke Thompson. 19th Century,Chamber,Classical,Film/TV,Patriotic. 10 pages. Monkspath Music #725064. Published by Monkspath Music (A0.1124310). Sir Edward Elgar’s compositional output was prolific, with many well-known pieces, including the Pomp & Circumstance marches, Dream of Gerontius, and of course, the Engima Variations. Elgar’s legacy has been widely debated, but there is no doubt of his influence on ‘English’ music and composers such as Ralph Vaughan Williams, but also further afield, on composers as diverse as Richard Strauss, Jean Sibelius, and Igor Stravinsky. Along with a central theme woven and varied throughout the work, each movement of Engima Variations is also a musical illustration, based on a family member or close friend of Elgar, and indeed Elgar himself. He dedicated the work “to my friends pictured withinâ€. “Nimrod†is the name given to the ninth movement, based on Elgar’s editor and publisher, Augustus J, Jaeger. Musically, there is an obvious hint at the 2nd movement of Beethoven’s Piano Sonata Pathetique, but beyond this there are beautiful legato lines spread across the whole ensemble and a wide variety of timbral, dynamic, and tempo colourations. “Nimrod†has become a popular piece as a standalone item – often featuring in funerals, memorial services, and other solemn events such as Remembrance Sunday. Hans Zimmer also adapts the piece for use in the score for the 2017 film Dunkirk, and has become a standard tune to represent stoic ‘Britishness’. For further pieces, view the Monkspath Music catalogue and click here!
$12.99
Andante, Theme with Variations
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Gioachino Rossini
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Tony BC Huang
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Andante, Theme with Variations
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Tony BC Huang
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - SKU: A0.1267904 Composed by Gioachino Rossini. Arranged by Tony ...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - SKU: A0.1267904 Composed by Gioachino Rossini. Arranged by Tony BC Huang. 19th Century,Chamber. 27 pages. Tony BC Huang #860455. Published by Tony BC Huang (A0.1267904). This is a showpiece for Woodwind Quartet (Flute or Oboe, Clarinet, Horn, and Bassoon) by Rossini, often known as Quartet No.6. It is also good to show each memeber's virtuosity of the clarinet quartet, and is arranged for E-Flat Clarinet, B-Flat Clarinet, Basset Horn(or Alto Clarinet), and Bass Clarinet. Enjoy it.
$15.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
#
AVANCÉ
#
Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
#
AVANCÉ
#
Contemporain
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Thème et Variations, 2nd variation, Op.73 in C♯ minor
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Faure
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Zellev
#
Thème et Variations, 2n
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Zellev Music
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1508683 Composed by Gabriel Faure. Arranged by Zellev. 19th Century,Classical,Contemporary,Instructional,Romantic Period....
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Piano Solo - Level 4 - SKU: A0.1508683 Composed by Gabriel Faure. Arranged by Zellev. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Score. 3 pages. Zellev Music #1083948. Published by Zellev Music (A0.1508683). Key Signature: C♯ minorTime Signature: 4/4Tempo: Piu mosso (recommended at 88bpm. i choose 105bpm for the audio, to make it more interesting.)Difficulty: Advanced IntermediateThème et variations, for piano in C sharp minor, Op. 73 composed around 1895.Description by Robert Cummings,The Thème et variations here is a large piece, usually having a duration well over a quarter-hour. It came a year after Fauré's Nocturne in D flat major No. 6, which ended a six-year hiatus from writing piano music for the composer. Fauré was also in the process of evolving his keyboard style toward bolder harmonic and thematic means of expression, but this work is largely conservative, even exhibiting hints of Schumann, especially in the main theme. That theme, marked Quasi adagio, is stately and presented in short, somewhat repetitive-sounding phrases. It has an expressive depth in its mixture of the noble and gloomy, of elegance and splendor. The first variation does not stray far in mood or in thematic change, but the second is lively and playful, exuding brilliant, almost Rachmaninovian colors. The ensuing variant is moderately paced, but still quite playful in its greater muscle. The music in the Molto Adagio sixth variation may offer the greatest depth here, and that in the Andante molto moderato eighth variation, the dreamiest and most serene. With the tenth variation, the music turns quite lively and colorful, and in the concluding 11th, the mood shifts to a quiet, reserved manner at the outset to a serenely triumphant one at the end.
$5.99
Attwood - Theme and Variations from Sonatina No. 4 in D Major - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Thomas Attwood
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Piacere Music Sheets
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Attwood - Theme and Variations
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1185662 Composed by Thomas Attwood. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Standards. Score. 8...
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Piano Solo - Level 3 - SKU: A0.1185662 Composed by Thomas Attwood. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Standards. Score. 8 pages. Piacere Music Sheets #785331. Published by Piacere Music Sheets (A0.1185662). Key/Tone: D MajorMovements/Sections: Aria with variationsYear/Date of Composition: 1795Difficulty: Grade 5/12 (Intermediate)Obs.: This piece is the fourth and last piece in Thomas Attwood's Easy Progressive Lessons: Four Sonatinas, first published around 1795 in London.This Sonatina consists of a theme followed by 7 variations and a Coda.
$5.95
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Ted R
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts....
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Concert Band - Level 5 - SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00
Trombone Trio No. 3
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Trombone basse
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INTERMÉDIAIRE/AVANCÉ
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P
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Trombone Trio No. 3
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Pete Strohm Music
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SheetMusicPlus
Bass Trombone - Level 4 - SKU: A0.1315615 Composed by P. F. Strohm. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. 48 pages. Pete Stro...
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Bass Trombone - Level 4 - SKU: A0.1315615 Composed by P. F. Strohm. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. 48 pages. Pete Strohm Music #904357. Published by Pete Strohm Music (A0.1315615). Trombone Trio No. 3, by American composer P. F. Strohm, is a tonal work for Medium-Advanced trombonists (two tenor and one bass trombone). The piece is an original theme with six variations. The variations all build on the first four notes of the theme and range in mood from passion to whimsy. The work was written for Peter Ellefson and the trombonists of the Jacob School of Music at Indiana University. It is just the right level of difficulty (medium-advanced) to challenge highly accomplished high school players and beyond. Audiences and players will enjoy the sound, energy and showmanship of the piece. It is perfect for contest, concert or recital. Performance time for the whole work is 13:05. Member, ASCAP.
$12.00
Brahms: Wiegenlied Op.49 No.4 Lullaby - Berceuse - clarinet quintet
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Johannes Brahms
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Ray Thompson
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Brahms: Wiegenlied Op.49 No.4
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RayThompsonMusic
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1489240 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1489240 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Children,Romantic Period. 11 pages. RayThompsonMusic #1066100. Published by RayThompsonMusic (A0.1489240). Wiegenlied (Lullaby,Berceuse, Cradle Song), Op. 49, No. 4, is a song for voice and piano by Johannes Brahms which was first published in 1868.in a set of 5 pieces for voice and piano. It is one of the composer's most famous pieces.Sometimes known as Guten Abend, gut' Nacht, (Good evening, good night) which are the first words of the song.Brahms based the music of his Wiegenlied partially on S'Is Anderscht, a duet by Alexander Baumann published in the 1840s. It was dedicated to Brahms's friend, Bertha Faber, on the occasion of the birth of her second son.Brahms had been in love with her in her youth and constructed the melody of the Wiegenlied to suggest, as a hidden counter-melody, a song she used to sing to him.Simrock published Brahms's Op. 49 in November 1868. It was first performed in public on 22 December 1869 in Vienna by Luise Dustmann (singer) and Clara Schumann (piano).Arranged clarinet quintetEb, 2 Bb, alto and bass.Alternate Bb parts provided for Eb and alto clarinets.Check out my other arrangements of works by Brahms including Hungarian Dance No 5, a Scherzo from the 1st Serenade, various movements from the Variations on a Theme by Haydn (St Anthony Variations) and arrangements of his Piano works- Intermezzo, Capriccio, Romanze, Ballade etc.
$4.99
Elgar: "Nimrod" from Enigma Variation (Variations on an Original Theme for Orchestra for Low Brass (
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Classique
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Edward Elgar
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Arkstar Brassmusic
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Tuba) and Trombone Quintet
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Elgar: "Nimrod" from
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ASANO Takashi
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SheetMusicPlus
Brass Ensemble Trombone,Tuba - Level 3 - SKU: A0.892047 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary,Graduation,H...
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Brass Ensemble Trombone,Tuba - Level 3 - SKU: A0.892047 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary,Graduation,Holiday,Standards. Score and parts. 10 pages. ASANO Takashi #4300253. Published by ASANO Takashi (A0.892047). The work was originally written for Orchestra, one of the most famous piece of Elgar as with Pomp and Circumstance No.1, No.4, Salut d'amour (Love's Greeting). Specially, Variation IX (Adagio) Nimrod has become popular in its own right and is sometimes used at funerals, memorial services, and other solemn occasions. Instrumentaion is for both Low brass quintet (4 Trombones & Tuba) and Trombone Quintet.Duration: 3 minutesYou can confirm the score and performance at the following Youtube site. https://youtu.be/MniSmkvNY70 Level: intermediate
$12.00
Ascension (Meditation no. 1 for Solo Piano)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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far, this piece took me the lo
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Ben Dockery
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Ascension
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.693019 Composed by Ben Dockery. 20th Century,Contemporary,Standards. Score. 3 pages. Ben Dockery #3460695. Published by B...
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Piano Solo - Level 4 - SKU: A0.693019 Composed by Ben Dockery. 20th Century,Contemporary,Standards. Score. 3 pages. Ben Dockery #3460695. Published by Ben Dockery (A0.693019). This is the first in a set of twelve meditations for solo piano. This advanced composition (4:15) is a slow build, starting with a whisper but ending in an all-out roar. The composition is patterned around the chaconne, a form similar to the more familiar theme and variations. But instead of a melodic theme, the chaconne uses either a repeated bass line or chord progression to build upon.The first few iterations of this piece are rather simple, but by the last two iterations, the performer must make large leaps with both hands, playing dense chord clusters. By far, this piece took me the longest to learn to play, though the composition came to me quickly.
$3.99
Elgar: "Nimrod" from Enigma Variation (Variations on an Original Theme for Orchestra for Brass Quint
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Arkstar Brassmusic
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Elgar: "Nimrod" from
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ASANO Takashi
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.892046 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.892046 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary,Graduation,World. Score and parts. 10 pages. ASANO Takashi #4303223. Published by ASANO Takashi (A0.892046). The work was originally written for Orchestra, one of the most famous piece of Elgar as with Pomp and Circumstance No.1, No.4, Salut d'amour (Love's Greeting). Specially, Variation IX (Adagio) Nimrod has become popular in its own right and is sometimes used at funerals, memorial services, and other solemn occasions. Instrumentaion is for brass quintet (2 Trumpets, Horn, Trombone, Tuba) Duration: 3 minutesYou can confirm the score and perfonmance at tue following YouYube site https://youtu.be/2-IU0GV-vVc Level: intermediate
$12.00
Prelude Op.11 No 5
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Guitare
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INTERMÉDIAIRE
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Classique
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Alexander Scriabin
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Rod Whittle
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Prelude Op.11 No 5
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899143 Composed by Alexander Scriabin. Arranged by Rod Whittle. Romantic Period. Individual part. 2 pages. Maggie Creek ...
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Solo Guitar - Level 3 - SKU: A0.899143 Composed by Alexander Scriabin. Arranged by Rod Whittle. Romantic Period. Individual part. 2 pages. Maggie Creek Music #4758403. Published by Maggie Creek Music (A0.899143). for solo classical guitar 2ppAlexander Scriabin 1872-1915 Some relevant facts about Scriabin are: He was Russian – he was born and died in Moscow. He was a child prodigy of the piano, and a great admirer of Chopin. His piano and orchestral compositions are finely crafted, the latter uniting aesthetics with religion. Both are naturally laced with the Russian temperament, and show an embrace of the harmonic revolution of his time. The Opus 11 preludes are early pieces exhibiting Scriabin's melodic and harmonic flair. The form of No 4 is binary, with a surprising, very expressive and poignant coda. No 5 could be described as a theme (with a prominent ninth) followed by two variations. The first variation ends with a bridging section that briefly changes tempo. maggie creek music
$5.00
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Viola Sonata No.1
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Alto, Piano
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AVANCÉ
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Han-Ki Kim
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Viola Sonata No.1
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. ...
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Piano,Viola - Level 5 - SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. Han-Ki Kim #129615. Published by Han-Ki Kim (A0.518943). Viola Sonata No.1 “KangKangSullae†For Viola and Piano Sonata No. 1 has the name “KangKangSullaeâ€, and the composer is like any other composer. “What does it mean to be Korean music?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the sonata as an element that forms the basic character of this movement. For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest. The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form. But, in this sonata, two contrasting themes, eastern and western, develop. The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, and expresses oriental excellence and emotion. The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time. The fourth movement quoted the theme of “KangKangSullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes solemnly, sometimes sobbing, calmly, etc.
$14.99
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Theme with Variations No. 4