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Themes from American Quartet, Movement 1
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Vous avez sélectionné:
Themes from American Quartet, Movement 1
Partitions à imprimer
14 partitions trouvées
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1
Themes from American Quartet, Movement 1 (8-Piece Digital Pack)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Jamin Hoffman
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Themes from American Quartet,
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Hal Leonard - Digital
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SheetMusicPlus
Level 3-4 - SKU: HX.384495 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 3 pages. Hal Leonard - Digital #0. Published b...
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Level 3-4 - SKU: HX.384495 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.384495).
Digital Pack includes
:
Themes from American Quartet, Movement 1 - Conductor Score (Full Score)
Themes from American Quartet, Movement 1 - Violin 1
Themes from American Quartet, Movement 1 - Violin 2
Themes from American Quartet, Movement 1 - Violin 3 (Viola Treble Clef)
Themes from American Quartet, Movement 1 - Viola
Themes from American Quartet, Movement 1 - Cello
Themes from American Quartet, Movement 1 - Bass
Themes from American Quartet, Movement 1 - Piano
$55.00
Themes from American Quartet, Movement 1 - Violin 1
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Violon (partie séparée)
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INTERMÉDIAIRE
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Classique
#
Antonin Dvorak
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Jamin Hoffman
#
Themes from American Quartet,
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Hal Leonard - Digital
#
SheetMusicPlus
Level 3-4 - SKU: HX.384489 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published b...
(+)
Level 3-4 - SKU: HX.384489 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.384489).
$7.00
Themes from American Quartet, Movement 1 - Violin 2
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Violon (partie séparée)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Jamin Hoffman
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Themes from American Quartet,
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Hal Leonard - Digital
#
SheetMusicPlus
Level 3-4 - SKU: HX.384490 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published b...
(+)
Level 3-4 - SKU: HX.384490 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.384490).
$7.00
Themes from American Quartet, Movement 1 - Viola
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Classique
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Antonin Dvorak
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Jamin Hoffman
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Themes from American Quartet,
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Hal Leonard - Digital
#
SheetMusicPlus
Level 3-4 - SKU: HX.384492 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published b...
(+)
Level 3-4 - SKU: HX.384492 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.384492).
$7.00
Themes from American Quartet, Movement 1 - Cello
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Classique
#
Antonin Dvorak
#
Jamin Hoffman
#
Themes from American Quartet,
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Hal Leonard - Digital
#
SheetMusicPlus
Level 3-4 - SKU: HX.384493 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published b...
(+)
Level 3-4 - SKU: HX.384493 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.384493).
$7.00
Themes from American Quartet, Movement 1 - Bass
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Classique
#
Antonin Dvorak
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Jamin Hoffman
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Themes from American Quartet,
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Hal Leonard - Digital
#
SheetMusicPlus
Level 3-4 - SKU: HX.384494 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published b...
(+)
Level 3-4 - SKU: HX.384494 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.384494).
$7.00
Themes from American Quartet, Movement 1 - Conductor Score (Full Score)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Jamin Hoffman
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Themes from American Quartet,
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Hal Leonard - Digital
#
SheetMusicPlus
String Orchestra - Level 3-4 - SKU: HX.384488 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 10 pages. Hal Leonard - Dig...
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String Orchestra - Level 3-4 - SKU: HX.384488 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 10 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.384488).
$5.00
Themes from American Quartet, Movement 1 - Violin 3 (Viola Treble Clef)
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Violon (partie séparée)
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INTERMÉDIAIRE
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Classique
#
Antonin Dvorak
#
Jamin Hoffman
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Themes from American Quartet,
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 3-4 - SKU: HX.384491 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published b...
(+)
Level 3-4 - SKU: HX.384491 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.384491).
$7.00
Themes from American Quartet, Movement 1 - Piano
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Classique
#
Antonin Dvorak
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Jamin Hoffman
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Themes from American Quartet,
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Hal Leonard - Digital
#
SheetMusicPlus
Level 3-4 - SKU: HX.384495 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 3 pages. Hal Leonard - Digital #0. Published b...
(+)
Level 3-4 - SKU: HX.384495 By Antonin Dvorak. Arranged by Jamin Hoffman. This edition: scorch. Classical. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.384495).
$7.00
Antonin Dvorak: Themes from American Quartet, Movement 1 (COMPLETE) - orchestra
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Orchestre
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Virtualsheetmusic
Instantly printable sheet music by Jamin Hoffman for orchestra of MEDIUM skill level. / classical,american
Instantly printable sheet music by Jamin Hoffman for orchestra of MEDIUM skill level. / classical,american
$59.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
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Themes from American Quartet, Movement 1
