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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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CORNET
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TUBA
UKULELE
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XYLOPHONE
There's a Man Goin' Round - Piano solo
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
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There's a Man Goin' Round - Piano solo
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Carson Cooman: Sonata in memoriam Daniel Pinkham (2007) for flute solo
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Flûte traversière
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AVANCÉ
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Carson Cooman
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Carson Cooman: Sonata in memor
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishin...
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Flute Solo - Level 5 - SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3022373. Published by Musik Fabrik Music Publishing (A0.533567). I. CapriceII. Folk ArabesquesIII. MarchIV. Aria and InterludesV. Hootenanny at the Gates of HeavenSonata in memoriam Daniel Pinkham (2007) for flute was written for and is dedicated to flutist FenwickSmith. The work was written in memory of American composer Daniel Pinkham (1923-2006) – a composerwhose music, advocacy, and personal support meant a great deal to me over the years I knew him.Throughout his distinguished career as a composer, keyboard performer (on harpsichord and organ),teacher, and conductor, Dan Pinkham served as an inspiration for countless American composers andmusicians.I had planned to write a solo flute sonata for a few years and made many sketches towards such a work. Inearly 2007, reflecting on Dan’s passing in December 2006, I threw out everything I already had and begananew, conceiving the work both as a tribute to Dan and a piece for his close friend and frequentcollaborator Fenwick Smith.The five movements of the work each explore ongoing transformation of their opening materials. Thoughthere are elegiac moments in the work, the tone throughout is zestfully celebratory, with touches of humor,representing Pinkham’s irrepressible and memorable wit.The first movement, Caprice, flies through a series of arpeggio figurations in changing modes (often adifferent mode “going up†from “coming downâ€).The second movement, Folk Arabesques, is based on a Kentucky folk ballad, “John Riley.†The unusual leapsin the original melody and its modal shifts are explored in the surrounding commentaries, which takecombine bits of the folk ballad with arabesque figurations.The third movement, March, leaps through the total chromatic spectrum. Though the march is a form oftenignored by American composers, Pinkham often employed such sections and rhythms in his own music.The fourth movement, Aria and Interludes, uses a common Pinkham form—where the basic musicaldialogue (in this case a straightforward ‘aria’ melody in G minor) is interrupted by “interludes†ofcontrasting nature. In the case of this movement, it is gradually revealed that the interludes are alteredversions of the aria material.The fifth and final movement, Hootenanny at the Gates of Heaven, is a joyous romp, combining together boththe chromatic/modal shifts of the earlier movements with pentatonic figurations and melodies in the spiritof American folk fiddling.
$16.95
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
20 Really Easy Christmas Carols for Oboe
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Hautbois (partie séparée)
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DÉBUTANT
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Musique Sacrée
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Various
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David McKeown
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20 Really Easy Christmas Carol
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David McKeown
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.587801 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8...
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Oboe Solo - Level 1 - SKU: A0.587801 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978273. Published by David McKeown (A0.587801). 20 Really Easy Christmas Carols for Oboe is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner oboe players have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than DThe carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
20 Really Easy Christmas Carols for Alto Saxophone
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Saxophone Alto
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DÉBUTANT
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Musique Sacrée
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Various
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David McKeown
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20 Really Easy Christmas Carol
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David McKeown
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SheetMusicPlus
Alto Saxophone Solo - Level 1 - SKU: A0.587799 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individu...
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Alto Saxophone Solo - Level 1 - SKU: A0.587799 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978267. Published by David McKeown (A0.587799). 20 Really Easy Christmas Carols for Alto Saxophone is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner saxophonists have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than DThe carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} a:link, span.MsoHyperlink {mso-style-noshow:yes; mso-style-priority:99; color:blue; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; mso-style-priority:99; color:#954F72; mso-themecolor:followedhyperlink; text-decoration:underline; text-underline:single;} p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph {mso-style-priority:34; mso-style-unhide:no; mso-style-qformat:yes; margin-top:0in; margin-right:0in; margin-bottom:0in; margin-left:.5in; margin-bottom:.0001pt; mso-add-space:auto; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst {mso-style-priority:34; mso-style-unhide:no; mso-style-qformat:yes; mso-style-type:export-only; margin-top:0in; margin-right:0in; margin-bottom:0in; margin-left:.5in; margin-bottom:.0001pt; mso-add-space:auto; mso-pagination.
$7.99
20 Really Easy Christmas Carols for Viola
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Alto seul
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DÉBUTANT
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Musique Sacrée
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Various
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David McKeown
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20 Really Easy Christmas Carol
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David McKeown
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SheetMusicPlus
Viola Solo - Level 1 - SKU: A0.587797 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. ...
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Viola Solo - Level 1 - SKU: A0.587797 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978263. Published by David McKeown (A0.587797). 20 Really Easy Christmas Carols for Viola is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner Viola players have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than G at the bottom of the Alto ClefThe carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
20 Really Easy Christmas Carols for Tenor Saxophone
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Saxophone Tenor
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DÉBUTANT
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Musique Sacrée
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Various
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David McKeown
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20 Really Easy Christmas Carol
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David McKeown
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SheetMusicPlus
Tenor Saxophone Solo - Level 1 - SKU: A0.587793 Composed by Various. Arranged by David McKeown. Christian,Christmas,Instructional,Praise & Worship,Sacre...
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Tenor Saxophone Solo - Level 1 - SKU: A0.587793 Composed by Various. Arranged by David McKeown. Christian,Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978253. Published by David McKeown (A0.587793). 20 Really Easy Christmas Carols for Tenor Saxophone is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner saxophonists have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than DThe carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
20 Really Easy Christmas Carols for Cello
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Violoncelle
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DÉBUTANT
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Musique Sacrée
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Various
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David McKeown
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20 Really Easy Christmas Carol
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David McKeown
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SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.587794 Composed by Various. Arranged by David McKeown. Christian,Christmas,Instructional,Praise & Worship,Sacred. Individ...
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Cello Solo - Level 1 - SKU: A0.587794 Composed by Various. Arranged by David McKeown. Christian,Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978255. Published by David McKeown (A0.587794). 20 Really Easy Christmas Carols for Cello is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner cellists have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than G at the bottom of the Bass ClefThe carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
20 Really Easy Christmas Carols for Violin
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Violon
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DÉBUTANT
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Musique Sacrée
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Various
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David McKeown
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20 Really Easy Christmas Carol
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David McKeown
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.587798 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. 8 pages. David M...
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Violin Solo - Level 1 - SKU: A0.587798 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. 8 pages. David McKeown #4978265. Published by David McKeown (A0.587798). 20 Really Easy Christmas Carols for Violin is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner Violinists have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than D at the bottom of the Treble ClefThe carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
Someone You Loved
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Clarinette
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by...
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Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117503. Published by M das Melodias (A0.507363). Music score Someone You Loved for Clarinet in C. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Someone You Loved
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Violoncelle
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Cello Solo - SKU: A0.505840 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Olive...
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Cello Solo - SKU: A0.505840 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117502. Published by M das Melodias (A0.505840). Music score Someone You Loved for Cello. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Someone You Loved
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Violon
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.505824 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by J...
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Violin Solo - Level 1 - SKU: A0.505824 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. 1 pages. M das Melodias #117486. Published by M das Melodias (A0.505824). Music score Someone You Loved for violin. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Someone You Loved
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Trompette
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arran...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Believe in Yourself Guitar Minus Vocal
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Basse electrique
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the time I sat down I had deci
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Steven H
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Believe in Yourself Guitar Min
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Boothe Publishing
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SheetMusicPlus
Bass Guitar - SKU: A0.1069949 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 187. Boothe Publishing #4632027. Published by ...
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Bass Guitar - SKU: A0.1069949 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 187. Boothe Publishing #4632027. Published by Boothe Publishing (A0.1069949). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
Believe in Yourself Guitar Vocal Performance
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the time I sat down I had deci
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Steven H
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Believe in Yourself Guitar Voc
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Boothe Publishing
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SheetMusicPlus
Bass Guitar,Voice - SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Publ...
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Bass Guitar,Voice - SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Published by Boothe Publishing (A0.1069967). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
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There's a Man Goin' Round - Piano solo
