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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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37
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24
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40
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26
Violon
13
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Harpe
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7
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
5
Alto seul
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3
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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4 Violoncelles
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Quatuor à cordes : 4 altos
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Harpe, Voix
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Contrebasse (partie séparée)
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Harpe, Flûte (duo)
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Alto et Basson
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
112
Orchestre
36
Orchestre à Cordes
36
Orchestre de chambre
21
Ensemble de cuivres
15
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There Once Was a Man
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Rhapsody for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
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Orchestre d'harmonie
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
There Once Was a Man and I Have a Secret
Chorale Unison
Unison/Two-part chorus - Digital Download SKU: C7.CGA576 Composed by Norma S Anders…
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Unison/Two-part chorus - Digital Download SKU: C7.CGA576 Composed by Norma S Anderson. General. With Glockenspiel, bells. Sacred Anthem. Octavo. 4 pages. Chorister's Guild - Digital #CGA576. Published by Chorister's Guild - Digital (C7.CGA576). UPC: 000308084719.Unison/two-part. Advent. This set of two short companion pieces will be welcomed by directors of very young choristers. One is antiphonal with the choir echoing a leader or a small group of singers. Keyboard accompaniment with optional bells or glockenspiel.
$1.85
1.71 €
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Chorale Unison
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Norma S Anderson
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There Once Was a Man and I Have a Secret
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Chorister's Guild - Digital
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SheetMusicPlus
String Quartet #2 - Kwasi's Revenge
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1035263 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1035263 Composed by Burton Goldstein. Contemporary. Score and parts. 39 pages. Burton Goldstein Music #5001045. Published by Burton Goldstein Music (A0.1035263). My second String Quartet was written mainly while I was the composer in residence at the Copland House, in Peekskill, New York. Alone in Copland's studio, far from home, my mind wandered back to an African Music teacher who made a brief but intense impression on me when I had been a composition student at UCLA many decades earlier.The students stood in a circle holding surrounding this intense, squarely-built man. We timidly held our newly-acquired Ghanaian squeeze drums, and he sat with a big drum in between his legs, driving us into ever more complex rhythms. One by one we were made to come into the circle alone with him, and try to hold our oddly syncopated rhythm while staring at his drumsticks as they wove ever more complex solos. It was impossible. He spoke no English except You come! to get us to enter his circle. The only thing worse was the other words of English that he spoke: You ..go!, to indicate we were done.He was a man of great honor in his tribe, where he was the one man who communicated between the king and the gods, using his 'talking drum'. I met Kwasi Badu once on Wilshire Boulevard, while I was waiting for a bus home from UCLA. There weren't many words we could share, so our conversation was brief. But I will always remember the deep sense of confusion as he struggled to maintain his dignity in the face of the immense presence of the canyon of skyscrapers that surrounded us. I fear the school system did not quite reimburse him sufficiently. I went on to become a teacher myself, at the university level for 17 years. I deepened my feeling that teachers are underpaid.So I subtitled my Quartet, Kwasi's Revenge. My interest in having different speeds of music sounding simultaneously is friendly towards the idea of using African rhythms, and some are used in my piece. But many of the rhythms are my made-up extensions of the African rhythms I learned.Only recently did I learn that Kwasi Badu died in 1995, at 63. I wish he could have known that I thought of him while writing this piece.
$14.99
13.86 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Burton Goldstein
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String Quartet #2 - Kwasi's Revenge
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Burton Goldstein Music
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SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
27.74 €
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Orchestre d'harmonie
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
A Guide to Non-Jazz Improvisation: Mandolin Edition
Mandoline
Composed by Dick Weissman. Country. Acoustic Music. E- book and online audio. 128 pag…
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Composed by Dick Weissman. Country. Acoustic Music. E- book and online audio. 128 pages. Mel Bay Publications - Digital Sheet Music #20829BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652421.<br> <br> The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;* Blues* Country* American folk * Latin-American* World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures)* New Age* Classical * Folk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz. Includes access to online audio.
$19.99
18.48 €
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Mandoline
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Dick Weissman
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A Guide to Non-Jazz Improvisation: Mandolin Edition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
A Promise to Stand By:
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemp…
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Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
18.48 €
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Orchestre d'harmonie
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Hautbois, Piano (duo)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$15.00
13.87 €
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Hautbois, Piano (duo)
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Zellev Music
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SheetMusicPlus
A Recorder CHRISTMAS Sing-A-Long
Acoustic Guitar,Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder,Voice - Level …
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Acoustic Guitar,Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder,Voice - Level 2 - Digital Download SKU: A0.1295828 Composed by Various. Arranged by Cody Sibley. Christian,Christmas,Holiday. 267 pages. Drachen Music #868436. Published by Drachen Music (A0.1295828). Celebrate the holidays with A Recorder Christmas Sing-A-Long - an incredible collection of 60 traditional public-domain Christmas songs. Each performance quality arrangement of each carol in this collection FEATURES full SATB RECORDER SCORES, INDIVIDUAL SATB RECORDER PARTS, and LEAD SHEETS with MELODY, LYRICS, and GUITAR CHORDS! There is also a convenient, detailed Table of Contents to help you quickly find the format and song you need. This collection includes the following pieces:All Through the NightAngels from the Realms of GloryAngels We Have Heard on HighAs Lately We WatchedAs With Gladness Men of OldAuld Lang SyneAway In a MangerBoar's Head Carol (The)Bring a Torch, Jeanette IsabellaCelebrate Immanuel's NameChild In the MangerChristmas DayCome, Thou Long Expected JesusCoventry CarolDeck the HallsDing, Dong, Merrily On HighDona Nobis PacemFirst Noel (The)Friendly Beasts (The)Gently Mary Laid Her ChildGesu BambinoGo Tell It on the MountainGod Rest Ye Merry, GentlemenGood Christian Men RejoiceGood King WenceslasHark! The Herald Angels SingHere We Come A-WassailingHolly and the Ivy (The)I Heard the Bells on Christmas DayI Saw Three ShipsIn the Bleak MidwinterInfant Holy, Infant LowlyIt Came Upon the Midnight ClearJesu, Joy of Man’s DesiringJingle BellsJolly Old St. NicholasJoy to the WorldLo, How a Rose E'er BloomingO Christmas TreeO Come All Ye FaithfulO Come, Little ChildrenO Come, O Come, EmanuelO Holy NightO Little Town of BethlehemO Sanctissima (O Most Holy)Once in Royal David's CityOver the River and Through the Wood`PatapanSilent NightSnow Lay On the GroundStill, Still, StillSussex CarolThere’s a Song In The AirUp on the HousetopWe Three KingsWe Wish You a Merry ChristmasWexford CarolWhat Child is This?While By the SheepWhile Shepherds WatchedThis entire collection of traditional Christmas carols is also available in the following variant collections;A Recorder Christmas Sing-A-Long, an incredible collection of 60 traditional public domain Christmas songs in performance quality arrangements FEATURING full SATB RECORDER SCORES, INDIVIDUAL SATB RECORDER PARTS, and LEAD SHEETS with MELODY, LYRICS and GUITAR CHORDS!A Very Recorder Christmas, is an incredible collection of 60 traditional public domain Christmas songs in performance quality arrangement FEATURING full SATB RECORDER SCORES and INDIVIDUAL SATB RECORDER PARTS!Let's Sing Christmas Songs!, an incredible collection of 60 traditional public domain Christmas songs in easy-to-use LEAD SHEETS. Each carol features the MELODY LINE, LYRICS, and GUITAR CHORDS!Each song in this collection is also available as a separate piece of music with a score, individual parts, and lead sheets with guitar chords. Each piece can be found by searching for the song title.
$39.95
36.94 €
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the Sheep
While Shepherds Watched
This entire collection of traditional Christmas carols is also available in the following variant collections;
A Recorder Christmas Sing-A-Long, an incredible collection of 60 traditional public domain Christmas songs in performance quality arrangements FEATURING full SATB RECORDER SCORES, INDIVIDUAL SATB RECORDER PARTS, and LEAD SHEETS with MELODY, LYRICS and GUITAR CHORDS!
A Very Recorder Christmas, is an incredible collection of 60 traditional public domain Christmas songs in performance quality arrangement FEATURING full SATB RECORDER SCORES and INDIVIDUAL SATB RECORDER PARTS!
Let's Sing Christmas Songs!, an incredible collection of 60 traditional public domain Christmas songs in easy-to-use LEAD SHEETS
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Various
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Cody Sibley
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A Recorder CHRISTMAS Sing-A-Long
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Drachen Music
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SheetMusicPlus
Set Free to go Home - grade 3 concert band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica Nova USA #6075605. Published by Musica Nova USA (A0.917409). Set Free to go Home was composed in the fall of 2019. It was commissioned by Dr. Kristen Tjornehoj, Conductor of the University of Wisconsin at River Falls Symphony Band in remembrance of Kaye Bird, who passed away in 2016 as a resident of River Falls and a member of the community for several years. Kaye Bird was also a resident of Indiana, PA for 37 years and was a well respected teacher in the public schools there. Set Free to go Home was premiered by the Indiana University of Pennsylvania Symphony Band at Fisher Auditorium on February 6, 2020, conducted by Dr. Jason Worzbyt. It is agrade 3 band piece with a duration of five minutes. It is published by Musica Nova USA and availableon sheetmusicplus.com and jwpepper.com.Performance Notes: Set Free to go Home was composed with flexible instrumentation in mind.There are several instruments listed in the score that would enhance the piece (such as harp, oboes,double bass, ect.) but are not necessary to convey a successful performance. For example, if there are not five percussionists available, the piece may be played by less performers with the use of a drumkit, with one person playing two or more parts. This composition can sound very good whether thereare fifteen players or a band with one hundred players.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, includingFirst Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winnerin Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International MusicCompetition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers andmany others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria,and others. His compositions include works published by several publishers in the United States, SouthAmerica and Europe and have been performed extensively throughout the world.He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer atmany colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00
36.99 €
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Orchestre d'harmonie
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Gregory Fritze
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Set Free to go Home - grade 3 concert band
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Musica Nova USA
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SheetMusicPlus
Wellerman (Sea Shanty)
Piano Facile
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Sta…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. Folk. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play the sea shanty "Wellerman" on piano! It's an accurate, playable piano arrangement of the traditional folk song. This sheet music also includes the full lyrics (6 verses). "Wellerman" is a sea shanty from New Zealand which dates back to the early 19th century. Back then, the term "Wellerman" was used for employees of the Weller Brothers? shipping company in Sydney, which supplied whaling stations around New Zealand with essential provisions (including sugar, tea, and rum, as mentioned in the song). In 2021, the song became an internet meme - TikTok users collaborated with the app's duet function to record virtual group performances of the song, which soon starting to go viral. "Wellerman" also makes for a fantastic piano cover! Here are the full lyrics to the traditional sea shanty "Wellerman": There once was a ship that put to sea, And the name of that ship was the Billy o' Tea The winds blew hard, her bow dipped down, Blow, me bully boys, blow! Chorus: Soon may the Wellerman come to bring us sugar and tea and rum. One day, when the tonguing' is done, We'll take our leave and go. She had not been two weeks from shore When down on her a right whale bore. The captain called all hands and swore He'd take that whale in tow. Soon may the Wellerman come... Before the boat had hit the water The whale's tail came up and caught her. All hands to the side, harpooned and fought her, When she dived down below. Soon may the Wellerman come... No line was cut, no whale was freed, An' the captain's mind was not on greed! But he belonged to the Whaleman's creed She took that ship in tow Soon may the Wellerman come... For forty days or even more, the line went slack then tight once more, All boats were lost, there were only four and still that whale did go. Soon may the Wellerman come... As far as I've heard, the fight's still on, The line's not cut, and the whale's not gone! The Wellerman makes his regular call to encourage the captain, crew and all! Soon may the Wellerman come...
$1.99
1.84 €
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Piano Facile
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Mario Stallbaumer
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Wellerman
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Mario Stallbaumer
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SheetMusicPlus
Once upon a time...
Clarinet, viola, piano - difficult - Digital Download SKU: S9.Q42473 Five pieces…
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Clarinet, viola, piano - difficult - Digital Download SKU: S9.Q42473 Five pieces in fairy-tale style for clarinet, viola and piano. Composed by Joerg Widmann. This edition: score and parts. Narrative - fairy tale - fairy tales - Robert Schumann - depth psychology. 5 Stücke im Märchenton für Klarinette, Viola und Klavier. Downloadable, Score and parts. Duration 29 minutes. Schott Music - Digital #Q42473. Published by Schott Music - Digital (S9.Q42473). As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like ‘Once upon a time …’ and ‘… they all lived happily ever after’. Fairy tales were however also a source of unrest for me as a seismograph of mankind’s underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann’s Märchenerzählungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work – despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal … [Once upon a time …] to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jörg Widmann.
$46.99
43.45 €
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Joerg Widmann
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Once upon a time...
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Schott Music - Digital
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
46.22 €
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Orchestre d'harmonie
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A
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Stephen Davies
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
The Celtic Mandola Music Book
Mandoline
By Brent C Robitaille. By Brent Robitaille. Arranged by Brent C Robitaille. Celtic, …
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By Brent C Robitaille. By Brent Robitaille. Arranged by Brent C Robitaille. Celtic, Instructional, Irish, Multicultural, Traditional, World. Score. 186 pages. Brent C Robitaille #647712. Published by Brent C Robitaille
Is the Mandola the perfect Celtic instrument?Tuned a fifth lower (CGDA) and about 2 inches longer than a mandolin, the mandola is excellent for Celtic music as a solo or band instrument. The Celtic Mandola Music Book is packed with great tunes, chords, exercises, and technique tips, adding to a limited selection of books. This book was written specifically for the mandola and will help you get the most from the alto voice range. The mandola is akin to the viola in the string orchestra but can also be an excellent solo instrument. Blends well with guitars, violins and other string instruments. There are two editions for sale of this book, one written in treble clef and the other in alto clef. Choose which edition best suits your reading skill. Notation, tablature, chords, fingerings and slurring are included in the over 40 pieces. Highly recommended for all mandola players from best-selling author Brent Robitaille. There is a selection of audio and video tracks on the author\'s website. See details inside the book. List of tunes:After the Battle of Aughrim ~ April Snow Reel ~ Black Velvet Band ~ Blind Mary ~ Cape Breton Jig ~ Carolan\'s Concerto ~ Connaughtman\'s Rambles ~ Danny Boy ~ Drowsy Maggy ~ Eleanor Plunkett ~ Fisher’s Hornpipe Flowers of Edinburgh ~ Haste to the Wedding ~ Hector the Hero ~ Hewlett ~ High Road to Linton ~ I\'ll Tell Me Ma ~ Irish Washerwoman ~ John Ryan\'s Polka ~ Kesh Jig ~ Lark in the Clear Air ~ Loch Lomond ~ Merrily Kiss the Quaker ~ Molly Malone ~ Morrison\'s Jig ~ Neil Gow\'s Lament ~ O\'Carolan\'s Draught ~ O\'Dowd’s No. 9 ~ The Parting Glass ~ Planxty George Brabazon ~ Raccoon in the Attic ~ Rakes of Kildare ~ Red Haired Boy ~ Rights of Man ~ Sailor’s Hornpipe ~ Si Bheag Si Mhor ~ Sonny\'s Mazurka ~ Strong Bow ~ Swallow Tail Jig ~ Whiskey in the Jar ~ White Cockade ~ Wind That Shakes the Barley ~.
$19.99
18.48 €
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Mandoline
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Brent C Robitaille
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Brent C Robitaille
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The Celtic Mandola Music Book
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Brent C Robitaille
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
23.12 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.51 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.51 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.51 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Renaissance Solos for Mandolin
Mandoline
By John Holenko. For Mandolin. Early Music/Renaissance. 64 pages. Published by Mel Bay Pub…
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By John Holenko. For Mandolin. Early Music/Renaissance. 64 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742959. Most of the music in this book comes from editions or manuscripts from England in the late 1500ICOs. There are also a few French pieces. The cittern was popular in Italy, England and France. Aside from various tunings, there were two main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings), and the 6 course cittern with several editions of music to go along with both. The pieces I have chosen for this book were all written for the 4 course instrument and fall into three main categories: dance music, song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of the instrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to, but rather take their form and rhythm from the popular court dances of the time. These can be played with a wide range of overall tempo, but once a tempo is chosen, should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocal settings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same, John Holenko has kept the melodies intact. Because of the difference in tuning however, the voicing of the harmonies have been changed so as to fit on the mandolin.
$17.99
16.63 €
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Mandoline
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John Holenko
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Renaissance Solos for Mandolin
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Kentucky - concert band grade 3
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.917392 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917392 Composed by Gregory Fritze. Contemporary,Instructional,Standards. Score and parts. 42 pages. Musica Nova USA #4776975. Published by Musica Nova USA (A0.917392). Kentuckywas composed for the Morehead State University 52nd Annual Concert Band Clinic February 11 - 14, 2010. It was premiered on February 14, 2010 by one of the Honor Bands at Morehead State University, Kentucky, with the composer conducting. It is composed as a grade 3 composition to be played by any school band at that level such as junior high or grade 7 & 8. It has no passages that should be difficult for any instrument to play. As in most grade 3 pieces, there is a lot of doubling of instruments, so even if there is not a completely full instrumentation, all voices will be heard.In 2013, Kentuckywas selected as a finalist in Category 1 (Concert band, Grade 1-2.5 Jr. HS) in the 3rdInternational Frank Techeli Composition Contest hosted by Manhattan Beach Music.In 2014 it was one of the featured pieces at the University of North Texas summer conducting workshop. There is a youtube video of the performance by the UNT Wind Symphony Conducted by Nicholas Guiliano. In 2015 an analysis and commentary of Kentuckywas published in the book Teaching Music through Performance in Band Volume 10, GIA Publications. The analysis is by Amy M. Knopps, Associate Director of Bands at Eastern Michigan University.
$40.00
36.99 €
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Orchestre d'harmonie
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Gregory Fritze
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8
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Kentucky - concert band grade 3
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Musica Nova USA
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SheetMusicPlus
Holst: Bring Us In Good Ale (4 Carols for A Capella Choir Op.34 No.4 H.131) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1325401 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 9 pages. RayThompsonMusic #913639. Published by RayThompsonMusic (A0.1325401). Bring Us in Good Ale is a medieval English drinking song celebrating good drink and honoring Our Lady. For the medieval man, convivial drinking was a part of life, and drinks were enjoyed with nearly every meal. The English beverage of choice was ale. In Bring us in Good Ale the singers jocularly excuse themselves from mutton, eggs and pudding and instead stand firm in their call for their favorite drink. As they list all the dishes they refuse, the singers indirectly give thanks for the good season that has led to the plenty they are enjoying.Gustav Holst arranged it for unaccompanied choir as one of his 4 carols Op.34.It is quite short.Arranged here for wind quintet.Bring us in good ale, and bring us in good ale;For our Blessed Lady's sake, bring us in good ale.Bring us in no brown bread, for that is made of bran,Nor bring us in no white bread, there therein is no game;But bring us in good ale.Bring us in no beef, for there is many bones,But bring us in good ale, for that goes down at once;And bring us in good ale.Bring us in no bacon, for that is passing fat,But bring us in good ale, and give us enough of that;And bring us in good ale.Bring us in no mutton, for that is often lean,Nor bring us in no tripes, for they be seldom clean.Bring us in no eggys, for there are many shells,But bring us in good ale, and give us nothing else.Bring us in no butter, for there are many hairs;Nor bring us in no pig's flesh, for that will make us bears.Bring us in no puddings, for therein is all God's good;Nor bring us in no venison, for that is not for our blood;But bring us in good ale.Bring us in no capon's flesh, for that is often dear;Nor bring us in no duck's flesh, for they slobber in the mere;But bring us in good ale. Arranged wind quintet
$3.95
3.65 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Ray Thompson
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Holst: Bring Us In Good Ale
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RayThompsonMusic
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SheetMusicPlus
Away in a Manger and the Carols of Christmas for Beginner Piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1323092 Composed by Traditional Chr…
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Easy Piano - Level 1 - Digital Download SKU: A0.1323092 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 54 pages. SilverTonalities #911366. Published by SilverTonalities (A0.1323092). Away in a Manger and the Carols of Christmas for Beginner PianoTraditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.- ANGEL GABRIEL, is a traditional Basque Carol, also known as “Gabrielle’s Messageâ€, pages 1-2AS LATELY WE WATCHED, is a traditional Nativity Carol, originating from Austria, pages 3-4AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels, pages 5-7BELLS ARE RINGING GLAD AND SWEET, is an American Carol composed by Henry S. Perkins, with lyrics by Eben E. Rexford, pages 8-10CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 11-13COVENTRY CAROL, is an English Carol that dates back to the 16th Century, and is based on Chapter 2 of the Gospel of Matthew, pages 14-15FRIENDLY BEASTS, also known as the “Carol of the Animals†is a traditional Nativity Carol, possilby dating back to as early as the 12th Century, pages 16-17GENTLY FALLS THE WINTER SNOW, is an English Carol written by Herbert Stephan Irons, with lyrics by the Rev. Edward Caswall, pages 18-20GOOD CHRISTIAN MEN REJOICE, is an Old English Carol, translated from Latin to English, dating back to the 14th Century, pages 21-23HARK THE HERALD ANGELS SING, is an English Carol published in 1739 and based on Luke 2:14, with the Music adapted from the German Composer Felix Mendelssohn, pages 24-26IN A LITTLE STABLE, is a 17th Century German Carol written by Corona Elisabeth Wilhelmina Schroeter, pages 27-28JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 29-31JOY TO THE WORLD, is an English Carol, written by the Minister and Hymnwriter Isaac Watts in 1719, pages 32-33MASTERS IN THIS HALL, is an English Carol dated approximately in 1860, and is also known as “Nowell Sing We Clearâ€, pages 34-36O LITTLE TOWN OF BETHLEHEM, the most common version of this Carol written in 1868, is known as the “St. Louis†version, pages 37-38ONCE IN ROYAL DAVID’S CITY, is an English Anglican Carol, representing that Christ has ascended once again to glory, pages 39-40SEE THE MORNING STAR IS DWELLING, is a Sunday School hymn, written in 1867 by W. Wood, pages 41-43SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 44-45STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Ispired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 46-48THERE CAME THREE KINGS, is a Carol of Epiphany written by E. Poppen, also known as “There Came Three Kings Ere Break of Day, pages 49-51WINTER’S SNOW, first published in approximately 1857, is also known as “See Amid the Winter’s Snowâ€, pages 50-52-53.
$9.99
9.24 €
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Piano Facile
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Traditional Christmas Carols
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SilverTonalities
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Away in a Manger and the Carols of Christmas for Beginner Piano
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SilverTonalities
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SheetMusicPlus
There Was a Woman
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1314990 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1314990 Composed by Kyle Engelmann. Broadway,Comedy,Contest,Easter,Festival,Musical/Show,Romantic Period. 10 pages. Musically Satisfying #903734. Published by Musically Satisfying (A0.1314990). There Was a Woman and she was wise, are the words of bar room poet Robert Service in his verses titled The Harpy. This music is composed to draw laughter from the audience, this SATB work featuring baritone solo should be performed tounge in cheek by a high school or community choir, or any expressive concert chorale.
$2.29
2.12 €
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Chorale SATB
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Kyle Engelmann
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There Was a Woman
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Musically Satisfying
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SheetMusicPlus
Concerto a Cinque No 2 in F Major op. 5 No 2
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.742…
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.742380 Composed by Tomaso Giovanni Albinoni. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 36 pages. Arte Nova Music Lab #2991009. Published by Arte Nova Music Lab (A0.742380). 12 Concerti a cinque (op. 9) is a collection of concertos by the Italian composer Tomaso Albinoni, published in 1722.The most famous piece from Albinoni's Opus 9 is the Concerto in D minor for oboe (Opus 9, Number 2). It is known for its slow movement. This concerto is probably the second best-known work of Albinoni after the Adagio in G minor (which was once believed to be a reconstruction based on a fragment by Albinoni). The concertos were dedicated toMaximilian II Emanuel, Elector of Bavaria, and were first published in Amsterdam.[1] It is possible, but not certain, that they were written in the Elector's court during a 1722 visit there by Albinoni during performances of his theatrical compositions.[1]. Taken from https://en.wikipedia.org/wiki/12_Concerti_a_cinque_(Albinoni)
$25.00
23.12 €
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Trio à Cordes: violon, alto, violoncelle
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Tomaso Giovanni Albinoni
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Arte Nova Music Lab
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Concerto a Cinque No 2 in F Major op. 5 No 2
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Arte Nova Music Lab
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SheetMusicPlus
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