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Vous avez sélectionné:
There Still is Room
Partitions à imprimer
42 partitions trouvées
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There Still is Room
Quatuor de Cuivres
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1256864 By ... …
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1256864 By ... By Geistliche Arien - Mühlhausen. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Praise & Worship,World. 9 pages. Duration 110. J. Randolph Hall #CsZ1iPCpk40QFFHGZpNPS. Published by J. Randolph Hall (A0.1256864). Key: Eb major.This is from a collection of sacred arias found in Mühlhausen. The text was based on Luke 14:22-23. Section A exposits the hymn. The repeated section is played mezzo forte fisrt time, and then mezzo piano the second time. Right before Section B, a modulation to a new key occurs with the aid of a German augmented sixth chord. A descant by yours truly is then added.
$4.00
3.67 €
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Quatuor de Cuivres
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J
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There Still is Room
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J. Randolph Hall
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SheetMusicPlus
There's Room For More
Chorale SATB
Piano, SATB choir (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5800L…
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Piano, SATB choir (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5800L Arranged by Stan Pethel. Sacred Anthem, General, Invitation, Missions. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5800L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5800L). Stan Pethel brings you this fun arrangement just in time for your next revival service! Written in an engaging Southern Gospel style, this piece is sure to bring a smile to every face. â??There's room for more, if you're willing. Still room for more, don't delay. There's room for more, He is waiting. There's room for more, trust and obey!â?.
$2.50
2.3 €
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Chorale SATB
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Stan Pethel
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There's Room For More
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Dawn in the Room for flute and strings (mp3)
Flute - Digital Download SKU: A0.1059327 Composed by David Warin Solomons. 20th Cen…
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Flute - Digital Download SKU: A0.1059327 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 296. David Warin Solomons #2054325. Published by David Warin Solomons (A0.1059327). Scorehttps://www.sheetmusicplus.com/title/20211486?aff_id=175705Instrumental version performed by Laszlo Demeter and the Budapest Scoring String Orchestra based on the poem by E M Solomons in which a lover thinks of his/her late beloved and, at dawn, sees him/her like a ghost confirming that love is still there. The pale gold light creeps into my silent room touching my face I know that you are here.
$2.00
1.84 €
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David Warin Solomons
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Dawn in the Room for flute and strings
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David Warin Solomons
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SheetMusicPlus
Dawn in the Room for alto and piano (mp3)
Alto Voice - Digital Download SKU: A0.1059326 Composed by David Warin Solomons. 20t…
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Alto Voice - Digital Download SKU: A0.1059326 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 304. David Warin Solomons #2054327. Published by David Warin Solomons (A0.1059326). Score:https://www.sheetmusicplus.com/title/19977256?aff_id=175705Song performed by Stephen Taylor (alto) and Jonathan Leonard (piano) poem by E M Solomons in which a lover thinks of his/her late beloved and, at dawn, sees him/her like a ghost confirming that love is still there. The pale gold light creeps into my silent room touching my face I know that you are here.
$2.00
1.84 €
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David Warin Solomons
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Dawn in the Room for alto and piano
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David Warin Solomons
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SheetMusicPlus
Dawn in the Room alto and guitar (words by E M Solomons) (mp3)
Alto Voice,Guitar - Digital Download SKU: A0.1059329 Composed by David Warin Solomo…
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Alto Voice,Guitar - Digital Download SKU: A0.1059329 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 272. David Warin Solomons #2054331. Published by David Warin Solomons (A0.1059329). Score:https://www.sheetmusicplus.com/title/19984191?aff_id=175705Song performed by the composer (alto) with Alessandro Balsimini (guitar) poem by E M Solomons in which a lover thinks of his/her late beloved and, at dawn, sees him/her like a ghost confirming that love is still there. The pale gold light creeps into my silent room touching my face I know that you are here.
$2.00
1.84 €
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David Warin Solomons
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Dawn in the Room alto and guitar
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David Warin Solomons
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SheetMusicPlus
Dawn in the Room for contralto and string orchestra (mp3)
Alto Voice - Digital Download SKU: A0.1059325 Composed by David Warin Solomons. 20t…
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Alto Voice - Digital Download SKU: A0.1059325 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 316. David Warin Solomons #2054323. Published by David Warin Solomons (A0.1059325). Score:https://www.sheetmusicplus.com/title/19984193?aff_id=175705Song performed by Betti Nagy and the Budapest Scoring String Orchestra poem by E M Solomons in which a lover thinks of his/her late beloved and, at dawn, sees him/her like a ghost confirming that love is still there. The pale gold light creeps into my silent room touching my face I know that you are here.
$2.00
1.84 €
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David Warin Solomons
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Dawn in the Room for contralto and string orchestra
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David Warin Solomons
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SheetMusicPlus
Favorite Theme From Rachmaninoff S Second Piano Concerto
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844248 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844248 Composed by Ray Conniff. Arranged by Gerhard Guter. A Cappella. 14 pages. Gerhard Guter #4302845. Published by Gerhard Guter (A0.844248). Voicing: SATB a cappella, with rhythm section (piano, electric bass, drums) Style: Bossa Nova This arrangement of Ray Conniff's Favorite Theme from Rachmaninoff's Second Piano Concerto will bring to mind the writing style of Clare Fischer for his 2+2 vocal groups. Though still a challenge, especially with the optional vocal soli, this Conniff-themed edition has been adapted from a more difficult version previously performed by Vocalogy on their 2005 Distilled release. The piece opens with a pulsating rhythm section figure as pianist, bassist, and drummer enter one by one. The wonderful moments of tension have been maintained beneath Rachmaninoff's soaringly romantic melody, and the wordless vocal provides an ethereal quality. With the optional soli, this is an Advanced level arrangement. There is room for improvising regardless of whether or not the soli is performed and, with no soli, this is an Advanced Intermediate arrangement.  Included individual piano, bass, and drum parts play from individual parts with chord symbols, slashes, and rhythmic notation. Drums alternate between brushes and sticks. Electric bass is preferred, but acoustic bass works. Backing tracks available from: http://tiny.cc/mpnsuz   Â
$3.99
3.66 €
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Chorale SATB
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Ray Conniff
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Gerhard Guter
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Favorite Theme From Rachmaninoff S Second Piano Concerto
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Gerhard Guter
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SheetMusicPlus
A Foggy Day (in London Town)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.826742
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.826742 Composed by George Gershwin and Ira Gershwin. Arranged by Bud Caputo. Contemporary. Score and parts. 19 pages. Bud Caputo #6658425. Published by Bud Caputo (A0.826742). In order to make this arrangement really swing, the players must pay careful attention to the jazz articulations and the tuba should maintain a walking bass feel throughout the chart. There is room for improvisation but a suggested solo is included. A Foggy Day is an American Standard Tune composed by George Gershwin, with lyrics by Ira Gershwin. The song was introduced by Fred Astaire in the 1937 film A Damsel in Distress. It was originally titled A Foggy Day (In London Town) in reference to the pollution-induced pea soup fogs that were common in London during that period, and is often still referred to by the full title. The commercial recording by Astaire for Brunswick was very popular in 1937.
$22.50
20.66 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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George Gershwin and Ira Gershwin
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Bud Caputo
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A Foggy Day
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Bud Caputo
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Bock's Best – Volume 4
Piano seul
Piano Solo Piano SKU: HL.8738370 Composed by Fred Bock. Piano solos. Fred Bock Publ…
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Piano Solo Piano SKU: HL.8738370 Composed by Fred Bock. Piano solos. Fred Bock Publications. General Worship, Sacred. 148 pages. Fred Bock Music Company #BG0880. Published by Fred Bock Music Company (HL.8738370). ISBN 9780793593927. UPC: 073999383706. 9.0x12.0x0.335 inches.This volume features 50 outstanding piano arrangements, including: Another Time Another Place • Give Thanks • I Love You, Lord • There Is Strength in the Name of the Lord • We Will Glorify • and more.
Song List: In This Very Room (Ron and Carol Harris) Wedding Song (Noel Paul Stookey) Fairest Lord Jesus AMERICA, THE BEAUTIFUL (SAMUEL WARD) ANOTHER TIME, ANOTHER PLACE (GARY DRISKELL) HEAVEN CAME DOWN, AND GLORY FILLED BY SOUL (JOHN W PETERSON) JESUS, THE VERY THOUGHT OF THEE (JOHN B DYKES) I Have Decided To Follow Jesus All Creatures of Our God and King When I Survey The Wondrous Cross AMAZING GRACE (NEWTON) BATTLE HYMN OF THE REPUBLIC BE STILL AND KNOW (S. CHAPMAN) BLESSED ASSURANCE (FANNY CROSBY) CHRIST THE LORD IS RISEN TODAY (LYRA DAVIDICA) COME SHARE THE LORD (BRYAN JEFFERY LEECH) FATHER, I ADORE YOU (TERRY COELHO) FRIENDS (MICHAEL W SMITH) GIVE THANKS (HENRY SMITH) GREAT IS THE LORD (MICHAEL W SMITH) HE STARTED THE WHOLE WORLD SINGING (WILLIAM J GAITHER) HIS NAME IS WONDERFUL (AUDREY MIEIR) HOLY IS THE LORD (FRANZ SCHUBERT) HOLY, HOLY (JIMMY OWENS) HOLY, HOLY, HOLY (JOHN B DYKES) HOW GREAT THOU ART (STUART K HINE) HOW MAJESTIC IS YOUR NAME (MICHAEL W SMITH) I LOVE YOU, LORD (LAURIE KLEIN) I SING THE GREATNESS OF OUR GOD (FRED BOCK) I'VE JUST SEEN JESUS (DAN DANIELS/WILLIAM GAITHER IF MY PEOPLE (JIMMY OWENS) IT IS WELL WITH MY SOUL (PHILIP BLISS) JESUS, WE JUST WANT TO THANK YOU (WILLIAM GAITHER) JOYFUL, JOYFUL, WE ADORE THEE (LUDWIG VAN BEETHOVEN) JUST AS I AM (WILLIAM B BRADBURY) LEAD ME, LORD (SAMUEL WESLEY) LIFT HIGH THE CROSS (SYDNEY H NICHOLSON) MAJESTY (JACK HAYFORD) NO ROOM (JOHN W PETERSON) O SACRED HEAD, NOW WOUNDED (HANS LEO HASSLER) PEOPLE NEED THE LORD (GREG NELSON, PHILL MCHUGH) SEEK YE FIRST THE KINGDOM OF GOD (KAREN LAFFERTY) SOON AND VERY SOON (ANDRAE CROUCH) THE LONGER I SERVE HIM (WILLIAM J GAITHER) THERE IS STRENGTH IN THE NAME OF THE LORD (PHILL MCHUGH, GLORIA GAITHER, SANDI P HELVERING) THIS OL' HOUSE (STUART HAMBLEN) TO GOD BE THE GLORY (FANNY CROSBY) WE ARE GOD'S PEOPLE (JOHANNES BRAHMS) WE HAVE COME INTO HIS HOUSE (BRUCE BALLINGER) WE WILL GLORIFY (TWILA PARIS)
$29.99
27.54 €
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Piano seul
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Fred Bock
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Bock's Best – Volume 4
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Fred Bock Music Company
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SheetMusicPlus
Unusual Studies
Guitare
Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method…
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Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.
$15.00
13.77 €
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Guitare
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Oleg Boyko
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Unusual Studies
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Oleg Boyko
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SheetMusicPlus
CASSANDRA'S VISION
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704…
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
4.59 €
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Violon et Piano
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
The Promise of Liberty (SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.787256 Composed by Greg Ba…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.787256 Composed by Greg Bartholomew. Concert,Contemporary,Holiday,Patriotic. Octavo. 12 pages. Burke & Bagley #49733. Published by Burke & Bagley (A0.787256). The Promise of Liberty, available for either SATB or unison/2-part treble choir with optional guitar or piano accompaniment, is an adaptation of the sonnet The New Colossus by Emma Lazarus (1883). The sonnet was written to raise money for the construction of the Statue of Liberty's pedestal and has graced the entrance to the Statue of Liberty in New York Harbor since 1945. The chorus for this work is adapted from the Lazarus poem, while the verses are new text written by the composer. Duration ca. 3 minutes. The Promise of Liberty Winds blow fierce and foul storms rage. Safe shelter seems a hopeless dream. But in the dark a promise beams, a beacon to a golden age. [Chorus] Give me your tired, your poor, Your huddled masses yearning to breathe free. Give me the wretched from your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door, I lift my lamp beside the golden door. So cries the strong heroic woman, raising her arm to light the way. Her words ring out from day to day to greet each wave of immigrants. [Repeat chorus] Some crossed the sea in a tempest squall. More came by land up the hemisphere. Still there's room for everyone here. The promise of liberty welcomes all. [Repeat chorus] Winds still blow and storms still threaten the shelter we build in this new land. But here we weave a fabric grand Made strong from many colored threads. [Repeat chorus].
$2.25
2.07 €
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Chorale SATB
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Greg Bartholomew
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The Promise of Liberty
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Burke & Bagley
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SheetMusicPlus
On That Cross
Chorale SSATTB
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
2.75 €
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Chorale SSATTB
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.83 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.69 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Singing in the Streets
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1298967 Composed by Ian Calv…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1298967 Composed by Ian Calvert. Christmas,Contemporary,Holiday. Score. 7 pages. Ian Calvert #888817. Published by Ian Calvert (A0.1298967). This is the first publication of a new Christmas song, set for baritone and piano. The words are those of a poem by Leonard Clark (1905 – 1981), an English poet who was raised in The Forest of Dean, in the west of England. In 1972 he published a slim little book of Christmas poems, of which ‘Singing in the Streets’ is one, surely one of the most appealing of Christmas poems. It gives its name to the book. The poem tells of an older man revisiting the village of his boyhood, and wondering whether, somehow, the streets still hold the sound of the carols that he and the other boys and girls sang there. It begins: ‘I had almost forgotten the singing in the streets,Snow piled up by the houses, drifting Underneath the door into the warm room, …’ It is very evocative of that time and of the magic that Christmas always holds for children. Drawn from the same book of poems there is available another new Christmas song, called The Birth; that one is set in two versions, one for voice and piano and the other for SATB a cappella. Ian Calvert.
$2.99
2.75 €
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Piano, Voix
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Ian Calvert
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Singing in the Streets
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Ian Calvert
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SheetMusicPlus
Yeshua Adonai
Large Ensemble Flute,Guitar,Hand Percussion,Harp,Horn,Piano Accompaniment,Voice - Level 2 …
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Large Ensemble Flute,Guitar,Hand Percussion,Harp,Horn,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.1012213 Composed by James Orcutt. Christian,Jewish,Praise & Worship,Sacred. Score and parts. 21 pages. James Orcutt #3860631. Published by James Orcutt (A0.1012213). Yeshua Adonai is a praise song for Christians and Hebrew Messianic alike. The piece is done in Finale 2012 and uses instruments that were from Biblical times (or as close as can be replicated by Finale). The lack of a recorded voice (a piano fills that line) leaves room for a soloist to sing, or, better still, the whole church family joins in. This is an interactive piece, so you will be clapping your hands, stomping your feet waving your arms and giving a hearty HEY as you worship the Lord Jesus Christ! The duration is circa 3:00 and there's 2 tempo changes. Jewish feasts were intended to be solemn and worshipful, yet joyous times of celebration also. Now that Yeshua is risen from the dead, focus on the joy this music will bring to each soul who sings or listens. Shalom !!! :).
$1.99
1.83 €
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James Orcutt
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Yeshua Adonai
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James Orcutt
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SheetMusicPlus
Settle Down
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.928298 Composed by Francoi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.928298 Composed by Francois Tetaz and Kimbra Johnson. Arranged by Jane Berry. A Cappella. Octavo. 8 pages. Jane Berry #5337437. Published by Jane Berry (A0.928298). Kimbra's unique style and use of looping techniques make her music very well suited to accapella arrangements. This arrangement of Settle Down strikes a good balance between being accessible to a wide variety of groups regardless of size or skill level while still holding tons of room for nuance. The voicing is SATB throughout and there is a small section involving homophonic divisi in the sopranos. This arrangement includes a layer of very basic beat boxing/body percussion (very simple vocalization, clap, and snap patterns) that can be done by the full ensemble of by a soloist or small group.
$4.50
4.13 €
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Chorale SATB
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Francois Tetaz and Kimbra Johnson
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Jane Berry
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Settle Down
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Jane Berry
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SheetMusicPlus
If You Could Go Back Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.83 €
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.83 €
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Steven H
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If You Could Go Back Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop,Rock. Accompaniment. Duration 184. Boothe Publishing #4633665. Published by Boothe Publishing (A0.1069959). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.83 €
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Piano seul
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
The Night Window
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1210354 Composed by Thomas Newman. Arranged by Robert Luke Thompson. Classical,Contemporary,Film/TV. Brass Band. 33 pages. Monkspath Music #808128. Published by Monkspath Music (A0.1210354). The Night Window is a hauntingly beautiful instrumental piece that features in Sam Mendes’ World War I film, 1917. Composed by Thomas Newman, the score is a masterpiece of orchestration that captures the emotional intensity of war.This arrangment for Brass Band will work perfectly in any film music concert, or even a Remembrance related event. The Night Window is featured in a pivotal scene where the film's protagonist, Lance Corporal Schofield, takes refuge in an abandoned house during a tense night-time sequence. As Schofield takes a moment to rest and recover from his harrowing journey, he notices a window covered in beautiful stained glass that casts an ethereal glow over the room. The haunting melody of The Night Window begins to play as Schofield reflects on his experiences and contemplates the task ahead of him – saving the lives of sixteen-hundred men. As the title suggests, the music conveys the image of a night scene. The piece begins softly, with a gentle motif that evokes the stillness of the night. As the piece progresses, the music gradually builds in intensity and texture, whilst the camera slowly zooms in on the window, highlighting its beauty and fragility. The piece reaches its climax as Schofield gazes out of the window, and the camera pulls back to reveal the ruins of a once-beautiful town, now ravaged by war. The Night Window perfectly captures the sense of loss and devastation that war brings, while also conveying a glimmer of hope and beauty amid the darkness. A powerful piece of music that perfectly captures the emotions and themes of 1917. Its haunting beauty and evocative melodies make it a standout track in the film's score, and a piece that will linger in the listener's mind long after the credits have rolled.For further pieces, view the Monkspath Music catalogue and click here!
$39.99
36.72 €
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Thomas Newman
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Robert Luke Thompson
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The Night Window
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Monkspath Music
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SheetMusicPlus
Melody: Sequences educational pack - Perform Compose Understand PCU Series
Large Ensemble - Level 3 - Digital Download SKU: A0.569828 Composed by Austin Ralph…
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Large Ensemble - Level 3 - Digital Download SKU: A0.569828 Composed by Austin Ralphson. Instructional. Score and parts. 50 pages. Austin Ralphson #4596427. Published by Austin Ralphson (A0.569828). Melody: Sequences - Perform, Compose, Understand Series. This pack comprises a piece called Thanks, Ludwig, worksheets and questions which relate to the piece. It is all about understanding melodic sequences.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top. How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **
$5.99
5.5 €
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Austin Ralphson
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Melody: Sequences educational pack - Perform Compose Understand PCU Series
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Austin Ralphson
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SheetMusicPlus
Melody: Conjunct and Disjunct educational pack - Perform Compose Understand PCU Series
Large Ensemble - Level 3 - Digital Download SKU: A0.569829 Composed by Austin Ralph…
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Large Ensemble - Level 3 - Digital Download SKU: A0.569829 Composed by Austin Ralphson. Instructional. Score and parts. 52 pages. Austin Ralphson #4600767. Published by Austin Ralphson (A0.569829). Melody: Conjunct and Disjunct - Perform, Compose, Understand Series. This pack comprises a piece called Mind The Gap, worksheets and questions which relate to the piece. It is all about understanding melodic movement and direction.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean. So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top. How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows: * Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **
$5.99
5.5 €
#
Austin Ralphson
#
Melody: Conjunct and Disjunct educational pack - Perform Compose Understand PCU Series
#
Austin Ralphson
#
SheetMusicPlus
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