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--INSTRUMENTS--
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They Didn\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
19
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26
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8
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8
Piano Facile
6
Orgue
2
Instruments en Do
2
Piano grosses notes
1
Accordéon
1
+ 3 instrumentations
Retracter
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Ligne De Mélodie, (Paroles) et Accords
11
Guitare
7
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4
Basse electrique
2
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7
Chorale 3 parties
6
Chorale TTBB
5
Chorale 2 parties
2
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2
Chorale SSAA
1
Voix Tenor
1
+ 2 instrumentations
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Quatuor de Saxophones: 4 saxophones
3
Flûte traversière et Piano
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2 Clarinettes (duo)
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Cor anglais, Piano
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Saxophone
1
Saxophone Tenor et Piano
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+ 13 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
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5
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2
Bass Clef Instruments
2
Cor et Piano
1
Euphonium, Piano (duo)
1
Trombone et Piano
1
Cor anglais, Piano
1
Trompette
1
+ 4 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon
2
Trio à Cordes: violon, alto, violoncelle
2
Violon et Piano
2
Violoncelle, Piano
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Harpe
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Alto, Piano
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1
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Jazz combo
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2
Ensemble de cuivres
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Orchestre
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Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
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Ensemble Jazz
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--INSTRUMENTS--
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BANJO
BASSE
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CHORALE - CHAN…
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Partitions à imprimer
194 partitions trouvées
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176
They'll never believe me (They didn't beleive me) for guitar solo
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Guitare
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INTERMÉDIAIRE
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Jerome Kern
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David Warin Solomons
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They'll never believe me
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.576979 Composed by Jerome Kern. Arranged by David Warin Solomons. 20th Century,Broadway,Musical/Show. Individual part. 2...
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Solo Guitar - Level 3 - SKU: A0.576979 Composed by Jerome Kern. Arranged by David Warin Solomons. 20th Century,Broadway,Musical/Show. Individual part. 2 pages. David Warin Solomons #566451. Published by David Warin Solomons (A0.576979). Medium difficulty arrangement for solo classical guitar of this song by Jerome Kern. The sound sample is my own performance. Four of these arrangements are available: Smoke gets in your eyes Long ago and far away Can't help loving that man of mine They'll never believe me and also a bundle containing all four at reduced price.
$7.00
We Didn't Know - from Easter Vigil Cantata
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Chorale 3 parties
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FACILE
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Musique Sacrée
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Janet Kidd
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Janet Kidd
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We Didn't Know - from Easter V
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Janet Kidd
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1256084 By Janet Kidd. By Janet Kidd. Arranged by Janet Kidd. Christian,Easter,Praise & Worship,Religious,...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1256084 By Janet Kidd. By Janet Kidd. Arranged by Janet Kidd. Christian,Easter,Praise & Worship,Religious,Sacred. 6 pages. Janet Kidd #849552. Published by Janet Kidd (A0.1256084). This is the third and title song of my Easter Vigil Cantata We Didn't Know. The disciples realize that they had no idea that the Last Supper would be their last meal with Jesus.
$1.99
They Saw a Star SSAA Cantata
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Connie Boss
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Connie Boss
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They Saw a Star SSAA Cantata
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Connie Boss
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.1515104 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas. 106 pages. Connie Boss #1089606. Publi...
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Small Ensemble - Level 3 - SKU: A0.1515104 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas. 106 pages. Connie Boss #1089606. Published by Connie Boss (A0.1515104). Everyone knows how special the star was for the birth of Jesus. The star guided many along the way to find the manger that Mary, Joseph and the newborn baby, Jesus were at. This cantata reflects the importance of the star during that time. Most of the songs have lyrics about the star. The cantata starts off with Mary finding out from the angel that God chose her to bear his son - Ave Maria was redone for this advent moment. It keeps to the melody and Ave Maria words are still part of the lyrics. Some of the lyrics have the English translation in the song, while other lyrics are new for this Christmas song. The next song O Little Town of Bethlehem is where Mary and Joseph have to travel to pay their taxes and where Jesus is born. This is where the star shines down for all to see. This is the traditional song, but I have added extra lyrics at the end of each original verse. Next, the shepherds seeing the star decide to travel to Bethlehem. Pachelbel Canon is so iconic, but I have added lyrics from While Shepherds watched their flocks by night, Away in a Manger, What Child is This and The First Noel. The choir parts bring rich harmonies to the piece. The Angels said leave your sheep and leave your lambs. Rise up Shepherd and Follow. Now we are at the manger. I composed the song - A Little Baby. He was born to save us all. . Still, Still, Still “Tis the Night of Our Savior’s Birth has added lyrics to each verse that ties in with the original lyrics. The title of this cantata is They Saw A Star - this is from the song I composed with the same title. It not only brings in the shepherds, but also the Three Wisemen. To close out this cantata, I have used the lyrics from We Three Kings and the melody of Scarborough Fair. This arrangement has an SA duet with SSAA choir parts with ahhs that sound very mysterious. It also does include parts for strings if you are lucky enough to have violins and a cello. The strings parts are the same as the choir parts, so it is perfectly fine to do this with just a choir. I hope you enjoy singing and listening to this cantata—Connie BossI didn't have a minimum copy, so you can make copies of this. This is why I have it priced at this price.For questions or requests, email Cdboss@cvalley.net.
$15.00
They'll never believe me (They didn't believe me) for guitar solo (mp3)
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Guitare
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Jerome Kern
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David Warin Solomons
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They'll never believe me
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David Warin Solomons
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SheetMusicPlus
Guitar - SKU: A0.1059924 Composed by Jerome Kern. Arranged by David Warin Solomons. 20th Century,Musical/Show. Full Performance. Duration 167. David War...
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Guitar - SKU: A0.1059924 Composed by Jerome Kern. Arranged by David Warin Solomons. 20th Century,Musical/Show. Full Performance. Duration 167. David Warin Solomons #5024201. Published by David Warin Solomons (A0.1059924). Song by Jerome Kern arranged for guitar solo
$3.00
THEY DIDN'T BELIEVE ME
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Chorale TTBB
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INTERMÉDIAIRE
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Folklorique/Traditionel
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HERBERT REYNOLDS, JEROME KERN
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Walter Latzko
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THEY DIDN'T BELIEVE ME
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.871606 Composed by HERBERT REYNOLDS, JEROME KERN. Arranged by Walter Latzko. Traditional. Octavo. 3 pages. Latzk...
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Choral Choir (TTBB) - Level 3 - SKU: A0.871606 Composed by HERBERT REYNOLDS, JEROME KERN. Arranged by Walter Latzko. Traditional. Octavo. 3 pages. Latzko Muzic #5302677. Published by Latzko Muzic (A0.871606). WONDTHERFUL 1914 BALLAD AS SUNG BY THE SUNTONES AND THE BUFFALO BILLS
$5.99
They Didn't Believe Me
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Instruments en Do
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Herbert Reynolds
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They Didn't Believe Me
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Hal Leonard - Digital
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SheetMusicPlus
C Instrument - SKU: HX.394134 By Herbert Reynolds. This edition: scorch. Standards. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #833370....
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C Instrument - SKU: HX.394134 By Herbert Reynolds. This edition: scorch. Standards. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #833370. Published by Hal Leonard - Digital (HX.394134).
$3.99
They Didn't Believe Me
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Ligne De Mélodie, (Paroles) et Accords
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They Didn't Believe Me
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.403221 Broadway. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.403221). ...
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SKU: HX.403221 Broadway. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.403221).
$1.99
They Didn't Believe Me
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Ligne De Mélodie, (Paroles) et Accords
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Comédie Musicale
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They Didn't Believe Me
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Hal Leonard - Digital
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SheetMusicPlus
C Instrument,Chords,Guitar,Lyrics,Melody,Piano and Keyboard,Vocal - Interactive Download SKU: HX.410684 This edition: Interactive Download,scorch. Broadw...
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C Instrument,Chords,Guitar,Lyrics,Melody,Piano and Keyboard,Vocal - Interactive Download SKU: HX.410684 This edition: Interactive Download,scorch. Broadway. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #833370. Published by Hal Leonard - Digital (HX.410684).
$3.99
They Didn't Believe Me [Reharmonized version] (arr. Jack Grassel)
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Ligne De Mélodie, (Paroles) et Accords
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Comédie Musicale
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Jazz
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Jack Grassel
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They Didn't Believe Me [Reharm
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.475097 Arranged by Jack Grassel. Broadway,Jazz,Standards. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.475097).
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SKU: HX.475097 Arranged by Jack Grassel. Broadway,Jazz,Standards. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.475097).
$1.99
They Didn’t Believe Me (TTB, a cappella)
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Herbert Reynolds and Jerome D
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Cathy Stamegna
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They Didn’t Believe Me
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (3-Part) - Level 4 - SKU: A0.1076271 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Conte...
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Choral Choir (3-Part) - Level 4 - SKU: A0.1076271 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Contest,Festival,Film/TV,Musical/Show,Wedding. Octavo. 8 pages. Cathy Stamegna #680426. Published by Cathy Stamegna (A0.1076271). Jerome Kern’s first big hit (with Herbert Reynolds), this number from the 1914 Broadway musical, “The Girl from Utah,†helped change the trajectory of American love songs away from European influence (waltzes, flowery lyrics) and more toward the musical styles of the time. Its 4/4 meter shows influence of the American musical styles of the era (ragtime, fox trot) as well as a move toward American vernacular lyrics. It also became a World War I anthem, but has continued to be popular and has appeared in films and been recorded by many over the years (Frank Sinatra, Bing Crosby, Harry Bellafonte). a.k.a. “We’ll Never Tell Them.†Performance Time: approx. 2:35.
$2.25
They Didn’t Believe Me (SAB, a cappella)
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Herbert Reynolds and Jerome D
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Cathy Stamegna
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They Didn’t Believe Me
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.1076273 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Contest,...
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Choral Choir (SAB) - Level 4 - SKU: A0.1076273 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Contest,Festival,Film/TV,Musical/Show,Wedding. Octavo. 8 pages. Cathy Stamegna #680428. Published by Cathy Stamegna (A0.1076273). Jerome Kern’s first big hit (with Herbert Reynolds), this number from the 1914 Broadway musical, “The Girl from Utah,†helped change the trajectory of American love songs away from European influence (waltzes, flowery lyrics) and more toward the musical styles of the time. Its 4/4 meter shows influence of the American musical styles of the era (ragtime, fox trot) as well as a move toward American vernacular lyrics. It also became a World War I anthem, but has continued to be popular and has appeared in films and been recorded by many over the years (Frank Sinatra, Bing Crosby, Harry Bellafonte). a.k.a. “We’ll Never Tell Them.†Performance Time: approx. 2:35.
$2.25
They Didn’t Believe Me (Early Intermediate Piano Solo)
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Piano Facile
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FACILE
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Herbert Reynolds and Jerome D
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Cathy Stamegna
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They Didn’t Believe Me
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Cathy Stamegna
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1076560 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. Broadway,Film/TV,Instructional,Jazz,...
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Easy Piano - Level 2 - SKU: A0.1076560 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Standards. Score. 8 pages. Cathy Stamegna #680699. Published by Cathy Stamegna (A0.1076560). Jerome Kern’s first big hit (with Herbert Reynolds), this number from the 1914 Broadway musical, “The Girl from Utah,†helped change the trajectory of American love songs away from European influence (waltzes, flowery lyrics) and more toward the musical styles of the time. Its 4/4 meter shows influence of the American musical styles of the era (ragtime, fox trot) as well as a move toward American vernacular lyrics. It also became a World War I anthem, but has continued to be popular and has appeared in films and been recorded by many over the years (Frank Sinatra, Bing Crosby, Harry Bellafonte). a.k.a. “We’ll Never Tell Them.†Lyrics included for singing along.
$4.99
They Didn't Believe Me
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Ensemble de cuivres
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FACILE
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Jerome Kern
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They Didn't Believe Me
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Bill Carmody
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.748799 Composed by Jerome Kern. Arranged by Steve Miller / edited by Bill Carmody. Broadway,Jazz,Musical/Show,Ragtime...
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Brass Ensemble - Level 2 - SKU: A0.748799 Composed by Jerome Kern. Arranged by Steve Miller / edited by Bill Carmody. Broadway,Jazz,Musical/Show,Ragtime. Score and parts. 19 pages. Bill Carmody #2442271. Published by Bill Carmody (A0.748799). This beautiful and easily played rendition of an early Kern classic includes the often overlooked introduction.First introduced in the 1914 musical The Girl from Utah, it became Kern's first major song success.The song is remarkable in its use of 'everyday' language in a love song -- a departure from the flowery vocabulary commonly used to express romantic sentiments. The song put Kern in great demand on Broadway and established a pattern for musical comedy love songs that lasted through the 1960s.
$9.00
They Didn't Believe Me
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Orgue
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Comédie Musicale
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Jazz
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They Didn't Believe Me
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.879900 This edition: scorch. E-Z Play Today. Broadway,Jazz,Standards. Score. 3 pages. Hal Leonard...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.879900 This edition: scorch. E-Z Play Today. Broadway,Jazz,Standards. Score. 3 pages. Hal Leonard - Digital #833370. Published by Hal Leonard - Digital (HX.879900). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
They Didn't Believe Me
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Chorale TTBB
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FACILE
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Contemporain
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HERBERT REYNOLDS, JEROME KERN
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Jim Shubert
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They Didn't Believe Me
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971278 Composed by HERBERT REYNOLDS, JEROME KERN. Arranged by Jim Shubert. Contemporary. Octavo. 3 pages. James ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971278 Composed by HERBERT REYNOLDS, JEROME KERN. Arranged by Jim Shubert. Contemporary. Octavo. 3 pages. James W. Shubert #6091307. Published by James W. Shubert (A0.971278). 4 part Male Barbershop Arrangement (TTBB). Early Intermediate Level. This lovely ballad, Circa 1914, could be very effective as a contest vehicle. While having a strong rhythmic component, there are opportunities for freeing up the tempo to allow the emotion to show through.
$1.99
They Didn't Believe Me (arr. Phillip Keveren)
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Piano seul
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Jazz
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Phillip Keveren
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They Didn't Believe Me
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Hal Leonard
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SheetMusicPlus
Arranged by Phillip Keveren. This edition: scorch. Jazz, Standards. Score. 4 pages. Duration 165. Hal Leonard #342621. Published by Hal Leonard...
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Arranged by Phillip Keveren. This edition: scorch. Jazz, Standards. Score. 4 pages. Duration 165. Hal Leonard #342621. Published by Hal Leonard
$4.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Suite No. 1 for Flute, Violx and Harp - Minuet and Duo
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Contemporain
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Dana Taylor
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Suite No. 1 for Flute, Violx a
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Dana Taylor Music
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SheetMusicPlus
Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987749 Composed by Dana Taylor. Contemporary. Score and parts. 20 pages. Dana Taylor Music #3...
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Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987749 Composed by Dana Taylor. Contemporary. Score and parts. 20 pages. Dana Taylor Music #3053973. Published by Dana Taylor Music (A0.987749). This is the third of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Minuet is a classical waltz. The Duo refers to a trio minus one instrument.. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com) Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.)2017 Chamber Music Contest Entry - Original
$15.00
Suite No. 1 for Flute, Violx and Harp - Dance
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Contemporain
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Dana Taylor
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Suite No. 1 for Flute, Violx a
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Dana Taylor Music
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SheetMusicPlus
Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987750 Composed by Dana Taylor. Contemporary. Score and parts. 23 pages. Dana Taylor Music #3...
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Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987750 Composed by Dana Taylor. Contemporary. Score and parts. 23 pages. Dana Taylor Music #3053149. Published by Dana Taylor Music (A0.987750). This is the first of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Dance is in 6/8 time, with a light bounce. There are hints of jazz throughout. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com) Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.2017 Chamber Music Contest Entry - Original
$15.00
Suite No. 1 for Flute, Violx and Harp - Tango
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Tango
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Dana Taylor
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Suite No. 1 for Flute, Violx a
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Dana Taylor Music
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SheetMusicPlus
Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987751 Composed by Dana Taylor. Contemporary. Score and parts. 22 pages. Dana Taylor Music #3...
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Small Ensemble Flute,Harp,Viola,Violin - Level 3 - SKU: A0.987751 Composed by Dana Taylor. Contemporary. Score and parts. 22 pages. Dana Taylor Music #3053465. Published by Dana Taylor Music (A0.987751). This is the second of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Tango is a medium tempo, minor tango. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com)Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.)2017 Chamber Music Contest Entry - Original
$15.00
Theme From "the A Team"
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Mike Post and Pete Carpenter
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Rob Bushnell
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Theme From "the A Team&qu
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.752332 Composed by Mike Post and Pete Carpenter. Arranged by Rob Bushnell. Contemporary,Film/TV. Brass Band. 28 pages. RBMusic #3570265. Published by RBMusic (A0.752332). The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’ The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John Hannibal Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or Face (Dirk Benedict), pilot Captain H.M. Howling Mad Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco B.A. Baracus (Mr. T). The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show. In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack. This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for piccolo trumpet, horns in F and bass-clef lower brass. It has been designed to work just as well for indoor performances as outdoor concerts. It also has the band parts reduced down to march-card size for use with a lyre as well as a music stand (making it ideal for events such as Durham Miners' Gala). A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$39.99
Theme From "The A Team"
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Mike Post and Pete Carpenter
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Lorenzo Bocci
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Theme From "The A Team&qu
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1389038 Composed by Mike Post and Pete Carpenter. Arranged by Lorenzo Bocci. Film/TV. 112 pages. Lorenzo Bocci #972556....
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Concert Band - Level 3 - SKU: A0.1389038 Composed by Mike Post and Pete Carpenter. Arranged by Lorenzo Bocci. Film/TV. 112 pages. Lorenzo Bocci #972556. Published by Lorenzo Bocci (A0.1389038). THE A-TEAM From The Television Seriesfor Concert Band (with Fanfare Band parts) - Grade 3 -  Composed by Mike Post, Pete Carpenter. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 3'00''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Bass Drum, Cymb. a 2, Tambourine), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.The A-Team is an American action-adventure television series that ran on NBC from January 1983 to March 1987 about former members of a fictitious United States Army Special Forces unit. «In 1972, a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire... the A-Team.» The original main theme composed by Mike Post and Pete Carpenter was released on the vinyl LP Mike Post – Television Theme Songs and again on the Mike Post – Mike Post LP, both long out-of-print. The theme has been ranked among the best TV themes eve.Subscribe to my YouTube Channel to stay updated on new releases.
$88.00
Joy Comes in the Morning (Psalm 30)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Joy Comes in the Morning
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Sharon Wilson
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.565128 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Easter,Praise & Wo...
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Piano,Vocal,Voice - Level 3 - SKU: A0.565128 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Easter,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #3454047. Published by Sharon Wilson (A0.565128). This Scripture song based on Psalm 30 verses 4-5 is formatted as a vocal solo (or unison choir) with piano accompaniment (3 staff piano-vocal score). The purchase price includes a 5-page combined score plus a 2-page solo part for VOICE and a 3-page accompaniment score for the PIANO. The lyrics were adapted from the World English Bible (WEB). This verse seems to express the sadness then joy that Jesus’ disciples experienced on the weekend of His crucifixion. Friday was filled with weeping and sorrow as Jesus was nailed to the cross and died, yet Sunday morning, Jesus rose from the dead and though they didn’t believe at first, their hearts were filled with joy as they came to understand that Jesus really was alive! We too can sing praises to the Lord and have joy in the morning because of Jesus’ resurrection. Lyrics:Sing praises to the Lord all you saints of His.Give thanks to His Holy name.His anger is but for a moment;His favor is for a lifetime.Weeping may last for the night,But joy comes in the morning.Weeping may last for the night,But joy comes in the morning.Weeping may last for the night,But joy comes in the morning.Joy Comes in the morning.Sing praises to the Lord;Sing praises to His name.Give thanks to the Lord all you saints.Sing praises to the Lord;Sing praises to His name,For joy comes in the morning.Joy comes in the morning.Yes, joy comes in the morning.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
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